The Critics Choice Association (CCA) has announced that award-winning actress and activist, and current Critics Choice Award nominee, Zendaya will receive the fifth annual SeeHer Award at the 26th annual Critics Choice Awards. The honor will be presented by her “Malcolm & Marie” co-star John David Washington during the live ceremony on Sunday, March 7, 2021 from 7-10pm ET/PT hosted by Taye Diggs.  

The SeeHer Award recognizes a woman who embodies the values set forth by the SeeHer movement, to push boundaries, defy stereotypes and acknowledge the importance of authentic portrayals of women across the entertainment landscape. SeeHer is the leading global movement for accurate portrayals of women and girls in media. Led by the Association of National Advertisers (ANA), SeeHer is a collective of leading marketers, media organizations and industry influencers committed to creating advertising and media content that portrays women and girls as they truly are. Previous award recipients are Kristen Bell, Viola Davis, Claire Foy, and Gal Gadot. 

“We are so proud to be a part of the Critics Choice Awards, and celebrating our fifth SeeHer Award,” said Nadine Karp McHugh, President, SeeHer. “We are delighted to be presenting the award to Zendaya, who is such a strong representation of what it means to be a woman in 2021. One of the busiest rising stars in Hollywood – with a generation of Disney Channel fans, Marvel devotees and ‘Euphoria’ evangelists – she is a role model and leading voice of her generation. From being the youngest actress to win an Emmy for Outstanding Lead Actress in a Drama Series to using her platform to advocate for Black women in Hollywood, she is showing the next generation that you are never too young to use your voice to make a difference. Inspiring girls everywhere to see themselves in their full potential, Zendaya represents everything SeeHer is.”  

Emmy Award-winning actor Zendaya is one of the most prominent and influential names in the entertainment industry today. Born and raised in Oakland, California to two teachers, Zendaya grew up performing, having spent a lot of her time at the local theater where her mother worked. She is currently starring in Netflix’s “Malcolm & Marie,” now available to watch globally, for which she also serves as a producer. Her role as Marie earned her a Critics Choice Award nomination for Best Actress this year.  

Zendaya launched her career as an actress on the Disney Channel starring in the hit series “Shake It Up” for three seasons and Disney’s “K.C. Undercover” for three seasons, which she also helped produce. 

Zendaya moved to the big screen in 2017, when she played the role of MJ in Marvel’s “Spider-Man: Homecoming” followed by its sequel “Spider-Man: Far From Home” that premiered July 2019. She recently starred in the HBO and A24 hit series “Euphoria” for which she won the 2020 Emmy Award for Outstanding Lead Actress in a Drama Series. 

She can next be seen in Warner Bros. highly anticipated movie “Dune” which will be released in October 2021. 

Other film projects have included “The Greatest Showman” in which she played trapeze artist Anne Wheeler opposite Zac Efron and Hugh Jackman. The film was released in 2017 and instantly became a cult classic. In 2018 Zendaya played the voice of Meechee, a young yeti in the animated musical film “Smallfoot.” 

Zendaya is currently a beauty ambassador for Lancôme, as well as an ambassador for Bulgari and for Valentino. 

Critics Choice Awards are bestowed annually to honor the finest in cinematic and television achievement. Historically, they are the most accurate predictor of Academy Award nominations. 

The 26th annual Critics Choice Awards show will be produced by Bob Bain Productions and Berlin Entertainment. The CCA is represented by Dan Black of Greenberg Traurig. The show will continue its combined Film and Television awards format, honoring the finest in both cinematic and televised/streaming achievement. In response to the COVID-19 pandemic, the 26th annual Critics Choice Awards show will be an in-person/virtual hybrid, with Diggs and some of the evening’s presenters filming from a stage in Los Angeles, and nominees appearing remotely from various locations around the world. 

Follow the 26th annual Critics Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards. Join the conversation using #CriticsChoiceAwards. 

Digital assets and artwork can be found HERE

About the Critics Choice Association (CCA)  

The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.  

About SeeHer 

Despite strides made in recent years to accurately portray women and girls in media, unconscious bias persists throughout advertising and entertainment. The average age, race, body type, and other aspects of women depicted in media today still represents only a small fraction of the female population. Led by the Association of National Advertisers (ANA), SeeHer is a collective of marketers, media organizations and industry influencers committed to creating advertising and supporting content that portrays women and girls as they really are. It launched in June 2016 in partnership with The Female Quotient (The FQ) in Washington DC at the United State of Women. To help marketers benchmark success, the group developed Gender Equality Measure® (GEM®), the first research methodology that quantifies gender bias in ads and programming. GEM® shows that content portraying females accurately dramatically increases both purchase intent and brand reputation. In 2017 GEM® won the prestigious ESOMAR Research Effectiveness Award. The methodology quickly became the industry standard, which led to a global rollout in 2018. In 2019, the movement expanded into new verticals: sports (SeeHer In Sports) and music (SeeHer Hear Her). Visit SeeHer.com and follow @SeeHerOfficial on Facebook, Instagram, and Twitter. 

About The CW  

THE CW TELEVISION NETWORK, a joint venture between Warner Bros. and CBS, launched in 2006. The CW is a multiplatform network that broadcasts a six-night 12-hour primetime lineup, Sunday through Friday and streams its ad-supported content, free, without login or authentication on CWTV.com and The CW app which is available on every major OTT platform. In daytime, The CW broadcasts a Monday through Friday afternoon block, and a three-hour Saturday morning kids block. The CW’s digital network, CW Seed, launched in 2013, and offers beloved limited-run series, as well as past seasons of recent fan-favorite television shows. For more information about the network and its programming, visit www.cwtvpr.com.  

By Lynn Venhaus
Sometimes, we see magic happen under the stars in Forest Park. This summer, we saw a different kind of Muny Magic – but enchanted evenings nonetheless.

It took a global pandemic for the Muny to achieve its greatest magic trick ever – they transformed our isolation into a community through a live variety special.

And they did it with such hard work and passion. Using modern technology, incredibly creative professionals and tip-top talent from coast to coast, it was a huge undertaking, which was obvious to anyone who tuned in for even a fraction of an episode.

For the fifth Summer Variety Hour Live! on Monday, Aug. 17, the Muny supersized the presentation and it was a splashy grand finale, tugging on our heartstrings in a big but intimate way. So much genuine emotion in new works, in memories and archival footage that reminded us how special our outdoor theatre is, the largest and oldest one in the country.

Seeing Muny mainstay Beth Leavel perform her showstopper “Rose’s Turn” from “Gypsy” (2018) with the view from the wings! My heart was bursting. Tari Kelly leading the ebullient “Forget About the Boy” in “Thoroughly Modern Millie” (2012) and one of the all-time great musical theater numbers, ‘Sit Down, You’re Rocking the Boat” from last year’s “Guys and Dolls,” with the surprise appearance by Kennedy Holmes to hit those high notes. I was grinning ear to ear. The Mission: Feel-Good was on!

Zoe Vonder Haar, Orville Mendoza and Kennedy Holmes in “Guys and Dolls” – Photo by Phillip Hamer

For five episodes, the Muny reinvigorated its treasure trove of tradition, 102 years strong, to provide virtual entertainment that filled the void of a cancelled season. The collaborative spirit on display was inspiring.

Let’s face it, the summer has been dismal, especially with rising coronavirus cases in our bi-state region. More things shut down and were postponed in a never-ending stream of disappointments in 2020. But as a gift to “the Muny family,” the management and creative teams conceived a way to connect us. We all felt it, whether tuning in on Monday or catching the rerun on Thursday from July 20 to Aug. 17 as the evening twilight faded.

For a brief shining moment, it seemed like old times. The 8:15 p.m. start was a constant to look forward to in an uncertain year during an unprecedented public health crisis. With Executive Producer and Artistic Director Mike Isaacson’s bold and unique concept, and his ability to attract the talent he did, each episode was a captivating mix of tempo and tone, under the direction of multi-talented Michael Baxter.

Colby Dezelick

What an emotional palette we experienced, touching on why we love the Muny, from veteran performer Colby Dezelick’s touching original song, “I Will Be Your Home” — with a behind-the-scenes video love letter dedicated to his Muny family, to sweet Jenny Powers describing her feelings about flying above the audience as Mary Poppins in 2013, and how the staff took such good care of her. Straight to the heart.

And while seeing up-and-coming talent do what they do best is always enjoyable, feeling their sheer joy in performing is blissful. Watching St. Louis native and Broadway performer Richard Riaz Yoder use his exceptional talents to dance “Broadway Melody” using the Muny as his canvas – tap-dancing for a time in sneakers! – was breathtaking.

So was jubilant Jack Sippel’s choreographed dance number, the cheery “You Can’t Stop the Beat!” from “Hairspray,” which was performed by 19 Muny alums and sung by Nasia Thomas, Muny vet and Broadway performer in “Beautiful,” “Ain’t Too Proud to Beg” and soon, the revival of “Caroline, or Change.”

In the 2017 production of “A Chorus Line,” director-choreographer Denis Jones used young versions of the dancers in certain scenes, to emphasize their dreams and drive. On Monday, they showed the wistful “At the Ballet” number, which was performed by Holly Ann Butler as Sheila, Bronwyn Tarboton as Maggie and Caley Crawford as Bebe, with little ballerinas in view.

As lump-in-the-throat as that song is, nothing can match the show’s curtain call for its spectacular finish, and they recreated it for The Muny Centennial Gala, complete with fireworks. Such a thrilling moment to revisit.

The energy, enthusiasm and talent of the Muny Teens and Kids each episode was another heart-tugger. Because six teens were graduating, they had a special senior sendoff: Michael Harp, Cate Phillips, Michael Lee Jr., Fiona Scott, Jack Deters and Caitlin Chau sang “Our Time” from Stephen Sondheim’s “Merrily We Roll Along.” I have seen these kids grow up. Misty eyes.

“Worlds to change, and worlds to win Our turn, coming through.”

The Muny Kids’ adorable and confident youngsters mashed up “Come Alive” from the film “The Greatest Showman,” with songs by Oscar and Tony winners Benj Pasek and Justin Paul, with “A Little More Homework” from Jason Robert Brown’s “13.”

For comic relief, there was the fun “Munywood Squares” game show, good sports all, and jolly John Tartaglia reprising his Murray the Muny Raccoon schtick, making Isaacson laugh.

Mike Isaacson

Isaacson, who has been the visionary executive producer and artistic director since the 2012 season, named to the post in 2010, cares deeply about the Muny’s place in historic context and local lore, and with his Broadway experience, he’s able to give us quality casts, teams and a really dedicated staff.

Clearly wearing his heart on his sleeve as this summer’s host, he gave us something that we could enjoy on many levels and for many reasons. Isaacson has multiple Tony Awards and 24 Broadway shows and national tours to his credit. He makes things happen in a way that elevates the Muny in stature, boosting our civic pride, but also gains respect in the larger theatrical world. His reverence for the art form is obvious, and he has shown us, time and again, the possibilities of what the Muny can accomplish.

That connection that he spoke of, all the people who came together without hesitation, all the selfless devotion, a renewed sense of purpose – it felt very real and elicited a teary farewell.

I think, like “Field of Dreams,” Forest Park and the Muny are mystical places. After all, musical theatre is a constant in our lives, like baseball. We want to believe that in a time of everything turned upside down, of norms being shattered, that there exists a place we feel safe, happy, loved. That sharing theater and music brings us together like no other art form.

So, the Muny Variety Hour gave us the opportunity to be in the company of performers who love the Muny like it is a family, a home. That theme was repeated over and over. And that’s what we are craving in these anxious times.

And in Colby’s song: “When it’s dark, I’ll be the light.”

Beth Malone

Another almost spiritual song was the centuries-old tune and Muny season-ender tradition “Auld Lang Syne,” sung by Beth Malone, who accompanied herself on acoustic guitar. Beautiful and bittersweet.

The ties that bind us, recalling happy golden days of yore. “Meet Me in St. Louis” appeared again in the line-up – of course. Yes, it’s schmaltzy, but its inclusion of the 1904 World’s Fair, which has impacted our lives and region ever since those seven months, and the work preceding it, make it a nostalgic chestnut.

Married couple and Muny performers Erin Dilly and Stephen R. Buntrock sang a lovely duet, “You and I,” from their home. They appeared as Mr. and Mrs. Smith in the 2018 production, the Centennial season finale.

Maggie Kuntz, a Muny vet and two-time winner of the Best Actress Award from the St. Louis High School Musical Theatre Awards, sang the iconic “The Trolley Song” live from under the Culver Pavilion with polish and panache.

Dan De Luca and Emily Walton in “Meet Me in St. Louis” Photo by Phillip Hamer

And then in the sentimental sweet spot, they played “The Skinker’s Swamp” picnic scene featuring Emily Walton as Esther and Dan DeLuca as John Truitt. The video projection was The Palace of Fine Arts, now the St. Louis Art Museum, under construction in a muddy field.

How many times have we been in the shadow of our treasured landmarks?

The world was watching when the Louisiana Purchase Exposition celebrated the 100th anniversary of the U.S. expansion under Thomas Jefferson. More than 60 countries and 43 states participated from April 30 to Dec. 1 in Forest Park and nearby locations.

So, the Muny and Forest Park remain crown jewels that we cherish.

And the Summer Variety Hour Live! reinforced our past, present and future. I’ll meet you at the Muny next summer. Looking forward to greeting the Muny family once more. “Through the years, we’ll always be together, if the fates allow.”