By Lynn Venhaus This is one of the most violent movies I have ever seen. That said, it is a mostly satisfying thriller of kick-it-up-a-notch action, interesting plot developments and a nimble cast that elevates the good vs evil throwdown.
An ordinary husband and father with a desk job, Hutch Mansell (Bob Odenkirk) is in a rut. Every day is monotonous and nondescript until intruders break into his suburban home, and while his son Blake (Gage Munroe) acts, he thinks twice before using a golf club he grabbed to defend himself. While everyone thinks he’s a chump, the incident sparks a long-simmering rage and he becomes a vigilante of sorts.
However, this isn’t as far-fetched as you think because he has a dark secret. When he gets in the way of a brutal drug lord (Aleksey Serebryakov), things really heat up.
From Charles Bronson’s “Death Wish” in 1974 that ushered in mild-mannered dads exacting their own street vengeance to Liam Neeson’s dangerous dad in the “Taken” trilogy (2008-2014) and all the copycats in between, these movies have an appeal as strictly black-and-white action, no gray areas or nuance, in seeking retribution. You get exactly what you expect.
With a sharp script by Derek Kolstad, co-creator of the John Wicks trilogy, the pleasures of seeing a regular Joe reveal his long-dormant lethal skills in clever ways are central to the secret identity plot.
Carrying the film with genuine authority is Bob Odenkirk, who not only stars but is a producer. The Chicago native attended Southern Illinois University Carbondale and after years as a comedy writer and performer, is now best known as glib attorney Jimmy McGill from “Breaking Bad,” which was spun off into the hit series “Better Call Saul.” The Emmy nominated actor’s keen sense of timing is a plus as an action hero, although he’s not a stranger to drama either, having appeared in “The Post” and “Little Women.”
Director Ilya Naishuller, an indie rock musician and lover of hard-core video games, kicks the film into high gear with non-stop mayhem after Hutch turns his frustration and anger into vengeance that sets into motion a battle royale with Russian drug lord Yulian Kuznetsov, played by Aleksey Serebryakov as a ruthless hothead with some clownish behaviors.
But first establishing the drudgery of Hutch’s daily life and his family dynamic is key to understanding the transformation and the shocking previous life.
Hutch works on the finances of his father-in-law’s manufacturing business. He’s the butt of his more macho brother-in-law Charlie’s jokes. His teenage son thinks he’s a wimp, unlike his younger daughter Abby (Paisley Cadorath) who adores him. His wife Becca (Connie Nielsen) is a successful realtor and distant. He keeps taking life’s indignities on the chin as a “nice guy.”
So, in the aftermath, when they are in further harm’s way, his sudden protective reflexes are a surprise.
Somehow, his dad David (Christopher Lloyd), a retired FBI agent living in a nursing home, and his brother Harry (RZA), do not raise an eyebrow when he must do what he has to do. After all, they have secrets too, and it is fun watching the tables turn. Lloyd and RZA are terrific in support.
The barrage of gunfire and fights gets tedious because of its take-no prisoners formula, but that’s what the action genre delivers, and the mind games are an interesting twist.
Hutch won’t be considered a “nobody” for much longer, and they did leave it open to a sequel. Odenkirk, as a new action star in the Jason Statham lane, is one of the more startling notes of the spring movie season. But I would never bet against him, would you?
“Nobody” is an action-thriller directed by Ilya Naishuller that stars Bob Odenkirk, Connie Nielsen, Aleksey Serebryakov, Christopher Lloyd, RZA, Gage Munroe and Paisley Cadorath. It is rated R for strong violence and bloody images, language throughout and brief drug use. Lynn’s Grade: B-. In theaters March 26.
By Lynn Venhaus One of the best surprises of the current year in film, “Palm Springs” is an inventive, genial romantic comedy with an edge. (Warning frank sexual dialogue and content).
Nyles (Andy Samberg) is with his girlfriend at a wedding in Palm Springs when he meets Sarah (Cristin Milioti), the reluctant maid of honor forced to be at her sister’s wedding. She’s the family black sheep and a skeptic when it comes to true romance but is drawn to Nyles’ wacky sense of humor and darkly comic nihilism.
Like “Groundhog Day,” Nyles is sucked into a surreal time-space continuum, repeating this same date. He warned her not to follow him into a cave…
Written and directed by first-timers – a remarkable combination of director Max Barbakow and writer Andy Siara, it builds on the time-travel concept in a manner like “Groundhog Day” but does not follow the same trajectory.
The wedding setting is inspired and fertile ground for comedy – what with family dynamics, quirky relatives, young adults with a lot of baggage already and always people with secrets, combined with the time-honored rituals of American nuptials and receptions. I mean, it is comedy gold, and you have someone who is a zen master at it, Andy Samberg.
I always enjoyed the goofy Samberg as an off-kilter presence on “Saturday Night Live” from 2005 to 2012, his digital shorts and his clever work with Lonely Island. Although the 2016 comedy “Pop Star: Never Stop Never Stopping” is highly underrated, I never considered his acting on the same level as breakouts Bill Hader and Kate McKinnon, but he is terrific here. He is just the right blend of world-weary and devil-may-care. He also proves to be a suitable romantic lead – who knew? – and his offbeat pairing with Cristin Milioti, also not your typical romantic interest — even though she was the “Mother” in “How I Met Your Mother” (Spoiler alert for a TV show that ended in 2014), energizes the movie.
Samberg’s wacky charm is his strength, so you go with the premise, even when all time-travel segments have plot holes – but don’t dwell on that. Just enjoy.
Milioti, a Tony nominee as the immigrant who falls for the broke Irish musician in “Once” the Broadway musical, is such a good actress, capable of expressing the gamut of emotions her character goes through. You root for this couple, who have such a blast together dealing with the gimmick.
Look for the movie, which debuted at the Sundance Film Festival in January, to be considered for this season’s awards — it’s that sharp and witty.
It also benefits from such pros as Peter Gallagher as father of the bride, J.K. Simmons as a wedding guest, Tyler Hoechlin as the compromised groom and a brief appearance by June Squibb as Nana, always delightful.
Fresh and fun, “Palm Springs” is a tidy 90-minute ride full of humor, unexpected turns and sweetness.
“Palm Springs” is a romantic comedy not rated that is 90 minutes long. It is directed by Max Barbakow, written by Andy Siara, and stars Andy Samberg, Cristin Milioti, J.K. Simmons, Tyler Hoechlin and June Squibb. It is streaming on Hulu, beginning July 10.
By Lynn Venhaus
Managing EditorTHAT VOICE: Are you on Team Kennedy yet? If you haven’t heard Kennedy Holmes, 13, from St. Louis in her blind audition on “The Voice,” be prepared to be wowed and understand why it went viral.
Part of The Muny Kids for five years, Kennedy starred as Little Inez in the 2015 “Hairspray” production, has sung the national anthem for Cardinals’ games and appeared as one of the Cratchit children in “A Christmas Carol” at The Rep in 2016. She is an eighth grader at John Burroughs School.
Her confident delivery of Adele’s “Turning Tables,” which showcased her control and range, impressed all four judges and got a 4-chair turn – and standing ovation.
She auditioned in Indianapolis earlier this year and is the youngest person in the singing competition this season. Producers saved her for the last spot and teased her appearance in a sneak peek last week that set her schoolmates and local folks buzzing. The cliffhanger coach pick was easy to guess.
Kennedy, while remarkably poised singing, got emotional over Jennifer Hudson, and then sang with her idol in an impromptu “I Am Changing” from “Dreamgirls.”
The guys made convincing pitches.
Adam Levine: “Very, very rarely does someone come around that kind of reignites our passion for what we do. And to hear you sing today did that. Just to see that kind of confidence naturally exist in you at such a young age, it’s unheard of. After the 15 seasons, you really could become the absolute biggest thing to ever come from this show.”
Blake Shelton: “Let me be the first to thank you for coming to ‘The Voice,’ ’cause our ratings are going to shoot through the roof this evening. I think you are the best vocalist that has auditioned this year. I want you to pick me as your coach so you can teach me how to sing like that.”
After Kennedy’s pick, Hudson was ecstatic. “I think the game is over because I just won ‘The Voice’ with little Miss Kennedy. Yes, I did.”
Here’s the clip from the Blind Auditions, which started Sept. 24. To date, her audition video has been viewed 3.6 million times on YouTube.com.
This isn’t the last we’ve seen of Kennedy. It will be fun watching her progress on the national stage, next in the Knockout Rounds, then hopefully Battle Rounds and Live Performances. (And the local television and radio stations are all over it.)
***DEVIL MAY CARE: As the calendar turns autumnal, it’s time for sinister, spooky suspense. Five local theater groups have teamed up to present “Faustival: The Devils We Choose” – one in August and the rest through December.
The artistic collaboration is between Equally Represented Arts, The Midnight Company, Theatre Nuevo, SATE, and the Post-Romantics. They are presenting works on the Faust myth from the 16th century – about a scholar who sold his soul to the devil in exchange for perks.
ERA FaustIn August, ERA, along with Kid Scientist, presented “Faust (go down with all the re$t),” an experimental rock-opera-adaptation of Goethe’s most celebrated work.
Currently, The Midnight Company is presenting the one-act “An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening,” along with another one-act by Mickle Maher, “The Hunchback Variations.”
For more information, www.midnightcompany.com
In October, Theatre Nuevo will present “whither should I fly” from Oct. 25 – Nov. 10 at the William A. Kerr Foundation, 21 O’Fallon St., St. Louis. For more information, visit www.theatrenuevo.com
Starting on Halloween, “Doctor Faustus, or the Modern Prometheus” by John Wolbers and Kit Marlowe will be performed by Slightly Askew Theatre Ensemble (SATE) Wednesdays through Saturdays through Nov. 17 at The Chapel, 6238 Alexander Drive, St. Louis. For more information, www.slightlyoff.org.
The Post-Romantics will present “Doomsday Faust” Dec. 5 – 8 at the Centene Center for the Arts, 3547 Olive Street, St. Louis.
For more information, please visit faustival.org.
***MOVING ON UP: The aforementioned John Wolbers, who has adapted Faust for SATE, shared some exciting news recently. He is a new Producing Associate at the Metro Theatre Company. He has served as the full-time resident teaching artist at MTC since the 2012-2013 season. He will assist Artistic Director Julia Flood with casting, directing and production administration.
Andrew Kuhlman is Broadway bound! He is currently working in New York as a co-producer on “The Prom,” the Broadway musical comedy that begins previews on Oct. 23. Andrew, an associate producer at Stages St. Louis, made the announcement Sept. 7.
“I am beyond excited to be taking this journey with a show that I could not believe in more. I cannot wait for audiences to fall in love with this hilarious, heartfelt and energetic musical,” he said.
“The Prom” has some prominent local connections – including Jack Lane, at Stages St. Louis, as one of its producers. Lane already has two Tony Awards as part of the group behind “Fun Home” and “The Humans.”
Joe Grandy, Andrew Kuhlman of “The Prom”The show lyricist and book writer is Chad Beguelin, who grew up in Centralia, Ill. He’s a multiple Tony nominee, for book and lyrics to “The Wedding Singer” and lyrics to “Aladdin.”
The cast includes Muny favorite Beth Leavel, Tony winner for “The Drowsy Chaperone,” and Muny veterans, including St. Louis natives Drew Redington and Jack Sippel, and Fairview Heights native Joe Grandy.
***WHO’S WHO: Upstream Theater is hosting renowned director Marianne de Pury who will stage the U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz. The one-woman show, starring Linda Kennedy, opens Sept. 28 and runs through Oct. 14.
Linda Kennedy, Photo by ProPhotoSTL“Chef” is the gripping story of how one woman went from being an haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Originally from the French part of Switzerland, de Pury is known for her work with the famed Open Theatre, where she composed music for “America Hurrah” and “Viet Rock.” Since those days she has directed all over the world–mostly in Germany, where her most recent work, “The Importance of Being Earnest,” was nominated as one of the year’s best productions.
Playwright Rob Urbanati came to the ‘Lou for Tesseract Theatre Company’s opening of his play, “Mama’s Boy,” which explores the relationship between a controlling mom and her son, who gained infamy as the assassin of President John F. Kennedy.
Here he is with the cast after Friday night’s show. They got our attention opening night at the .Zack, conveying a roller-coaster of emotions played out in historical context.
Urbanati, of New York City, is a playwright, screenwriter, book author, director, and director of new play development at Queens Theatre in the Park. His well-constructed 2015 drama is a fascinating exploration of family dynamics. It’s directed by Brad Schwartz.
From left: Jeremy Goldmeier (Robert Oswald), Brandon Atkins (Lee Harvey Oswald), playwright Rob Urbanati, Donna Parrone (Marguerite Oswald) and Carly Uding (Marina Oswald).
Lynn Venhaus photo***AROUND TOWN: Alas, the Stephen Sondheim appearance in St. Louis Oct. 4 is sold out. He is accepting the 2018 St. Louis Literary Award from the Saint Louis University Library Associates for being one of the most eminent lyricists and composers of the modern era.
He is the first musical lyricist to win the award since its inception in 1967. In a remarkable career spanning 70 years, Sondheim has written the lyrics, music —or both, for some of the most iconic and long running plays in the history of American theater.
The response was overwhelming, and all seats in the Sheldon Concert Hall and the simulcast viewing room have been reserved. During the event, which begins at 7 p.m., Mike Isaacson, executive producer and artistic director – and major Sondheim fan – will interview him on stage.
Three-time Tony Award winner “Avenue Q” has been extended three more weeks for its winter presentation at the Playhouse @ Westport.
Because of overwhelming ticket response, the “furry, funny and feel-good musical” will now run Jan. 25 – March 3. The cast is a combo of local and touring performers.
Another famous St. Louisan, poet, novelist and playwright A.E. Hotchner, an alumnus of Washington University, has endowed an annual Playwriting Festival. Three new works will be presented this weekend (Sept. 28 and 29) – “Tom and Grace” by Scott Greenberg, “Arriving At” by Ike Butler on Saturday at 2 p.m. and “Florida” by Lucas Marschke at 7 p.m. The guest dramaturg is Michele Volansky, chair of the drama department at Washington College in Maryland. The event is sponsored by Newman’s Own Foundation. For more information, visit: pad.artsci.wustl.edu.
The Stage Left Grille is now under Fox Management, so you can stop there for a bite to eat before a show at the Fox Theatre, the Kranzberg Arts Center or The Grandel, or any place in the Grand Arts Center.
“Confessions of a Nightingale,” a production from the Tennessee Williams Festival set for Nov. 1-4, has to be postponed until 2019.
***CHAMPAGNE & MOONSHINE: If you saw “Always, Patsy Cline” at Stages St. Louis in 2014 or at The Playhouse at Westport the following year, you must remember Jacqueline Petroccia as the star. A national sensation in that role, I recall that her velvety voice was “like butter.” She has released a debut solo album, the double EP “Champagne and Moonshine,” Collaborators on the album include musician royalty from Music City, including members of the Nashville Symphony, the award-winning Rascal Flatts, and Broadway Musician Brent Frederick.
Recorded live, with special permission, at the legendary and historic Quonset Hut on Music Row in Nashville, Tenn.,the album is available online through CD Baby (physical copy), Amazon, and iTunes.
The first EP, “Champagne,” features a big band sound appropriate for any ballroom or supper club, including an original arrangement mix “Crazy/Crazy He Calls Me,” and “Mambo Italiano.” The second EP, “Moonshine,” features new country music hits, and her original debut single “Your Name in Lights,” written by Brandon Hood, Hillary Lee Lindsey, and Troy Verges
Her other stage credits include the national tours of :The Producers,” “The Sound of Music” and “Fiddler on the Roof.” She was a featured soloist on the album “Where the Sky Ends” by Michael Mott (Broadway Records) and has appeared on “Prairie Home Companion,” featured with the Williamsburg Swing Orchestra and in her solo cabaret show Sometimes Patsy Cline (productions at 54 Below and Regional Theatres). More information can be found at JacquelinePetroccia.com
***YOU GO GLEN COCO: “Is butter a carb? Whatever, I’m having cheese fries.”
Wednesday, Oct. 3, is unofficially known as National Mean Girls Day, so imaginative Chef Liz of Tenacious Eats has created a fun event for the evening. Tickets are $35 and include a Mean Girls-inspired cocktail, entree and Kalteen Protein Bar for dessert.
Expect some “fetch” prizes if you can answer some Mean Girls trivia and photo ops will be available with a Lindsay Lohan lookalike. Costumes are encouraged, and it is on a Wednesday, so you might want to wear pink!
The Tina Fey movie will be shown at 7 p.m. on the big screen at the West End Grill & Pub, 354 N. Boyle. Doors open at 6 p.m. for pre-show fun, Mean Girls trivia, prizes and photo ops. Tickets are available at: www.BrownPaperTickets.com.
***WORD: Decoding Theatre Reviews – a must-read: http://exeuntmagazine.com/features/theatre-reviews-decoded/
***GO SEE A PLAY POLL: Who are your favorite moms in musicals? Answer our poll and you will be entered in our drawing for two tickets to “One Funny Mother” at the Playhouse @ Westport Plaza on Wednesday, Oct. 3, at 8 p.m.
Dena Blizzard, former Miss New JerseyHilarious Dena Blizzard, best known as “The Target Mom,” is a viral sensation and former Miss New Jersey. Her one-woman show puts the fun in domestic dysfunction.
FAVORITE MOM IN MUSICALS:Mae Peterson in “Bye, Bye Birdie”Margaret Smith in “Carrie”“Big Edie” Edith Ewing Bouvier Beale in “Grey Gardens”Edna Turnblad in “Hairspray”The Witch in “Into the Woods”Lady Thiang in “The King and I”Margaret Johnson in “The Light in the Piazza”
Send your pick to: [email protected] by Monday, Oct. 1, at noon. Winner will be notified soon after, and arrangements will be made for your tickets to be waiting for you at the box office.
Our last winner was Christopher Strawhun for “Oklahoma!” at Stages St. Louis.
***TRIVIA TIME-OUT: Let’s hear it for St. Louis native Chris Redd and longest-ever SNL cast member Kenan Thompson on their Emmy win for Outstanding Original Music and Lyrics for “Come Back, Barack,” a Boyz II Men-style parody from last November’s episode hosted by Chance the Rapper.
Q: Despite multiple nominations, SNL has won only once before, for what song?
Justin Timberlake and Andy Samburg’s collaboration, “D**k in a Box.”
Fun fact: Theme songs also count for the award. “Moonlighting,” “Cheers,” “Chico and the Man,” “Growing Pains” and “Police Woman” have won.
Chris Redd didn’t live in St. Louis long and moved to Chicago as a youth. He is back at “Saturday Night Live” for his second season, which starts this Saturday, with host Adam Driver and musical guest Kanye West.
Tips? Contact: [email protected]