The COVID-19 pandemic presents a multitude of obstacles to overcome for organizations of all types, and theater groups are no exception. Sharon Hunter, Artistic Director-Producer of Moonstone Theatre Company, aims to help address some of the virus-related challenges that the St. Louis theatre community faces by forming the St. Louis Theatre Community Task Force.
“As I was thinking about how to proceed with my own company in the wake of the pandemic, I started thinking it would be helpful to get a lot of the theaters to sit down via Zoom and discuss concerns, ideas and solutions for moving forward as we navigate the future of theatre in St. Louis,” Hunter explains.
The Task Force will address concerns including conducting safe auditions, rehearsals and performances, finding new ways to seat audiences, maintaining the visibility of the St. Louis theatre community, new ways to offer theatre experiences and recommendations for the use of personal protective equipment.
Hunter said the Task Force, which is the first of its kind in the St. Louis area, welcomes local theatre groups of all sizes. In addition to these organizations, representatives from the St. Louis County Department of Health and the Center For Disease Control have also been invited to the first online meeting to address questions and concerns.
Theatre companies invited to participate include R-S Theatrics, The Q Collective, The Midnight Company, Slightly Askew Theatre Ensemble, Upstream Theater, Repertory Theatre of St. Louis, COCA, Shakespeare Festival STL, Black Rep, Stray Dog Theatre, Stages St. Louis, St. Louis Actors’ Studio, The Muny, Opera Theatre of Saint Louis, New Jewish Theatre, Cherokee Street Theatre, The Cabaret Project of St. Louis, Max & Louie Productions, Black Mirror Theatre, Young Liars, West End Players Guild, Tennessee Williams Festival St Louis, New Line Theatre, ERA Theatre Company, STL Fringe Festival, St Louis Shakespeare, Metro Theatre Company, That Uppity Theatre Company and the Tesseract Theatre Company.
The initial meeting of the Task Force is scheduled for Thursday, April 23, at 7 p.m. Theatre groups interested in interested in participating should contact Hunter at [email protected] to get access to the Zoom link. For more info, check their Facebook page for updates: https://www.facebook.com/STLTheatre/.
As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.
Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.
Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.
Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down.
This includes theatres, galleries, clubs, restaurants, cafes, and libraries.
These closures will remain in place until at least May 11.
This includes the Kranzberg Arts Center, The Marcelle
Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room,
Sophie’s Artist Lounge and the High-Low building.
Fox Theatre Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.
On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.
“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.
Ticket holders should
keep their tickets until new dates are announced. More information will be
available once new dates are secured.
The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.
The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.
“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.
Plans to reschedule other postponed shows are currently underway. Ticket holders should hold on to their tickets – they will be honored on the new dates.
Decisions about other future shows will be made as we
follow the evolving situation with the COVID-19 virus and the City of St.
Louis’ determination of the length of this prohibition, public relations
manager Megan Ketcherside said.
Operational hours are subject to change based on the
COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix
314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m.,
closed on Saturday and Sunday.
Visit the website, www.fabulousfox.com/coronavirus
As of March 25, the Family Arena and The Family Arena Box
Office is closed to the public until such time as the limit on public
gatherings is lifted in St. Charles County.
Tickets are still available for purchase at
Manager Tom O’Keefe said if you purchased tickets at the
box office for an upcoming rescheduled event that you would like a refund for,
please hold on to your tickets until they re-open and they will refund your
tickets at that time.
They have partnered with Ticketmaster to address all fan
questions regarding the cancellation and rescheduling of live events. Visit the
Ticketmaster Help Center for guidance and check back regularly for additional
information and status updates, www.familyarena.com.
The Stifel Theatre and Enterprise Center Box Offices will
not open until further notice. For guests who purchased tickets to an upcoming
show through the box office that has been cancelled, please hold on to your
tickets until we re-open and are able to assist with your questions.
These events at Stifel Theatre have been postponed. Ticket
holders should hold on to their tickets, as all tickets will be honored on the
Here are rescheduled dates:
Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco
Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18
to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March
20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour
from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.
The following events have been cancelled and refunds will
be available at original point of purchase:
“Sesame Street Live,” March 27-29; TD Jakes, April 10; The
Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April
23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.
Decisions about other future shows will be made as they continue
to monitor this rapidly evolving situation. Visit www.stifeltheatre.com
The arena is closed until further notice and in an abundance of caution, the
venue will be thoroughly cleaned while closed.
They are currently working to reschedule all impacted
events and will provide updates as quickly as possible. We ask all current
ticket-holders to retain their tickets for these events until such time when a
new date is determined as your current ticket will be valid for the new date. “Please
be patient and hang tight as we work through this unprecedented time,” a
Additionally, they have partnered with Ticketmaster to
address all fan questions regarding the cancellation and rescheduling of live
events. Visit the Ticketmaster Help Center by clicking here for guidance and
check back regularly for additional information and status updates as they
Impacted Events: Festival Of Laughs from March 20 to Sept.
26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28
to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15;
Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24
to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29
The Playhouse at Westport
All March/April events were cancelled, including “Flanagan’s Wake,” which had
been extended to mid-April.
John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain
EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!
New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.
Muny administrative offices and box office are closed through late April.
Ticketing services for the 2020 season are available online at any time.Ticketing
related questions can be sent to [email protected]
“We are closely monitoring all developments regarding the
COVID-19 outbreak and will continue to follow the guidance of health and
government officials with the goal of keeping our staff and community as safe
and healthy as possible,” the Muny statement reads on their website.
“With the start of our 2020 season still months away, we
remain optimistic that the season will proceed as planned and hope the
restrictions on gatherings are lifted in early May, as scheduled. If that
changes, we will adjust accordingly. Meanwhile, we continue communicating with
health officials on all levels to stay fully informed and responsive to this
unprecedented situation,” the statement reads.
Given the Stay at Home order for St. Louis City and County,
and for the health and safety of our team, The Muny Offices are currently
closed and some ticketing dates have changed. However, we’re still busy getting
ready for the 2020 summer season, and we can’t wait to meet you at The Muny
Ticketing Update as of March 26 – These dates are subject
Muny Season Tickets will be mailed in early May
Season Ticket Exchanges: May 26 – 29
Single Ticket on Sale: June 1
To purchase new season tickets, or pay a current balance on
existing season tickets, please visit:
To purchase season tickets with a gift card you currently
have in-hand, please email The Muny Box Office at [email protected] and a Muny
Ticketing agent will contact you to process
your request. If you wish to purchase a gift card, it will not be mailed until
the restrictions on gatherings have been lifted.
Also, if you are looking for a way to stay entertained
during these “quiet days,” we encourage you to enjoy a specially curated set of
video clips from our previous productions on our social media channels. You can
follow us on Facebook, Twitter and Instagram.
The Repertory Theatre of St. Louis
The Repertory Theatre had to cancel the run of “The Cake,”
which began in the Studio Theatre on March 14, but was forced to be shutdown
March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from
March 21, with the goal of mounting it this summer.
An online stream of “The Cake” has been made available to all
Studio Theatre patrons who previously purchased tickets at no additional cost.
There are a limited number of streaming tickets available
for purchase for those who are interested in viewing the final performance of the
Steve Woolf Studio Series this season. That is available through April 24.
Additionally, The Rep is collaborating with a national
group of theatres to commission a series of short plays specifically developed
to spark joy and connection among people who are sheltering in place. These
initiatives are designed to keep the art alive and vital, even in a time of
“Keep an eye out for more entertaining content and
educational resources from The Rep and our local and national partners by
following us on social media,” spokesman Jeremy Goldmeier said.
On March 27, The Rep announced that they have honored the entire contracts of
the guest artists who devoted their talents to “Dreaming Zenzile” and “The
Cake,” despite their runs being delayed or cut short.
“In these uncertain times, The Rep felt it was imperative
that these artists, whose livelihoods depend on their contracts, not bear the
additional burden of lost wages in this pandemic,” a statement said.
“As you know, The Rep has an extraordinarily talented and
dedicated staff that works year-round to support the productions, education,
and community initiatives to serve the greater St. Louis region. We have
continued to pay the full salaries of our full-time, year-round administrative
staff, with no furloughs or other lapses in pay. We have moved our
administrative and box office teams to work remotely to serve you during this
period,” a statement said.
Play at Home
The Repertory Theatre of St. Louis has teamed with
Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly
Mammoth Theatre Company to present Play at Home, a series of micro-commissioned
short plays from some of the American theatre’s most exciting and prominent
These new plays – which all run 10 minutes or less – are
available for the public to download, read and perform at home for free at
In the wake of widespread event cancellations following the
spread of the coronavirus (COVID-19), the participating theatres conceived Play
at Home as a way to support artists, connect people to theatre, and to ignite
imagination and joy in these uncertain times.
Each organization commissioned multiple playwrights – most
of whom had plays canceled due to the coronavirus outbreak – to create new
works that were big, joyful and not bound by the constraints of what might be
“possible” on a traditional stage.
The Rep’s commissioned playwrights feature:
Regina Taylor (playwright of The Rep’s 2020-2021 production
Karen Zacarias (playwright of The Rep’s 2020-2021
production of Native Gardens)
Steph Del Rosso (playwright of The Rep’s 2020-2021 world
premiere of The Gradient)
Guadalís Del Carmen (who appeared at The Rep as an actor in
2020’s Mojada: A Medea in Los Angeles)
Tre’von Griffith (a St. Louis performer and playwright,
co-founder of TLT Productions)
These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.
Max and Louie Productions
Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.
Moonstone Theatre Company Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.
The Midnight Company Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.
It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved. Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating. A difficult show to describe but what it is is excellent.” Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word. The Cardinals are the talk of the town again. This show should be the talk of the town, too!” Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show. At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.” “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation. The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.” Throughout, the playwright draws links between what’s happened and happening – from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time. Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.
There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.
New Line Theatre
New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.
Its June production of “Urinetown” has been cancelled.
Stray Dog Theatre
“Annie,” which was to open April 9, has been postponed,
with dates to be announced.
“We will honor all tickets already purchased to any of the
new performance dates once they are announced. To purchase tickets to any other
future productions, please call our box office directly at (314) 865-1995.
“We are currently planning to hold the remainder of the
2019-2020 season as scheduled. Any changes or additional information will be
shared as soon as possible. If you have any questions, please feel free to
contact us,” said Artistic Director Gary F. Bell.
“We would like to thank everyone for the hard work they’ve
already put into the production and we would like to thank you for your
patience as we work to bring you the quality story telling you, our family,
deserve. Annie is that bit of light we all need right now, ‘the sun will come
out tomorrow’ and we will overcome anything,” Bell said.
“We know we are not the only organization dealing with
these difficult decisions and we stand with them, ready to come back stronger.
Your continued support of all arts organizations is always appreciated but
never more than in times like these. We look forward to seeing you soon,” he
said. “Please stay safe and be kind to one another.”
Kenneth Lonergan’s “Lobby Hero” is set to run June 4
– June 20
“However, due to the extreme strain currently being faced
by many organizations we have made the decision to halt online sales of
upcoming productions. We will resume online sales once matters have settled and
the timeline of events moving forward becomes more defined,” Bell said.
“You may continue to purchase tickets for upcoming shows by calling our Box
Office at (314) 856-1995 or emailing us at [email protected] Thank
you for your patience and your continued support as we manage these unfortunate
Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10
This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.
New Jewish Theatre
Initially, New Jewish rescheduled “We Are the Levinsons”
from March 19 to May, but now they have pushed it back, along with their
Sondheim musical revue, “Putting It Together.” They would like to reschedule later this
All activities at the JCCA have been suspended during the
public health crisis.
For more information, please contact them by email or by
Opera Theatre of St. Louis
Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah.
Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again.
At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!
For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:
This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.
“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.
Shakespeare Festival St. Louis
The 2020 Shakespeare in the Park production of “Much Ado
About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director
Tom Ridgely said it was in order to provide the best possible chance of safely
gathering artists and audiences for its 20th anniversary season. It
is to be directed by Bruce Longworth.
“For the past 20 years in St. Louis, the opening of
Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely
said. “This year it’s clear that the only way to care for our actors, crew,
volunteers and community is to give as much time as possible for social distancing
measures to take effect and hope to be one of the ways we all bring our summer
2020 to a much happier close.”
The previously announced creative team of Matt Pace &
Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis
(Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design)
remains the same.
In response to the widespread cancellation of live events,
the Festival has already shifted to generating a full schedule of new and
original content for the online and social media platforms under the umbrella
These include the previously aired “watch party” of its
canceled regional tour of Cymbeline, a live reading of “Venus and Adonis”
(which Shakespeare wrote during a plague-induced theater closure) and a
five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together
they’ve already been viewed 10,000 times.
Now through May 29 on ShakespeareTV, which can be accessed
on their Facebook page:
THE ZOOM PLAYS: a weekly series of 20- to 30-minute
original plays written especially to be performed live over the
videoconferencing app Zoom. Created and performed by local playwrights,
directors and actors.
GREEN SHOW MONDAYS: an eclectic variety program featuring
music, comedy and performance from Festival favorites.
SHAKESPEARE AND CHILL: a special selection of
Shakespeare-inspired movies featuring live commentary from artists and
scholars, co-curated by Cinema St. Louis.
Other one-night only events to be announced.
May 29 – June 21 is SHAKE20
A 20th anniversary reboot of the beloved engagement program
SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on
Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s
originally scheduled run, May 29-June 21.
Like the original, SHAKE20 will be a region-wide
collaboration involving artists and organizations including SHAKE38 alumni:
Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics,
Poor Monsters and Theater Nuevo. More details about the program and how to
apply will be shared soon.
“In the meantime, we
hope that you and yours stay well. We have planned an incredible season of free
Shakespeare, and we cannot wait to share it with you. It’s an interesting time
to be in the business of live theatre and touring productions, but the Festival
is committed to paying our artists and staff throughout this crisis,” Ridgely
So, if you have ever considered becoming a member, know
that we are always grateful for your support—but especially so at this time,” he
“During this crisis, we feel more connected to Shakespeare
and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The
Plague was the single most powerful force shaping [Shakespeare’s] life and
those of his contemporaries.’ During times of quarantine, Shakespeare wrote
some of his most important sonnets and plays,” Ridgely said.
“We can’t claim to have his genius, but we will take
inspiration from his dedication and from artists around the world that are
stepping up to create, facilitate, and share stories in new and exciting ways.
Stay tuned for updates on new and existing Festival programs,” he said.
For more information, visit the website sfstl.com and on
social media. Visit https://www.facebook.com/shakesfestSTL
Stages St. Louis
While Stages St. Louis continues to follow guidance from the CDC as well as
mandates from both local and national government, for the time being, they have
made no adjustments to the schedule for our upcoming 2020 Season.
However, here are some changes regarding tickets, activities
Single tickets for the 2020 Season will now go on sale
beginning Monday, April 27.
All in-person activities with the Stages Performing Arts
Academy will be canceled until the start of our Summer Semester on Monday, June
The Stages administrative, production, and academy offices
will remain closed until Thursday, April 23.
In the meantime, the Box Office is still open for questions
or subscription ticket sales online at www.StagesStLouis.org or by phone at
The Stages Performing Arts Academy will continue to offer
digital and streaming content in order to continue performing arts education
for students at home and can answer any and all questions by phone at (636)
Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.
Tennessee Williams Festival St. Louis
Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.
The Tesseract Theatre Company Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.
For more information, contact: [email protected] or visit the website, www.tesseracttheatre.com
That Uppity Theatre Company Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.
Upstream Theater In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.
West End Players Guild
Steven Dietz’s “Bloomsday” set to open April 17 and run through
April 26 has been cancelled. It was the final production of the group’s 109th
“As our country copes with the growing threat of the
Coronavirus, one of the most important steps we must take to protect ourselves
and each other is the kind of “social distancing” that is impossible at a
theatrical production. Our Board of Directors believes it is highly unlikely
that the need for social distancing will be any less in April than it is today,
and decided that the best course of action for our company and our patrons was
to act now to cancel the show,” a statement reads.
Patrons who have purchased advance tickets through Brown
Paper Tickets will be issued automatic refunds. WEPG will reach out to season
ticket holders in the near future with refund options.
WEPG will begin its 110th season in September.
Alfresco Productions Auditions
for “Hairspray Jr.” will be by video for the Granite City community theater
production. The show is to run July 24-26 and deadline for video submissions is
April 19. The age limit is from 6th grade to 18 years old. For more
information, visit: https://www.alfrescoproductions.org/auditions
Alton Little Theatre
All productions and concert events through May 1 have been
cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and
“Broadway Salutes America” may be refunded or transferred. Call
618-462-3205 for options.
“Brigadoon” has been moved from May to June, with plans for
a June 5 opening, with eight performances through June 14. Season ticket
holders can follow the same schedule but can call the office at 618-462-3205 anytime
“Shrek” auditions have been rescheduled for Saturday, May
10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting
at least 30 characters. The show will run July 31-Aug. 9 for eight
Clayton Community Theatre “The
Philadelphia Story” was to run March 12-22 but was cancelled after opening
They hope to premiere “Broadway Bound” July 9 -14
Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a
future date in 2020, to be determined, and cancelled March 28 auditions. The musical
was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep
informed of updates, visit www.curtainsuptheater.com
Kirkwood Theatre Guild
Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek:
The Musical,” which were set to run in April and May.
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on
hold. More information will be forthcoming. Please follow or check out website
www.HawthornePlayers.com for any further announcements.
Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it
after state and local mandates due to the COVID-19 pandemic.
They have cancelled the rest of the season, including “Rock
of Ages” in May and have moved it to the opening slot in the fall.
“We are reaching out to the publishers to reschedule and are hopeful that we
will be able to still perform the show in September,” he said.
They hope to announce the full season soon and for patrons
who renew their season tickets for next year, they will receive a 10 percent
“Currently, we are still planning our summer youth
production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror
Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19
and 24-26, has been postponed.
Due to the current health crisis in our area, all MASC rehearsals and
activities at the Capitol Theater have been postponed effective Monday, March
“The MASC Board will be discussing the plan of action
moving forward regarding Watch on the Rhine, the current show in production,
and the remainder of the 2019-2020 season, as we monitor the progression of
this crisis. Specific information regarding these two shows will be sent out
accordingly. The health and safety of our membership and patrons is our highest
priority,” a statement read.
O’Fallon Theatre Works
The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions
were recently handled by video.
Over Due Theatre Company
The group in Olivette has postponed “My Fair Lady.” It was
to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye
Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.
The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”
“We are hopeful and fully intend to mount this production
at a later date,” a statement read.
St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle
Awards were to take place on March 30 at the Loretto-Hilton Center on the
campus of Webster University, but the event has been cancelled. Local theater
critics will still honor outstanding regional professional theater, however.
Instead, HEC will provide a streamcast of the awards on
Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy
outfits and schmoozing, the event will be downscaled reading of the nominations
The theater critic members of the St. Louis Theater Circle
have recorded the nominations, and their voice-overs will run over photos of
the nominees. Then HEC announcer Rod will announce the winner. There are 34
categories to give awards in, which cover dramas, comedies and musicals. A
special award is being given to Ken and Nancy Kranzberg for their tremendous
support and commitment to the arts.
Visit the Theater Circle’s Facebook page for more
If you would like to see who was nominated, here is the
Arts For Life
In community theater, the Arts For Life board of directors
presents two awards events each year, the Best Performance Awards honor musical
theater and youth productions, and the Theatre Mask Awards honor straight
The fifth annual Theatre Mask Awards, which honors both
dramas and comedies, was to take place at a brunch on Saturday, April 4, at The
Atrium Center at Christian Hospital. However, it has been rescheduled for July
The 21st annual Best Performance Awards is scheduled for
Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at
Chaminade. However, the AFL board of directors will decide shortly on whether
the event will be moved. Stay tuned.
For more information and to see lists of nominations, visit
You can get tickets to both events for the special price of
$40. Visit www.artsforlife.org for more information and to see a complete list
Emcees are Donna Northcott, a theater professor at
Lindenwood University – St. Charles, for the TMAs, and local singer-actress
Karen Fulks for the BPAs.
AFL President Mary McCreight has suspended all public
activities of the AFL organization, effective until at least May 1. This
includes all judging activities of the Theatre Recognition Guild.
“As our world, our nation and our region face a major
health threat, it falls upon us as a community to adopt measures that will both
foster the protection of those who work and ‘play’ in Metro St. Louis community
theatre and ultimately allow AFL to continue our charitable mission of service
and recognition once the threat passes,” she said.
(Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).
ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS
In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season.
The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date.
ARTS CENTERS AND CONCERT HALLS
The Hettenhausen Center for the Arts
All events and performances scheduled through June 1 have
been cancelled at “The Hett,” which is located on the campus of McKendree
“TAO Drum” has been
rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah”
has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.
The ReMINDers has been cancelled for April 6.
They are offering patrons the possibility of applying their
tickets to a future event at the Hett, donating the ticket value to the
University or contacting them for a full refund, less any original mailing
fees. Please contact the box office during operating hours to discuss ticket
disposition at 618-537-6863. The box office is open from noon to 4 p.m.
Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For
more information, please contact [email protected].
St. Louis Symphony Orchestra
All performances through April 12 are postponed or
canceled. For information regarding tickets and schedules, visit slso.org.
The Sheldon Concert Hall & Art Galleries
All Sheldon-presented concerts and other events through May
10 have been postponed or canceled. Plans to reschedule are underway, and
ticket buyer should retain their current tickets – they will be honored for the
new dates. Additional information will be provided to ticket buyers as events
are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley,
“Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17;
David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes
for events presented by non-Sheldon promoters will be handled on a case by case
basis. All updates can be found at TheSheldon.org or at MetroTix.com.
The Sheldon is located at 3648 Washington Blvd., St. Louis.
Fair Saint Louis
Fair Saint Louis and America’s
Birthday Parade events have been canceled this year due to concerns about the
Fair Saint Louis was set to run July 2-4 at the Gateway Arch
with concerts, air show, and fireworks each night.
“While we are saddened to cancel two of our region’s most
popular and free Fourth of July celebrations, the safety of our community is of
utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair
Saint Louis and America’s Birthday Parade embody the prideful spirit of our
city, and over the past few weeks, we’ve seen that spirit shine so brightly
within our community as we face this unthinkable challenge together.”
This year would have marked the 40th Fair Saint Louis and 138th
America’s Birthday Parade.
“We look forward to returning to downtown St. Louis and celebrating
with our community in the future when the time is right,” said David Plufka,
Chairman, America’s Birthday Parade.
Pandemic Results in Production Streamcast by HEC Media
New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday forCreveCoeur.
Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE
Awards were given in 31 categories covering comedies, dramas
and musicals as well as two categories for opera. In addition, Ken and Nancy
Kranzberg received a special award for their philanthropic contributions to the
arts and theater in the St. Louis area, including many developments in Grand
Center. The awards honored outstanding achievement in locally produced professional
theater for the calendar year 2019.
A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.
The 2020 presentation featured nominees from two companies,
Black Mirror Theatre and The Q Collective, which were represented for the first
time in consideration of St. Louis Theater Circle Awards. Each company received an award for
In all, 25 local companies received nominations in 33
categories for comedy, drama, musical and opera, as well as 125 individuals up
for awards. Honorees who have previously received St. Louis Theater Circle
Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton,
Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.
The mission of the St. Louis Theater Circle is simple: To
honor St. Louis professional theater. Other cities around the country, such as
Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and
Washington D.C., pay tribute to their own local theatrical productions with similar
Nominations for the St. Louis Theater Circle Awards were
divided into categories for musicals, dramas, comedies and operas. More than 120 local professional theatrical
productions were staged in the St. Louis area in 2019.
Honorees of the eighth annual St. Louis Theater Circle
Ensemble in a Comedy
Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis
Supporting Actress in a Comedy
Kelley Weber, A Lovely Sunday for Creve
Coeur, Tennessee Williams Festival St. Louis
Supporting Actor in a Comedy
Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis
Actress in a Comedy (tie)
Katie Kleiger, Pride and Prejudice, Repertory Theatre
of St. Louis
Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St.
in a Comedy
Will Bonfiglio, Fully Committed, New Jewish Theatre
Director of a Comedy
Kari Ely, A Lovely Sunday for Creve Coeur,
Tennessee Williams Festival St. Louis
Production of a Comedy
Beach Memoirs, New Jewish Theatre
Ensemble in a Drama
Max & Louie Productions
Supporting Actress in a Drama
Carly Uding, Translations,
Black Mirror Theatre
Supporting Actor in a Drama
J. Samuel Davis, District Merchants,
New Jewish Theatre
Actress in a Drama
Donna Weinsting, Salt, Root and Roe,
in a Drama
Gary Wayne Barker, District Merchants, New Jewish
Director of a Drama
Joanne Gordon, Indecent, Max &
Production of a Drama
Max & Louie Productions
Design in a Play
Margery and Peter Spack, Brighton Beach Memoirs,
New Jewish Theatre
Costume Design in a Play
Felia Davenport, District Merchants,
New Jewish Theatre
Lighting Design in a Play
Indecent, Max & Louie Productions
Phillip Evans, Indecent, Max &
Design in a Musical
Mary Engelbreit and Paige Hathaway, Matilda, The Muny
Costume Design in a Musical
Sarah Porter, La Cage aux Folles, New
Lighting Design in a Musical
Sean M. Savoie, Man of La Mancha,
Stages St. Louis
Charles Creath, Don’t Bother Me, I Can’t
Cope, The Black Rep
Dexandro Montalvo, Such Sweet Thunder, Shakespeare
Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Ensemble in a Musical
Supporting Actress in a Musical
Taylor Louderman, Kinky Boots, The
Supporting Actor in a Musical
Tielere Cheatem, La Cage aux Folles,
New Line Theatre
Actress in a Musical
Kendra Kassebaum, Guys and Dolls, The
in a Musical
Luke Steingruby, Hedwig and the Angry
Inch, The Q Collective
Director of a Musical
Michael Hamilton, Man of La Mancha,
Stages St. Louis
Production of a Musical
Sweet Thunder, Shakespeare Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Nonsense and Beauty, by Scott C.
Sickles, Repertory Theatre of St. Louis
Achievement in Opera (tie)
Terence Blanchard and Kasi Lemmons, Fire
Shut Up in My Bones, Opera Theatre of Saint Louis
Roland Wood, Rigoletto, Opera Theatre
of St. Louis
Production of an Opera
Boheme, Union Avenue Opera
Ken and Nancy Kranzberg
Members of the St. Louis Theater Circle include Steve Allen,
stagedoorstl.com; Mark Bretz, Ladue News;
Bob Cohn, St. Louis Jewish Light;
Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck
Lavazzi, KDHX; Sarah Bryan Miller, St.Louis
Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack,
stlouiseats.typepadcom; Tanya Seale,
Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com;
Bob Wilcox, Two on theAisle (HEC Media); and Calvin Wilson, St.
Mullin, local actress and arts supporter, is the group’s administrator.
For more information, contact [email protected]
or ‘like’ The St. Louis Theater Circle on Facebook.
The eighth annual St. Louis Theater Circle Awards are taking place in cyberspace on Tuesday, April 7, rather than at the Loretto-Hilton Center on the campus of Webster University. That March 30 event was cancelled because of the current public health crisis. The COVID-19 global pandemic has affected the St. Louis region, with government quarantine orders in both St. Louis city and county through April 22.
The awards honoring excellence in professional regional theater for the 2019 season are being made available by the Higher Education Channel at 7 p.m. on their platforms. Their link is: Higher Education Channel TV (HEC-TV)
The streamcast will be able to be seen on HEC Media’s Facebook page, channel 989 on Spectrum (Charter) and channel 99 on AT&T U-verse.
HEC Announcer Rod Milam will state the winner after the Circle members voice-over the nominations in 33 categories. It is expected to take a half-hour.
The Muny, now in its second century of performances at its outdoor amphitheater in Forest Park, leads the way with a total of 25 nominations, followed by 24 for The Repertory Theatre of St. Louis (The Rep) and 21 for New Jewish Theatre. Stages St. Louis follows with 13 nominations, West End Players Guild with 10 and Stray Dog Theatre with a total of eight nominees.
In all, 25 local professional companies received nominations for 51 different shows. Lighting designer Sean M. Savoie leads all nominees with three different nominations out of a total of 125 nominated artists, including six who received two nominations apiece. The awards honor outstanding achievement in locally produced professional theater for the calendar year 2019.
More than 120 locally produced professional theatrical productions were presented in the St. Louis area last year.
Ken and Nancy Kranzberg will be honored with a Lifetime Achievement Award in recognition of their long-standing commitment to the arts and theater in St. Louis, including Grand Center.
The official hashtag for the event, to be used on Twitter and Facebook, is: #TCA20
The St. Louis Theater Circle would like to thank the folks at HEC Media, including Dennis Riggs, Boyd Pickup, Rod Milam, Paul Langdon, Christina Chastain and their colleagues, for stepping up and making this streamcast production possible after the COVID-19 pandemic caused the cancellation of our eighth annual gala.
The St. Louis Theater Circle includes Calvin Wilson, St. Louis Post-Dispatch; Tanya Seale, Broadway World; Judith Newmark, Judy’s Second Act: Mark Bretz, Ladue News; Tina Farmer, KDHX; Gerry Kowarsky, “Two on the Aisle” HEC; Bob Wilcox “Two on the Aisle” HEC: Ann Lemons Pollack, St Louis Eats; Steve Allen, Stage Door STL; Chuck Lavazzi, KDHX; Michelle Kenyon, Snoop’s Theatre Thoughts; Bob Cohn, St. Louis Jewish Light; and Lynn Venhaus, PopLifeSTL.com. Eleanor Mullin is the administrator.
For more information, visit the Circle’s Facebook page.
St. Louis Theater Circle Awards Ceremony Cancelled, AFL’s Theatre Mask Awards Moved to July
By Lynn Venhaus
Because of the COVID-19 pandemic, productions scheduled in March, April and May at New Jewish Theatre, St. Louis Actors’ Studio, Tennessee Williams Festival, Upstream Theater, West End Players Guild and the Playhouse at Westport have announced postponements, some with new dates and others to be determined.
The Kranzberg Arts Foundation has closed all its venues.
St. Louis Theater Circle has cancelled the March 30 Awards Ceremony and Arts For Life has pushed back its annual Theatre Mask Awards. Metro Theatre Company has announced some changes in scheduling.
Here is the most up-to-date information available, and updates will be happening as we get word.
The companies are following the U.S. Centers for Disease Control guidelines for social distancing, which has recommended limiting gatherings of no more than 50 for the next eight weeks. St. Louis City and St. Louis County have banned such public gatherings.
On Monday, the White House advised the public to avoid groups of more than 10 and urged older people to stay at home for the next 15 days in a set of new guidelines designated to fight a spreading coronavirus outbreak.
Kranzberg Arts Foundation They announced Tuesday that they have followed the recommendations and guidelines put in place by our government and health officials and have moved to shut down all Kranzberg Arts Foundation venue operations. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. For the time being, our tenant and resident organization offices remain open. These closures will remain in place until at least May 11:
The Grandel Theatre
The Kranzberg Studio, Black Box, and Gallery
Sophie’s Artist Lounge
The Dark Room
To ticket holders, MetroTix will be reaching out and instructing guests to respond with “refund” or “donate”. “While this is a difficult time for everyone, arts organizations and artists will be particularly impacted by COVID-19 and the disruption to their jobs. We’re asking for guests, as they are able to, to consider donating to the organizations instead of asking for a refund,” Executive Director Chris Hansen said.
“We will continue to work with our funding partners and local government agencies to find ways to help support artists and arts organizations through these unprecedented times and to make sure the arts are still felt and present in people’s daily lives,” he said.
“We will stay connected through social media and other digital platforms and will share resources, updates, and next steps as frequently as possible,: Hansen said.
West End Players Guild West End Players Guild said Monday that Steven Dietz’s “Bloomsday,” originally scheduled for April 17 – 26, has been cancelled as the season’s final show but will be rescheduled in September as the first show of the 2020-2021 season.
WEPG said online ticket purchasers will receive an automatic full refund through Brown Paper Tickets. “Please allow two weeks for the refund to be posted to your credit card. Season ticket holders will be advised of refund options this week by email,” the statement said.
New Jewish Theatre New Jewish Theatre has moved “We Are the Levinsons” to May 6 0 17. The St. Louis premiere had been scheduled to open this Thursday and run from March 19 to April 5.
A comedy that tugs on your heart, it centers on Rosie, a divorced fiftyish TV writer with an insufferable 21 year-old daughter, who suddenly finds herself responsible for her father’s care. This thoughtful and earnest play delves into some difficult but universal passages of life. We all must give up the insolence of youth and take on the mantle of adulthood. Along the way are opportunities to love and to pursue our dreams. We are the Levinsons teaches us how we should cherish these moments with tenderness and with laughter.
At the Fox Theatre, the touring production of “Charlie and the Chocolate Factory,” which had been set to open Tuesday, March 17 and run through, has been postponed but a new date has not been announced.
“We are working with the producers of the show to reschedule for dates in the near future and I will be sure to keep you updated!” Publicity Manager Megan Ketcherside said.
“We appreciate your support and please know that the health and safety of our guests is always our top priority. We will continue to look to our government and health professionals for guidance as we work through this unprecedented time in our history.,” she said.
As of March 17 announcement, “Cats” scheduled for April 7-19 and Chaka Khan scheduled for April 24 are postpone until a future date can be determined.
The Fox Performing Arts Charitable Foundation’s 10th annual St. Louis Teen Talent Competition Finals are being moved from Saturday, April 4, to a later date, to be determined.
In the spirit of fostering the emerging talent in the St. Louis performing arts community, the Fox Performing Arts Charitable Foundation is proud to underwrite and produce an adjudicated competition showcasing the talented teens of the St. Louis region. Students are competing for college scholarships, cash awards, prizes, and public appearance opportunities
The Playhouse @ Westport
All March events are presently cancelled, including Flanagan’s Wake due to the updated information and recommendations implemented to regarding Covid-19. “Flanagan’s Wake” had been extended through April 11, with a special St. Patrick’s Day performance March 17.
John Denver Tribute May 7-10 and Rockin’ Chair June 5 and 6 are still scheduled.
Refunds are available at point of purchase.
St. Louis Actors’ Studio
The St. Louis Actors’ Studio has postponed its world premiere of Neil LaBute’s “Comfort,” that was to run from April 17 to May 3 at the Gaslight Theatre, but is providing an offer for online content.
“STLAS to offer Neil LaBute’s 10 x 10 series as exclusive streaming content for its current subscribers (new subscribers to the 20/21 season) and ticket holders and will postpone the world premiere of LaBute’s play “Comfort,” said William Roth, founder and artistic director.
“While we wait at home for the virus to settle, Neil and I quickly put our heads together to see how we could entertain our best patrons as we figure out how to navigate these ever-changing waters. Neil has been so very generous to us and he truly appreciates, as I do, our ongoing collaboration as well as the patrons and artists of St. Louis.” Roth said.
Each of the 10-minute films features one actor telling their story directly to the viewer. The first five feature Frederick Weller (In Plain Sight, The Good Wife), St. Louisan Jenna Fischer (The Office), Louisa Krause (Martha Marcy May Marlene, Young Adult), Richard Kind (Luck, Burn Notice, Curb Your Enthusiasm) and Judith Light (Other Desert Cities, Assembled Parties).
Weller’s character is a man who relays the story of an encounter he had with a woman sitting next to him on a flight. Fisher portrays a woman telling about the abuse she suffered at the hands of her husband and about her new life partner. Krause’s character is a young woman who discusses the way in which she takes control of her sexual destiny. Kind portrays a man discussing his feelings about his long-time marriage and his views on same-sex marriage as well. Light becomes a woman remembering the ‘man who got away’ while discussing her former marriage and her new boyfriend.
The second five feature Adam Brody (Some Girls), Maggie Grace (Taken; Taken 2), Jason Patric (Your Friends and Neighbors), Amy Madigan (Gone Baby Gone) and Bill Pullman (While You Were Sleeping). Each film explores the nature of human relationships, specifically themes of love and lust, told by characters at different stages in their lives.
Brody portrays a young man bemoaning his impending hair loss and talking about his ‘ideal’ woman. Grace’s character is a woman talking about a friend who was killed in a car accident while texting her boyfriend. Patric embodies a man recounting the tale of a fight between parents that he was involved in at a little league game. Madigan plays a woman confessing to slowly having lost her will to live and asks a visitor for some spiritual help. Pullman becomes a man considering the ever-changing culture around him and his evolving views on love and life
LaBute explains, “The series was initially written as exclusive content for DIRECTV’s ‘AUDIENCE CHANNEL’ and has been rarely seen since its initial airing on television. 10 X 10 is a collection of original monologues— five men, five women—that are performed directly to the camera and in real time, meaning there is no editing or camera trickery. It is all about the material and the actor, bringing each piece to the audience at home as purely and directly as possible.”
The 10 x 10 videos will be released weekly to STLAS patrons via email with password a protected link. They will also be providing in-home entertainment from the Gaslight courtesy of St. Louis Actors’ Studio as it can be generated and as regulations permit.
Details for the new dates for “Comfort” will be announced soon. The new LaBute play is about a mother and son meeting after some time apart to see if their relationship can survive the past and two new book deals.
Tennessee Williams Festival St. Louis Executive Artistic Director Carrie Houk said the multiple activities of the fifth annual Tennessee Williams Festival St. Louis would be moved to summer. It had been scheduled for May 7 – 17 in the Grand Center.
“After careful deliberation, we find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe.The show WILL go on. We will be announcing new dates shortly,” she said. . The multi-award-winning Tennessee Williams Festival St. Louis headliner is The Rose Tattoo. There will be more than a dozen separate elements, scheduled so that attendees may attend every one during the eleven-day run, all held in the Grand Center Arts District and on The Hill. Events include:
3 productions: The Rose Tattoo, The St. Louis Rooming House Plays, Amor Perdido
Academic series, “Tennessee Williams and his Midwest Experiences”
“Williams Playwriting Initiative”
A staged reading of Glass
screenings of Italian-themed The Roman Spring of Mrs. Stone and Boom
Public Discussion Panels
La Dolce Vita Pool Party at the Last Hotel
Bus Tour of important Williams’ sites
“Tennessee Williams Tribute”
“In the meantime, love deeply, be kind, eat, drink, be merry and smell the roses. Lots and lots of roses!: Houk said.
Upstream Theater is postponing “Iphigenia in Splott,” set from April 17 to May 3, until the fall, Oct. 9 – 25.The regional premiere by Welsh playwright Gary Owen stars Jennifer Theby-Quinn and is directed by Patrick Siler. If you have purchased single tickets or a season passport they will honor your ticket at that time.
Stumbling around Cardiff’s gritty Splott neighborhood at 11:30 AM drunk, Effie is the kind of person you’d avoid eye contact with. You think you know her, but you really don’t—because here is someone whose life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day … until one night gives her a chance to be something more. Inspired by the Greek myth about a young woman offered as a human sacrifice, Gary Owen’s Iphigenia in Splott is a blisteringly poetic monologue that drives home the high price people pay for society’s shortcomings …
.Metro Theatre Company As of March 18, MTC’s artistic and administrative staff will go to a remote work model. Their physical office in Grand Center will be closed.
Their spring gala, After Dark, originally scheduled for May 7 will now be held Sept. 24. Tickets will automatically transfer to the new date. The Golden Ticket raffle will still happen digitally on May 7.
In light of school closures, for the time being MTC’s in-school arts-integrated curriculum work is paused. While we cannot be present in person in schools, our talented education team is developing digital resources to help parents supporting their children’s learning needs while they are home. Look for some of these digital resources via email and on our Facebook page in the weeks ahead, said executive director Joe Gfaller.
At this time we anticipate that our summer camps will proceed as planned, starting in June. Middle SchoolGrand Theater Camp is June 1-12; Advanced Middle School Grand Theater Camp is June 15-26; High School Grand Theater Camp is July 6-10; and Creative Arts Camp for Pre-K through 5th Grade is offered July 27-August 1 and August 3-7.
“Even as you engage in social distancing in the weeks and months ahead, we encourage you to find ways to continue to support those businesses and artists who make St. Louis such a rewarding community in which to live and raise a family. COVID-19 impacts our friends in travel and tourism, restaurants, entertainment, and small business – not to mention scores of working artsts across St. Louis,” Gfaller said.
St. Louis Theater Circle Awards
President Mark Bretz issued this statement on March 13: “In consideration of the ongoing COVID-19 pandemic, as well as decisions in the last few days by the City of St. Louis, St. Louis County, the State of Missouri, Major League Baseball and many others, the upcoming St. Louis Theater Circle Awards presentation has been canceled, effective immediately.
Brown Paper Tickets said that those who already had purchased tickets to the gala, which was scheduled for Monday, March 30, will receive full refunds after contacting Brown Paper Tickets.
“We hope soon to reveal our alternative plan for announcing this year’s award recipients in each of our 34 categories. Thank you for your patience and understanding,” Bretz said.
12th Natya Indian Dance Festival – April 24- 26 – POSTPONED, Date TBD
Dedicated to Indian Classical dance, music and theatre, this year’s festival will include a special presentation of SAMARPAN-2, the 3.5 hour long story of India’s struggle for freedom from 16th-20th century through dance, music and drama with artists from India.
Arts For Life
AFL President Mary McCreight has suspended all public activities of the Arts For Life organization effective March 16 until at least May 1, 2020. This includes all judging activities of the Theatre Recognition Guild (TRG). The Theatre Mask Awards Ceremony has been rescheduled for July 18. The Best Performance Awards are not yet affected by this suspension as they are scheduled to take place in mid-June.
“We will continue to base our decisions on the best information available in this rapid evolving situation, recognizing the need for timely notifications. All of this uncertainty poses challenges, and we will endeavor to communicate about our plans and share decisions promptly and transparently,” she said.
“It is apparent most shows scheduled before May 1 would likely not be allowed to be open anyway given the restrictions on event/gathering sizes put in place by local authorities this weekend. We ask that all participating groups keep us apprised as to their individual decisions regarding cancellations and/or postponements as soon as possible. We know that the various licensing houses (MTI, Concord and others) are are offering generous low- and no-penalty options for groups to either postpone and/or cancel productions. Please check with your respective licensors,” she said.
As previously reported, The Repertory Theatre of St. Louis has postponed “Dreaming Zenzile” and hopes to reschedule this summer. “The Cake” in the Studio ran over the weekend, but beginning March 16, the production was suspended.
New Line Theatre closed “Head Over Heels” early because of the St. Louis City and County mandates about crowd size.
By Lynn Venhaus Managing EditorAnother Opening, Another Show! Summertime kicks off with annual traditions inside and outdoors — Shakespeare Festival St. Louis’ “Love’s Labors Lost” opens for its month-long free admission run in Forest Park while Opera Theatre St. Louis has two shows in repertory – Mozart’s “The Marriage of Figaro” and Verdi’s “Rigoletto.” Major musicals make their St. Louis debut this week – the still-running-on-Broadway “Be More Chill” at New Line Theatre and the Peter Allen biopic “The Boy from Oz” kicks off Stages St. Louis’s season.Joe Hanrahan’s Midnight Company presents the St. Louis premiere of the one-man-show “Charlie Johnson Reads All of Proust.”It’s the last chance to see the comedy “I Now Pronounce” at New Jewish Theatre and the musical “Nina Simone: Four Women” at The Black Rep.
Start your summer by going to see a play!
Cast of ‘Be More Chill” — Photo by Jill Ritter Lindberg“Be More Chill” May 30-June 22 Thursday – Sunday, 8 p.m. New Line Theatre The Marcelle Theatre, 3310 Samuel Shepard Drive www.newlinetheatre.org 314-534-1111 What It’s About: “The Breakfast Club” meets “Little Shop of Horrors” in the new sci-fi rock musical, “Be More Chill,” with music and lyrics by Joe Iconis and book by Joe Tracz, based on the bestselling novel by New Vizzini. It’s a look at life in the digital age, exploring teen depression, bullying and other current issues through the comic lens of sci-fi films of the 50s, horror flicks of the 80s and the teen movies of the 90s.
Directors: Scott Miller and Mike Dowdy-Windsor, with music
direction by Nicolas Valdez
Starring: Jayde Mitchell (Jeremy), Dominic Dowdy-Windsor (Squip), Kevin Corpuz
(Michael), Zachary Allen Farmer (Jeremy’s Dad), Melissa Felps (Brooke), Evan
Fornachon (Rich), Isabel Cecilia Garcia (Jenna), Grace Langford (Christine),
Ian McCreary (Jake), and Laura Renfro (Chloe).
Of Note: “Be More Chill” made its world premiere at the Two River Theater in Red Bank, New Jersey in 2015, had a successful off-Broadway run, it’s now being produced across the country, and it just opened on Broadway in March. It has a Tony nomination for Best Original Score (Joe Iconis, music and lyrics).
David Elder in Stages St. Louis debut“The Boy from Oz” May 31 – June 30 Stages St. Louis Robert G. Reim Theatre, Kirkwood Community Center 111 S. Geyer Road, Kirkwoodwww.stagesstlouis.org
What It’s About: Dazzling and hilarious as the legendary
Peter Allen himself, THE BOY FROM OZ follows the Australian singer-songwriter
from his humble beginnings performing in backcountry pubs to his international
stardom beside such Hollywood icons as Judy Garland and her daughter Liza
Director: Michael Hamilton
Starring: David Elder as Peter Allen, Sarah Ellis as Liza Minnelli, Zach
Trimmer as Greg Connell, Corinne Melancon as Marion Woolnough, Michele Ragusa
as Judy Garland, Brad Frenette as George Woolnough, Steve Isom as Dick
Woolnough, Erik Keiser as Chris Bell, Nic Thompson as Mark Herron, Ben Iken and
Simon Desilets as Young Peter, Lydia Ruth Dawson, Bryn Purvis and Madison
Tinder as Trio, Frankie Thams as Trick, Nathanial Burich as Dealer and Ashley
Chasteen as Alice. Ensemble includes Kari Ely and Caleb Dicke.
Of Note: Thrilling news from Stages St. Louis comes in the form of two
celebratory evenings focused around diversity, equity, and inclusion (DEI) in
conjunction with performances of “The Boy From Oz.” The 8 pm performances on
Saturday, June 1 and Friday, June 7 will offer special $30 tickets to
diversity, equity, and inclusion groups at corporations and organizations
throughout the St. Louis region. The tickets will include a special post show champagne
and dessert reception featuring lively conversation with members of the cast.
Joe Hanrahan in “Charlie Johnson Reads All of Proust”“Charlie Johnson Reads All of Proust” May 30 – June 15 The Midnight Company Thursday through Saturday at 8 p.m. Kranzberg Center, 501 N. Grandwww.midnightcompany.com What It’s About: An older man taking a break from Christmas shopping with his family at a Starbucks. Hungry for dinner, he tides himself over with the purchase of a small package of soft, spongy cookies. When he dips one in his coffee, his snooty daughter-in-law asks him if he’s having his “Madeleine moment,” and then proceeds to lecture him about Marcel Proust and “Remembrance of Things Past” – the classic multi-volume novel inspired by the narrator dipping a madeleine cake into tea, with the taste bringing back memories of his boyhood, and leading to a retelling of his time in 19th/20th century aristocratic France. Charlie decides he’s going to read that book (not realizing it is seven books) and be able to talk about it with his daughter-in-law next Christmas. And along the way, he discovers the epic that is his own life.
Director: Sarah Holt
Starring: Joe Hanrahan
“The Dixie Swim Club” May 31 – June 19 Monroe Actors Stage Company Thursday through Saturday at 7:30 p.m. and Sunday at 2:30 p.m. Historic Capitol Theatre in Waterloowww.masctheatre.org 618-939-7469 What It’s About: Five Southern women, whose friendships began many years ago on their college swim team, set aside a long weekend every August to recharge those relationships. Free from husbands, kids and jobs, they meet at the same beach cottage on North Carolina’s Outer Banks to catch up, laugh and meddle in each other’s lives. The play focuses on four of those weekends and spans a period of thirty-three years.Director: Tim PaeltzStarring: Stacey Tunnicliff as Sheree Hollinger, Dawn Williamson as Lexi Richards, Terrie Thies as Dinah Grayson, Christine Miller as Vernadette Sims and Kelly Shaw as Jeri Neal McFeeley.
Will Bonfiglio is the Best Man in “I Now Pronounce.” Jon Gitchoff photo.“I Now Pronounce” May – June 2 New Jewish Theatre Marvin and Harlene Wool Studio Theatre Jewish Community Center, 2 Millstone Campus Drive in Creve Coeurwww.newjewishtheatre.org
What It’s About: Most weddings have something that doesn’t
go quite right – maybe several things go awry. Often these mishaps are the
things that make the most endearing memories of the occasion, but Tasha
Gordon-Solomon’s “I Now Pronounce” imagines a wedding that culminates in an
awkwardly timed fatality, and a reception that spins into a strange and
hilarious evening that leaves the bride and groom questioning just what it is
they’re celebrating. The flower girls are running amuck; the bridal party
members are more preoccupied with their own flailing relationships. But there’s
no stopping the festivities! Comedies end in marriage.
Director: Edward Coffield
Starring: Graham Emmons, Will Bonfiglio, Ryan
Lawson-Maeske, Jessica Kadish, Craig Neuman, Delaney Piggins, Frankie Ferrari
“Love’s Labors Lost” May 31 – June 23 Shakespeare Festival St. Louis 8 p.m. Tuesday through Sunday Shakespeare Glen, Forest Park www.shakespearefestivalstlouis.org
What It’s About” Belonging to Shakespeare’s “lyrical”
period, which also included Romeo and Juliet and A Midsummer Night’s Dream, the
play tells the story of the Princess of France and her ladies who arrive on a
diplomatic mission to Navarre only to be met by a young king and his lords who
have taken a vow not to see women. Affairs of state give way to affairs of the
heart as Shakespeare reveals with great humor and compassion the way our
culture sometimes doesn’t fully prepare us for the realities of love and
intimacy. A feast of language and theatrical virtuosity, Love’s Labors Lost
shimmers with all the passion and promise of a first kiss.
Director: Tom Ridgely
Starring: Philip Hernandez as Don Adriano de Armado, Bradley James Tejeda (Duc
de Biron), Kea Trevett (Princess of France), Sky Smith (King of Navarre), Patrick
Blindauer (Costard), Katy Keating (Nathaniel), Michael James Reed
(Forester/Marcadé), Jeffery Cummings (Boyet); Carl Howell (Dull), Carine
Montbertrand (Holofernes), Randolph (Moth), Laura Sohn (Rosaline), Molly Meyer
(Jaquenetta), Sam Jones (Longueville), Vivienne Claire Luthin (Maria), Kiah
McKirnan (Catherine), and Riz Moe (DuMaine).
“The Marriage of Figaro” May 25 – June 29 Opera Theatre of St. Louis Loretto-Hilton Center 135 Edgar Road on Webster University campuswww.opera-stl.org 314-961-0644 What It’s About: Mozart’s comedy masterpiece is about complicated life at court and how love should always prevail. The maid Susanna is determined to wed her fiancé, Figaro, while the Count is equally determined to add her to his list of conquests. But Susanna and Figaro won’t allow one self-entitled nobleman to ruin their happy ending! They each hatch their own plots to teach their master a lesson. What follows is a whirlwind day of romantic intrigue, cunning schemes, and uproarious fun. The opera runs three hours and ten minutes with one intermission and is sung in English with English supertitles.
Nina Simone: Four Women. Photo by Philip Hamer“Nina Simone: Four Women” The Black Rep May 15 – June 2 Edison Theatre on Washington University campus www.theblackrep.org
What It’s About: Nina Simone’s velvet voice was unafraid to
sing lyrics that cut right to the truth. Her music and her life were a personal
exploration branded in the kiln of the civil rights movement; so, in the
aftermath of the 1963 bombing of the 16th Street Baptist Church and the tragic
loss of the four little girls her powerful anthems, “Mississippi Goddam,” “Sinnerman”
and “Old Jim Crow,” fueled the Civil Rights movement and changed her public
persona from songstress to activist. From the iconic “I Put a Spell on You” to “Four
Women,” Simone’s lyrics weave a story of four women alienated from themselves
and one another due to the color of their skin.
Director: Ron HimesStarring: Leah Stewart as Simone, Denise Thimes as Sarah (aka Auntie), Alex Jay as Sephronia and Camile “Cee” Sharp as Sweet Thing
“Rigoletto” Opera Theatre of St. Louis June 1 – June 30 8 p.m. Loretto-Hilton Center 135 Edgar Roadwww.experienceopera.org 314-961-0644What It’s About: Verdi’s powerful “Rigoletto” is a tale of innocence lost, wrenchingly poignant and all too human, presented in English with English supertitles. Rigoletto is a bitter court jester who serves the Duke of Mantua, a lecherous womanizer. Together, they are despised throughout the city. But alone, Rigoletto is all tenderness when it comes to his innocent young daughter, Gilda. Little does he know that an ominous curse is about to take its toll. When the Duke seduces Gilda, only to then abandon her, the enraged father swears vengeance.
Cover Photo: Vivienne Claire Luthin, Kea Trevett, Laura Sohn and Kiah McKirnan in “Love’s Labors Lost” — Photo by Philip Hamer.
By Lynn VenhausManaging EditorIt’s opening day for our St. Louis Cardinals, but also new plays are offered this weekend, with a selection of plays currently in rotation and those making their final runs this weekend. Ah, the riches of what’s available- comedy, drama, musical, Shakespeare and new to St. Louis shows!
Go, Cards! And GO SEE A PLAY.
Terry Barber, Jennifer Theby-Quinn in “Daddy Long Legs.” Photo by John Lamb“Daddy Long Legs”Insight Theatre CompanyMarch 28 – April 14Thursday through Saturday at 8 p.m. and Sunday at 2 p.m.The Marcelle Theatre in Grand Centerwww.insighttheatrecompany.com314-556-1293
What It’s About: Based on the classic novel, which inspired the 1955 movie starring Fred Astaire, Daddy Long Legs is a beloved tale in the spirit of Jane Austen, The Brontë Sisters and “Downton Abbey. Daddy Long Legs features music and lyrics by Tony Award-nominated composer/lyricist, Paul Gordon (Jane Eyre), and Tony-winning librettist/director, John Caird (Les Misérables), and is a “rags-to-riches” tale of newfound love.
Director: Maggie RyanStarring: Jennier Theby Quinn, Terry Barber
“Dreamgirls”Stray Dog TheatreApril 4 -20, Thursday – Saturday 8 p.m.Tower Grove Abbey2336 Tennesseewww.straydogtheatre.org314-865-1995What It’s About: In the 1960s, the Dreamettes, led by the powerful Effie White, embark on an R&B music career that leads them across the country. Romantic entanglements, Effie’s weight, racism, and the arrival of a fresh new sound in the 1970s are part of this showbiz hit (a fictional nod to The Supremes and Motown).
Director: Justin BeenStarring: Ebony Easter, Eleanor Humphrey, Abraham Shaw, Omega D. Jones, Tateonna Thompson, Don McClendon, Marshall Jennings, Robert Crenshaw, Lawrence J. Haliburton, Tony L. Marr Jr., Chris Moore, Chrissie Watkins, Jazmine Wade, Margery Handy, Chasity Cook, Rahnesha Holmes, Sierra Smith, Laurell Stevenson, Diamon Lester, Kanisha Kellum, Malaika Pedzayl-Ferguson, Ashley Santana
Monroe Actors Stage Company“Is He Dead?”Monroe Actors Stage CompanyApril 5-14Friday and Saturday at 7:30 p.m.; 2:30 p.m. SundayHistoric Capitol Theatre in downtown Waterloo, Ill.www.masctheatre.com618-939-7469
What It’s About:Director: Zona LudlumStarring:Of Note: Special $5 student performance on Thursday, April 11
“A New Brain”Hawthorne PlayersApril 5-6, 12-147:30 p.m. Friday and Saturday; 2 p.m. April 14Florissant Civic Centerhttp://www.hawthorneplayers.info/ 314-921-5678
What It’s About: By the Tony Award-winning authors of Falsettos, this musical is an energetic, sardonic, often comical story about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital, surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor, and the nurses. Reluctantly, he had been composing a song for a children’s television show that features a frog – Mr. Bungee – and the specter of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable, and Gordon recovers, grateful for a chance to compose the songs he yearns to produce. Director: Stephen Peirick, with music direction by Colin HealyStarring: Danny Brown, Joel Brown, Stephen Henley, Chadly Konner Jourdyn, Chris Kernan, John Kuehn, Laura Kyro, Kay Love, Stephanie Merritt, Bradley Rohlf, Dawn Schmid
Reginald Pierre as Othello and Bridgette Bassa as Desdemona“Othello”St. Louis ShakespeareApril 5 – 13Tower Grove Church4257 MagnoliaFriday and Saturday at 8 p.m.; Thursday and Sunday, April 7 at 7:30 p.m.www.stlshakespeare.orgWhat It’s About: In Venice, at the start of Othello, the soldier Iago announces his hatred for his commander, Othello, a Moor. Othello has promoted Cassio, not Iago, to be his lieutenant.Iago crudely informs Brabantio, Desdemona’s father, that Othello and Desdemona have eloped. Before the Venetian Senate, Brabantio accuses Othello of bewitching Desdemona. The Senators wish to send Othello to Cyprus, which is under threat from Turkey. They bring Desdemona before them. She tells of her love for Othello, and the marriage stands. The Senate agrees to let her join Othello in Cyprus.
In Cyprus, Iago continues to plot against Othello and Cassio. He lures Cassio into a drunken fight, for which Cassio loses his new rank; Cassio, at Iago’s urging, then begs Desdemona to intervene. Iago uses this and other ploys—misinterpreted conversations, insinuations, and a lost handkerchief—to convince Othello that Desdemona and Cassio are lovers. Othello goes mad with jealousy and later smothers Desdemona on their marriage bed, only to learn of Iago’s treachery. He then kills himself.
Director: Patrice FosterStarring: Reginald Pierre, Bridgette Bassa, Cynthia Pohlson, Phil Leveling, Jesse Munoz, Brad Kinzel, Will Pendergast, Mike Stephens, Hillary Gokenbach, Victor Mendez, Lisa Hinrichs and Cece Day
Of Note: It takes place in modern Venice and Cyprus. Othello is a powerful exploration of the human condition and the disaster that can arise from our emotions. Trust is eroded and innocence is corrupted in this tragic tale of manipulation and jealousy. Featuring live jazz, this exciting, new take on one of Shakespeare’s darkest plays is not one to miss.
“Photograph 51”West End Players GuildApril 5 – 13Friday and Saturday at 8 p.m., Sunday at 2 p.m., Thursday April 11 at 8 p.m.Union Avenue Christian Church733 North Union 314-367-0025 www.westendplayersguild.org
What It’s About: Anna Ziegler’s “Photograph 51” is a moving portrait of Rosalind Franklin, one of the great female scientists of the 20th century, and her fervid drive to map the contours of the DNA molecule. A chorus of physicists relives the chase, revealing the largely-unsung achievements of this trail-blazing, fiercely independent woman – largely-unsung because the men usually credited with cracking the DNA code, James Watson and Francis Crick, did so by “borrowing” Franklin’s most important discovery.
Director: Ellie SchwetyeStarring: Nicole Angeli, Ben Ritchie, John Wolbers, Will Bonfiglio, Ryan Lawson-Maeske, Alex Fyles.
Morris Robinson“The Play That Goes Wrong”The Repertory Theatre of St. Louis March 15 – April 7Loretto-Hilton Center, 130 Edgar Roadwww.repstl.orgBox Office: 314-968-4925
What It’s About: Calamity, disaster, fiasco: whichever word you’d like to choose, the opening night performance of “The Murder at Haversham Manor” has gone decidedly wrong. A maelstrom of madcap madness ensues, complete with collapsing scenery, unconscious actors and a stage crew pushed to the brink. Will The Rep survive this train wreck of a play? Come find out!
Director: Melissa Rain Anderson
Cast: Ka-Leung Cheung, Ryan George, Benjamin Curns, Michael Keyloun, Ruth Pferdehirt, Matthew McGloin, John Rapson and Evan Zes.
Of Note: The Rep’s production is the first stand-alone production outside of New York and London. The Broadway run was extended, and now there is a 12-city national tour underway, but this is not a touring show.
Joe Hanrahan and Shane Signorino play 21 different characters in “Popcorn Falls.”“Popcorn Falls”The Midnight CompanyMarch 28 – April 13Thursdays, Fridays, Saturdays at 8 p.m.Kranzberg Arts Center black box theatrewww.midnightcompany.comWhat It’s About: Two actors take on 21 characters in a struggling small town. They decided to put on a play!
Director: Sarah WhitneyStarring: Joe Hanrahan, Shane Signorino
Of Note: This one-act by James Hindman is presented without an intermission.
Wendy Greenwood and Ben Nordstrom in “Time Stands Still.” Photo by Eric Woolsey“Time Stands Still”New Jewish TheatreMarch 28 – April 14www.newjewishtheatre.orgBox Office: 314-447-3283
Starring: Wendy Greenwood, Ben Nordstrom, Jerry Vogel, Eileen Engel
What It’s About: In this play, a top photojournalist recovers from a near-fatal roadside bomb blast as her long-term relationship with a reporter undergoes its own test of survival. Donald Margulies, whose widely admired plays, Sight Unseen and Collected Stories uncovered the personal wounds inflicted on the battlefronts of art and fiction writing, now takes as his subject a creative couple who have met, worked and loved amid the all too real, mortal combat of the Middle East.
Jessie Shelton and Jeremy Morris on “Waitress”“Waitress”The Fabulous Fox TheatreMarch 26 – April 7www.fabulousfox.com
What It’s About: The musical tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.
By Lynn Venhaus Managing EditorGreetings! Spring has sprung after a miserable, dreary winter of 24 inches of snow and long stretches of gray days. We bring to you a long catch-up column, a winter wrap-up with lots o’ news about our wonderful theater talents in our metro area. It’s always sunny when we’re talking bright lights.
AWARDS SEASON: Spring means theater awards in St. Louis! For regional professional theater, the seventh annual St. Louis Theater Circle Awards will be presented on Monday, March 25, at the Loretto-Hilton Center on the campus of Webster University.
For general admission tickets ($15), visit: www.brownpapertickets.com You
can purchase tickets the night of the ceremony by cash or check. Our Circle
Facebook page is updated with information. We are not having pre-festivities
food, but Llewyn’s Catering will have drinks, desserts and snack boxes
available throughout the night.
If you missed who’s nominated, here is our Limelight link: https://stllimelight.com/2019/01/25/evita-streetcar-lead-st-louis-theater-circle-nominations/
See you at Theater Prom Monday!
For local community theater, Arts For Life will present the fourth annual Theatre Mask Awards, honoring comedies and dramas, on Saturday, April 6, at a.m. at The Atrium Banquet Center, Paul F. Detrick Building, on the campus of Christian Hospital, beginning at 10:30 a.m. Doors open at 10 a.m. Radio personality Vic Porcelli is the host.
A brunch buffet is served and awards in 18 categories are given out. Tables of 8 are available, and you can select what theater group or person you want to sit with – just tell [email protected] or mark it at checkout. Tickets are $25 and must be purchased by March 22. Visit www.artsforlife.org.
For a Power Point Presentation of the TMA Nominations, here
is the link: http://nebula.wsimg.com/60b66319ddb8e5ebbac7b8ba7019e6dd?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1
AFL will present the 20th annual Best Performance Awards, for musicals, on Sunday, June 9, at 2 p.m. at the Skip Viragh Center for the Performing Arts, 425 Lindbergh Blvd. (Chaminade). Actor Ryan Cooper is the emcee.
From a pool of 1,302 community theater artists, 48 shows
produced by 26 community theater groups in the Metro-St. Louis area have been
reviewed for consideration for this year’s Best Performance Awards. Trophies
will be awarded in 33 categories.
The event will include performances from the 13 musicals
nominated in the three Best Musical Production categories and a special
presentation to Lifetime Achievement Award winner. Formal attire is
All tickets are reserved seating. Group seating will not be
guaranteed on orders received after May 10. All ticket orders will be held at
the box office unless a self-addressed stamped envelope is included with ticket
order. Please let us know if you require any special needs.
Early Bird Tickets are $20 and available until May 10, and
regular tickets are $25 ($26/credit card at the door).
A special rate of $40 for a combined BPA/TMA ticket for both, which is $10 off,
is available until March 22. Visit the
website for more information, www.artsforlife.org.
For a PDF of the BPA Nominations, here is the link: http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1 *** ARTS LIVES: This year’s AFL Lifetime Achievements Awards are being bestowed on Joseph Paule Sr. at the Best Performance Awards June and Alton Little Theatre’s Kevin Frakes at the Theatre Mask Awards April 6.
Frakes, current president of the Alton Little Theatre, will
be honored for his lifelong devotion and involvement in community theater, and
for helping with ALT’s growth and expansion. He began 40 years ago and has
directed and/or acted in more than 100 shows.
Joseph Paule Sr. has been involved with several community theater groups over the years, including Christ Memorial Productions and Hawthorne Players.
Caroline Santiago Turner
*** YOUTH PHENOMS: Special Awards recognition is going to two talented teens this year at AFL’s Best Performance Awards. Sean Harvey will receive Best Youth Featured Dancer for his fleet footwork as Bobby in “Crazy for You” produced by the Gateway Center for the Performing Arts and Caroline Santiago Turner will receive Best Youth Musical Performance for her exquisite vocals as Violet in “Violet,” also produced by the Gateway Center for the Performing Arts.
These awards are not giving annually, only when the Theatre
Recognition Guild judges deem performances so outstanding that they deserve
Sean Harvey in “Crazy for You”
Sean, who graduated from high school in Wentzville last
year, studies musical theatre at Chicago College of Performing Arts. Caroline,
who graduated from Visitation Academy in 2018, is working on her BFA in musical
theater at Indiana University.
They will be in good company. Past youth winners Zach Erhardt, Troyer Coultas and Yvette Lu toured nationally in ‘The Book of Mormon,” “The Wizard of Oz” and “Hamilton” respectively last year.
***BROADWAY BUZZ: The Tony Awards are Sunday, June, at 7 p.m. on CBS, and nominations will be announced on April 30. The local folks involved in producing the original musical “The Prom” are hoping for good news that day. The original musical comedy was among the best reviewed shows in 2018, after opening Nov. 15 on Broadway.
The PromThe show has multiple local connections – Centralia, Ill., native Chad Beguelin is the co-book writer, with Bob Martin (co-creator of “The Drowsy Chaperone”) and lyricist, with music by Matthew Sklar. A number of cast members have performed at The Muny: St. Louisans Drew Reddington and Jack Sippel, and stars Beth Leavel and Christopher Sieber.
Some local producers include Jack Lane, executive director of Stages St. Louis; Ken and Nancy Kranzberg, Patty Gregory of Belleville, Terry Schnuck, Andrew S. Kuhlman of St. Louis and Fairview Heights native Joe Grandy.
Casey Nicholaw, Tony winner for “The Book of Mormon,”
directed and choreographed the show.
“The Prom” is about a canceled high school dance – a
student is barred from bringing her girlfriend to the prom — and four fading
Broadway stars who seize the opportunity to fight for justice — and a piece of
As one of four musical acts in the 92nd annual Macy’s
Thanksgiving Day Parade, they made parade history with the first same-sex kiss
Here is that performance: https://youtu.be/VDZDLJjzJBI
And the cast also performed live on “Late Night with Seth
***VIVE LA VISIONARIES: More local arts awards for women! The St. Louis Visionary Awards will honor established working arts professionals, arts educators, emerging artists and community impact artists on Monday, April 22, at 6 p.m. at the Sun Theatre.
The Saint Louis Visionary Awards celebrates the numerous
contributions and achievements of women who work in or support the arts in the
greater St. Louis region. The awards are presented by an independent committee
of women dedicated to promoting the arts here.
Brava! To the 2019 Saint Louis Visionary Awards honorees, who are, from left: Standing: Carmen Dence; Susan Barrett; Kathie Winter; and Kari Ely. Seated: Brea McAnally; Jacqueline Thompson. Photo by Diane Anderson ***COMMUNITY RECOGNITION: Congratulations to the Alton Little Theater will receive a prestigious national award for excellence in innovation, dedication to community and organizational development ensuring the future of live theater. The Twink Lynch Organizational Development Award will be presented to Kevin Frakes and Lee Cox at the AACT (American Association of Community Theaters) National Convention in Gettysburg, Pa., in June.
A Raisin in the Sun
The Hawthorne Players give out “Duckies” at the year’s end, as voted on by the members and season ticket holders. The awards are named after the late veteran Hawthorne actress and director, Duckie DeMere. “A Raisin in the Sun” was the most lauded production, with , including Best Show, Best Director (Nancy Crouse), Best Actor (Erick Lindsey), Best Actress (Kimmie Kidd-Booker), Best Supporting Actor (Moses Weathers), Best Cameo Actress (Rhonda Cropp), Best Set Design (Nancy Crouse) and a Special Award (Archie Coleman).Elizabeth Breed Penny won Best Supporting Actress, for her role as Pauline in “Legally Blonde” and John Robertson won Best Cameo Actor in “The Fantasticks.” Eric Wennlund won two — Best Lighting and Best Sound for “The Fantasticks” Special Awards went to Connie Mulch of “The Fantasticks” and Michele Paladin, “Legally Blonde.”
*** NAME-DROPPING: Did you know the musical “Beautiful – The Carole King Musical” has a local connection? Producers are Paul Blake, former executive director at the Muny for 22 seasons, and Mike Bosner, Burroughs grad and Muny front office alum. The second national tour recently stopped at the Fox Theatre in St. Louis for a limited 5-day engagement. The musical celebrated its fifth season on Broadway in January. They tell me a movie is in the works! Here is my article ICYMI: https://stllimelight.com/2019/03/12/local-producers-found-beautiful-success-with-carole-king-musical/
There is another big-news local connection. Perhaps you’ve
heard about the college admissions scandal. Well, turns out Joe Buck’s daughter
is the roommate of Lori Laughlin’s daughter, the clueless and vapid video blogger
Olivia Jade, at University of Southern California. Ms. Buck is attending the
prestigious USC Film School. (Thanks, J.C. Corcoran for this tidbit).
Meadow Nguy of O’Fallon, Ill., appeared in a new musical “Arrowhead” in concert at Feinstein’s/54 Below. The new Jackson Teeley and Sarah Galante work takes you inside the cozy and tuneful world of Arrowhead Café — from the heartache of love unrequited to the bliss of love that’s true, uncover all the ups, downs, and inevitable complications of modern love over a simple cup of coffee. The concert was directed by Dan Barron and music directed by Michael Pacifico, and featured a cast of 14.
Lisa Ramey, who performed at The Muny, Stages St. Louis and The Black Rep, was picked by John Legend for his team on Season 16 of “The Voice,” now finished with the Blind Auditions. Ramey currently lives in New York City and fronts a band called Superbad. She auditioned last year but did not get a chair turn, talked to the coaches about what she should do to improve, and returned this year.
Beau Willimon, third from left, speaks to the cast, while one of his mentors, director Wayne Salomon stands next to him. (Photo provided)Playwright Beau Willimon attended the preview night of his first Broadway play, “Farragut North,” which was produced at St. Louis Actors’ Studio last month. Willimon grew up in St. Louis and is a graduate of John Burroughs. He is most known for developing the American version of “House of Cards” for Netflix and was show runner for four years. His recent screenplay was the 2018 film “Mary, Queen of Scots.”
St. Louis’ sunny Jenna Fischer can now be seen with Ted Danson in a commercial for Smirnoff Vodka.
AND THEN THERE WERE 15: A harpist, juggler, dancers, acrobats, musicians and singers will be competing in Fox Performing Arts Charitable Foundation’s 9th Annual St. Louis Teen Talent Competition, which takes place Saturday, April 13, at the Fox Theatre in St. Louis. The public is invited to attend for free, but general admission tickets must be reserved at Metrotix.com or 314-534-1111. You can vote for the Audience Award.
The youths will have an opportunity to win scholarships and prizes. They were selected from a process that began with 140 acts auditioning in the preliminary round, and a semifinal round on March 9 that featured 45 acts who were then whittled down to the 15 finalists. More than 50 high schools, homeschoolers and performing arts schools were represented.
Congratulations to those who advanced — quite a lot of variety: Modern Dancers: Arielle Adams, Senior DessaRae Lampkins, Senior Brooke Reese, Senior De’Jai Walker, Senior Hazelwood Central High School. Musical Theatre Act: Kaley Bender, Sophomore, Nerinx Hall Nathaniel Mahone, Sophomore, Lafayette High School. Consecrated: pianist and drummer Emmanuel Morgan, Junior Thaddaeus Morgan, Sophomore Kirkwood High School.Expressions Academy of Dance: Emma Bilzing, Sophomore; Mackenzie Branson, Freshman; Kaele Kidwell, Senior; Ja’la Stancil, Sophomore Belleville East High School Ukulele/Vocalist/Sonwriter Afiya Faatuono, Sophomore McKinley Classical Leadership Academy Pop Vocalist Jameson Falconer, Sophomore Ladue Horton Watkins High School Modern Dancer Ashley Gardner, Junior Trinity Catholic High School Pop Vocalist Madelynn Gartland, Sophomore Kirkwood High School Partner Acrobatics K.O. Duo, Oliver Layher, Senior, Vianney High School Kyran Walton, Senior, Metro Academic and Classical High School Bharatnatyam Dancer Samanvita Kasthuri, Junior Parkway South High School Ballet Dancer Anne Oberman, Junior Cor Jesu Academy Juggler Sean Petric, Sophomore Oakville High School Harpist Mereya Riopedre, Junior MICDS Guitarist and Vocalist Joanna Serenko, Senior Kirkwood High School Musical Theatre Vocalist Troy Staten, Sophomore McCluer High School These talented teens are the entertainers of tomorrow.
For more information about the competition, visit: http://www.foxpacf.org/programs/teen-talent-competition/ for more information. ***SCHOLARSHIP OPPORTUNITY: Since 2012, Arts For Life has awarded a scholarship to a student who is pursuing an education in the arts. The deadline for applicants is April 12. Applicant must be enrolled in an arts undergraduate program at an accredited college or university. Arts programs include, but are not exclusive to: performing arts (music, dance, theatre) and visual arts (painting, sculpture, architecture, film,photography, etc). Arts programs not defined as Fine Arts but related to the arts may be considered if superior work has been demonstrated in this area. Applicant must have participated in a Metro St. Louis community theater production or event in the past two years (1/1/2016-12/31/2018). Metro St. Louis defined as any location within 35 miles from Clayton. Here is the link: http://www.artsforlife.org/scholarship.html***
THE POWER OF THEATRE: Tony Award nominee Taylor Louderman will host a one-night-only cabaret to celebrate performing arts education and support rural Missouri’s Ozark Actors Theatre.
It’s set for May 20 at 7:30 p.m. at the Sheldon Concert Hall.
Louderman, proud native of Bourbon, Mo., will take part in “The Power of Theatre,” bringing together the voices of some of St. Louis’s best performers as they share the power of theater education.
Currently starring on Broadway as Regina George in “Mean
Girls,” she is well-known on local stages. Her career began at Ozark Actors
Theater in 2001, when she played the title role of ‘Annie.”
Since then, she appeared on Broadway in “Bring It On: The
Musical” and “Kinky Boots,” as well as NBC’s “Peter Pan Live.” She spent
summers performing at the Muny, last seen in “Aida.” She voices the character
Blair on Nickelodeon’s “Sunny Day” and can be seen in “The Good Fight” and HBO’s
She likes to give back to the community where she started
and grateful to be a part of the OAT board.
Evening also includes silent and live auctions, and a special introduction by News 4’s Paige Hulsey.
All proceeds from this event will benefit Ozark Actors
Theatre’s education programming.
Tickets are available in person at the Fox Theatre box office without a handling fee. For more information: https://www.thesheldon.org/concert-detail.php?id=768
Wendy Renee Greenwood as war photographer in “Time Stands Still”GO SEE A PLAY POLL: Modern relationships are certainly complicated, aren’t they? But they sure make compelling dramas. We’re giving away two tickets to New Jewish Theatre’s upcoming production of “Time Stands Still” that runs March 28 – April 15. All you have to do is enter our drawing and select your favorite play on modern relationships for our poll (see below).
“Time Stands Still” revolves around Sarah, a photojournalist who has returned from covering the Iraq war after being injured by a roadside bomb, and her reporter boyfriend James who is swamped by guilt after having left Sarah alone in Iraq. The two are trying to find happiness in a world that seems to have gone crazy. Theirs is a partnership based on telling the toughest stories, and together, making a difference. But when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life. Can they stay together amidst unspoken betrayals and conflicting ideals? Playwright Donald Margulies answers these questions, while leaving unanswered qualms regarding the way America deals with war and tragedy coverage.
Directed by Doug Finlayson, the cast includes Wendy Renee Greenwood as Sarah, Ben Nordstrom as James, Jerry Vogel as Robin and Eileen Engel as Mandy.
To enter our drawing, please send your email address and
phone number to Lynn Venhaus, [email protected], by Friday,
March 22, before 5 p.m., with your choice for your favorite contemporary play
on modern relationships.
What would yours be? Here’s our list from which to select:August: Osage County God of Carnage The Humans Proof Rabbit Hole Stop Kiss Venus in Fur
Thanks for entering. Our last drawing for tickets to “Avenue Q” at the Playhouse @Westport Playhouse was won by Jennelle Gilreath. *** BEST WISHES: Kelly Hummert, founder and artistic director of Rebel and Misfits Productions, has decided to move on to other projects, and will no longer be producing shows in St. Louis.
We will miss seeing what innovative and immersive plays she
put her heart and soul into, and the outstanding ensembles she brought together
during the past three years.
Rebel and Misfits’ “The Realistic Joneses” and “Macbeth: Come Like Shadows” have been nominated for Best Ensemble in this year’s St. Louis Theater Circle Awards, and last year, both Andrew Michael Niemann and Jim Butz won acting awards for “Uncle Vanya: Valiantly Accepting Next Year’s Agony.”
Break a leg, Kelly! The best is yet to come!
*** AUTHOR! AUTHOR!: Don Miller, an expert on media literacy and a local playwright, actor and professor, wrote a reference book, “Coming of Age in Popular Culture: Teenagers, Adolescence, and the Art of Growing Up,” that is getting good reviews. He is being lauded for his thoughtful work and providing insight into popular culture.
“And the beat goes on! What a wonderful tribute to the
decades. A entertaining explanation of our influences of the decades that
brought back so many memories,” said bestselling author Wade Rouse.
“This text is a tremendous boost to the media literacy
education field at a time when both the media communicator as well as the media
consumer hold great sway on many platforms in our digital communications
environment and understanding these processes can help both be better. And, the
timing couldn’t be better to have this definitive, well researched and
well-documented textbook regarding an age-old relationship about teens and
their media,” said Jessica Z. Brown, founder of Gateway Media Literacy
Miller documented the evolution of teens and media from the
1950s through 2010, this book examines the films, books, television shows, and
musical artists that impacted American culture and shaped the “coming of
age” experience for each generation.
He will speak to the Mid Rivers Ethical Society in July.
“The Lusty Month of May” from the movie “Camelot” 1967TRIVIA TIME-OUT: We flip seasons to spring! Yay! Happy Dance. What a cold, dreary, gray winter. Here are some questions about productions focused on a spring.
In “The Producers,” what is the name of the musical
that Max Bialistock and Leo Bloom are mounting?Who sings “The Lusty Month of May” on the
original cast recording of “Camelot”? In the movie?What original cast member won a Tony Award in
the musical “Spring Awakening”?What musical features the song “Younger Than
Springtime”?ANSWERS 1. “Springtime for Hitler” 2. Julie Andrews; Vanessa Redgrave (Guinnevere)3. John Gallagher Jr.4. “South Pacific”
Richard Beymer and Natalie Wood in “West Side Story”MOVIE MUSICAL MAKEOVER: “Angels in America” playwright Tony Kushner is writing the script for Steven Spielberg’s new version of “West Side Story,” which is expected to be released in 2020. The announced movie cast includes Ansel Elgort as Tony, Rachel Zegler as Maria, Tony Award nominee Ariana DeBose (Donna Summer) as Anita, Tony Award winner David Alvarez (Billy Elliot) as Bernardo, Josh Andres Rivera as Chino, Brian d’Arcy James as Sergeant Krupke and Corey Stoll as Lieutenant Schrank.
The sole returning cast member of the original is EGOT
winner Rita Moreno, who will play a new character, Valentina. She won an Oscar playing
This will be Spielberg’s first musical. He had a casting
call for Latinx performers and received 30,000 submissions. Seventeen-year-old
high school newcomer Rachel Zegler won the part of Maria.
The 1961 landmark film is the most-award winning movie musical
of all-time, nominated for 11 Academy Awards and winning 10. With choreography
by Jerome Robbins, music by Leonard Bernstein and lyrics by Stephen Sondheim,
the movie adaptation was directed by Robert Wise (“The Sound of Music”) and
Fun Fact: Natalie Wood played Maria but her singing was
dubbed by Marni Nixon, who also subbed for Audrey Hepburn in “My Fair Lady.”
IN MEMORIAM: Friends, family and colleague are remembering the wonderful talent that Jared Sanz-Agero was. The actor died Feb. 19, from injuries suffered in a horrific automobile accident two weeks earlier, on Feb 5.
Twice-nominated for St. Louis Theater Circle Awards for “Stones
in My Pocket” and “The Liar,” he was a passionate presence on many regional
group’s stages. You might have chatted with him at the .Zack, working at the
bar and concessions. He attended Southwest Missouri State University.
Jared, 47, was traveling to Kansas City for a commercial
shoot when his 2004 Toyota Matrix slid off the ice-covered roadway. He was
taken to the Centerpoint Hospital ICU in Independence, Mo., according to the
Official cause of death was internal bleeding and loss of blood, and is being
investigated by his family, from what’s on the Go Fund Me page.
A memorial service is being planned for a later date. If
you would like to contribute to a Go Fund Me account set up by his brother
Gentry after the accident to help with his medical expenses, and now, costs
related to his death investigation, and services, here is the link to the Jared
Sanz-Agero Memorial Fund: https://www.gofundme.com/help-jared-heal-fund
***WORD: To quote Jonathan Larson, who wrote “Rent” and died on opening day from an aneurysm:
“It’s not how many years you live, but how you fulfill the time you spend here.”
The New Jewish Theatre is proud to announce its 2019-2020 season, which opens in October. Artistic Director Edward Coffield introduced the lineup as an examination of identity that asks, “Who are we and how did we get here?”
The opening production honors the legacy of Neil Simon with his funny and sweet play, Brighton Beach Memoirs.
Next comes Fully Committed, a hilarious play and a complete tour de force, featuring forty wildly diverse characters played by one actor, NJT favorite, Will Bonfiglio.
Audiences will love the thought-provoking, beautiful play My Name is Asher Lev, adapted by Aaron Posner from the novel by acclaimed writer Chaim Potok.
We are the Levinsons, by Wendy Kout, is a bittersweet, compelling story about parents and children, and people who come into our lives and change us. This will be only the second production of the play and a St. Louis premier.
The season closes with Stephen Sondheim’s Putting it Together, a witty and wonderful musical revue, featuring some of the greatest music written by the Broadway legend.
“I am thrilled to continue the tradition of theatre at the J. I think the plays and musical that comprise the 2019-20 season will engage and excite the community. In my brief time leading the New Jewish Theatre, I have learned that our audience loves the stories we share, and I know their lives are changed by that experience,” Coffield said.
The NJT performs at the J’s Wool Studio Theatre (2 Millstone Campus Drive, St. Louis, MO 63146). Season subscriptions are priced at $205 – $210. Subscription packages are available as a classic five-show package or the very popular NJT Flex Pass, which allocates six passes to be used at the patron’s discretion.
Single tickets will be available in mid-August. Subscriptions will be on sale May 13, 2019 at the NJT Box Office, by calling 314-442-3283 or online at newjewishtheatre.org
By Lynn Venhaus Managing Editor A brilliantly staged and acted “District Merchants” raises timely questions on oppression in a modern reworking of Shakespeare’s 420-year-old “Merchant of Venice.”
Playwright Aaron Posner’s 2016 comedy-drama tweaks the characters,
and sets them in the post-Civil War reconstruction era of 1870, in the nation’s
burgeoning capital, Washington D.C. Scenes also take place in Belmont, Mass.
It was a time of transition – out of ruins came renewal. But
it wasn’t fast or smooth. Posner has us confront the fact that old habits die
hard, change isn’t easy, and our tribes continue to define us, so is all the
uneasy historical issues and disastrous conflicts really in our past? The
clashes could be viewed as somewhat contemporary.
In this New Jewish Theatre production, butting heads are a Jewish immigrant moneylender, Shylock, and black businessman Antoine, shrewdly played by Gary Wayne Barker and J. Samuel Davis respectively, in skillfully calibrated performances.
Antoine has borrowed money from Shylock, but because of a
series of events not his doing, must default. Will he be required to hand over
a “pound of flesh,” as demanded by the loaner? A trial will ensue, but there
will be fireworks in and out of the courtroom regarding power, race, position,
family and loyalty.
The incredibly dynamic duo of Barker and Davis, longtime
local mainstays, spars so convincingly and with such verve that you hang on to
every word and nuance. Their timing is so impeccable that the audience broke
into applause after a couple explosive scenes.
Their triumphant pairing is potent – arguably career best
— but the supporting characters, involved in several thorny romantic subplots,
are exceptional as well.
The noteworthy ensemble has created memorable characters
that also mesh as a unit – even with the conflicts. They project a vibrancy,
with much thought into their role’s development.
Courtney Bailey Parker and Rae Davis. Photo by Eric WoolseySteadfast Courtney Bailey Parker is a strong Portia, who
dresses like a man to audit law classes at Harvard and is striving to define
her role as a smart woman in 19th century America.
She pairs well with love interest Benjamin, a black man
passing for white, and their courtship has a larger context. Rob White is solid
as an agent of change.
Standing out is Rae Davis as Portia’s servant Nessa, and she has stood out in two other plays she was in last year (“Cold,” “The Last Days of Judas Iscariot”), her first in regional St. Louis theater. She has a delightful way with dialogue, as does the sublime Karl Hawkins, who is dandy as Shylock’s servant Lancelot.
Karl Hawkins as Lancelot in “District Merchants.” Photo by Eric WoolseyHawkins charms in every scene, as does Paul Edwards as
Finn, an Irish produce salesman who takes a shine to Shylock’s sheltered
daughter Jessica. At first, his brogue was wobbly, but he grew better, and his
winning personality was enough to endear.
As delicate Jessica who transforms with determination, Alicen
Moser understands the frustration of being a powerful and overprotective father’s
only child. When she rebels, she does it in a big way that nearly destroys her
The relationships are complicated, but this cast pulsates under Jacqueline
Thompson’s perceptive direction.
Thompson has directed this show with such vigor that each
character has a distinct understanding of the material, and with her innovative
touches, has achieved a masterpiece.
She has astutely woven each character into this tapestry, and moves them around
the stage, the striking multi-level set by David Blake, and into the audience
with such purpose — a flow that keeps
It does not matter if you have never seen Shakespeare’s
most controversial play. “District Merchants” flips it to assure that we see
the maligned, marginal groups in a different perspective – people of faith, of
color, of origin. We look at mercy in a fresh way.
Posner’s unflinching dialogue about stereotypes is tough
stuff, pitting Jews against gentiles, blacks vs. whites, and Irish vs. other
Billed as an “uneasy comedy,” you wouldn’t ever regard such
thought-provoking material that tackles racism, bigotry and xenophobia as a
laugh-riot, but there are surprising comic bits that struck a chord with the
audience, a spoonful of sugar if you will. After all, Shakespeare did consider
“Merchant of Venice” one of his comedies.
But mostly, the humor derives from the spoken thoughts and
feelings of the characters, who want basically what everyone wants and how they
tell their story. Because of the caliber of this cast, we are quickly drawn
into this period, and become emotionally invested as well.
Posner’s work appears to be a winner with New Jewish
Theatre. “Life Sucks!,” his comical adaptation of Chekhov’s “Uncle Vanya,” was
a delightful presentation last spring, and nominated for multiple St. Louis
Theatre Circle Awards (coming up March 25).
This must-see production has raised the bar – and will be a
measuring stick for this year’s offerings, especially with such a harmonious
A work of stunning achievement all the way around – with
beautifully accented lighting by Sean Savoie, richly detailed period costumes
by Felia Davenport and sound design by Zoe Sullivan.
“District Merchants” is presented by New Jewish Theatre from Jan. 24 – Feb. 10 on Wednesday, Thursday, Saturday and Sunday at the Wool Theatre at the Jewish Community Center, Creve Coeur. For tickets, visit www.newjewishtheatre.org