At the Touhill Performing Arts Center, Saturday, November 5

Popular “game-changing” New York City-based company performs blockbuster hit STAR DUST, an “utterly transfixing” tribute
to the life and music 
of David Bowie

Complexions Contemporary Ballet was founded in 1994 by former Alvin Ailey American Dance Theater virtuosos
Dwight Rhoden and Desmond Richardson

Dance St. Louis, one of the country’s oldest and remaining nonprofit dance presenters, kicks off its 57th season on Saturday, November 5 at 7:30 p.m. at the Touhill Performing Arts Center with the presentation of Complexions Contemporary Ballet, the award-winning, “game-changing” New York City-based company that has been lauded for reinventing dance and contemporary ballet. Complexions is set to perform its blockbuster hit STAR DUST, an “utterly transfixing” (Billboard) tribute to the life and music of David Bowie, full of glitter and glam. Tickets are $45-$69 and available through 2022/23 season subscription packages—2-show, 3-show, 4-show—are also still available through the Dance St. Louis Box Office at 314.534.6622 or


Critics hail STAR DUST as “spellbinding” (Billboard) and “simply one of the most exciting performances… a rock concert” (Washington Post). Featuring some of David Bowie’s best-loved music, including “Let’s Dance,” “Space Oddity,” “Heroes,” “Young Americans,” “Life on Mars,” and more, STAR DUST takes on an array of Bowie’s greatest hits to create a rock-inspired ballet in his honor

STAR DUST is choreographed by Complexions’ co-founder and artistic director Dwight Rhoden who says, “there is a little Bowie in all of us” (Los Angeles Times, 2018) and notes in the same article that Bowie was “so courageous and unafraid to reinvent himself over and over and over again” and “his music is timeless.”  STAR DUST’s glam-rock costumes are designed by Christine Darch, with makeup inspired by Bowie’s alternating personas of Ziggy Stardust and Thin White Duke. Lighting design is by Michael Korsch. With Bowie’s 40+ year career and 25 albums that stretch across musical borders, STAR DUST pays homage to the iconic and chameleonic spirit and genre-bending innovation of David Bowie


Complexions Contemporary Ballet was founded in 1994 by former Alvin Ailey American Dance Theater virtuosos Dwight Rhoden and Desmond Richardson— “two of the greatest virtuosos to ever emerge from Ailey land” (The New York Times). In its 28-year history, the company has come to represent one of the most recognized and respected performing arts brands in the world.  

Through its evocative style and groundbreaking mix of methods, styles and cultures, Complexions has awakened audiences to a new, exciting genre with its singular approach of reinventing dance and contemporary ballet. Complexions’ high-octane movement astonishes audiences by pairing its fierce evocative style with musical ranges from Lenny Kravitz and David Bowie to Johann Bach. With stunning, gifted dancers and powerful choreography, Complexions has been hailed as a “matchless American dance company” (Philadelphia Inquirer). 

Complexions has received numerous awards including The New York Times Critics’ Choice Award. It has performed on major stages throughout the United States and Europe and toured extensively throughout the Baltic Regions, Korea, Brazil, Japan, Egypt, Israel, Russia, New Zealand, Bermuda, Serbia, Jamaica, and Australia. In total, the company has presented on five continents, more than 20 countries, to more than 20 million television viewers and to well over 300,000 people in live audiences. The company is poised to continue its mission of bringing unity to the world one dance at a time

More information about Complexions Contemporary Ballet can be found on Dance St. Louis’ website or Complexion’s website at


Tickets are $45-$69 and available via MetroTix at 314-534-1111 or

2022/23 season subscriptions (2-show, 3-show and 4-show packages) are also still available for ticket buyers interested in attending more of Dance St. Louis’ season presentations. Season ticket packages start at $80 and are available directly through the Dance St. Louis Box Office at 314.534.6622. More details at


“Companies like Complexions are game-changing: they’re forging a path for what ballet can be instead of what it historically has been.” — The Guardian

“…sensationally, jaw-droppingly clear that we live in the age of the super-dancer, at a time when technical virtuosity is being redefined as an expressive state…” — Dance Magazine

“…one expects to see magnificent athletic endeavors, intriguing movement invention, and perfectly contoured bodies—and the company always delivers.”  — Theater Jones

“Rhoden’s work is post-Balanchinean choreography, a new aesthetic in movement, stage picture, and performance concepts reflecting a post-modern, techno-savvy worldview.” — Dance Magazine


Dance St. Louis is grateful for sponsor support to continue its nearly six decades-long mission to bring world-class dance to St. Louis. Major sponsors of the 2022-23 season include Ameren, Edward Jones, Emerson, Kranzberg Arts Foundation, Drs. Susan and Dan Luedke, Missouri Arts Council, National Endowment for the Arts, Regional Arts Commission, The Shubert Foundation, Mary Strauss and Whitaker Foundation. Bayer Fund is the education outreach title sponsor. 


Dance St. Louis continues to be recognized as the leading dance presenter in St. Louis and the Midwest. The remaining 2022-23 season presentations:  Giordano Dance ChicagoSaturday, February 25, 2023 at 7:30 p.m. | Touhill Performing Arts Center
Dorrance DanceSaturday, March 25, 2023 at 7:30 p.m. | Touhill Performing Arts Center
15th Annual Emerson SPRING TO DANCE® Festival 2023 Presented by Whitaker FoundationFriday and Saturday, May 26 & 27, 2023 at 7:30 p.m. | Touhill Performing Arts Center 

For tickets or more information on the Dance St. Louis 2022-23 season, please visit


About Dance St. LouisFounded in 1966, Dance St. Louis has been bringing the greatest dance of the world to St. Louis audiences for more than 56 years. Dance St. Louis is dedicated to the enrichment of the cultural landscape and artistic reputation of St. Louis by presenting world-class dance and educational opportunities that make dance accessible to everyone. Dance St. Louis also conducts a broad range of education programs for the St. Louis community. Each year, the Bayer Fund Education Outreach Program introduces schoolchildren to the magic of dance through in-school residencies and mainstage performances. For more information, please visit

Based on the timeless Disney film that introduced the world to the word “supercalifragilisticexpialidocious,” Mary Poppins brings a surplus of joy and wonder to the Variety Theatre stage. Boasting a cast of St. Louis’ top theatrical talents and a children’s ensemble featuring kids of all ability levels, Mary Poppins runs Oct. 18-27 at the Touhill Performing Arts Center.

Every year, Variety Theatre selects a musical that provides wonderful entertainment alongside a powerful message for families to take home. For all its rollicking adventures and musical numbers, Mary Poppinsis the story of a father learning to love his children as they are and see the world through their eyes. 

The magic of Mary Poppins opens his eyes and rescues a family in distress.  There is no doubt about this as she brings on the fun and flies over the audience to the top of the opera house.  Even her friend Bert captivates everyone with his “proscenium walk” during the famous “Step in Time” number.  He will tap dance up the side of the stage, upside down over the top of the stage and back down the other side – while singing about how the chimney sweeps always come to the rescue when needed.

For Variety, this is an incredibly touching narrative that supports our mission of helping kids with disabilities, who often see the world in different ways. Instead of dismissing them, we all learn and grow more by meeting these children on their terms. It shouldn’t take a magical nanny to teach us that.

This is Variety Theatre’s eleventh annual Broadway musical production under the direction of Tony award nominee Lara Teeter.  The cast of professional actors along with a live orchestra under the direction of Dr. Mark Schapman embraces an inclusive children’s ensemble.  The dazzling  production includes sets by Dunsi Dai, costumes by Kansas City Costume Company, lighting designed by Nathan Scheuer, and sound design by Rusty Wandall – all award winners.  Each year they lend their talents to mentor Variety Theatre teens of all abilities who learn backstage production from the best.

The story of Mary Poppins’ as presented by Variety Theatre will bring an unforgettable experience to theatergoers, cast and crew alike. The objective of VT is to help children with disabilities achieve their full potential, opening up to them what is possible with the nurturing encouragement of others who share their passion for creative expression and the arts.  This special effort to bring together children of all abilities, under the direction and tutelage of seasoned performing arts professionals, creates a production that will not soon be forgotten.

WHO:   Mary Poppins, The Broadway MusicalWHAT: Variety TheatreWHERE: Touhill Performing Arts Center WHEN: October 18       10 am & 7:00 pm

            October 19       1:30 pm & 7:00 pm

            October 20       1:30 pm

October 25       10 am 

            October 26       1:30 pm & 7:00 pm

            October 27       1:30 pm

TICKETS: $18-$50 at

About Variety the Children’s Charity of St. Louis

Variety empowers children with physical and developmental disabilities, also referred to as children with special needs, and improves their quality of life. Our programs highlight ability rather than disability. This holistic approach gives access to critical medical equipment and therapies, along with innovative Camp and Performing Arts programs, which provide opportunities for recreation, socialization, and artistic expression. Children gain or maintain independence, boost socialization among their friends and family, demonstrate belief in themselves, and increase skills they need to engage their world as fully as possible.

By Lynn Venhaus
Managing Editor
Radiant performers in a shimmering production of “The Little Mermaid” chased the gloom away on a chilly, gray day, as their contagious joy on the Touhill stage was a sight to behold.
The 10th anniversary musical by Variety – the Children’s Charity of St. Louis — Theatre celebrated their special achievement as the only production of this kind in the U.S. in royal fashion Friday evening, their third of six performances Thursday through Sunday, Oct. 18 – 21.
What Variety Theatre has done in the past decade is truly remarkable – involving an inclusive children’s ensemble who learns theater mechanics, confidence and performing skills alongside a professional adult cast – in a first-rate production. The good cheer that emanates from everyone involved is something special – and it’s one of the high points of my theater-going every year.

Director and Choreographer Lara Teeter’s vision for this anniversary revival was inspired, especially emulating ocean movement and boosting minor roles.  He kept everything bright and breezy.
This year’s production designs are of highest quality, with a breathtaking fantasy seascape set by Dunsi Dai that incorporated ethereal views from the scrim. Nathan Scheuer’s lighting design enhanced the warm, wonderful make-believe world under the sea – and simulated storms and the dangers down below as well.  Rusty Wandall’s sound design astutely captured sounds of sea, sand and sky.
With superb aerial work, Berklea Going, as spunky Ariel, appeared to be swimming, and her realistic rescue of a sinking Prince Eric (David Bryant Johnson) was a stunner.
The 18-piece orchestra, expertly led by musical director Mark Schapman, pulled us into Menken and Ashman’s lush musical score, and the peppy calypso beat ramped up the fun.
That island vacation sound is personified by the lively Sebastian, the red-suited crab who tries to keep headstrong Ariel out of trouble. In a star-making performance, newcomer Michael Hawkins was a delight in song, dance and showmanship – and very funny.
With his lead on the show-stopping number, “Under the Sea,” the vibrant characters swirling in action were so splendid that they received an enthusiastic – and lengthy – standing ovation.
This year’s high-spirited cast portrayed Disney’s enchanting animated characters with great verve, from the vivid sea creatures, chefs and maids to the principals in familiar roles they made their own. Their glistening outfits from Kansas City Costume burst with color and imagination.
When Disney transformed the 1837 Hans Christian Andersen fairy tale about a young mermaid who wants to live as a human into a full-length animated musical film in 1989, it was the start of a new era.
Composer Alan Menken and lyricist Howard Ashman, who died in 1991, wrote Broadway-caliber songs for their original movie score of “The Little Mermaid,” so adapting it for the stage seemed like a logical step. However, it didn’t make it to Broadway until 2008, with additional songs by Menken and lyricist Glenn Slater, and book by Doug Wright.
Ashman and Menken’s 1991 Oscar-nominated “Beauty and the Beast” came first to Broadway, in 1994 and enjoyed a 13-year run. As a special treat, Variety is fortunate to have the original “Beast,” three-time Tony nominee Terrence Mann, anchoring this production as King Triton.
With his glorious rich voice and commanding stage presence, the six-foot-tall Mann is sensational as the passionate and powerful ruler of the underwater kingdom, helping to make this show unforgettable.
His robust and regal performance is captivating, and even though he’s the marquee draw, Mann doesn’t allow himself to be center of attention, becoming an intrinsic part of the large ensemble as if it were his family.
A tip of the hat to the man who first became a star as Rum Tum Tugger in “Cats,” originated Javert in “Les Miserables,” and earned his third Tony nomination as Charlemagne in the Tony-winning 2013 revival of “Pippin.”
Along with the seamless integration of disabled youth in a children’s ensemble, as well as top-notch teens and adults, and dazzling production values, this is the best Variety musical yet. They feel like a family, for there is such warmth and affection expressed throughout the show.
From the adorable Ian Nolting as Flounder to the comical Alan Knoll as loyal Grimsby, the characters fit in both worlds.
The innovative flourishes to stand-out characters made them particularly memorable here. The agile Drew Humphrey, dandy as Scarecrow last year, charmed everyone as the wacky sidekick seagull Scuttle, and the nimble dance number “Positoovity” was a highlight in a show filled with them.
Joy Boland is a formidable villainess as wicked octopus Ursula, and her impressive sidekicks, Brandon Fink and Mason Kelso as evil electric eels Flotsam and Jetsam, were nimble foes.
Ariel’s lively Mer-Sisters were particularly strong, in songs and their comical family bickering – I looked forward to their appearance every time they sashayed out in their sequined outfits. complete with moving tails, and big-haired wigs.  The six spry siblings Chandler Ford as Aquata, Larissa White as Andrina, Corbyn Sprayberry as Arista, Dena DiGiancinto as Atina, Caitlyn Witty as Adella and Allison Newman as Allana were a hoot.
John Kinney as Chef Louis is another crowd-pleaser in madcap dinner number, “Les Poissons.”
Berklea Going was a likable Ariel, sweet-voiced and sincere, and she paired well with David Bryant Johnson as equally likable Prince Eric.
With its bright tempo, romantic story and charming characters, “The Little Mermaid” is a bubbly confection for children and adults alike. Variety’s production, infused with heart and humor, sparkled and shined.
Variety Theatre presents “The Little Mermaid” at 7 p.m. Oct. 18, 19 and 20, and also at 10 a.m. Oct. 19, 1:30 p.m. Oct. 20 and 1:30 p.m. Oct. 21 at the Touhill Center for the Performing Arts on the UMSL campus. For tickets or more information, visit and