A Doll’s House, Part 2 continues The Repertory Theatre of St. Louis’ Mainstage season, Oct. 10 – Nov. 4. Written by Lucas Hnath and directed by Timothy Near, it’s a period comedy with a modern attitude.
Hnath’s audacious sequel, written more than 135 years after Henrik Ibsen’s original, hit Broadway in 2017 like a sneak attack. Ibsen’s familial drama remains a foundational piece of theatre, with a still-controversial ending in which a married woman chooses to walk out on her family. But Hnath took the themes and characters of that familiar classic and flipped them on their heads, imagining what would happen if protagonist Nora Helmer returned home 15 years after her dramatic exit.
The play presents a bizarre and thrilling sight of Ibsen’s characters hashing out their unresolved issues with hilarious, profane and poetic barbs – in full period costumes, no less.
Caralyn Kozlowski, in her Rep debut, leads the cast as Nora. Her theatre credits include the national tour of Dirty Dancing and the Off-Broadway production The Dressmaker’s Secret. She’s appeared on television in episodes of Law & Order, Numb3rs and Third Watch.
Michael James Reed appears as Nora’s husband Torvald. This is Reed’s 15th production at The Rep, following appearances in Hamlet and Faceless last season. Andrea Abello, as the couple’s daughter Emmy, and Tina Johnson, as the family’s long-suffering nanny Anne Marie, complete the cast.
The Rep’s casting director is McCorkle Casting Ltd.
Director Near returns to The Rep for the first time since 2012’s Clybourne Park, which won five St. Louis Theater Circle Awards – including an Outstanding Director honor for Near. She has directed 11 shows at The Rep, dating back to 1981’s Buried Child, which starred Holly Hunter.
The design team includes scenic designer Scott C. Neale (Georama, 2016 – St. Louis Theater Circle Award winner), costume designer Victoria Livingston-Hall, lighting designer Ann G. Wrightson (Caught, 2018) and sound designer Rusty Wandall (Born Yesterday, 2018). Tony Dearing will stage manage the production.
Tickets for A Doll’s House, Part 2 are now on sale at repstl.org, by phone at 314-968-4925 or in-person at The Rep box office, located at 130 Edgar Road on the campus of Webster University. Ticket prices range from $19 to $92. Six-show Mainstage subscriptions or pick-your-own subscriptions of three-to-five Mainstage subscriptions are also available.
Show times are Tuesdays, selected Wednesdays and selected Sundays at 7 p.m.; Thursdays, Fridays and selected Saturdays at 8 p.m. Matinee performances are selected Wednesdays at 1:30 p.m., Saturdays at 4 p.m. and Sundays at 2 p.m.
For more information on the production, visit repstl.org/dollshouse2.

 
 

By Lynn Venhaus
Managing Editor
Oh, the places you’ll go – the Oklahoma territory in 1906, Buenos Aires, the Emerald City, church, an art gallery, a boarding school, and a comedic mind on pop culture brainwashing. From classic musicals to iconic playwrights, you’ll be transported on adventures. Pick a place and go see a play!
“The Book of Moron”The Playhouse at Westport Plaza
Sept. 13 – 23
www.westportstl.com
What It’s About:  Robert Dubac’s newest Off-Broadway hit “The Book of Moron” has been described as one of the most hilarious, intelligent and scorching satirical attacks on idiocracy since Mark Twain. Having been brainwashed by a culture that worships the Kardashians over character, delusion over truth, and selfies over self-effacement, Dubac begins his journey with a simple question: Who am I? What do I believe? What’s the point?
Okay, that’s three questions but suffice to say, he has no answers. Just voices. Inner voices who come to life with precision and wit. One by one they pull him into a hysterical alternative universe of critical thought in search of the bigger picture. It’s a head trip on a banana peel.”

The Children’s Hour”The Theatre Guild of Webster Groves
Sept. 7 – 16
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
314-962-0876
www.theatreguildwg.org
What It’s About:  Longtime friends Karen and Martha run a boarding school for girls. After a malicious youngster starts a rumor about the two women, the rumor soon turns to scandal. As the young girl comes to understand the power she wields, she sticks by her story, which precipitates tragedy for the women. It is later discovered that the gossip was pure invention, but it is too late. Irreparable damage has been done
Director: Barbara Mulligan
Cast: Jessica Johns Kelly, Nori Rhodes, Pepi Parshall, Patrick Ryan, Melanie Klug, Betsy Gasoske, Kaylee Ryan, Lydia Foss, Valletta Thurmon, Adrianna Misra, Sydney McClenning, Jesen Clendennen, Gracie Giles, Gentry Giles, Sophia Leritz and Christian Davis.
Of Note: Tickets are Adults $15, Seniors and Students $12, and are available at the door (cash or check). They do not take advanced reservations.
The Guild is a very old building, historic in fact, but because of this we are not wheelchair or handicap accessible. The Guild has a total of 31 steps.
Robert Stevens photo
“Crowns: The Gospel Musical”The Black Repertory Theatre of St. Louis
Sept. 5 – 23
Edison Theatre at Washington University
Box Office: (314) 534-3807
www.blackrep.org
What It’s About: Crowns refers to hats worn by black women. Hats become a springboard for an exploration of black history and identity as seen through the eyes of a young black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn.
Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales about everything from the etiquette of hats to their historical and contemporary social functions.
Director: Linda Kennedy
Cast: Anita Jackson leads the cast as Mother Shaw, with Maureen Williams as Wanda, Amber Rose as Velma, Leah Stewart as Mabel, Eleanor Humphrey as Jeannette, Myke Andrews as The Man and Tyler White as Yolanda.
Of Note: Director Linda Kennedy says: “The mothers and grandmothers, women of the church, were the glue that held us all together. They helped to raise us and helped make us accountable for our actions. We feared them then but are so grateful to them now. One of the greatest gifts a child can receive is the opportunity to sit and listen to and learn from an elder.” Rounding out the behind the scenes team will be the stage manager, Tracy D. Holliway-Wiggins, set designer, Dunsi Dai, lighting by Joe Clapper, and costumes by Daryl Harris.
“Evita”The Repertory Theatre of St. Louis
Sept. 5 – 30
www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger and Tim Wessel.
Eric Woolsey Photo
“Oklahoma!”Stages St. Louis
Sept. 7 – Oct. 7
Robert G. Reim Theatre
Kirkwood Community Center, 111 South Geyer Road
www.stagesstlouis.org
What It’s About: Romance, conflict, comedy and colorful characters set in 1906 in the Oklahoma territory.
Director: Michael Hamilton
Starring: Zoe Vonder Haar as Aunt Eller, John Flack as Andrew Carnes, Leah Berry as Bertie Cummings and
Of Note: “Oh, what a beautiful musical! Rodgers and Hammerstein’s timeless first collaboration was, in many ways, their most innovative. And while OKLAHOMA! completely changed the face of American musical theatre 75 years ago, it remains as fresh and vital today as it was then with its loving celebration of the American spirit. A stunning blend of drama, music, and dance, the exhilarating Rodgers and Hammerstein score contains such classics as “People Will Say We’re In Love,” “The Surrey With The Fringe On Top,” “Kansas City,” “I Cain’t Say No,” and the pulsating title tune, “Oklahoma!” A gold standard that set the bar for all great musicals that came after it.
Peter Wochniak Photo
“Social Security”Alfresco Productions
Sept. 14, 15 and 16
7:30 p.m. Friday and Saturday, Sunday at 2 p.m.
Alfresco Arts Center
2041 Delmar Ave., Granite Citywww.alfrescoproductions.org
What It’s About: The comedy focuses on trendy Manhattan art gallery owners Barbara and David Kahn, whose lives is turned upside down when her sister Trudy deposits their eccentric mother Sophie, on the couple’s doorstep, while she and her husband head to Buffalo to rescue their sexually precocious college student from a menage a trois!   Sophie is introduced to Maurice, who offers to paint her portrait and soon begins to brighten her life in ways she never expected, in her twilight years.
Director: Tim Callahan
Cast: Leslie Aerts, Danny Brown, Julie Cox, Nick Drago, John Mefford and Trish Nelke.
Photo Provided
“The Wizard of Oz”
Christ Memorial Productions
Sept. 14 – 23
Fridays and Saturdays at 7:30 p.m., Sundays at 2:30 p.m.
Christ Memorial Lutheran Church
5252 S. Lindbergh>www.CMPShows.org
314-631-0304.
What It’s About: L. Frank Baum’s classic tale, with music and lyrics by Harold Arlen and E.Y. Harburg, background music by Herbert Stothart, dance and vocal arrangements by Peter Howard, orchestration by Larry Wilcox. It is adapted by John Kane for the Royal Shakespeare Company, and based upon the classic MGM motion picture owned by Turner Entertainment Company.
Dorothy Gale of Kansas journeys to the Land of Oz, where she encounters the Scarecrow, Tin Man and the Cowardly Lion, and is besieged by the Wicked Witch of the West, all with her beloved Toto by her side. Will she make it back home to Auntie Em and Uncle Henry with The Wizard’s help?
Cast: Grace Wilkinson – Dorothy
Jennifer Kerner – Aunt Em / Chorus
Kathryn Nestor Klein – Glinda / Chorus
Michael Klein – Uncle Henry / Winkie / Chorus
Ray Martin – Tinman / Hickory
Nathan Gallop – Scarecrow / Hunk
John Jauss – Lion / Zeke
Nicky Collett – Wicked Witch of the West / Miss Gulch
Keith Poppitz – Wizard / Professor / Chorus
Lucy – Toto
Victor Landon – Munchkin Mayor / Monkey / Tap & Dancer / Chorus
Elena Adams – Munchkin Barrister / Poppy / Chorus
Abigail Roberts – Munchkin Coroner / Poppy / Chorus
Delaney McCoy – Munchkin Lullaby League / Monkey / Tap Dancer / Chorus
Ella Blasé – Munchkin Lullaby League / Monkey / Tap Dancer
Ginger Cox – Munchkin Lullaby League / Poppy / Chorus
Dakota Davis – Munchkin Lollipop Guild / Nikko
Jackson Ehlen – Munchkin Lollipop Guild / Poppy / Chorus
John McCreary – Munchkin Lollipop Guild / Poppy / Chorus
Of Note: The cast has more than 100 members. If you are interested in a special Sensory Friendly performance on Thursday, Sept. 20. please email [email protected] for details.

By Lynn Venhaus
Managing Editor
“Try to remember the kind of September when life was slow, and oh so mellow”…Anyone?
I only recall Septembers with lots o’ activities and many good theater choices. Have we got them this week!
An Andrew Lloyd Webber masterpiece about celebrity and power, an American classic celebrating 75th anniversary, Disney wholesomeness, celebration of black women with the vocal gifts of Anita Jackson, and fresh young voices in St. Louis, capturing a time and place – shout out to Tre’von Griffith. And that’s just musicals. Drama from the great American playwrights Lillian Hellman opens, and a modern opera is offered, too.
Go See a Play!

“Bye Bye Birdie”
Ignite Theatre Company
Wednesday, Sept. 12
7 p.m.
Bayless High School
Special Sensory Performance
www.ignitewithus.org
314-717-1851
“The Children’s Hour”
The Theatre Guild of Webster Groves
Sept. 7 – 16
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
314-962-0876
www.theatreguildwg.org
What It’s About:  Longtime friends Karen and Martha run a boarding school for girls. After a malicious youngster starts a rumor about the two women, the rumor soon turns to scandal. As the young girl comes to understand the power she wields, she sticks by her story, which precipitates tragedy for the women. It is later discovered that the gossip was pure invention, but it is too late. Irreparable damage has been done
Director: Barbara Mulligan
Cast: Jessica Johns Kelly, Nori Rhodes, Pepi Parshall, Patrick Ryan, Melanie Klug, Betsy Gasoske, Kaylee Ryan, Lydia Foss, Valletta Thurmon, Adrianna Misra, Sydney McClenning, Jesen Clendennen, Gracie Giles, Gentry Giles, Sophia Leritz and Christian Davis.
Of Note: Tickets are Adults $15, Seniors and Students $12, and are available at the door (cash or check). They do not take advanced reservations.
The Guild is a very old building, historic in fact, but because of this we are not wheelchair or handicap accessible. The Guild has a total of 31 steps.
Robert Stevens photo
“Crowns: The Gospel Musical”
The Black Repertory Theatre of St. Louis
Sept. 5 – 23
Edison Theatre at Washington University
Box Office: (314) 534-3807
www.blackrep.org
What It’s About: Crowns refers to hats worn by black women. Hats become a springboard for an exploration of black history and identity as seen through the eyes of a young black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn.
Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales about everything from the etiquette of hats to their historical and contemporary social functions.
Director: Linda Kennedy
Cast: Anita Jackson leads the cast as Mother Shaw, with Maureen Williams as Wanda, Amber Rose as Velma, Leah Stewart as Mabel, Eleanor Humphrey as Jeannette, Myke Andrews as The Man and Tyler White as Yolanda.
Of Note: Director Linda Kennedy says: “The mothers and grandmothers, women of the church, were the glue that held us all together. They helped to raise us and helped make us accountable for our actions. We feared them then but are so grateful to them now. One of the greatest gifts a child can receive is the opportunity to sit and listen to and learn from an elder.” Rounding out the behind the scenes team will be the stage manager, Tracy D. Holliway-Wiggins, set designer, Dunsi Dai, lighting by Joe Clapper, and costumes by Daryl Harris.
“Evita”
The Repertory Theatre of St. Louis
Sept. 5 – 30www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger and Tim Wessel.
Eric Woolsey Photo
Disney’s “Newsies”
Next Generation Theatre Company
Aug. 31 – Sept. 9
Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.
Florissant Civic Center Theatre
314-921-5678
www.nextgenerationtheatre.company
What It’s About: Disney’s Newsies tells the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged ‘newsies.’ When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right.
Based on the 1992 motion picture and inspired by a true story, “Newsies” features a Tony Award-winning score by Alan Menken (Little Shop of Horrors, Sister Act) and Jack Feldman and a book by Tony Award winner Harvey Fierstein (Kinky Boots). Featuring the now classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies is packed with non-stop thrills and a timeless message that is perfect for the whole family.
Director: Joe Elvis Baker, who is also choreographer, with music direction by Meredith Todd.
Cast: Main characters – Jack Kelly – Matthew Riordan; Crutchie – Matthew Cox; Davey – Jack Erbs; Les – Max Slavik; Katherine Plumber – Leigha Stockton; Joseph Pulitzer – Joel Hackbarth; and Medda Larkin – Brenda Bass.
Newsies: Race – Andrew Maroney, Albert/Crutchie Understudy – Corey Fraine, Romeo – Braden Stille, Henry – DJ Wojciehowski, Finch – Isaiah Henry, Specs – Rebekah Side, Elmer – Conrad Powell, Mush – Joel Brown, Jo Jo – Mia Polittle, Buttons – Andrea Brown, Sniper – Justin Harris, Splasher – Jess Gerst, Spot Conlon – Kellen Green, Scab 1 – Cami Dummerth, Scab 2 – Hayden Rodgers, Scab 3 – Justin Harris, Trey Ball, Elise Brubaker, Sabrina Furman, Gabby Diebold, Nya Martin, Kate Shaefer, Sarah Burke, Logan Brown, Aiden Kelly, Rebecca Walthall
Nuns: Mica Tharp, Elise Brubaker, Caitlin Sauors, Mackenzie Baum
Bowery Beauties: Devon Shipley, Nya Martin, Kate Shaefer, MacKenzie Baum
“Oklahoma!”
Stages St. Louis
Sept. 7 – Oct. 7
Robert G. Reim Theatre
Kirkwood Community Center, 111 South Geyer Road
www.stagesstlouis.org
What It’s About: Romance, conflict, comedy and colorful characters set in 1906 in the Oklahoma territory.
Director: Michael Hamilton
Starring: Blake Price as Curly, Sarah Ellis as Laurey, Con O’Shea-Creel as Will Parker, David Sajewich as Jud Fry, Lucy Moon as Ado Annie, Matthew Curiano as Ali Hakim, Zoe Vonder Haar as Aunt Eller, John Flack as Andrew Carnes, Leah Berry as Bertie Cummings, Mark MacKillop as Slim, Christopher Deprophetis as Ike Skidmore and Steve Isom as Cord Elam.
Of Note: “Oh, what a beautiful musical! Rodgers and Hammerstein’s timeless first collaboration was, in many ways, their most innovative. And while OKLAHOMA! completely changed the face of American musical theatre 75 years ago, it remains as fresh and vital today as it was then with its loving celebration of the American spirit. A stunning blend of drama, music, and dance, the exhilarating Rodgers and Hammerstein score contains such classics as “People Will Say We’re In Love,” “The Surrey With The Fringe On Top,” “Kansas City,” “I Cain’t Say No,” and the pulsating title tune, “Oklahoma!” A gold standard that set the bar for all great musicals that came after it.
Peter Wochniak Photo
“Three Decembers”
STL Opera Collective
Friday and Saturday, Sept. 7-8
7:30 p.m.
Kranzberg Arts Center
501 N. Grand
www.stloperacollective.org
What It’s About: The secrets that have shaped a family’s relationships. Composer Jake Heggie’s deeply moving opera explores the emotional shrapnel, secrets and hard truths that take place over three decades in the life of a Broadway diva, who has long ignored her children, now adults, as she pursues her career. Her daughter is struggling with a failing marriage, and her son is facing the death of his partner. The libretto is by Gene Scheer. The beautiful score highlights the tangled emotions of this family as they come to grips with the secrets which have shaped their relationships.”
Cast: Stephanie Ruggles, Aleksander Dragojevic, Emily Truckenbrod, Curtis Moeller, Kurtis Shoemake
“VOICES: Sounds of America”
TLT Productions
Sept. 6 – 9 for five performances
.Zack
What It’s About: A musical montage of monologues and songs by Tre’von Griffith and Lauron Thompson-Cosby that aim to bridge the gap between young and old, educate and inspire. The showed inspired by youth in St. Louis bring to life issues of race, self-esteem, identity and body image.
Of Note: This is the finale of their second season. The company founded by creative duo, Tre’von “TreG” Griffith and Lauron “Linnae” Thompson-Cosby, will end this season the way their inaugural season began. VOICES, possesses a timeliness the duo felt was worth revisiting. Identity, self-esteem, social justice, family matters and community are just a few of the subject matters addressed in this musical montage created by Griffith and Cosby.
“VOICES is one of our cornerstone works. It’s a compilation of our personal experiences and data generated from workshops done with youth in St.Louis. The workshops conducted, over the course of six years focused on life in this city and the daily issues teens face. We used a lot of their opinion to structure the show,” Griffith said.
Griffith and Cosby will be starring in this show alongside a core of TLT’s ensemble members.
It was last produced in 2017, at the Marcelle Theater.
Of Note: For more information visit metrotix.com or kranzbergartsfoundation.org/events Tickets are also available at the door.
 

The Repertory Theatre of St. Louis has launched a $1 million fundraising campaign to honor the artistic legacy of Steven Woolf, who will retire as The Rep’s Augustin Family Artistic Director at the end of the 2018-2019 season.
The $1 million raised will fund an endowment in Woolf’s name that will support the hiring of brilliant directors, designers and actors for future productions in The Rep’s Studio Theatre. The endowment campaign will run throughout the upcoming season, concluding on May 31, 2019.

The Berges Family Foundation will support the campaign through a $350,000 challenge grant, matching 100% of all gifts up to that amount.
Thanks to early gifts from Rep donors and matching support from the Berges Family Foundation, The Rep has already raised $300,000 toward its goal.
Steven Woolf has been The Rep’s artistic leader since 1986. His stewardship helped to stabilize the theatre during a rocky period of transition, before rapidly expanding its profile into a nationally recognized artistic force. During his tenure, The Rep has won more than 100 combined awards for its onstage excellence, while also topping $1 million in single-ticket sales across the past two seasons.
Those interested in donating to the campaign can do so here.

By Lynn Venhaus
Managing Editor
Holiday, celebrate! It will be so nice if you take the time to see a play over the next few days. Stray Dog Theatre’s New Works Laboratory is presenting a fresh slate of one-acts, SATE gives us existential question to ponder in their final performances of “No Exit” and Next Generation Theatre Company opens the first community theatre production of “Newsies.”
Both the Black Rep and The Repertory Theatre of St. Louis kick off their seasons with musicals Wednesday – The Black Rep opens its 42nd with the spirit-stirring hand-clapping good time “Crowns” while The Rep opens its 52nd with the Andrew Lloyd Webber masterpiece “Evita.”
So take a holiday, celebrate with theater. In the words of Madonna, “It’s time for the good times, Forget about the bad times, One day to come together, To release the pressure, We need a holiday.” Go See a Play!
“Crowns: The Gospel Musical”
The Black Repertory Theatre of St. Louis
Sept. 5 – 23
Edison Theatre at Washington University
Box Office: (314) 534-3807
www.blackrep.org
What It’s About: Crowns refers to hats worn by black women. Hats become a springboard for an exploration of black history and identity as seen through the eyes of a young black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn.
Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales about everything from the etiquette of hats to their historical and contemporary social functions.
Director: Linda Kennedy
Cast: Anita Jackson leads the cast as Mother Shaw, with Maureen Williams as Wanda, Amber Rose as Velma, Leah Stewart as Mabel, Eleanor Humphrey as Jeannette, Myke Andrews as The Man and Tyler White as Yolanda.
Of Note: Director Linda Kennedy says: “The mothers and grandmothers, women of the church, were the glue that held us all together. They helped to raise us and helped make us accountable for our actions. We feared them then but are so grateful to them now. One of the greatest gifts a child can receive is the opportunity to sit and listen to and learn from an elder.” Rounding out the behind the scenes team will be the stage manager, Tracy D. Holliway-Wiggins, set designer, Dunsi Dai, lighting by Joe Clapper, and costumes by Daryl Harris.
“An Evening of One-Acts”
Stray Dog Theatre New Works Laboratory
Thursday through Saturday, Aug. 30 – Sept. 1, 8 p.m.
Tower Grove Abbey
2336 Tennessee Avenue, St. Louis
314-865-1995www.straydogtheatre.org
What It’s About: The evening consists the one-act plays “Marge” by Lawrence E. Mooney, “Lights in the Sky” by Courtney Taylor, “Joyland” by Karen Saari, and “Life Ever After” by Alyssa Ward.
With the New Works Laboratory, the audience, performers, and writer all take part in the play development process. The writer creates the script, the actors translate the page to the stage, and audience members exchange immediate and uncensored reaction to the play, providing all with insight into further development of the product.
Playwrights with a unique vision, innovative subject matter, and diverse perspectives are thus given a voice which otherwise might never be afforded to them in the contemporary world of performing arts.
Directors: “Marge” – Lavonne Byers, “Lights in the Sky” — Kevin O’Brien, “Joyland” –Stephen Peirick, and “Life Ever After” – Miles Bledsoe.
Casts: “Joyland” – Sarajane Alverson and Sara Rae Womack; “Lights in the Sky” – Stephen Henley and Luis Castro; “Life Ever After” – Chrissie Watkins, Maria Bartolotta, and Jonathan Hey; and “Marge” – Jan Nieoff, Jonathan Hey, Dawn Schmid and Simon Desilets.
Of Note: Tickets are free. To reserve yours, please visit: www.straydogtheatre.
“Evita”
The Repertory Theatre of St. Louis
Sept. 5 – 30www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger andTim Wessel.
Disney’s “Newsies”
Next Generation Theatre Company
Aug. 31 – Sept. 9
Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.
Florissant Civic Center Theatre
314-921-5678www.nextgenerationtheatre.company
What It’s About: Disney’s Newsies tells the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged ‘newsies.’ When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right.
Based on the 1992 motion picture and inspired by a true story, “Newsies” features a Tony Award-winning score by Alan Menken (Little Shop of Horrors, Sister Act) and Jack Feldman and a book by Tony Award winner Harvey Fierstein (Kinky Boots). Featuring the now classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies is packed with non-stop thrills and a timeless message that is perfect for the whole family.
Director: Joe Elvis Baker, who is also choreographer, with music direction by Meredith Todd.
Cast: Main characters – Jack Kelly – Matthew Riordan; Crutchie – Matthew Cox; Davey – Jack Erbs; Les – Max Slavik; Katherine Plumber – Leigha Stockton; Joseph Pulitzer – Joel Hackbarth; and Medda Larkin – Brenda Bass.
Newsies: Race – Andrew Maroney, Albert/Crutchie Understudy – Corey Fraine, Romeo – Braden Stille, Henry – DJ Wojciehowski, Finch – Isaiah Henry, Specs – Rebekah Side, Elmer – Conrad Powell, Mush – Joel Brown, Jo Jo – Mia Polittle, Buttons – Andrea Brown, Sniper – Justin Harris, Splasher – Jess Gerst, Spot Conlon – Kellen Green, Scab 1 – Cami Dummerth, Scab 2 – Hayden Rodgers, Scab 3 – Justin Harris, Trey Ball, Elise Brubaker, Sabrina Furman, Gabby Diebold, Nya Martin, Kate Shaefer, Sarah Burke, Logan Brown, Aiden Kelly, Rebecca Walthall
Nuns: Mica Tharp, Elise Brubaker, Caitlin Sauors, Mackenzie Baum
Bowery Beauties: Devon Shipley, Nya Martin, Kate Shaefer, MacKenzie Baum
Of Note: The performance on Sept. 2 at 2 p.m. will be a sensory friendly performance. This performance will have a few adjustments to create a welcoming environment for our entire community, such as the house lights being at half for the entire performance. If you would like more information regarding this performance or a “What to Expect” guide, please contact us at [email protected]
“No Exit”
Slightly Askew Theatre Ensemble
Aug. 15 – Sept. 1
Wednesday through Saturday at 8 p.m.
The Chapel
6238 Alexander Drive
www.slightlyoff.org
What It’s About: Jean-Paul Sartre’s existential play “No Exit” is about three damned souls are brought to the same room in hell by a mysterious Valet. Expecting medieval torture devises to punish them for eternity, they are surprised by the deceptively simple and relatively ugly room. As they are all introduced, none of them will admit the reason for their damnation. But Inez demands that they all stop lying to themselves and confess to their crimes. The play is an exploration into the human psyche and the invisible wounds we are capable of inflicting upon others, and ourselves.
Director: Bess Moynihan
Cast: Rachel Tibbetts, Shane Signorino, Sarah Morris, Katy Keating
Of Note “No Exit” is the source of Sartre’s famous quotation ‘L’enfer, c’est les autres’ or “Hell Is Other People.”
Photo by Joey Rumpell

The Repertory Theatre of St. Louis (The Rep) has announced two of the three shows for its 2018-2019 Studio Theatre season: Admissions(October 24 – November 11, 2018), the 2018 Drama Desk Award winner for Outstanding Play, and the world premiere of Nonsense and Beauty (March 6 – 24, 2019).
Admissions, by Joshua Harmon and directed by The Rep’s Augustin Family Artistic Director Steven Woolf, opens the season. Prep school admissions director Sherri Rosen-Mason lives according to staunchly progressive values. Her daily battles include diversifying both the school’s student body and the photos in its brochures. But when her teenage son claims that those same values have denied him opportunities as a white student, it creates an explosive conflict that exposes their family’s hypocrisies and privileges. This biting play’s acidic humor goes straight for the throat.
The Studio Theatre series will conclude withNonsense and Beauty, by Scott C. Sickles and directed by The Rep’s Associate Artistic Director Seth Gordon. In 1930, the writer E.M. Forster met and fell in love with a policeman 23 years his junior. Their relationship, very risky for its time, evolved into a 40-year love triangle that was both turbulent and unique. Based on a true story, Nonsense and Beauty captures the wit and wisdom of one of the last century’s great writers. This world premiere, developed as part of The Rep’s 2018 Ignite! Festival of New Plays, explores the power of love and forgiveness.
Details for the Studio Theatre production that will run January 16 – February 3, 2019 are currently being finalized, and a title will be announced soon.
The Rep’s 2018-2019 Studio Theatre season is sponsored by The Fischer Family.
Season ticket packages for the Studio season are on sale now. By purchasing season tickets, subscribers can save substantially over the cost of purchasing individual show tickets and enjoy exclusive benefits. Studio Theatresubscription packages range from $111-$172 for all three shows.
Studio Theatre single tickets will go on sale Tuesday, September 4.
For more information about The Rep’s 2018-2019 season or to purchase subscriptions, visit repstl.org, call The Rep Box Office at 314-968-4925 or drop by the box office in person at the Loretto-Hilton Center for Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves.

The Repertory Theatre of St. Louis (The Rep) has announced two of the three shows for its 2018-2019 Studio Theatre season: Admissions(October 24 – November 11, 2018), the 2018 Drama Desk Award winner for Outstanding Play, and the world premiere of Nonsense and Beauty (March 6 – 24, 2019).
Admissions, by Joshua Harmon and directed by The Rep’s Augustin Family Artistic Director Steven Woolf, opens the season. Prep school admissions director Sherri Rosen-Mason lives according to staunchly progressive values. Her daily battles include diversifying both the school’s student body and the photos in its brochures. But when her teenage son claims that those same values have denied him opportunities as a white student, it creates an explosive conflict that exposes their family’s hypocrisies and privileges. This biting play’s acidic humor goes straight for the throat.
The Studio Theatre series will conclude withNonsense and Beauty, by Scott C. Sickles and directed by The Rep’s Associate Artistic Director Seth Gordon. In 1930, the writer E.M. Forster met and fell in love with a policeman 23 years his junior. Their relationship, very risky for its time, evolved into a 40-year love triangle that was both turbulent and unique. Based on a true story, Nonsense and Beauty captures the wit and wisdom of one of the last century’s great writers. This world premiere, developed as part of The Rep’s 2018 Ignite! Festival of New Plays, explores the power of love and forgiveness.
Details for the Studio Theatre production that will run January 16 – February 3, 2019 are currently being finalized, and a title will be announced soon.
The Rep’s 2018-2019 Studio Theatre season is sponsored by The Fischer Family.
Season ticket packages for the Studio season are on sale now. By purchasing season tickets, subscribers can save substantially over the cost of purchasing individual show tickets and enjoy exclusive benefits. Studio Theatresubscription packages range from $111-$172 for all three shows.
Studio Theatre single tickets will go on sale Tuesday, September 4.
For more information about The Rep’s 2018-2019 season or to purchase subscriptions, visit repstl.org, call The Rep Box Office at 314-968-4925 or drop by the box office in person at the Loretto-Hilton Center for Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves.