The Muny has announced that it will offer 10 weeks of free online Muny entertainment for the summer of 2020. For 10 consecutive Monday nights, with a single repeat stream on the subsequent Thursday, audiences and fans can experience the magic of their Muny summer online at muny.org with both curated and newly created entertainment. The Muny’s free online season is proudly sponsored by World Wide Technology.

Beginning Monday, June 15 through Monday, July 13 fans can enjoy five weeks of Muny Magic in Your Home. This new series will feature exclusive, never-before-seen footage of the The Muny’s concert series  Muny Magic at The Sheldon. Launched in 2015, the popular off-season series hosts Muny fan-favorites for intimate evenings of music, song and story.

The online season launches this Monday, June 15 at 8:15 p.m. CDT with Muny favorite, and Tony and Drama Desk Award-winner, Beth Leavel. The first Muny Magic in Your Home will also feature a guest appearance from Tony Award nominee Lara Teeter, as well as other very special surprise artists. Ms. Leavel’s music director is Phil Reno and she is joined by Vince Clark on bass and Nick Savage on drums.

The complete Muny Magic in Your Home schedule is: Beth Leavel (June 15 and 18), A Night with the Buddy Holly Boys (June 22 and 25), Our Leading Ladies (June 29 and July 2), Our Leading Men (July 6 and 9) and Mikaela Bennett and Alex Prakken (July 13 and 16). For descriptions of each show, please see below.

Beginning Monday, July 20 through Monday, August 17 the Muny will produce five online variety shows featuring Muny friends and family from around the world. The full schedule and weekly lineup will be announced in early July.

All Muny online performances can be streamed on Monday and Thursday evenings at no cost via muny.org. These are exclusive, one-time-only streams and will not be available after the Thursday night airing.
“While we can’t be together in Forest Park this summer, we wanted to have a 102nd season to bring our community and our audiences together in whatever manner we can,” said Muny Artistic Director and Executive Producer, Mike Isaacson. “One of the reasons The Muny has survived and thrived for more than a century is because we’ve been a wonderful ritual, a life bookmark, for generations of St. Louisans. With our online season, we can keep and honor that beautiful tradition. We hope everyone will gather and enjoy these terrific Muny shows.

“Our teams have been hard at work putting together 10 incredible nights of programming that will hopefully help simulate a small piece of the Muny magic audiences feel each summer in Forest Park,” said Muny President and CEO, Denny Reagan. “To kick off our online season with beloved, longtime Muny favorite Beth Leavel is nothing short of exciting. Her Muny Magic in Your Home performance sets the bar for a great online summer season ahead. We are sad that we won’t see our Muny friends and family in person, but we are eager to spend 10 nights together virtually.”
Beth Leavel | June 15 and 18
Sponsored by World Wide Technology

Beth Leavel received Tony, Drama Desk, Outer Critics Circle and L.A. Drama Critics Awards for her performance as the title character in The Drowsy Chaperone. Other Broadway: Dee Dee Allen in The Prom (2019 Tony Award nomination), Florence Greenberg in Baby It’s You! (Tony, Drama Desk, OCC nominations); BandstandElfMamma Mia!Young Frankenstein42nd Street (original and revival), Crazy for YouThe Civil WarShow Boat. Numerous credits off-Broadway, regional theatre, commercials and television, including the Paper Mill Playhouse production of The Bandstand. MFA from University of North Carolina, Greensboro.

Beth’s Muny credits include: inaugural Muny Magic at The Sheldon featured artist (2015), Mama Rose in Gypsy (2018), Aunt Eller in Oklahoma! (2015); Mrs. Dolly Gallagher Levi in Hello, Dolly! (2014); Sister Robert Anne in Nunsense: Muny Style! (2013); Mrs. Meers in Thoroughly Modern Millie (2012), Miss Hannigan in Annie (2009), Vera Charles in Mame (2005), Dorothy Brock in 42nd Street (2004) and Betty Rizzo in Grease (1988). She has also served as an understudy for some of the greatest Muny leading ladies in 1983: Judy Kaye in Can-Can; Lucie Arnaz in I Do! I Do!; Lynn Redgrave in The King and I and Susan Powell in Promises, Promises.



The Buddy Holly Boys | June 22 and 25
Sponsored by Cardinal Glennon Children’s Hospital, Drury Hotels, Safety National and Welsch Heating and Cooling Company

After starring as Buddy and the Crickets in The Muny’s 2015 summer blockbuster Buddy: The Buddy Holly Story, Andy Christopher, Joe Cosmo Cogen, Kyle Lacy and Nathan Yates Douglass give an electrifying performance in the highest-attended Muny Magic at The Sheldon to date.


Our Leading Ladies | June 29 and July 2
Sponsored by Augusta Winery and Montelle Winery

Danielle Bowen (Dorothy in The Wizard of Oz, 2016), Ali Ewoldt (Martha Jefferson in 1776, 2019; Philia in A Funny Thing Happened on the Way to the Forum, 2017; Maria in West Side Story, 2013), Stephanie Gibson (Gabrielle in Cinderella, 2019; Inga in Young Frankenstein, 2016; Gertie Cummings in Oklahoma!, 2007), and Elena Shaddow (Marian in The Music Man, 2016; Cinderella in Into the Woods, 2015) give heart-stirring tributes to leading ladies of past Muny seasons, including Ethel Merman, Shirley Jones and Bernadette Peters.

Our Leading Men | July 6 and 9
Sponsored by Centene Charitable Foundation

Ben Davis (John Dickinson in 1776, 2019; Sky Masterson in Guys and Dolls, 2019; Pilate in Jesus Christ Superstar, 2017; Curly in Oklahoma!, 2015; Emile de Becque in South Pacific, 2013; Galahad in Spamalot, 2013), Davis Gaines (Joseph Pulitzer in Newsies, 2017), Jay Armstrong Johnson (Jack Kelly in Newsies, 2017, Billy Lawlor in 42nd Street, 2016; Barnaby Tucker in Hello, Dolly!, 2014) and Mykal Kilgore (Annas in Jesus Christ Superstar, 2017) celebrate iconic men from past Muny seasons.


Mikaela Bennett and Alex Prakken | July 13 and 16
Sponsored by U.S. Bank

Muny newcomer Mikaela Bennett (Ella in Cinderella, 2019) and St. Louis native, and former Muny Kid and Teen, Alex Prakken (Courier in 1776, 2019; Marius in Les Misérables, 2013) take audiences on an enchanted journey through the musical theatre songbook.

For digital assets, including the Muny Magic in Your Home logo and b-roll of Beth Leavel, please click here World Wide Technology (WWT) became the first overall season sponsor in the history of The Muny in 2014. They are committed to continuing in this role with their leadership gift as The Muny’s 2020 Online Season Presenting Sponsor To stay connected virtually and to receive the latest updates, please follow The Muny on their social media channels, including Facebook, Instagram and Twitter.
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The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 350,000 theatregoers over our nine-week season. Celebrating 102 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.

For more information about The Muny, visit muny.org

15 arts organizations will join forces with OTSL and RAC to present a streamed concert in support of artists whose livelihoods have been directly impacted by COVID-19.

Together with 14 other arts organizations and the Regional Arts Commission (RAC), Opera Theatre of Saint Louis (OTSL) is proud to announce “Arts United STL,” a free virtual benefit in support of RAC’s Artist Relief Fund, which provides critical aid to St. Louis working artists whose livelihoods have been critically interrupted by the pandemic. Produced by OTSL in partnership with the St. Louis Shakespeare Festival, this benefit will take place at 7 p.m. on Sunday, May 31st and present performances from local arts organizations, including The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, the Tennessee Williams Festival St. Louis, and more. 

Arts United STL was first envisioned by OTSL General Director Andrew Jorgensen as a way for St. Louis’ established arts institutions to help support the community’s vibrant arts ecosystem. After an initial consultation between OTSL, RAC, and the St. Louis Shakespeare Festival, a consortium of 15 organizations was invited across an array of arts mediums. In the coming days, RAC will also encourage open submissions from independent artists and other arts organizations to further highlight the artistic diversity of the city. 

More information about Arts United STL can be found on Opera Theatre’s website at ExperienceOpera.org/ArtsUnited, which will also host the live video stream on Sunday, May 31st. In addition, viewers may watch the livestream via YouTube on Opera Theatre’s channel. Viewers will be encouraged to donate to the RAC Artist Relief Fund during the concert. To date, the Artist Relief Fund has distributed $136,500 in direct support to individual artists. The goal of Arts United STL is to raise an additional $250,000 through 1,000 individual donations and sponsorships. Supporters may donate to the Artist Relief Fund at ExperienceOpera.org/ArtsUnited at any time before, during, or after the live event.

The arts and culture sector is an important driver for the St. Louis economy. According to the 2015 Americans for the Arts Economic Prosperity 5 study commissioned by RAC, the nonprofit arts and culture sector generated $590.9 million and 19,129 full-time equivalent jobs for the greater St. Louis area during that same year. Since the start of the pandemic, based on research conducted by Americans for the Arts, 89% of St. Louis City and County arts institutions have canceled events that would have reached more than 285,000 individuals.

“This benefit represents an exciting and collaborative effort to respond to the global crisis affecting the arts and culture sector in our region,” said Mont Levy, chair of the board of commissioners at RAC. “As the major public funder of arts in the region with a mandate to support individual artists, we know it is RAC’s responsibility to provide emergency support during this time of great need. We could not be more grateful to Opera Theatre of Saint Louis for spearheading this event, or to the St. Louis Shakespeare Festival and every participating organization for their work to highlight the rich cultural tapestry of our region and support their fellow artists.”

The Regional Arts Commission of St. Louis is the largest annual funder of non-profit arts in the region, providing grants to individual artists, arts and culture organizations, and other programs since 1985. RAC established the Artist Relief Fund through the St. Louis Community Foundation on April 1st to help working artists who have lost income due to the pandemic. So far, the fund has distributed $500 and $1,000 grants to more than 130 artists and will resume accepting new relief applications once additional funds have been secured.

OTSL General Director Andrew Jorgensen says of the effort, “We are thrilled to be collaborating with so many other arts organizations to help local artists, whose work makes St. Louis an immeasurably vibrant, special place. OTSL couldn’t be happier to produce this concert in support of artists during these difficult times. This benefit will highlight a fantastic array of art from different genres that reflect the artistic diversity and traditions of this community. I am so grateful to all my many colleagues who are uniting in this remarkable way to support one another and our entire arts ecosystem.”

All participating organizations are donating their time, with production costs and staffing needs covered by Opera Theatre of Saint Louis, additional staffing needs covered by St. Louis Shakespeare Festival, and an in-kind donation from Switch. The program will be directed by St. Louis Shakespeare Festival Artistic Director Tom Ridgely. Arts United STL is produced in partnership with the Regional Arts Commission, and the following arts partners: The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, and the Tennessee Williams Festival St. Louis.

Here is the HEC featurette piece: https://youtu.be/Upzz841hHX4

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About Regional Arts Commission

The Regional Arts Commission of St. Louis (RAC) supports artists and arts organizations through grantmaking, strategic initiatives and other programs that build capacity, improve quality and advance diversity, equity and inclusion within the region’s arts and culture sector. Celebrating its 35th anniversary in 2020, RAC has been pivotal in nurturing the vibrant art scene throughout St. Louis, awarding more than 7,000 grants totaling over $100 million since its inception in 1985. Directed by a board of 15 commissioners appointed by the chief executives of St. Louis City and St. Louis County,  RAC prioritizes quality in its support of nonprofit arts organizations, individual artists, and programs and promotes partnerships that strengthen the sector and drive progress throughout the region. RAC receives its funding from hotel/motel room sales tax revenue from St. Louis City and County. Visit www.racstl.org for more information, or follow us on Facebook at Regional Arts Commission or Twitter @RACStLouis.

The COVID-19 pandemic presents a multitude of obstacles to overcome for organizations of all types, and theater groups are no exception. Sharon Hunter, Artistic Director-Producer of Moonstone Theatre Company, aims to help address some of the virus-related challenges that the St. Louis theatre community faces by forming the St. Louis Theatre Community Task Force.

“As I was thinking about how to proceed with my own company in the wake of the pandemic, I started thinking it would be helpful  to get a lot of the theaters to sit down via Zoom and discuss concerns, ideas and solutions for moving forward as we navigate the future of theatre in St. Louis,” Hunter explains.

Sharon Hunter

The Task Force will address concerns including conducting safe auditions, rehearsals and performances, finding new ways to seat audiences, maintaining the visibility of the St. Louis theatre community, new ways to offer theatre experiences and recommendations for the use of personal protective equipment.

Hunter said the Task Force, which is the first of its kind in the St. Louis area, welcomes local theatre groups of all sizes. In addition to these organizations, representatives from the St. Louis County Department of Health and the Center For Disease Control have also been invited to the first online meeting to address questions and concerns.

Theatre companies invited to participate include R-S Theatrics, The Q Collective, The Midnight Company, Slightly Askew Theatre Ensemble, Upstream Theater, Repertory Theatre of St. Louis, COCA, Shakespeare Festival STL, Black Rep, Stray Dog Theatre, Stages St. Louis, St. Louis Actors’ Studio, The Muny, Opera Theatre of Saint Louis, New Jewish Theatre, Cherokee Street Theatre, The Cabaret Project of St. Louis, Max & Louie Productions, Black Mirror Theatre, Young Liars, West End Players Guild, Tennessee Williams Festival St Louis, New Line Theatre, ERA Theatre Company, STL Fringe Festival, St Louis Shakespeare, Metro Theatre Company, That Uppity Theatre Company and the Tesseract Theatre Company.

The initial meeting of the Task Force is scheduled for Thursday, April 23, at 7 p.m. Theatre groups interested in interested in participating should contact Hunter at [email protected] to get access to the Zoom link. For more info, check their Facebook page for updates: https://www.facebook.com/STLTheatre/.

By Lynn Venhaus

As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.

Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.

Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.

PROFESSIONAL VENUES

Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. These closures will remain in place until at least May 11.

This includes the Kranzberg Arts Center, The Marcelle Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room, Sophie’s Artist Lounge and the High-Low building.

Fox Theatre
Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.

On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.

“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.

Ticket holders should keep their tickets until new dates are announced. More information will be available once new dates are secured.

The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.

The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.

“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.

Plans to reschedule other postponed shows are currently underway.  Ticket holders should hold on to their tickets – they will be honored on the new dates.

Decisions about other future shows will be made as we follow the evolving situation with the COVID-19 virus and the City of St. Louis’ determination of the length of this prohibition, public relations manager Megan Ketcherside said.

Operational hours are subject to change based on the COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix 314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m., closed on Saturday and Sunday.

Visit the website, www.fabulousfox.com/coronavirus

Family Arena

As of March 25, the Family Arena and The Family Arena Box Office is closed to the public until such time as the limit on public gatherings is lifted in St. Charles County.

Tickets are still available for purchase at Ticketmaster.com.

Manager Tom O’Keefe said if you purchased tickets at the box office for an upcoming rescheduled event that you would like a refund for, please hold on to your tickets until they re-open and they will refund your tickets at that time.

They have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center for guidance and check back regularly for additional information and status updates, www.familyarena.com.

Stifel Theatre

The Stifel Theatre and Enterprise Center Box Offices will not open until further notice. For guests who purchased tickets to an upcoming show through the box office that has been cancelled, please hold on to your tickets until we re-open and are able to assist with your questions.

These events at Stifel Theatre have been postponed. Ticket holders should hold on to their tickets, as all tickets will be honored on the rescheduled dates.

Here are rescheduled dates:

Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18 to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March 20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.

The following events have been cancelled and refunds will be available at original point of purchase:

“Sesame Street Live,” March 27-29; TD Jakes, April 10; The Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April 23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.

Decisions about other future shows will be made as they continue to monitor this rapidly evolving situation. Visit www.stifeltheatre.com

Chaifetz Arena

The arena is closed until further notice and in an abundance of caution, the venue will be thoroughly cleaned while closed.

They are currently working to reschedule all impacted events and will provide updates as quickly as possible. We ask all current ticket-holders to retain their tickets for these events until such time when a new date is determined as your current ticket will be valid for the new date. “Please be patient and hang tight as we work through this unprecedented time,” a spokesman said.

Additionally, they have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center by clicking here for guidance and check back regularly for additional information and status updates as they become available.

Impacted Events: Festival Of Laughs from March 20 to Sept. 26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28 to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15; Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24 to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29 to TBD.

The Playhouse at Westport

All March/April events were cancelled, including “Flanagan’s Wake,” which had been extended to mid-April.

John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain scheduled.

Refunds are available at point of purchase.

REGIONAL PROFESSIONAL THEATER

Metro Theatre Company

They are partnering with Off the Page for this project “Art Apart, Together.” Share your creativity and learn more here: https://www.metroplays.org/art-apart-together

Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/

We feel really lucky to be partnering with Alliance TheatreCry Havoc Theater Company, and Metro Theater Company on this project.

EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!

New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.

The Muny

The Muny administrative offices and box office are closed through late April. Ticketing services for the 2020 season are available online at any time.Ticketing related questions can be sent to [email protected]

“We are closely monitoring all developments regarding the COVID-19 outbreak and will continue to follow the guidance of health and government officials with the goal of keeping our staff and community as safe and healthy as possible,” the Muny statement reads on their website. 

“With the start of our 2020 season still months away, we remain optimistic that the season will proceed as planned and hope the restrictions on gatherings are lifted in early May, as scheduled. If that changes, we will adjust accordingly. Meanwhile, we continue communicating with health officials on all levels to stay fully informed and responsive to this unprecedented situation,” the statement reads.

Given the Stay at Home order for St. Louis City and County, and for the health and safety of our team, The Muny Offices are currently closed and some ticketing dates have changed. However, we’re still busy getting ready for the 2020 summer season, and we can’t wait to meet you at The Muny this summer!

Ticketing Update as of March 26 – These dates are subject to change. 

Muny Season Tickets will be mailed in early May

Season Ticket Exchanges: May 26 – 29

Single Ticket on Sale: June 1

To purchase new season tickets, or pay a current balance on existing season tickets, please visit:  muny.org/buy-tickets

To purchase season tickets with a gift card you currently have in-hand, please email The Muny Box Office at [email protected] and a Muny Ticketing agent will contact you  to process your request. If you wish to purchase a gift card, it will not be mailed until the restrictions on gatherings have been lifted. 

Also, if you are looking for a way to stay entertained during these “quiet days,” we encourage you to enjoy a specially curated set of video clips from our previous productions on our social media channels. You can follow us on Facebook, Twitter and Instagram.

The Repertory Theatre of St. Louis

The Cake starring Rigel Harris, Denny Dillon and Dria Brown. Photo by Phillip Hamer.

The Repertory Theatre had to cancel the run of “The Cake,” which began in the Studio Theatre on March 14, but was forced to be shutdown March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from March 21, with the goal of mounting it this summer.

“The Cake”

An online stream of “The Cake” has been made available to all Studio Theatre patrons who previously purchased tickets at no additional cost.

There are a limited number of streaming tickets available for purchase for those who are interested in viewing the final performance of the Steve Woolf Studio Series this season. That is available through April 24.

Additionally, The Rep is collaborating with a national group of theatres to commission a series of short plays specifically developed to spark joy and connection among people who are sheltering in place. These initiatives are designed to keep the art alive and vital, even in a time of isolating quarantines.

“Keep an eye out for more entertaining content and educational resources from The Rep and our local and national partners by following us on social media,” spokesman Jeremy Goldmeier said.

On March 27, The Rep announced that they have honored the entire contracts of the guest artists who devoted their talents to “Dreaming Zenzile” and “The Cake,” despite their runs being delayed or cut short.

“In these uncertain times, The Rep felt it was imperative that these artists, whose livelihoods depend on their contracts, not bear the additional burden of lost wages in this pandemic,” a statement said.

“As you know, The Rep has an extraordinarily talented and dedicated staff that works year-round to support the productions, education, and community initiatives to serve the greater St. Louis region. We have continued to pay the full salaries of our full-time, year-round administrative staff, with no furloughs or other lapses in pay. We have moved our administrative and box office teams to work remotely to serve you during this period,” a statement said.

Play at Home

The Repertory Theatre of St. Louis has teamed with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company to present Play at Home, a series of micro-commissioned short plays from some of the American theatre’s most exciting and prominent playwrights.

These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

In the wake of widespread event cancellations following the spread of the coronavirus (COVID-19), the participating theatres conceived Play at Home as a way to support artists, connect people to theatre, and to ignite imagination and joy in these uncertain times.

Each organization commissioned multiple playwrights – most of whom had plays canceled due to the coronavirus outbreak – to create new works that were big, joyful and not bound by the constraints of what might be “possible” on a traditional stage.

The Rep’s commissioned playwrights feature:

Regina Taylor (playwright of The Rep’s 2020-2021 production of Oo-Bla-Dee)

Karen Zacarias (playwright of The Rep’s 2020-2021 production of Native Gardens)

Steph Del Rosso (playwright of The Rep’s 2020-2021 world premiere of The Gradient)

Guadalís Del Carmen (who appeared at The Rep as an actor in 2020’s Mojada: A Medea in Los Angeles)

Tre’von Griffith (a St. Louis performer and playwright, co-founder of TLT Productions)

These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.

Max and Louie Productions

Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.

Moonstone Theatre Company
Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.

Joe Hanrahan of The Midnight Company

The Midnight Company
Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.

 It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved.  Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating.  A difficult show to describe but what it is is excellent.”  Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word.  The Cardinals are the talk of the town again.  This show should be the talk of the town, too!” 
Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show.  At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.”
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns  a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation.  The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.”  Throughout, the playwright draws links between what’s happened and happening –  from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time.
Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.

There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.



Grace Langford and Jaclyn Amber in “Head Over Heels” Photo by Jill Ritter Lindberg



New Line Theatre


New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.

Its June production of “Urinetown” has been cancelled.

Stray Dog Theatre

“Annie,” which was to open April 9, has been postponed, with dates to be announced.

“We will honor all tickets already purchased to any of the new performance dates once they are announced. To purchase tickets to any other future productions, please call our box office directly at (314) 865-1995.

“We are currently planning to hold the remainder of the 2019-2020 season as scheduled. Any changes or additional information will be shared as soon as possible. If you have any questions, please feel free to contact us,” said Artistic Director Gary F. Bell.

“We would like to thank everyone for the hard work they’ve already put into the production and we would like to thank you for your patience as we work to bring you the quality story telling you, our family, deserve. Annie is that bit of light we all need right now, ‘the sun will come out tomorrow’ and we will overcome anything,” Bell said.

“We know we are not the only organization dealing with these difficult decisions and we stand with them, ready to come back stronger. Your continued support of all arts organizations is always appreciated but never more than in times like these. We look forward to seeing you soon,” he said. “Please stay safe and be kind to one another.”

Kenneth Lonergan’s “Lobby Hero” is set to run June 4 – June 20

“However, due to the extreme strain currently being faced by many organizations we have made the decision to halt online sales of upcoming productions. We will resume online sales once matters have settled and the timeline of events moving forward becomes more defined,” Bell said.

“You may continue to purchase tickets for upcoming shows by calling our Box Office at (314) 856-1995 or emailing us at [email protected] Thank you for your patience and your continued support as we manage these unfortunate events.”

For more information, visit www.straydogtheatre.org

St Louis Actors’ Studio

Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10

This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.

New Jewish Theatre

Judi Mann, Kelly Weber and Joneal Joplin in “We Are the Levinsons”

Initially, New Jewish rescheduled “We Are the Levinsons” from March 19 to May, but now they have pushed it back, along with their Sondheim musical revue, “Putting It Together.”  They would like to reschedule later this summer.

All activities at the JCCA have been suspended during the public health crisis.

For more information, please contact them by email or by phone, 314-442-3283.

Opera Theatre of St. Louis

Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah

Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again. 

At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!

For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:

https://www.opera-stl.org/beyond-the-stage/updates-regarding-covid-19

This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.

“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.

Shakespeare Festival St. Louis

The 2020 Shakespeare in the Park production of “Much Ado About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director Tom Ridgely said it was in order to provide the best possible chance of safely gathering artists and audiences for its 20th anniversary season. It is to be directed by Bruce Longworth.

“For the past 20 years in St. Louis, the opening of Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely said. “This year it’s clear that the only way to care for our actors, crew, volunteers and community is to give as much time as possible for social distancing measures to take effect and hope to be one of the ways we all bring our summer 2020 to a much happier close.”

The previously announced creative team of Matt Pace & Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis (Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design) remains the same.

In response to the widespread cancellation of live events, the Festival has already shifted to generating a full schedule of new and original content for the online and social media platforms under the umbrella of “ShakespeareTV.”

These include the previously aired “watch party” of its canceled regional tour of Cymbeline, a live reading of “Venus and Adonis” (which Shakespeare wrote during a plague-induced theater closure) and a five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together they’ve already been viewed 10,000 times.

Now through May 29 on ShakespeareTV, which can be accessed on their Facebook page:

THE ZOOM PLAYS: a weekly series of 20- to 30-minute original plays written especially to be performed live over the videoconferencing app Zoom. Created and performed by local playwrights, directors and actors.

GREEN SHOW MONDAYS: an eclectic variety program featuring music, comedy and performance from Festival favorites.

SHAKESPEARE AND CHILL: a special selection of Shakespeare-inspired movies featuring live commentary from artists and scholars, co-curated by Cinema St. Louis.

Other one-night only events to be announced.

May 29 – June 21 is SHAKE20

A 20th anniversary reboot of the beloved engagement program SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s originally scheduled run, May 29-June 21.

Like the original, SHAKE20 will be a region-wide collaboration involving artists and organizations including SHAKE38 alumni: Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics, Poor Monsters and Theater Nuevo. More details about the program and how to apply will be shared soon.

 “In the meantime, we hope that you and yours stay well. We have planned an incredible season of free Shakespeare, and we cannot wait to share it with you. It’s an interesting time to be in the business of live theatre and touring productions, but the Festival is committed to paying our artists and staff throughout this crisis,” Ridgely said.

So, if you have ever considered becoming a member, know that we are always grateful for your support—but especially so at this time,” he said.

“During this crisis, we feel more connected to Shakespeare and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The Plague was the single most powerful force shaping [Shakespeare’s] life and those of his contemporaries.’ During times of quarantine, Shakespeare wrote some of his most important sonnets and plays,” Ridgely said.

“We can’t claim to have his genius, but we will take inspiration from his dedication and from artists around the world that are stepping up to create, facilitate, and share stories in new and exciting ways. Stay tuned for updates on new and existing Festival programs,” he said.

For more information, visit the website sfstl.com and on social media. Visit https://www.facebook.com/shakesfestSTL

Stages St. Louis

While Stages St. Louis continues to follow guidance from the CDC as well as mandates from both local and national government, for the time being, they have made no adjustments to the schedule for our upcoming 2020 Season.

However, here are some changes regarding tickets, activities and outreach:

Single tickets for the 2020 Season will now go on sale beginning Monday, April 27.

All in-person activities with the Stages Performing Arts Academy will be canceled until the start of our Summer Semester on Monday, June 1.

The Stages administrative, production, and academy offices will remain closed until Thursday, April 23.

In the meantime, the Box Office is still open for questions or subscription ticket sales online at www.StagesStLouis.org or by phone at (314) 821-2407.

The Stages Performing Arts Academy will continue to offer digital and streaming content in order to continue performing arts education for students at home and can answer any and all questions by phone at (636) 449-5775. 

Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.

Tennessee Williams Festival St. Louis

Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.

The Tesseract Theatre Company
Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.

For more information, contact: [email protected] or visit the website, www.tesseracttheatre.com

That Uppity Theatre Company
Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.

Upstream Theater
In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.

West End Players Guild

Steven Dietz’s “Bloomsday” set to open April 17 and run through April 26 has been cancelled. It was the final production of the group’s 109th season.

“As our country copes with the growing threat of the Coronavirus, one of the most important steps we must take to protect ourselves and each other is the kind of “social distancing” that is impossible at a theatrical production. Our Board of Directors believes it is highly unlikely that the need for social distancing will be any less in April than it is today, and decided that the best course of action for our company and our patrons was to act now to cancel the show,” a statement reads.

Patrons who have purchased advance tickets through Brown Paper Tickets will be issued automatic refunds. WEPG will reach out to season ticket holders in the near future with refund options.

WEPG will begin its 110th season in September.

Alfresco Productions
Auditions for “Hairspray Jr.” will be by video for the Granite City community theater production. The show is to run July 24-26 and deadline for video submissions is April 19. The age limit is from 6th grade to 18 years old. For more information, visit: https://www.alfrescoproductions.org/auditions

Alton Little Theatre

All productions and concert events through May 1 have been cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and “Broadway Salutes America” may be refunded or transferred. Call 618-462-3205 for options.

“Brigadoon” has been moved from May to June, with plans for a June 5 opening, with eight performances through June 14. Season ticket holders can follow the same schedule but can call the office at 618-462-3205 anytime in May.

“Shrek” auditions have been rescheduled for Saturday, May 10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting at least 30 characters. The show will run July 31-Aug. 9 for eight performances.

Clayton Community Theatre
“The Philadelphia Story” was to run March 12-22 but was cancelled after opening weekend.

They hope to premiere “Broadway Bound” July 9 -14

Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a future date in 2020, to be determined, and cancelled March 28 auditions. The musical was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep informed of updates, visit www.curtainsuptheater.com

Kirkwood Theatre Guild

Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek: The Musical,” which were set to run in April and May.

Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on hold. More information will be forthcoming. Please follow or check out website www.HawthornePlayers.com for any further announcements.

Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it after state and local mandates due to the COVID-19 pandemic.

They have cancelled the rest of the season, including “Rock of Ages” in May and have moved it to the opening slot in the fall.

“We are reaching out to the publishers to reschedule and are hopeful that we will be able to still perform the show in September,” he said.

They hope to announce the full season soon and for patrons who renew their season tickets for next year, they will receive a 10 percent discount.

“Currently, we are still planning our summer youth production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror Show.”

Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19 and 24-26, has been postponed.

Due to the current health crisis in our area, all MASC rehearsals and activities at the Capitol Theater have been postponed effective Monday, March 16. 

“The MASC Board will be discussing the plan of action moving forward regarding Watch on the Rhine, the current show in production, and the remainder of the 2019-2020 season, as we monitor the progression of this crisis. Specific information regarding these two shows will be sent out accordingly. The health and safety of our membership and patrons is our highest priority,” a statement read.

O’Fallon Theatre Works

The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions were recently handled by video.

Over Due Theatre Company

The group in Olivette has postponed “My Fair Lady.” It was to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.

The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”

“We are hopeful and fully intend to mount this production at a later date,” a statement read.

AWARDS EVENTS

St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards were to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event has been cancelled. Local theater critics will still honor outstanding regional professional theater, however.

Instead, HEC will provide a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy outfits and schmoozing, the event will be downscaled reading of the nominations and awards.

Here is the URL link to the Higher Education Channel TV (HEC-TV):  https://www.facebook.com/hectv/live/

The event’s hashtag is #TCA20

The theater critic members of the St. Louis Theater Circle have recorded the nominations, and their voice-overs will run over photos of the nominees. Then HEC announcer Rod will announce the winner. There are 34 categories to give awards in, which cover dramas, comedies and musicals. A special award is being given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts.

Visit the Theater Circle’s Facebook page for more information.

If you would like to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Arts For Life

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

AFL President Mary McCreight has suspended all public activities of the AFL organization, effective until at least May 1. This includes all judging activities of the Theatre Recognition Guild.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” she said.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).

ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS

In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

ARTS CENTERS AND CONCERT HALLS

The Hettenhausen Center for the Arts

All events and performances scheduled through June 1 have been cancelled at “The Hett,” which is located on the campus of McKendree University.

 “TAO Drum” has been rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah” has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.

The ReMINDers has been cancelled for April 6.

They are offering patrons the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees. Please contact the box office during operating hours to discuss ticket disposition at 618-537-6863. The box office is open from noon to 4 p.m. Monday-Friday.

Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For more information, please contact [email protected].

St. Louis Symphony Orchestra

All performances through April 12 are postponed or canceled. For information regarding tickets and schedules, visit slso.org.

The Sheldon Concert Hall & Art Galleries

All Sheldon-presented concerts and other events through May 10 have been postponed or canceled. Plans to reschedule are underway, and ticket buyer should retain their current tickets – they will be honored for the new dates. Additional information will be provided to ticket buyers as events are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley, “Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17; David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes for events presented by non-Sheldon promoters will be handled on a case by case basis. All updates can be found at TheSheldon.org or at MetroTix.com.

The Sheldon is located at 3648 Washington Blvd., St. Louis.

Fair Saint Louis

Fair Saint Louis and America’s Birthday Parade events have been canceled this year due to concerns about the COVID-19 pandemic.

Fair Saint Louis was set to run July 2-4 at the Gateway Arch with concerts, air show, and fireworks each night.

“While we are saddened to cancel two of our region’s most popular and free Fourth of July celebrations, the safety of our community is of utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair Saint Louis and America’s Birthday Parade embody the prideful spirit of our city, and over the past few weeks, we’ve seen that spirit shine so brightly within our community as we face this unthinkable challenge together.”

This year would have marked the 40th Fair Saint Louis and 138th America’s Birthday Parade.

“We look forward to returning to downtown St. Louis and celebrating with our community in the future when the time is right,” said David Plufka, Chairman, America’s Birthday Parade.

            COVID-19 Pandemic Results in Production Streamcast by HEC Media

New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday for Creve Coeur.

Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE

Awards were given in 31 categories covering comedies, dramas and musicals as well as two categories for opera. In addition, Ken and Nancy Kranzberg received a special award for their philanthropic contributions to the arts and theater in the St. Louis area, including many developments in Grand Center. The awards honored outstanding achievement in locally produced professional theater for the calendar year 2019.

A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.

The 2020 presentation featured nominees from two companies, Black Mirror Theatre and The Q Collective, which were represented for the first time in consideration of St. Louis Theater Circle Awards.  Each company received an award for outstanding achievement.

In all, 25 local companies received nominations in 33 categories for comedy, drama, musical and opera, as well as 125 individuals up for awards. Honorees who have previously received St. Louis Theater Circle Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton, Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.

The mission of the St. Louis Theater Circle is simple: To honor St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington D.C., pay tribute to their own local theatrical productions with similar awards programs.

Nominations for the St. Louis Theater Circle Awards were divided into categories for musicals, dramas, comedies and operas.  More than 120 local professional theatrical productions were staged in the St. Louis area in 2019.

Honorees of the eighth annual St. Louis Theater Circle Awards are:

Outstanding Ensemble in a Comedy

A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actress in a Comedy

Kelley Weber, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actor in a Comedy

Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis

Outstanding Actress in a Comedy (tie)

Katie Kleiger, Pride and Prejudice, Repertory Theatre of St. Louis

Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Actor in a Comedy

Will Bonfiglio, Fully Committed, New Jewish Theatre

Outstanding Director of a Comedy

Kari Ely, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Production of a Comedy

Brighton Beach Memoirs, New Jewish Theatre

Indecent

Outstanding Ensemble in a Drama

Indecent, Max & Louie Productions

Outstanding Supporting Actress in a Drama

Carly Uding, Translations, Black Mirror Theatre

Outstanding Supporting Actor in a Drama

J. Samuel Davis, District Merchants, New Jewish Theatre

Outstanding Actress in a Drama

Donna Weinsting, Salt, Root and Roe, Upstream Theater

Outstanding Actor in a Drama

Gary Wayne Barker, District Merchants, New Jewish Theatre

Outstanding Director of a Drama

Joanne Gordon, Indecent, Max & Louie Productions

Outstanding Production of a Drama

Indecent, Max & Louie Productions

Outstanding Set Design in a Play

Margery and Peter Spack, Brighton Beach Memoirs, New Jewish Theatre

Outstanding Costume Design in a Play

Felia Davenport, District Merchants, New Jewish Theatre

Outstanding Lighting Design in a Play

Patrick Huber, Indecent, Max & Louie Productions

Outstanding Sound Design

Phillip Evans, Indecent, Max & Louie Productions

Outstanding Set Design in a Musical

Mary Engelbreit and Paige Hathaway, Matilda, The Muny

Outstanding Costume Design in a Musical

Sarah Porter, La Cage aux Folles, New Line Theatre

Outstanding Lighting Design in a Musical

Sean M. Savoie, Man of La Mancha, Stages St. Louis

Outstanding Musical Director

Charles Creath, Don’t Bother Me, I Can’t Cope, The Black Rep

Outstanding Choreographer

Dexandro Montalvo, Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding Ensemble in a Musical

Matilda, The Muny

Outstanding Supporting Actress in a Musical

Taylor Louderman, Kinky Boots, The Muny

Outstanding Supporting Actor in a Musical

Tielere Cheatem, La Cage aux Folles, New Line Theatre

Outstanding Actress in a Musical

Kendra Kassebaum, Guys and Dolls, The Muny

Outstanding Actor in a Musical

Luke Steingruby, Hedwig and the Angry Inch, The Q Collective

Outstanding Director of a Musical

Michael Hamilton, Man of La Mancha, Stages St. Louis

Outstanding Production of a Musical

Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding New Play

Nonsense and Beauty, by Scott C. Sickles, Repertory Theatre of St. Louis

La Boheme

Outstanding Achievement in Opera (tie)

Terence Blanchard and Kasi Lemmons, Fire Shut Up in My Bones, Opera Theatre of Saint Louis

Roland Wood, Rigoletto, Opera Theatre of St. Louis

Outstanding Production of an Opera

La Boheme, Union Avenue Opera

Special Award

Ken and Nancy Kranzberg

Members of the St. Louis Theater Circle include Steve Allen, stagedoorstl.com; Mark Bretz, Ladue News; Bob Cohn, St. Louis Jewish Light; Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck Lavazzi, KDHX; Sarah Bryan Miller, St.Louis Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack, stlouiseats.typepadcom; Tanya Seale, Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com; Bob Wilcox, Two on the Aisle (HEC Media); and Calvin Wilson, St. Louis Post-Dispatch.Eleanor Mullin, local actress and arts supporter, is the group’s administrator. 

For more information, contact [email protected] or ‘like’ The St. Louis Theater Circle on Facebook.

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In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

The St. Louis High School Musical Theatre Awards are proudly sponsored by Carol B. Loeb. KTVI FOX2 and KPLR 11 are the proud media sponsors of the St. Louis High School Musical Theatre Awards. For more information about the St. Louis High School Musical Theatre Awards and this year’s virtual celebrations, please visit slhsmta.org

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About The St. Louis High School Musical Theatre Awards
The St. Louis High School Musical Theatre Awards (SLHSMTA) are produced by The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation. This program is designed to celebrate outstanding achievement in high school musical theatre. Participating schools will have their productions evaluated by a panel of theatre professionals. The year-long adjudication process culminates in an awards ceremony modeled on the Tony Awards®. 

The eighth annual St. Louis Theater Circle Awards are taking place in cyberspace on Tuesday, April 7, rather than at the Loretto-Hilton Center on the campus of Webster University. That March 30 event was cancelled because of the current public health crisis. The COVID-19 global pandemic has affected the St. Louis region, with government quarantine orders in both St. Louis city and county through April 22.

The awards honoring excellence in professional regional theater for the 2019 season are being made available by the Higher Education Channel at 7 p.m. on their platforms. Their link is:  Higher Education Channel TV (HEC-TV)  


The streamcast will be able to be seen on HEC Media’s Facebook page, channel 989 on Spectrum (Charter) and channel 99 on AT&T U-verse.

HEC Announcer Rod Milam will state the winner after the Circle members voice-over the nominations in 33 categories. It is expected to take a half-hour.

The Muny, now in its second century of performances at its outdoor amphitheater in Forest Park, leads the way with a total of 25 nominations, followed by 24 for The Repertory Theatre of St. Louis (The Rep) and 21 for New Jewish Theatre.  Stages St. Louis follows with 13 nominations, West End Players Guild with 10 and Stray Dog Theatre with a total of eight nominees.

In all, 25 local professional companies received nominations for 51 different shows.  Lighting designer Sean M. Savoie leads all nominees with three different nominations out of a total of 125 nominated artists, including six who received two nominations apiece. The awards honor outstanding achievement in locally produced professional theater for the calendar year 2019.

More than 120 locally produced professional theatrical productions were presented in the St. Louis area last year.

Here are the nominations in dramas, comedies, musicals and opera. :https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Ken and Nancy Kranzberg will be honored with a Lifetime Achievement Award in recognition of their long-standing commitment to the arts and theater in St. Louis, including Grand Center.

The official hashtag for the event, to be used on Twitter and Facebook, is: #TCA20

The St. Louis Theater Circle would like to thank the folks at HEC Media, including Dennis Riggs, Boyd Pickup, Rod Milam, Paul Langdon, Christina Chastain and their colleagues, for stepping up and making this streamcast production possible after the COVID-19 pandemic caused the cancellation of our eighth annual gala.

The St. Louis Theater Circle includes Calvin Wilson, St. Louis Post-Dispatch; Tanya Seale, Broadway World; Judith Newmark, Judy’s Second Act: Mark Bretz, Ladue News; Tina Farmer, KDHX; Gerry Kowarsky, “Two on the Aisle” HEC; Bob Wilcox “Two on the Aisle” HEC: Ann Lemons Pollack, St Louis Eats; Steve Allen, Stage Door STL; Chuck Lavazzi, KDHX; Michelle Kenyon, Snoop’s Theatre Thoughts; Bob Cohn, St. Louis Jewish Light; and Lynn Venhaus, PopLifeSTL.com. Eleanor Mullin is the administrator.

For more information, visit the Circle’s Facebook page.

Archives: Lynn Venhaus’ annual awards, “The Lotties,” for 2019 :https://www.poplifestl.com/the-lotties-lynns-love-of-theater-awards-for-2019/

Or, Theater interrupted by life…or something like that. Awards and reflections on the year.

By Lynn Venhaus
Often times, the wise words of others are in a loop playing in my head.

“I want life to imitate art,” Carrie Fisher wrote in “Postcards from the Edge,” and I often share that same sentiment. Particularly in 2019, which will always be labeled an “annus horribilis” for personal reasons.

Although John Lennon is attributed to have said “Life is what happens to you while you’re busy making other plans,” he really just quoted it in one of his songs on “Double Fantasy.” That one I put in regular rotation.

When times were really rough last year, I thought of Courtney Love’s band Hole and their album cover “Live Through This,” which was made after Kurt Cobain died. I kept repeating that phrase over and over.

Now 65, I know all too well the ebbs and flows of life, but last year seemed unusually mired in the deep end. You see, without going into lengthy details, I lost my cherished oldest son in December 2018 and my only surviving brother, who was terminally ill, Labor Day weekend on his 57th birthday; my two sisters and I lost our other brother years ago. Life is filled with loss, and I made it through all the ‘firsts’ with a lot of help from my friends and family. But pain, anguish and sorrow were/are unfathomable and the tsunami of grief is as unpredictable as anything in life.

My brother honored as a Legacy Coach at his alma mater, Belleville West, in January, eight months before his death. You can’t see his walker. He was a coach and junior high science teacher for 35 years.

As Matt went steadily downhill last summer, I decided I would spend more time with him, and I was already cooking his meals. So that meant missing some theater, and I have no regrets on that decision.

We all must prioritize what’s important in our lives. Theater has always brought me great joy and illuminated life in an exhilarating way, and last year, sometimes it was a lifeline.

I am grateful for the opportunities to see so much worthwhile theater, and I appreciate the theater community for being so understanding and patient last year on my circumstances and my crazy work schedule.

The upside to tragedy is the outpouring of kindness and concern from people – it was a comforting blanket I wrapped myself in, and was able to get up and get going because I knew I wasn’t alone, and that there were so many others to lean on and raise me up.

I can’t thank people enough and I am forever grateful – it means so much. Now, back to work. Words matter – I’m a writer, after all. A few years ago, as I was dropping Tim off at Union Station to visit some out-of-town friends after a break-up blindsided him, I mentioned ye olde chestnut about using what you learn at a later time, and he replied: “Like you say, Mom, everything’s copy.” I learned that from Nora Ephron. And it’s true.

Tim

Well maybe some day. Right now, I prefer to immerse myself in other’s words. Seeing how people take fresh pages of a script, how eloquent it can be, how well it can be interpreted – that is the task of the creative souls. And it’s so fun to see what can be crafted on a stage in town, whether it’s a small black box or the immense Muny stage.

Sitting in the dark, sharing a moment – that’s what it’s all about, and we sure shared some  outstanding moments in 2019. The eternal optimist, I am looking forward to another exciting year.

And as we all know, there will be more times we’re knocked down. And being helped up is one of the best things in life. And when you open yourself up — be it in conversation, writing or on stage, you feel human and whole.

How art enriches us is truly inspiring. 2019 was a good year for theater, particularly dramas, which were often inspired. It was important to have somewhere to go and something else to think about, as I continue to marvel at the accomplishments – passionate people behind their visions, strong talent and a desire to do good work, that it is about the work.

I like when people take risks, when they present new ways of doing things, and don’t rely on the same-old casting. My biggest pet peeves are miscasting and lack of character development/prep work/vision. If you are going to invest the time and want people to give up their time and money, then do the work, go above and beyond, and not just slide by. Hire who is right for the part, not just because they are a friend.

OK, off my soapbox.

I have now launched my longtime-coming website, and we should be full speed ahead in 2020, www.PopLifeSTL.com. I haven’t launched its daily and weekly features yet, but reviews and news releases are up. All in due time.

So, my awards this year are based on the 79 regional professional plays I did see, and not the touring shows nor community theater. That would add about 16 more shows. There is no way to see everything.

This is the year I gave up reviewing opera and let another reviewer go in my place. I needed to make some changes, and sadly, that had to be dropped. Maybe another work. I have been in awe of what Opera Theatre of St. Louis, Union Avenue Opera and Winter Opera achieve year after year.

My brother’s memorial service was the weekend of Shakespeare in the Streets, so I had to cancel, and he died the weekend I had RSVP’d for “The 39 Steps.” I saw “The Night of the Iguana” but left the next day to spend Mother’s Day with my youngest son in New York City, so missed “A Lovely Sunday Afternoon for Creve Coeur” and the other programming. I was on my way to the final matinee of “Death Tax” when an accident closed three lanes of I-64. Life…


I also traveled quite a bit this year, some for work, some for play. Tim was working on his MFA in screenwriting at DePaul University at the time of his death. He was home on holiday break. His professors named an award for him at their annual film festival, so I went up to Chicago the first weekend in June to see it happen.

However, I was fortunate to spend Mother’s Day watching Jeff Daniels as Atticus Finch in “To Kill a Mockingbird” in the sold-out acclaimed Bartlett Sher-Aaron Sorkin production in the Shubert Theatre. You could have heard a pin drop and the standing ovation was immediate, loud and long. Meeting the star afterwards was an unexpected thrill.

“To Kill a Mockingbird” brilliant production at the Shubert. Photo Credit: Julieta Cervantes

The week I was in NYC I also saw the  fabulous and fun “The Prom,” which was produced by local folks and had a book and lyrics by Centralia’s own Chad Beguelin, who I had the good fortune to meet in 2010 and have been writing about his triumphs ever since.

I did something new, too — I revised my late son’s last script, a comedy short that his DePaul professor raved about, A for the trimester. And we had a team shoot it in late September over a weekend, a real challenge and labor of love. As Eleanor Roosevelt said: “You must do the thing you think that you cannot do.”

Unfortunate, but sadly not considered in voting here: “The Revolutionists” and “Shakespeare in Love” at Insight; “Equivocation,” “Exit, Pursued by a Bear” and “Cricket on a Hearth” at West End Players Guild; “Such Sweet Thunder,” Shakespeare Festival St. Louis; “Nina Simone: Four Women” and “Milk Like Sugar,” The Black Rep; Black Mirror Theatre’s “Translations”; ERA’s “Never Let Go”; “Salt, Root and Roe,” Upstream Theatre; “Karmatic” TLT Productions; “The Merchant of Venice” and “The 39 Steps” at St. Louis Shakespeare; “Leaving Iowa” and “Travels with My Aunt” at Act Inc.; “The Hundred Dresses” at Metro Theatre Company; “Disenchanted” at Stray Dog, the parodies of “Jaws” and ‘Gremlins,” and the second leg of the LaBute New Play Festival at St. Louis Actors’ Studio.

Without further ado, I present my annual “LOTTIES,” which is Lynn’s Love of Theatre Awards, for 2019. These are my opinions alone. As in previous years, I usually name 10 my lists, but this year because of missing what I did, it’s either 8 or 9. Eventually, I will post my other ones, since 2014, in archives. And I intend to archive all the Circle Awards/Nominations for reference.

If you are wondering about the St. Louis Theater Circle Awards nominations, they will be announced on KWMU around noon on Friday, Feb. 7, with the press releases embargoed until 1 p.m. You can see the nominations here on PopLifeSTL.com in the afternoon.

I did not want my awards to coincide with the Circle, but it was not to be this year. However, these are my traditional annual awards, reflect my personal take on the year that was.

I am a Circle founding member; we began in 2012. The awards will be presented on Monday, March 30, at the Loretto Hilton Center on the campus of Webster University, (the Repertory Theatre of St. Louis’ home). More information will be forthcoming.

The 2019 LOTTIES* (LYNN’S LOVE OF THEATER AWARDS)

Barrett Foa and Meredith Baxter in “Angels in America, Part 2: Perestroika”

PRODUCTION OF THE YEAR: “Angels in America, Parts I and 2.”

Talk about ambitious. But oh, so worthwhile. The Repertory Theatre of St. Louis’ first show under new artistic director Hana Sharif was an absolute stunning visceral and artistic work and raised the bar. Not only did it take risks but its heavyweight cast delivered on its promise.

“Part I: Millennium Approaches” and Part 2: Perestroika” required a commitment of time but the investment was worth it. How interesting, too that a 30 year old play could be so relevant today.

“Brighton Beach Memoirs” became New Jewish Theatre’s biggest hit of all-time

COMPANY OF THE YEAR: New Jewish Theatre.

From start to finish, 2019 was a banner year for NJT under new artistic director Edward Coffield. “District Merchants,” “Time Stands Still,” “I Now Pronounce,” “Brighton Beach Memoirs” and “Fully Committed” were extremely well done with outstanding casts and production values.

Ellie in “Antigone: Requiem for Patriarchus”

ARTIST OF THE YEAR: Ellie Schwetye.

Ellie in “A Lovely Sunday for Creve Coeur”

One of the most versatile and accomplished women in town, she’s been honored and nominated by the St. Louis Theater Circle year in and year out. But this year might be her finest – and perhaps busiest – on record. She directed “Photograph 51” at West End Players Guild, “A Model for Matisse” for the Midnight Company and “Fully Committed” at New Jewish Theatre. She acted in “Classic Mystery Game” and “Antigone: Requiem for Patriarchus” at SATE. She did sound for “The Night of the Iguana” at the Tennessee Williams Festival and “The Women of Lockerbie” at SATE. She was involved in SIUE’s Summer Play Festival, with “As You Like It.” Her choices of music for any show are impeccable.
I’m likely missing a few things too.
She’s always excelled at being a collaborator but she deserves an award all it’s own.

The national tour of “Dear Evan Hansen” came to the Fox.

BEST TOURING SHOWS: “Come from Away” and “Dear Evan Hansen,” both at the Fox.

Repertory Theatre of St. Louis’ production of “Nonsense and Beauty” as the Loretto-Hilton Center. ©Photo by Jerry Naunheim Jr.

BEST NEW PLAYS:
1. “Nonsense and Beauty,” Scott C. Sickles, The Repertory Theatre of St. Louis
2. “Canfield Drive,” Kristen Adele Calhoun and Michael Thomas Walker, The Black Rep
3. “It’s a Wonderful Life,” John Wolbers, Metro Theatre Company
4. “Feeding Beatrice,” Kristen Greenidge, The Repertory Theatre of St. Louis
5. (tie) “Kim Jong Rosemary,” Carter Lewis, LaBute New Play Festival, St. Louis Actors’ Studio
5. (tie) “A Model for Matisse,” Barbara F. Freed and Joe Hanrahan, The Midnight Company

Caleb Miofsky in “Cry-Baby” at New Line

FIVE TO WATCH:
Summer Baer
Tristan Davis
Caleb Miofsky
Tateonna Thompson
Jordan Wolk

Alicen Moser in “District Merchants”
Alicen Moser in “Antigone”

12 ACTING MVPS
(For their noteworthy range of work in 2019, and not only St. Louis professional in some cases)
Nicole Angeli
Will Bonfiglio
Kevin Corpuz
Eileen Engel
Wendy Greenwood
Stephen Henley
Keating
Ryan Lawson-Maeske
Stephanie Merritt
Alicen Moser
Spencer Sickmann
Jennifer Theby-Quinn

DYNAMIC DUOS

J. Samuel Davis and Gary Wayne Barker in “District Merchants”
Will Bonfiglio and John Wolbers
  1. Gary Wayne Barker and J. Samuel Davis, “District Merchants,” New Jewish Theatre
  2. Jacob Flekier and Spencer Kruse, “Brighton Beach Memoirs,” New Jewish Theatre
  3. Will Bonfiglio and John Wolbers, “Photograph 51”
  4. Eli Mayer and Khailah Johnson, “Footloose,” The Muny
  5. Kevin O’Brien and Sara Rae Womack, “Guys and Dolls,” Stray Dog Theatre
  6.  Ryan Lawson-Maeske and William Roth, “A Life in the Theatre”
  7. Joe Hanrahan and Shane Signorino, “Popcorn Falls,” Midnight Company
  8. Erin Kelley and J. Samuel Davis, “The Agitators,” Upstream Theatre
  9. Jeffrey Heyenga and Robbie Simpson, “Nonsense and Beauty,” The Repertory Theatre of St. Louis
  10. Joe Hanrahan and Rachel Hanks, “A Model for Matisse,” Midnight Company

JUVENILE PERFORMANCE AWARDS

Flower girls in “I Now Pronounce” at New Jewish Theatre
  1. Millie Edelman, Abby Goldstein and Lydia Mae Foss as the flower girls, “I Now Pronounce,” New Jewish Theatre
  2. Leo Taghert as 10 year old Tommy in “The Who’s Tommy,” Stray Dog Theatre

 SPECIAL TECHNICAL ACHIEVEMENT: Michael B. Perkins for his exquisite video projection design in “Love, Linda” and “A Model for Matisse.”

Jane Paradise in “Brighton Beach Memoirs”

COMEDY AWARDS
Best Actress in a Comedy

  1. Jane Paradise, “Brighton Beach Memoirs,” New Jewish Theatre
  2. Laura Sohn, “Love’s Labors Lost,” Shakespeare Festival St. Louis
  3. Kea Trevett, “Love’s Labors Lost,” Shakespeare Festival St. Louis
  4. Susie Lawrence, “Sylvia,” Stray Dog Theatre
  5. Keating, “Well,” Mustard Seed Theatre
  6. Sofia Lidia, “The MotherF**cker with the Hat,” R-S Theatrics
  7. Perri Gaffney, “The Lifespan of a Fact,” The Repertory Theatre of St. Louis
  8. Colleen Backer, “Color Timer,” LaBute New Play Festival, St. Louis Actors’ Studio
Frankie Ferrari and Delaney Piggins in ‘I Now Pronounce”

Best Supporting Actress in a Comedy

  1. Laurie McConnell, “Brighton Beach Memoirs.” New Jewish Theatre
  2. Melissa Harlow, “Sylvia,” Stray Dog
  3. Frankie Ferrari, “I Now Pronounce,” New Jewish Theatre
  4. Delaney Piggins, “I Now Pronounce,” New Jewish Theatre
  5. Lori Adams, “Well,” Mustard Seed Theatre
  6. Ka-Ling Cheung, “The Play That Goes Wrong,” The Repertory Theatre of St. Louis
  7. Michelle Hand, “Pride and Prejudice,” The Repertory Theatre of St. Louis
  8. Taleesha Caturah, “The MotherF**with the Hat,” R-S Theatrics
  9. Caitlin Mickey, “Wittenberg,” Upstream Theatre
Will Bonfiglio in “Fully COmmitted” at New Jewish

Best Actor in a Comedy

  1. Will Bonfiglio, “Fully Committed,” New Jewish Theatre
  2. Isaiah DiLorenzo, “True West,” St. Louis Actors’ Studio
  3. Jacob Flekier, “Brighton Beach Memoirs,” New Jewish Theatre
  4. Steve Isom, “Wittenberg,” Upstream Theatre
  5. Michael Cassidy Flynn, “Classic Mystery Game,” SATE
  6. Adam Flores, “The MotherF**ker with the Hat,” R-S Theatrics
  7. Griffin Osborne, “The Lifespan of a Fact,” The Repertory Theatre of St. Louis
  8. Alan Knoll, “Wittenberg,” Upstream Theatre
  9. Joe Hanrahan, “Charlie Johnson Reads All of Proust,” Midnight Company
Spencer Kruse and Jacob Flekier in “Brighton Beach Memoirs”

Best Supporting Actor in a Comedy

1. Spencer Kruse, “Brighton Beach Memoirs,” New Jewish Theatre
2. Patrick Blindauer, “Love’s Labors Lost,” Shakespeare Festival St. Louis
3. Shane Signorino, “Popcorn Falls,” Midnight Company
4. Aaron Dodd, “The Motherf**ker with the Hat,” R-S Theatrics
5. Jesse Munoz, The Motherf**ker with the Hat, R-S Theatrics
6. Michael McGloin, “The Play That Goes Wrong,” The Repertory Theatre of St. Louis
7. Chuck Brinkley, “Brighton Beach Memoirs,’ New Jewish Theatre
8. Michael James Reed, “Pride and Prejudice,” The Repertory Theatre of St. Louis

“The Play That Goes Wrong” at The Repertory Theatre of St. Louis

Best Director of a Comedy

  1. Alan Knoll, “Brighton Beach Memoirs,” New Jewish Theatre
  2. Tom Ridgely, “Love’s Labors Lost,” Shakespeare Festival St. Louis
  3. Melissa Rain Anderson, “The Play That Goes Wrong,” The Repertory Theatre of St. Louis
  4. Ellie Schwetye, “Fully Committed,” New Jewish Theatre
  5. William Whitaker, “True West,” St. Louis Actors Studio
  6. Meredith McDonough, “The Lifespan of a Fact,” The Repertory Theatre of St. Louis
  7. Philip Boehm, “Wittenberg,” Upstream Theatre
“It’s a Wonderful Life” at Metro Theatre Company

Best Ensemble in a Comedy

  1. The Play That Goes Wrong, The Repertory Theatre of St. Louis
  2. Brighton Beach Memoirs, New Jewish Theatre
  3. Love’s Labors Lost, Shakespeare Festival St. Louis
  4. It’s a Wonderful Life, Metro Theatre Company
  5. (tie) The MotherF**ker with the Hat, R-S Theatrics

(tie) Well, Mustard Seed Theatre

BEST COMEDY PRODUCTION

“True West” at St. Louis Actors’ Studio
  1. Brighton Beach Memoirs, New Jewish Theatre
  2. Love’s Labors Lost, Shakespeare Festival St. Louis
  3. The Play That Goes Wrong, The Repertory Theatre of St. Louis
  4. True West, St. Louis Actors’ Studio
  5. Wittenberg,  Upstream Theatre
    6. Fully Committed, New Jewish Theatre

DRAMA AWARDS

Ben Ritchie and Nicole Angeli in “Photograph 51”

Best Actress in a Drama

  1. Nicole Angeli, “Photograph 51,” West End Players Guild
  2. Wendy Greenwood, “Time Stands Still,” New Jewish Theatre
  3. Jeanne Paulsen, “Alabama Story,” The Repertory Theatre of St. Louis
  4. Kristen Adele Calhoun, “Canfield Drive,” The Black Rep
  5. Zoe Farmingdale, “Indecent,” Max and Louie Productions
  6. Julie Layton, “Fifty Words,” St. Louis Actors’ Studio
Nisi Sturgis in “The Night of the Iguana”

Best Supporting Actress in a Drama

1. Nisi Sturgis, “The Night of the Iguana,” Tennessee Williams Festival St. Louis
2. Eileen Engel, “Time Stands Still,” New Jewish Theatre
3. Rae Davis, “District Merchants,” New Jewish Theatre
4. Donna Weinsting, “Nonsense and Beauty,” The Repertory Theatre of St. Louis
5. Rachel Hanks, “A Model for Matisse,” Midnight Company
6. Sophia Brown, “Fefu and Her Friends,” Theatre Nuevo
7. Miranda Jagels-Felix, “Antigone: Requiem for Patriarchus,” SATE

Jim Butz in “The Night of the Iguana”

Best Actor in a Drama
1. James Andrew Butz, “The Night of the Iguana,” Tennessee Williams Festival St. Louis
2. Barrett Foa, “Angels in America,” The Repertory Theatre of St. Louis
3. Gary Wayne Barker, “District Merchants,” New Jewish Theatre
4. Graham Emmons, “The Crucible,” Stray Dog Theatre.
5. Spencer Sickmann, “Farragut North,” St. Louis Actors’ Studio
6. Jim Poulos, “Oslo,” The Repertory Theatre of St. Louis

David Ryan Smith and Peter Fre

Best Supporting Actor in a Drama

  1. J. Samuel Davis, “District Merchants,” New Jewish Theatre
  2. Carl Howell, “Alabama Story,” The Repertory Theatre of St. Louis
  3. David Wassilak, “Farragut North,” St. Louis Actors’ Studio
  4. Karl Hawkins, “District Merchants,” New Jewish Theatre
  5. David Ryan Smith, “Angels in America,” The Repertory Theatre of St. Louis
  6. Ryan Lawson-Maeske, “Photograph 51,” West End Players Guild
  7. John Feltch, “Nonsense and Beauty,” The Repertory Theatre of St. Louis
  8. Gerry Love, “The Crucible,” Stray Dog Theatre
  9. Ben Ritchie, “The Crucible,” Stray Dog Theatre
  10. Ben Cherry, “Angels in America,” The Repertory Theatre of St. Louis
    (tie) Peter Freschette, “Angels in America,” The Repertory Theatre of St. Louis
    (tie) Taylor Gruenloh, “Two Degrees,” Tesseract Theatre
Angels in America

Best Director of a Drama

1. Joanne Gordon, “Indecent,” Max and Louie Productions
2. Anthony Speciale, “Angels in America,” The Repertory Theatre of St. Louis
3. Jacqueline Thompson, “District Merchants,” New Jewish Theatre
4. Gary F. Bell, “The Crucible,” Stray Dog Theatre
5. Ellie Schwetye, “Photograph 51,” West End Players Guild
6. Lucy Cashion, “Antigone: Requiem for Patriarchus,” ERA/SATE
7. Steve Woolf, “Oslo,” The Repertory Theatre of St. Louis
8. Seth Gordon, “Nonsense and Beauty,” The Repertory Theatre of St. Louis

Best Ensemble in a Drama Production

“Antigone: Reqiuem for Patriarchus” at SATE
  1. Angels in America, Parts 1 and 2, The Repertory Theatre of St. Louis
  2. District Merchants, New Jewish Theatre
  3. Photograph 51, West End Players Guild
  4. Indecent, Max and Louie Productions
  5. Antigone: Requiem for Patriarchus, ERA and SATE
  6. The Crucible, Stray Dog Theatre
  7. The Women of Lockerbie, SATE
  8. Nonsense and Beauty, The Rep
  9. Time Stands Still, New Jewish
  10. Oslo, The Rep

Best Dramatic Production

The Crucible at Stray Dog Theatre
  1. Angels in America, The Rep
  2. District Merchants, New Jewish
  3. The Crucible, Stray Dog
  4. Photograph 51, West End Players Guild
  5. Indecent, Max and Louie Productions
  6. Nonsense and Beauty, The Rep
  7. The Night of the Iguana, Tennessee Williams Festival St. Louis
  8. Oslo, The Rep
  9. Time Stands Still, New Jewish
  10. Farragut North, St. Louis Actors’ Studio

MUSICAL AWARDS

Casr of Cry-Baby at New Line

Best Musical Director
1. Ryan Fielding Garrett, “Kinky Boots,” The Muny
2. Jennifer Buchheit, “The Who’s Tommy,” Stray Dog Theatre
3. Nicolas Valdez, “Cry-Baby,” New Line Theatre
4. Charles Creath, “Don’t Both Me I Can’t Cope,” The Black Rep
5. Nicolas Valdez, “Be More Chill,” New Line Theatre
6. Scott Schoonover, “Daddy Long Legs,” Insight Theatre
7. Holly Barber, “Hedwig and the Angry Inch,” The Q Collective

Don’t Bother Me I Can’t Cope at The Black Rep

Best Choreographer (and not just in musicals)

1. Kirven Douthit-Boyd, “Don’t Bother Me I Can’t Cope,” The Black Rep
2. Mike Hodges, “Guys and Dolls,” Stray Dog Theatre
3. Rusty Mowery, “Kinky Boots,” The Muny
4. Ellen Isom, “Indecent,” Max and Louie Productions
5. Tony Gonzalez, “Grease,” Stages St. Louis
6. Heather Beal, “Feeding Beatrice,” The Repertory Theatre of St. Louis

Best Supporting Actress in a Musical

Taylor Louderman in “Kinky Boots”
  1. Taylor Louderman, “Kinky Boots,” The Muny
  2. Michelle Ragusa, “The Boy from Oz,” Stages St. Louis
  3. Sarah Gene Dowling, “Hedwig and the Angry Inch,” The Q Collective
  4. Kendra Lynn Lucas, “Grease,” Stages St. Louis
  5. Khalia Johnson, “Footloose,” The Muny
  6. Eleanor Humphrey, “Dreamgirls,” Stray Dog Theatre
  7. Laura Michelle Kelley, “Matilda,” The Muny
  8. Grace Langford, “Avenue Q,” The Playhouse at Westport
  9. Jenny Powers, “1776,” The Muny
    10. Tateonna Thompson, “Dreamgirls,” Stray Dog
    10. Denise Thimes, “Don’t Bother Me, I Can’t Cope,” The Black Rep

Best Actress in a Musical

Ebony Easter as Effie in “Dreamgirls” (center)
  1. Ebony Easter, “Dreamgirls,” Stray Dog Theatre
  2. Jennifer Theby-Quinn, “Daddy Long Legs,” Insight Theatre
  3. Mattea Conforti, “Matilda,” The Muny
  4. Kendra Kassebaum, “Guys and Dolls,” The Muny
  5. Mamie Parris, “Paint Your Wagon,” The Muny
  6. Sarah Rae Womack, “Guys and Dolls,” Stray Dog Theatre
  7. Brittany Bradford, “Guys and Dolls,” The Muny
Zak Farmer in “La Cage Aux Folles” at New line

Best Actor in a Musical
1. Zachary Allen Farmer, “La Cage Aux Folles,” New Line Theatre
2. J. Harrison Ghee, “Kinky Boots,” The Muny
3. David Elder, “The Boy from Oz,” Stages St. Louis
4. Luke Steingruby, “Hedwig and the Angry Inch,” The Q Collective
5. Caleb Miofsky, “Cry-Baby,” New Line Theatre
6. James Patterson, “Man of La Mancha,” Stages St. Louis
7. Mark Kelley, “A Man of No Importance,” R-S Theatrics

Best Supporting Actor in a Musical

Kevin Corpuz, right in “Be More Chill” at New Line
  1. Omega Jones, “Dreamgirls,” Stray Dog Theatre
  2. Kevin Corpuz, “Be More Chill,” New Line Theatre
  3. Omar Lopez-Cepero, “Paint Your Wagon,” The Muny
  4. Tristan Davis, “The Who’s Tommy,” Stray Dog Theatre
  5. Eli Mayer, “Footloose,” The Muny
  6. Ryan Cooper, “Man of La Mancha,” Stages St. Louis
  7. Ken Page, “Guys and Dolls,” Stages St. Louis
  8. Mike Wells, “Guys and Dolls,” Stray Dog Theatre
  9. Patrick John Moran, “Man of La Mancha,” Stages St. Louis
  10. Zach Stefaniak, “Guys and Dolls,” Stray Dog Theatre
    (tie) Ben Davis, “1776,” The Muny
Avenue Q at the Playhouse at Westport

Best Director of a Musical

1. Mike Dowdy-Windsor and Scott Miller, “Be More Chill,” New Line Theatre
2. DB Bonds, “Kinky Boots,” The Muny
3. Justin Been, “Dreamgirls,” Stray Dog Theatre
4. Lee Anne Mathews, “Avenue Q,” The Playhouse at Westport
5. Jordan Woods, “Hedwig and the Angry Inch,” The Q Collective
6. Ron Himes, “Don’t Bother Me, I Can’t Cope,” The Black Rep

A Man of No Importance


Best Ensemble in a Musical
1. “Kinky Boots,” The Muny
2
. “Dreamgirls.” Stray Dog Theatre
3. “Avenue Q,” The Playhouse at Westport
4. “Be More Chill,” New Line Theatre
5. “A Man of No Importance,” R-S Theatrics
6. . Don’t Bother Me I Can’t Cope,” The Black Rep
7. “Man of La Mancha,” Stages St. Louis
8. “Cry-Baby,” New Line Theatre

“Kinky Boots” at the Muny

Best Musical Production

1.“Kinky Boots,” The Muny
2. “Dreamgirls.” Stray Dog Theatre
3. “Be More Chill,” New Line Theatre
4. “Avenue Q,” The Playhouse at Westport
5. “Don’t Bother Me I Can’t Cope,” The Black Rep

?Dreamgirls”

Best Costume Design of a Musical

1. Sarah Porter, “La Cage Aux Folles,” New Line Theatre
2. Julian King, “Dreamgirls,” Stray Dog Theatre”
3. Mary Engelbreit and Leon Dobkowski, “Matilda,” The Muny
4. Brad Musgrove, “101 Dalmatians,” Stages St. Louis
5. Brad Musgrove, “Grease,” Stages St. Louis
6. Eileen Engel, “The Who’s Tommy,” Stray Dog Theatre
7. Gregg Barnes and Lindsay McWilliams, “Kinky Boots,’ The Muny

“The Who’s Tommy”

Best Lighting Design in a Musical

1. Tyler Duenow, “The Who’s Tommy,” Stray Dog
2. Joe Clapper, “Don’t Bother Me I Can’t Cope,” The Black Rep
3. Rob Lippert, “Be More Chill,” New Line Theatre
4. John Lasiter, “Paint Your Wagon,” The Muny
5. Tyler Duenow, “Dreamgirls,” Stray Dog Theatre
6. Sean M. Savoie, “The Boy from Oz,” Stages St. Louis

“Matilda” at the Muny

Best Set Design in a Musical

1. Mary Engelbreit and Paige Hathaway, “Matilda,” The Muny
2. James Wolk, “Man of La Mancha,” Stages St. Louis
3. Josh Smith, “The Who’s Tommy,” Stages St. Louis
4. Michael Schweikardt, “Paint Your Wagon,” The Muny
5. Peter and Margery Spack, “Don’t Bother Me I Can’t Cope,” The Black Rep

Feeding Beatrice

Best Sound Design of a Play

  1. Broken Chord, Angels in America, The Rep
  2. Ellie Schwetye, The Night of the Iguana, Tennessee Williams Festival
  3. David Samba, Feeding Beatrice, The Rep
  4. Kareem Deanes, Fully Committed, New Jewish Theatre
  5. Philip Evans, Indecent, Max and Louie Productions
    6. Justin Been, The Crucible, Stray Dog Productions
“Love’s Labors Lost”

Best Costume Design in a Play

  1. Michele Friedman Siler, Brighton Beach Memoirs, New Jewish
  2. Melissa Trn, Love’s Labors Lost, Shakespeare Festival St. Louis
  3. Felia Davenport, District Merchants, New Jewish
  4. Andrea Robb, A Life in the Theater, St. Louis Actors’ Studio
  5. Laura Hanson, Wittenberg, Upstream Theatre

Best Set Design in a Play

The Night of the Iguana
  1. Peter and Margery Spack, The Play That Goes Wrong, The Rep
  2. Dunsi Dai, The Night of the Iguana, Tennessee Williams Festival St. Louis
  3. Peter and Margery Spack, Brighton Beach Memoirs, New Jewish
  4. Kristin Cassidy, “Photograph 51,” West End Players Guild
  5. William Bloodgood, ‘Alabama Story,’ The Rep
  6. David Blake, “District Merchants,” New Jewish
  7. Lawrence E. Moten III, +Feeding Beatrice,” The Rep
    8. Patrick Huber, “True West,” St. Louis Actors’ Studio

Best Lighting Design in a Play

“Indecent”
  1. Jon Ontiveros, “The Night of the Iguana,” Tennessee Williams Festival St. Louis
  2. Xavier Pierce, “Angels in America,” The Repertory Theatre of St. Louis
  3. Patrick Huber, “Indecent,” Max and Louie Productions
  4. Jason Lynch, “Feeding Beatrice,” The Repertory Theatre of St. Louis
  5. Sean Savoie, “District Merchants,” New Jewish Theatre

Photo Credits: Phillip Hamer, Jon Gitchoff, JPatrick Huber, Joey Rumpell, Peter Wochniak and Jerry Naunheim Jr.

By Lynn Venhaus
Managing Editor
Eureka! A robust makeover to an unremarkable ‘50s era musical “Paint Your
Wagon” has hit pay dirt on the Muny stage.

Those behind the new edition have dreamed as big as the
characters in this fresh look at the American identity, those yearning for a
better life who came over land and by sea, as many as 300,000 during the
rough-and-tumble California Gold Rush.

It’s one of our nation’s most significant tipping points (1848-1855).
The musical, set in a mining camp in 1853, has everything we associate with
those rugged settlers – the wild untamed west, the wide-open spaces and the
pioneer spirit, only this version sharpens the American melting pot feel.

Despite its Alan Jay Lerner and Frederick Loewe pedigree,
the 1951 homage to the Old West had fallen out of favor – not that it ever was
a hot property, for it had only run on Broadway for 289 performances. And then,
there was the much-maligned 1969 movie starring those songbirds Lee Marvin and
Clint Eastwood (27 percent on Rotten Tomatoes!).

The latest incarnation, developed by the Frederick Loewe
Foundation and playwright Jon Marans, has new orchestrations, vocal
arrangements, dance and characters – and presents the reimagined story through
a different lens. You won’t be able to forget this one, an unvarnished snapshot
that touches on bigotry and prejudices as fortune seekers headed West.

Photo by Phillip HamerMarans has focused on historical accuracy and made deep
incisions so that it’s not merely unsatisfying filler between the signature
songs “They Call the Wind Maria,” “I Talk to the Trees” and “Wand’rin’ Star,”
but a journey about lives and loves with real emotional heft.

Those compelling changes are as much a surprise as Josh
Rhodes’ inspired direction and innovative choreography, assisted by Lee
Wilkins, because they have rescued an otherwise lightweight show and connected
with a modern audience.

Marans wrote the 1996 Pulitzer Prize-nominated play “Old
Wicked Songs,” a character study about a Holocaust survivor and his burnt-out
pupil. A New Jewish Theatre production won Best Drama at the St. Louis Theater
Circle Awards in 2017.

The story still has brawny prospector Ben Rumson (Matt Bogart) as the strong center, the enterprising leader among the rag-tag settlers of “No Name City,” but in the first act, the only female is not his daughter, as the earlier incarnations, but his lovable new wife, Cayla (Mamie Parris).

He ‘wins’ her in a bidding contest, like a commodity, for
she has been abused by her despicable lout of a husband (Michael James Reed,
yelling at 11). Well, that was awkward. Parris, so winning as Irene in the 2014
“Hello, Dolly!,” conveys genuine warmth and caring, and her lilting voice is
lovely.

Mamie Parris and Matt Bogart. Photo by Phillip HamerBogart and Parris have combustible chemistry, and their harmonies mesh beautifully. While Bogart didn’t seem to be as smooth as other performers on opening night, he delivered an electric “They Call the Wind Maria,” and his other numbers showcased his commanding baritone.

After striking it rich, sturdy Ben becomes the boomtown’s
chief developer. Now named Rumson City, the outpost becomes home to Rumson
Palace in the second act, a place for socializing and gambling that he
envisioned for everybody.

Michael Schweikardt’s scenic design is a distinct mix of awe-inspiring
panoramic exteriors and fresh-hewed lumber interiors. Lighting designer John
Lasiter makes the night sky glow while video design by Caite Hevner expanded picture
postcard vistas.

However, Ben’s one-world theory isn’t exactly practiced when his right-hand man Armando (Omar Lopez-Cepero), whose wealthy and cultured family lived in the Mexican territory of northern California,  takes a shine to Rumson’s feisty daughter, Jennifer (Maya Keleher), who has traveled from the East Coast to join her father.

Much to the horror of his college-educated daughter and wife,
Rumson will not accept the Armando-Jennifer union, therefore not practicing
what he preaches. His luster is dimmed, only to see him work through those
feelings.

Racism is rampant among the rowdy miners, who are frustrated
and fearful of the ‘foreigners.’ Two brothers from China, Ming Li (St. Louis
native Austin Ku) and Guang Li (Raymond J. Lee), once of royal lineage now just
wanting to survive; a down-on-his-luck Irish immigrant William (Bobby Conte
Thornton), who regrets leaving his family but is desperate to provide for them after
the Great Famine (aka Irish Potato Famine); two African-Americans, free man H.
Ford (Rodney Hicks) and slave Wesley (Allan K. Washington); and Europeans of
various nationalities all jostle for their piece of the pie.

Ku, Lee, Thornton, Hicks and Washington are outstanding talents who immersed themselves in these meatier roles. And the men revealed bold and controlled voices in such numbers as “How Can I Wait?” and “Four Hundred People Came to No Name City.”

Allan K. Washington and Rodney Hicks. Photo by Phillip HamerSome of the characters are contemptible, especially Preston
Truman Boyd as an intolerable loudmouth Jake, a Southerner who owns a tavern
and looks at all of life as transactional.

Sinai Tabak is conducting the Muny orchestra for the first
time, and the richly textured sound adds another layer of complexity to a testosterone-heavy
show. There is a harp among all the strings, and the sounds of country and bluegrass
impart an Americana homespun feel.

One is reminded how elegant and lyrical Lerner and Loewe
were, as this show was written in between the more successful “Brigadoon”
(1947) and “My Fair Lady” (1956). 

Photo by Phillip HamerThe dancing girls show up in the second act, in quite the
entrance – arriving by stagecoach, “There’s a Coach Comin’ In.” Two magnificent
Clydesdale horses pull them – and the audience went crazy.

Some of the lonely men lose their way and go a little batty,
and this 180-degree turn, while true to life, is disconcerting. Gold fever makes
some of the men envious, greedy and bitter. Things get ugly, reminding us that
while the high road is preferred, human nature suggests otherwise. This is harsh
and hard-hitting, recovering in a hail of hope. If you are expecting fluff,
this is not that kind of show, dancing girls aside.

Nevertheless, the performers are indeed the gold nuggets
enticing us to make the emotional investment. The vocal prowess on display is as
breathtaking as the scenery, so it’s unfortunate there was a myriad of uncharacteristic
sound issues Saturday – static, mics cutting out or not on for singers, and
rough patches. Sound design is by John Shivers and David Patridge.

“Paint Your Wagon” was one of those lackluster second-rate musicals whose contemporary overhaul is quite an accomplishment, and the Muny has polished it with tender loving care. You might as well forget any previous version.

A new world premiere production in Los Angeles, with a revised
libretto by David Rambo, ran from Nov. 23, 2004 to Jan. 9, 2005. Then a fall
2007 production by the Pioneer Theatre Company in Salt Lake City, Utah had a
cast of nearly 30. An Encores! Staged concert production in New York City in
March 2015 starred Keith Carradine as Rumson and Justin Guarini as Julio.

There is no Julio here, replaced by Armando. It’s a stronger role, and Lopez-Cepero unleashes a glorious voice in his standout performance. His “Carino Mio” duet with Keleher is lush and romantic.

Photo by Phillip HamerHelping to shape the in-the-works musical is a natural fit
for the Muny, for it presented spirited reboots of “The Unsinkable Molly Brown”
in 2017 and “The Wiz” last year. During the Mike Isaacson era, the emphasis on
imagination and the theme of home has been recurring elements. So, it’s no
surprise that the Mother Lode Muny is again a birthplace, producing in
association with On the Wagon Productions and Garmar Ventures.

By virtue of its American patchwork quilt make-up, “Paint Your Wagon” may remind people of “Oklahoma!” – especially that number pleading harmony, “The Farmer and the Cowman Should Be Friends,” but I recalled “Fiddler on the Roof” instead, a proud community clinging to its customs but having to move forward at great sacrifice for survival. In the West, hardships knocked down many a soul, but hope springs eternal in “Paint Your Wagon,” and smartly addressing changing tides so dramatically will be able to resonate. You can hear America singing with its varied voices. The Muny presents “Paint Your Wagon” evenings at 8:15 p.m. July 27 – Aug. 2. For more information, visit www.muny.org.

Bobby Conte Thornton as William. Photo by Phillip Hamer

By Lynn Venhaus
Managing Editor
A variety of classics old and new are currently on local stages. Opening this
weekend are “Paint Your Wagon” at The Muny and “La Boheme” at Union Avenue
Opera, with community theater productions of “Joseph and the Amazing
Technicolor Dreamcoat,” “The Wizard of Oz,” and “Mamma Mia!”, a college production
of “Catch Me If You Can” and youth productions of “Carrie,” “Frozen Jr.,” “Seussical”
and “Into the Woods.”

An annual tradition, “The Rocky Horror Show,” is performed
twice each evening on Friday and Saturday at the Looking Glass Playhouse in
Lebanon.

Continuing on regional stages are “Grease,” “Jaws the
Parody: Live” and the second leg of the LaBute New Theater Festival.

“Carrie” at Debut TheatreWhatever your plans on this last weekend in July, go see a play!“Carrie” Debut Theatre Company July 26-28 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. The Olive Tree, 1211 S. Newstead Ave., St. Louis https://debuttheatreco.weebly.com/ What It’s About: Based on the Stephen King novel and Brian DePalma movie, Carrie White is bullied in high school and her religious fundamentalist mother doesn’t want her going to the prom. Carrie has telekinesis and all hell will break loose.

Starring: Carrie White-MacLean Blanner, Margaret White-Isabel Cecilia Garcia, Sue Snell-Jessica Watts, Tommy Ross-Charlie Wehde, Chris Hargensen-Gabby Anderson, Billy Nolan-Sam Guillemette, Ms. Gardner-Ally Wukitsch, Norma-Emma Gulovsen, Helen-Gabby DeRennaux, Frieda-Allison Crandall, Claudia-Savannah Lamb, -Thomas Molen, Freddy-Nathan Hakenworth and Stokes-Santino Bono. Also Featuring Ginger Cox-Young Carrie, Children’s Ensemble- Tatum Douglas, Chloe Grieshaber, and Riley Kummer.“Catch Me If You Can” July 24-28 St. Charles Community College FAB Theater in the Donald D. Shook Fine Arts Building 4601 Mid Rivers Mall Drive in Cottleville, Mo 636-922-8050 www.stchas.edu/events

What It’s About: Based on the hit film and the incredible true story, “Catch Me If You Can” is a musical comedy about chasing your dreams without getting caught. Seeking fame and fortune, precocious teenager, Frank Abignale Jr., runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer – living the high life and winning the girl of his dreams. When Frank’s lies catch the attention of FBI agent, Carl Hanratty, though, Carl pursues Frank across the country to make him pay for his crimes“Frozen Jr.” Rock Show Productions Thursday, July 25 at 7 p.m., Friday, July 26 at 7 p.m., Saturday, July 27 at 7 p.m. The Grandel Theatre, 3610 Grandel Square, St. Louis, MO 63103www.rockshowproductions.org What It’s About: Hans Christian Anderson’s fairy tale, “The Snow Queen,” based on the Disney animated musical adaptation.

“Beauty School Dropout”“Grease” Stages St. Louis July 19 – Aug 18 Robert G. Reim Theatre at the Kirkwood Community Center 111 South Geyer Road in Kirkwood www.stagesstlouis.org

What It’s About: Welcome to Rydell High where Danny Zuko
and his gang of Burger Palace Boys and Pink Ladies rule the school! Bursting
with explosive energy and 1950’s nostalgia, GREASE blends an irresistible mix
of adolescent angst and All-American teen spirit to create a high-octane,
pop-culture phenomenon.

Director: Michael Hamilton
Starring: Sam Harvey, Summerisa Bell Stevens, Morgan Cowling, Jessie Corbin,
Patrick Mobley, Collin O’Connor, Frankie Thams, Julia Knitel, Lucy Moon and
Brooke Shapiro.

“Into the Woods” COCA July 26-27 Friday at 7 p.m. and Saturday at 1 and 5 p.m. Edison Theatre on the Washington University campus www.cocastl.org

What It’s About: An epic fairytale about wishes, family and
the choices we make. James Lapine and Stephen Sondheim take everyone’s favorite
storybook characters and bring them together for a timeless, and relevant,
piece.
Director: Jim Butz, with music direction by Colin Healy and choreography by
Christopher Page-Sanders

Of Note: Ages 9 and up.

Great White Shark scares“Jaws The Parody: Live!” St. Louis Shakespeare’s Magic Smoking Monkey Theatre July 19 – July 27 Wednesday and Thursday, July 24 and 25, 8 p.m. Friday and Saturday, July 26 and 27, at 8 p.m. and 10:30 p.m.  Regional Arts Commission in University Citywww.stlshakespeare.org What It’s About: A spoof of the 1975 movie about the killer shark that terrorized a New England beach community, Amity Island, based on Peter Benchley’s 1974 bestseller.

Director: Donna Northcott
Starring: Ryan Glosemeyer as Chief Brody, James Enstall as Matt
Hooper, Rob McLemore as Quint, Shannon Nara as Ellen Brody, Dylan Comer as
Mayor Vaughn and playing multiple roles are CeCe Day, Jack Janssen, Maya Kelch,
Deanna Massie, Bethany Miscannon, and others.

“Joseph and the Amazing Technicolor Dreamcoat” July 26 – Aug. 4 Over Due Theatre Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. Olivette Community Center 9723 Grandview Drive, Olivette, MO 314-210-2959 www.overduetheatrecompany.com

What It’s About: Celebrating its 50th anniversary in 2019, “Joseph”
is one of the most enduring shows of all time and reimagines the biblical story
of Joseph, his father Jacob, eleven brothers and the coat of many colors.

“La Boheme”“La Boheme” Union Avenue Opera July 26 – Aug. 2 Fridays and Saturdays at 8 p.m. Union Avenue Christian Church 733 Union at Enright 314-361-2881www.unionavenueopera.org What It’s About: Puccini’s opera about a group of poor artists and their search for love and happiness.

Of Note: The opera is sung in Italian with projected
English text.

LaBute New Theater Festival July 19-28 Thursday through Saturday at 8 p.m., Sunday at 3 p.m. The Gaslight Theatre 358 N. Boyle, St. Louiswww.stlas.org 314-458-2978 Box Office: www.ticketmaster.com, 800-982-2787; will also be available at the theater box office one hour prior to performances

What It’s About: New previously unproduced one-act play
submissions of 45 minutes or less are juried and selected. They must not have
more than four characters and be able to

 Six plays were
chosen: One group was performed in the first two weeks of July, the final group
in the second two weeks. “Great Negro Works of Art,” a Midwest Premiere from
Mr. LaBute, will be performed every night for the run of the festival.

Set 2 includes:

 “Great Negro Works
of Art” by Neil LaBute, Directed by John Pierson, starring Carly Rosenbaum and
Jaz Tucker

“Predilections” by Richard Curtis, directed by Wendy Renee
Greenwood, starring Kim Furlow and Tielere Cheatem
 “Henrietta” by Joseph Krawczyk,
directed by Wendy Renee Greenwood, starring Carly Rosenbaum and Chuck Brinkley

“Sisyphus and Icarus a Love story” by William
Ivor Fowkes, directed by Wendy Renee Greenwood, starring Colleen Backer, Shane
Signorino and Tielere Cheatem

“Mamma Mia!” July 26 – Aug. 4 Hard Road Theatre Productions Fridays and Saturdays at 7 p.m. and Sundays at 2 p.m. Highland Elementary School auditorium in Highland, Ill. www.hardroad.org

What It’s About: ABBA songs on a Greek isle. Three possible
dads, a wedding, and Donna and the Dynamos.

 “Overdone” by David
Hamley and “Screaming at Optimum Pitch” by Peg Flach
First Run Theatre
July 19 – 28
Friday and Saturday at 8 p.m. and Sunday at 2 p.m.
Theatre Guild of Webster Groves, 517 Theatre Lane in Webster Groves, Mo. www.firstruntheatre.com.

“Paint Your Wagon” The Muny July 27 – Aug. 2 Nightly at 8:15 p.m. Forest Park outdoor stagewww.muny.org What It’s About: A reimagined version of a 1951 Lerner and Loewe musical set in the California gold rush. It’s a moving tale of ambition, love and home that features such songs as “They Call the Wind Mariah,” “I Talk to the Trees” and “Wand’rin’ Star.” This adaptation has a revised book by Jon Marans. It’sproduced in association with On the Wagon Productions and Garmar Ventures.

Director: Josh Rhodes, also choreographer, with Starring: Bogart (Ben Rumson), Mamie Parris (Cayla Woodling), Omar Lopez-Cepero (Armando), Mark Evans (William), Maya Keleher (Jennifer Rumson), Allan K. Washington (Wesley), Andrew Kober (Jake), Austin Ku (Ming-Li), Raymond J. Lee (Guang-Li), Rodney Hicks (H. Ford) and Michael James Reed (Craig Woodling). A golden ensemble completes this cast, including Akilah Ayanna, Juan Caballer, Matthew Davies, Richard Gatta, Sally Glaze, Michael Milkanin, Trina Mills, Pascal Pastrana, Michael Seltzer and Cooper Stanton. The company will also be joined by the Muny Teen youth ensemble.

Russ Reidelberger as Dr. Frank N. Furter“The Rocky Horror Show” Looking Glass Playhouse Friday and Saturday at 7 p.m. and 10 p.m., July 26 and 27 301 W. St. Louis St. in Lebanon, Ill.www.lookingglassplayhouse.com What It’s About: In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.“Seussical the Musical” DaySpring Arts July 26-27 at 7 p.m.; July 28 at 3 p.m. DeSmet High School, 222 N. Ballas Road, St. Louis dayspringarts.org

What It’s About: The musical by Stephen Flaherty and Lynn
Ahrens brings Dr. Seuss’ beloved characters to life, including Cat in the Hat, Gertrude
McFuzz and Horton the Elephant.

“The Wizard of Oz” Alton Little Theater July 25 – Aug. 4. Thursdays through Saturdays at 7:30 p.m. and Sunday at 2 p.m. 2450 North Henry in Alton, Ill. 618-462-6562www.altonlittletheater.org

What It’s About: Based on the books by L. Frank Baum, Dorothy
needs to find her way home after following the yellow brick road and making her
way to the Emerald City.