By Lynn Venhaus
The beguiling “Thor: Love and Thunder” is a sweet love story wrapped in a darker cosmic adventure and draped in Norse god mythology.

This flashy blend of heroics, heart and humor is sometimes too goofy to be taken seriously, but overall is an inspired take from director Taika Waititi, and that is reason enough to spring extra for the IMAX viewing.

But first and foremost, the enormously appealing Chris Hemsworth is back as the crown prince of Asgard being playful, very physical – and emotional. In the Summer of the Chris’, he might be having the best one (His comrades Chris Evans and Chris Pratt, although, are not being left in the dust).

Hemsworth has now played Thor in four stand-alone installments and in four Avengers films, and has made the role his signature. When we last saw the superhero in “Avengers: Endgame” in 2019, he was having an existential crisis, and Hemworth’s comedic skills were used well.

In this chapter, Thor, interrupted in his retirement, enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman) to combat the galactic killer Gorr the God Butcher (Christian Bale), who intends to make the gods extinct. To Thor’s surprise, Jane wields his magical hammer, Mjolnir, as the Mighty Thor, and they must join forces to stop Gorr’s vengeance and save the multi-universe.

Picking up where “Avengers: Endgame” left off three years ago, Thor gets back in shape, going from “Dad bod to god bod” — and is shown meddling in the Guardians of the Galaxy’s quests, and hanging out in Asgard as this retired guy content to let the world pass him by. Naturally, duty calls, and so does his ex, astrophysicist Dr. Jane Foster, now battling cancer and wielding the enchanted hammer.

Hemsworth and Natalie Portman have a delightful chemistry together, and their scenes of tussling and reconnecting are sincere and sentimental. They make you believe in them – and care.

And as The Mighty Thor, Portman shows off her physicality. She’s able to meet the demands of the role with ebullience and grace.

Jane Foster (Natalie Portman) as Mighty Thor

Thor, the god of thunder, was turned into comic book gold by writer Stan Lee, scripter Larry Lieber and artist Jack Kirby in 1962, making his debut in Marvel’s “The Silver Age of Comic Books,” and #82 “Journey into Mystery.”

Now, 60 years later, the brawny do-gooder is an indispensable part of the Marvel Cinematic Universe treatments. The Kenneth Branagh-directed one started his story in 2011, followed by “The Dark World” sequel in 2013, then Waititi took over in “Thor: Ragnarok” in 2017 and now “Love and Thunder.”

Hemsworth plays up Thor’s strong, beefy, and boastful qualities, and always seems to let the audience in on the joke.

Multi-hyphenate Waititi, who won an Oscar for best original screenplay for “JoJo Rabbit” in 2020, is known as a writer for his cheeky and brazen humor, and injects a liveliness into his second Thor film, for which he wrote the story and co-wrote the screenplay with Jennifer Kaytin Robinson.

As a director, the New Zealander takes on quirky projects – see “Hunt for the Wilderpeople” for a surprisingly fun adventure – and as an actor, he’s stood out in a wide range of wacky characters. He might be best known for creating “What We Do in the Shadows,” now a wildly successful television series adaptation.

Waititi moves through a jumble of genres with ease. This installment of “Thor” actually straddles darkness and light rather deftly, but it is certainly a jolt to plunge into the creepy ink-black world of Gorr’s cruelty as he terrorizes kidnapped children.

So, while “Love and Thunder” is geared to be a family film, it has elements of horror, and can scare the young ones. They really push that PG-13 rating.

A gaunt and nearly unrecognizable Christian Bale is quite good as the sinister villain, bringing an interesting edge to the role. It’s a welcome return, for the Oscar-winning actor had planned not to do any more superhero movies after he finished playing the Caped Crusader in “The Dark Knight Rises” in 2012, relented, and he makes his mark giving Gorr more dimension as a grief-stricken father.

The quality of the performances, with both Bale, Portman and even Russell Crowe being silly as Zeus, is indicative of their willingness to take risks and not rest on their golden Academy Awards statuettes.

The cast is up to the challenges, both in harrowing danger and in the “Team Thor” camaraderie – especially with Tessa Thompson as Valkyrie presiding over Asgard as the ruler, and Waititi voicing the giant hunk of stones Korg.

The zippy action-packed visual effects extravaganza is set to a very loud pulse-pounding classic rock score. After two hours and five minutes, it intriguingly leaves us wanting more with two surprising scenes during the end credits.

“Love and Thunder” whets our appetites for the future projects – what a fun reveal some recognizable people are – but satisfies as a rip-roaring, energetic, and entertaining stand-alone with a compelling story and fine performances.

But — those screaming goats are a bit much.

“Thor: Love and Thunder” is a 2022 action, adventure, fantasy film directed by Taika Waititi and stars Chris Hemsworth, Christian Bale, Natalie Portman, Tessa Thompson and Russell Crowe. It is rated PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material, and partial nudity, and runs 2 hours, 5 minutes. Opens in theaters on July 8. Lynn’s Grade: B+

By Lynn Venhaus

All grown up now, Tom Holland, the current movie action hero Spider-Man, tackles the troubled title character in “Cherry.”

It is a fierce performance and challenging role for the likable actor, who is the main reason to watch this undisciplined misfire from the Russo Brothers, gods of the Marvel Cinematic Universe for their work on “The Avengers” series.

But even Holland’s monumental efforts cannot save this generic story from itself. He does the heavy lifting, but the dark material is as airless as his blacked-out home during drug binges. The romance is run-of-the-mill – eventually two co-dependent junkies – and heroin addict stories are a dime a dozen in movies.

Based on Nico Walker’s 2018 semi-autographical book, which he wrote in federal prison while serving time for bank robberies to feed his drug addiction, the adaptation takes a literary approach by dividing his life story (35 years!) into chapters.

They are marked by title cards and Holland serves as the straight-shooting narrator who breaks the fourth wall and is candid about the sordid details.

The 336-page book was adapted by screenwriters Jessica Goldberg and Angela Russo-Otstot into a 2-hour, 20-minute movie that could have benefitted from better editing. The book was praised for coming out during the opioid epidemic.

The film wants to be an epic journey, but doesn’t set itself apart in any way, except for some stylized shots, and the characters lack appeal to sustain any momentum.

The dope life – high, strung out, needing drugs, scoring drugs, drifting through life in a haze – drags out the inevitable narrative. Not sure how many times we need to see addicts vomiting — but have at it.

The story begins in suburban Cleveland. His younger man phase is as generic as possible – partying, trying to find purpose, falling in love. He is an aimless college dropout who joins the Army after his girlfriend breaks up with him. However, he reunites with Emily (Ciara Bravo), and they marry before he goes to boot camp. At 19, he is sent to Iraq and the story turns very dark. He is forever traumatized by his medic duties and personal tragedies.

Cherry is not an interesting character until his combat experience in the fiery hell of Iraq makes him grow up fast.

Joe and Anthony Russo set up the “War is Hell” message well – after all, they are good at the male camaraderie and action sequences.

Upon his return to Ohio, Cherry becomes a mess – sleepless, self-medicating and angry, he starts popping oxycontin, and things go from bad to worse. His wife, still looking very young, starts shooting heroin with him.

Walker was released early from prison in 2019, and the Ohio-born Russo Brothers began their movie journey in 2020.

For an unlikable character, Holland impressively shows a genuine range of emotions, displaying how much he can stretch from saving the world devotion.

Since 2016, he has played Peter Parker/Spider-Man in Marvel’s Avenger series and his own spin-offs, starting with “Captain America: Civil War.”

The movie’s hefty supporting cast includes an impressive turn by Jack Wahlberg as Army buddy Jimenez, but there are a lot of characters who scream here – drill sergeants, scumbag low-life friends and upset girlfriends.

The point is? War is hell and drugs are bad? Don’t we already know this? Tell us a new version by illuminating rehabilitation after frittering most of your life away.

Will people walk away with fresh insight or just walk away? 

“Cherry” is a crime drama directed by Anthony and Joe Russo, based on Nico Walker’s 2018 novel. Starring Tom Holland, Ciara Bravo, Jack Reynor, Michael Gandolfini and Jack Wahlberg, it is rated R for graphic drug abuse, disturbing and violent images, pervasive language and sexual content. In theatres Feb. 26 and on Apple + TV on March 12.