Coleman discusses upcoming 103rd season and the challenges ahead

By Lynn Venhaus
Kwofe Coleman, who started at The Muny as a seasonal employee when he was 16, will become the theatre’s next president and CEO, succeeding Denny Reagan, who is retiring after 52 years.

Coleman begins the new position on Jan. 1, 2022. He is currently The Muny’s managing director, overseeing the organization, financial and business affairs. He will assume the role with more than a decade of extensive theatre management experience.

“I am honored and humbled by the opportunity to lead The Muny and serve a community that I love,” Coleman said. “The unparalleled history, remarkable resources and aspirational spirit that have yielded a century of success for The Muny are our foundation as we begin our second century.”

The Muny Board of Directors announced the decision Friday.

One of the premier musical theaters in the U.S., the 103-year-old St. Louis venue traditionally welcomes more than 350,000 patrons over its nine-week season in the nation’s largest and oldest outdoor theatre in Forest Park.

The opportunity to mold The Muny’s future is not one Coleman, 38, takes lightly.

“With great excitement, I look toward the future of a cultural institution that will take intentional steps to broaden and evolve our identity and relationships through both our art and our investment in this community,” he said.

He has been preparing for this opportunity for many years.

“It’s been a 22-year job interview,” he said. “The opportunities I have had to work in different departments and gain the necessary experience in a community I care about has motivated me to want to figure out our next chapter. ‘What else can I do?’ We have an opportunity to define what a cultural institution is. It’s an amazing opportunity.”

Coleman said he is eager to get to work.

“I have a lot of respect for what the people do here. I’m honored for this moment, and I’m so excited to do the work,” he said.

Coleman’s promotion has been met with local and national praise, with both the board chairman and retiring president describing it as a “perfect” choice.

“Thanks to Denny’s leadership, and the diligent stewarding of the selection process by the executive committee and full board, the perfect candidate has been chosen,” Muny Board Chairman James S. Turley said.

Reagan, who has been with The Muny since 1968, has served as president and CEO since 1991. He announced plans to retire in December.

He and Coleman have worked extensively alongside each other. In recent years, they have stood together near stage left, greeting patrons before each of the seven shows on summer evenings.

And like Reagan, Coleman started working at the Muny as a summer job when he was in high school. He was an usher, handing out programs and helping with patrons’ needs.

“Kwofe is a remarkably gifted leader who understands the institution at its core, and more importantly, its commitment to the St. Louis community,” Reagan said. “He will ensure The Muny’s future remains bright while offering a new perspective on how to lead our beloved theatre into its next century. Without question, he is the perfect choice.”

“Undoubtedly, Kwofe will ensure The Muny continues its commitment to accessibility, regardless of physical or socioeconomic limitations, while expanding the vital role we fill in our community,” said Turley, who is also the Second Century Campaign chairman.

Dave Steward, founder and chairman of World Wide Technology, the nation’s largest black-owned company, said Coleman was a national and local leader of rare passion and commitment for serving young people.

“His record reflects an accomplished innovator who is making education and training increasingly accessible for historically underserved communities through schools and the arts,” Steward said.

“From the Gospel of Mark we learn, ‘Whoever wants to be great among you must be your servant,’ and I am confident that Kwofe will lead with faith and humility. The Steward family, along with World Wide Technology, salute The Muny on choosing Kwofe as their next leader,” said Steward, a Muny board member.

World Wide Technology and the Steward Family Foundation became the first overall season sponsor in the history of The Muny in 2014. They were to be the 2020 Season Presenting Sponsor but instead continued as the online season presenting sponsor with a leadership gift.

Coleman is recognized both locally and nationally as a strong force in theatre operations and currently serves as the president-elect of the National Alliance for Musical Theatre.

 Betsy King, NAMT executive director, noticed the symmetry of Reagan, a former president, passing the torch to Coleman.

“I can say with both excitement and confidence that Kwofe will be a charismatic, insightful leader for The Muny. He will respect the past while also moving the organization into a strong, vibrant future. The Muny is in excellent hands!” she said.

Coleman was a 2018 Fellowship advisor for the DeVos Institute of Arts Management at the University of Maryland.

“The Muny has enjoyed a remarkably stable and strong leadership that has allowed the organization to move from strength to strength. Appointing Kwofe Coleman as the new president and CEO ensures leadership continuity. Kwofe brings his own insights and talents to the position and will lead The Muny to even greater heights in the years to come,” said Michael Kaiser, DeVos Institute of Arts Management chairman and Kennedy Center president emeritus.

Photo in St. Louis American. Kwofe Coleman and Dennis Reagan backstage at The Muny

103rd Season

Because of the public health crisis due to the coronavirus pandemic, the 102nd season was cancelled, and the line-up was transferred to the 2021 season. Even though season ticket sales were announced in March, the current health landscape, best practices and all available information must indicate that a season is possible.

A final decision will be made next month, Coleman said.

“We’re eager to come back, to gather and have the shows, but we have to be safe and be cleared to do so by the health department and the labor unions,” he said. “We’re looking at every angle. We might have to have a slightly reduced season, a socially distanced scenario. We’ll do something. How we will do it has to be figured out.”

Coleman said meetings continue to take place, consulting with the city and medical experts on the COVID-19 regional numbers and mitigation efforts. He said they have watched what the St. Louis Cardinals, St. Louis Blues and other local institutions have done in their altered re-openings.

“We’ve had a lot of great conversations. We’re only going to be together again by working together,” he said.

The upcoming season, announced in December, is to start later in July and then run through September, a shift from the usual June to August schedule, “should conditions allow.”

The seven shows are: Seven Brides for Seven Brothers (July 5 – 11), Disney and Cameron Mackintosh’s Mary Poppins (July 14 – 22), Smokey Joe’s Cafe (July 25 – 31), The Sound of Music (August 3 – 9), Sweeney Todd (August 12 – 18), On Your Feet! (August 21 – 27) and Chicago (August 30 – September 5). Three – Sweeney Todd, Smokey Joe’s Café and On Your Feet – are Muny premieres.

In the meantime, the activities at #1 Muny Drive continue. The stage is being installed, construction is on track and preparations to return are underway.

The Muny is currently undergoing a multi-year major renovation project that was announced in October 2018.  Phase 3 started in September, focused on backstage support spaces. The Muny’s aging 11.5-acre campus needs upkeep and maintenance.

The new Emerson Artists’ Building will house dressing rooms, the wig shop, hair and makeup departments and wardrobe. Renovations are planned for the costume shop, production and general offices, rehearsal space, craft and scenic room, painter and carpenter areas, and the sewer and plumbing infrastructure. The capital campaign has raised $85 million so far.

The first two phases focused on rebuilding the state-of-the-art James S. McDonnell stage

Summer of 2020

The Muny announced in May that a modified season of 5, not 7, shows would take place beginning in July only if local health experts and officials deemed it safe, but on June 8, the decision was made not to move forward.

After that sad news, the Muny pivoted to an online season, a first in its 102-year history. They aired the live Muny Magic concerts at The Sheldon, never before made available to the public, and created a new series, “The Muny 2020 Summer Variety Hour Live!” This one-of-a-kind, free online endeavor was packed with performances by Muny artists across the country and dancers performing outside on the grounds.

Because of the online season, The Muny was able to employ several members of its typical summer staff, including trades people, performers, artists and musicians.

With viewers from 22 countries, the total estimated attendance for the free 10-show summer season was 189,582. This number represented a record-breaking first in The Muny’s live-streaming history, and is an aggregated estimate based on YouTube analytics.

“While this season was anything but ordinary, the support from our viewers has been nothing short of extraordinary,” Reagan said.

“My heart was transported back to so many magical summer nights past,” said Mike Isaacson, artistic director and executive producer of The Muny.

“I am so grateful to everyone in the Muny family who worked on and created these 10 streams,” Isaacson said. “It was a remarkable collaboration in so many ways, and in this really challenging time, these shows allowed us to create, to celebrate and to be together. We’re all very grateful.”

The Muny 2018. Photo by Lynn Venhaus

Coleman’s biography

Coleman joined The Muny full time in 2008 as a staff accountant, helping to manage the finances, accounting and payroll for its multimillion-dollar annual budget.

In the decade preceding it, he performed a variety of roles, including house manager.

In 2011, Coleman formed The Muny’s first digital communications department, reconstructing its internet presence and social media identity while also dramatically increasing the theatre’s internet sales stream, national presence and forming connections with nextgeneration audiences.

He was promoted to director of marketing and communications in 2014, where he managed branding and marketing efforts through its 2018 centennial season. During this time, Coleman was also key in the creation of both The Muny’s Second Century Strategic Plan and the $100 million Second Century Capital Campaign.

Following the 2018 season, Coleman was named The Muny’s managing director, responsible for managing the business functions while working with Isaacson, to embrace and articulate the artistic and institutional vision.

In St. Louis, he is an active contributor, serving on the St. Louis University High School Board of Trustees, Cor Jesu Academy Advisory Council, Common Circles Advisory Council and as a proud founding board member of Atlas School.

Coleman is an alumnus of St. Louis University High School, Class of 2001, and earned a bachelor’s degree in English from Emory University in Atlanta.

He is a first-generation American. His parents migrated here from the Republic of Ghana in the mid-1970s and settled in Bellefontaine Neighbors. He has two sisters, both doctors, who attended Harvard and Duke universities, and locally, Cor Jesu Academy. He said his parents prized education and his father worked side jobs to send his children to private schools.

Coleman said his parents appreciated the arts and culture, and that was handed down to their three children, to make sure they were well-rounded.

“Art was natural to me and I appreciated it,” Coleman said.

He also serves on the board of directors for the Saint Louis Club, as well as other various social service organizations. During the 2020 holiday season, Coleman served as executive producer for “A New Holiday,” a short film musical set in St. Louis created by LIFE Creative Group.

He is a 2015 recipient of the St. Louis American’s Salute to Young Leaders Award and was named to the 2020 St. Louis Business Journal 40 under 40.

For more information about The Muny, visit www.muny.org.

Season tickets can be purchased online at muny.org or by phone by calling (314) 361-1900. Currently, the box office in Forest Park is closed to the public.

By Lynn Venhaus
Sometimes, we see magic happen under the stars in Forest Park. This summer, we saw a different kind of Muny Magic – but enchanted evenings nonetheless.

It took a global pandemic for the Muny to achieve its greatest magic trick ever – they transformed our isolation into a community through a live variety special.

And they did it with such hard work and passion. Using modern technology, incredibly creative professionals and tip-top talent from coast to coast, it was a huge undertaking, which was obvious to anyone who tuned in for even a fraction of an episode.

For the fifth Summer Variety Hour Live! on Monday, Aug. 17, the Muny supersized the presentation and it was a splashy grand finale, tugging on our heartstrings in a big but intimate way. So much genuine emotion in new works, in memories and archival footage that reminded us how special our outdoor theatre is, the largest and oldest one in the country.

Seeing Muny mainstay Beth Leavel perform her showstopper “Rose’s Turn” from “Gypsy” (2018) with the view from the wings! My heart was bursting. Tari Kelly leading the ebullient “Forget About the Boy” in “Thoroughly Modern Millie” (2012) and one of the all-time great musical theater numbers, ‘Sit Down, You’re Rocking the Boat” from last year’s “Guys and Dolls,” with the surprise appearance by Kennedy Holmes to hit those high notes. I was grinning ear to ear. The Mission: Feel-Good was on!

Zoe Vonder Haar, Orville Mendoza and Kennedy Holmes in “Guys and Dolls” – Photo by Phillip Hamer

For five episodes, the Muny reinvigorated its treasure trove of tradition, 102 years strong, to provide virtual entertainment that filled the void of a cancelled season. The collaborative spirit on display was inspiring.

Let’s face it, the summer has been dismal, especially with rising coronavirus cases in our bi-state region. More things shut down and were postponed in a never-ending stream of disappointments in 2020. But as a gift to “the Muny family,” the management and creative teams conceived a way to connect us. We all felt it, whether tuning in on Monday or catching the rerun on Thursday from July 20 to Aug. 17 as the evening twilight faded.

For a brief shining moment, it seemed like old times. The 8:15 p.m. start was a constant to look forward to in an uncertain year during an unprecedented public health crisis. With Executive Producer and Artistic Director Mike Isaacson’s bold and unique concept, and his ability to attract the talent he did, each episode was a captivating mix of tempo and tone, under the direction of multi-talented Michael Baxter.

Colby Dezelick

What an emotional palette we experienced, touching on why we love the Muny, from veteran performer Colby Dezelick’s touching original song, “I Will Be Your Home” — with a behind-the-scenes video love letter dedicated to his Muny family, to sweet Jenny Powers describing her feelings about flying above the audience as Mary Poppins in 2013, and how the staff took such good care of her. Straight to the heart.

And while seeing up-and-coming talent do what they do best is always enjoyable, feeling their sheer joy in performing is blissful. Watching St. Louis native and Broadway performer Richard Riaz Yoder use his exceptional talents to dance “Broadway Melody” using the Muny as his canvas – tap-dancing for a time in sneakers! – was breathtaking.

So was jubilant Jack Sippel’s choreographed dance number, the cheery “You Can’t Stop the Beat!” from “Hairspray,” which was performed by 19 Muny alums and sung by Nasia Thomas, Muny vet and Broadway performer in “Beautiful,” “Ain’t Too Proud to Beg” and soon, the revival of “Caroline, or Change.”

In the 2017 production of “A Chorus Line,” director-choreographer Denis Jones used young versions of the dancers in certain scenes, to emphasize their dreams and drive. On Monday, they showed the wistful “At the Ballet” number, which was performed by Holly Ann Butler as Sheila, Bronwyn Tarboton as Maggie and Caley Crawford as Bebe, with little ballerinas in view.

As lump-in-the-throat as that song is, nothing can match the show’s curtain call for its spectacular finish, and they recreated it for The Muny Centennial Gala, complete with fireworks. Such a thrilling moment to revisit.

The energy, enthusiasm and talent of the Muny Teens and Kids each episode was another heart-tugger. Because six teens were graduating, they had a special senior sendoff: Michael Harp, Cate Phillips, Michael Lee Jr., Fiona Scott, Jack Deters and Caitlin Chau sang “Our Time” from Stephen Sondheim’s “Merrily We Roll Along.” I have seen these kids grow up. Misty eyes.

“Worlds to change, and worlds to win Our turn, coming through.”

The Muny Kids’ adorable and confident youngsters mashed up “Come Alive” from the film “The Greatest Showman,” with songs by Oscar and Tony winners Benj Pasek and Justin Paul, with “A Little More Homework” from Jason Robert Brown’s “13.”

For comic relief, there was the fun “Munywood Squares” game show, good sports all, and jolly John Tartaglia reprising his Murray the Muny Raccoon schtick, making Isaacson laugh.

Mike Isaacson

Isaacson, who has been the visionary executive producer and artistic director since the 2012 season, named to the post in 2010, cares deeply about the Muny’s place in historic context and local lore, and with his Broadway experience, he’s able to give us quality casts, teams and a really dedicated staff.

Clearly wearing his heart on his sleeve as this summer’s host, he gave us something that we could enjoy on many levels and for many reasons. Isaacson has multiple Tony Awards and 24 Broadway shows and national tours to his credit. He makes things happen in a way that elevates the Muny in stature, boosting our civic pride, but also gains respect in the larger theatrical world. His reverence for the art form is obvious, and he has shown us, time and again, the possibilities of what the Muny can accomplish.

That connection that he spoke of, all the people who came together without hesitation, all the selfless devotion, a renewed sense of purpose – it felt very real and elicited a teary farewell.

I think, like “Field of Dreams,” Forest Park and the Muny are mystical places. After all, musical theatre is a constant in our lives, like baseball. We want to believe that in a time of everything turned upside down, of norms being shattered, that there exists a place we feel safe, happy, loved. That sharing theater and music brings us together like no other art form.

So, the Muny Variety Hour gave us the opportunity to be in the company of performers who love the Muny like it is a family, a home. That theme was repeated over and over. And that’s what we are craving in these anxious times.

And in Colby’s song: “When it’s dark, I’ll be the light.”

Beth Malone

Another almost spiritual song was the centuries-old tune and Muny season-ender tradition “Auld Lang Syne,” sung by Beth Malone, who accompanied herself on acoustic guitar. Beautiful and bittersweet.

The ties that bind us, recalling happy golden days of yore. “Meet Me in St. Louis” appeared again in the line-up – of course. Yes, it’s schmaltzy, but its inclusion of the 1904 World’s Fair, which has impacted our lives and region ever since those seven months, and the work preceding it, make it a nostalgic chestnut.

Married couple and Muny performers Erin Dilly and Stephen R. Buntrock sang a lovely duet, “You and I,” from their home. They appeared as Mr. and Mrs. Smith in the 2018 production, the Centennial season finale.

Maggie Kuntz, a Muny vet and two-time winner of the Best Actress Award from the St. Louis High School Musical Theatre Awards, sang the iconic “The Trolley Song” live from under the Culver Pavilion with polish and panache.

Dan De Luca and Emily Walton in “Meet Me in St. Louis” Photo by Phillip Hamer

And then in the sentimental sweet spot, they played “The Skinker’s Swamp” picnic scene featuring Emily Walton as Esther and Dan DeLuca as John Truitt. The video projection was The Palace of Fine Arts, now the St. Louis Art Museum, under construction in a muddy field.

How many times have we been in the shadow of our treasured landmarks?

The world was watching when the Louisiana Purchase Exposition celebrated the 100th anniversary of the U.S. expansion under Thomas Jefferson. More than 60 countries and 43 states participated from April 30 to Dec. 1 in Forest Park and nearby locations.

So, the Muny and Forest Park remain crown jewels that we cherish.

And the Summer Variety Hour Live! reinforced our past, present and future. I’ll meet you at the Muny next summer. Looking forward to greeting the Muny family once more. “Through the years, we’ll always be together, if the fates allow.”

By Lynn Venhaus
Managing Editor

A longtime Muny performer, Alex Prakken left his native St. Louis to grow his musical theater aspirations, but his heart is at home on the local stages that have meant so much to him.

Prakken will star alongside Mikaela Bennett in the eighth
installment of its off-season concert series, Muny Magic at The Sheldon, on
Tuesday and Wednesday, Nov. 5 and 6, at 7:30 p.m.

“The Muny is such a special place, not just for me, but for
many,” he said. “I always wanted to go to New York. And The Muny definitely
helped me to get to where I needed to be in singing, acting and dancing. And I
got to watch these phenomenal actors on that stage, work with them, and learn
from them.”
Prakken replaces Jason Gotay, who was cast as Che in the upcoming New York City
Encores! Production of “Evita” and had to withdraw. Gotay appeared as Prince
Topher in “Rodgers and Hammerstein’s Cinderella,” as Prince Eric in “Disney’s
The Little Mermaid” and Jack in “Into the Woods” at The Muny.

“We’re so grateful to Alex for joining this always
joyous and magical night,” said Muny Artistic Director and Executive
Producer Mike Isaacson. “Alex thrilled audiences last season in 1776 and
his performance as Marius in Les Misérables remains a Muny favorite. I’m sure
he and Mikaela will make serious magic.”  

A former Muny Kid and Muny Teen, Prakken said he was
thrilled to return to the Muny as the Courier in “1776,” singing the signature
solo “Momma Look Sharp,” after an absence of six years.

“It was nice to be back for ‘1776,’” he said. “It’s such a
special song, such a special show. It really sticks with you.”

Alex Prakken as The Courier in “1776” at The Muny last season. Photo by Phillip Hamer. He had participated as the Courier in a concert version at
54 Below in New York City, which takes place every Fourth of July.

Prakken, a graduate of The John Burroughs School and
University of Michigan, was previously in a much heralded “Les Miserables” as
Maurius at the Muny in 2013.

“I’ll never forget that. I had never seen an audience so enamored
with a show,” he said. The audience leapt to its feet after “One Day More.”

“It was the perfect show for the Muny – on that big stage
with a big cast,” he said.

After that, he went on to the first national tour of
“Newsies” as Oscar Delancey and as Jack Kelly’s understudy as well as Davey’s,  stopping at the Fox Theatre in St. Louis.

“Playing the Fox was crazy. We spent a year playing in
really big houses, 2500-3000, but the Fox is practically double in size. It’s
the biggest one we played,” he said.

While growing up, The Fox was where he saw his first
touring shows.

“It was a shining beacon of theater, but I took it for
granted. It is a stunning theater, so freaking beautiful, big and cavernous.
Performing there, it really did feel majestic, very special,” he said.

He played Jack Kelly at La Mirada Playhouse in California,
and at the Paramount Theatre in Chicago. He has toured as Jesus in “Jesus
Christ Superstar” and as Roger in “Grease.”

Alex Prakken as Jack Kelly in “Newsies” at La Mirada PlayhouseNow living in New York City, Prakken said he’s been
fortunate to be working steadily, but enjoys returning home for a break around
the holidays. Since early May, “I’ve been going non-stop.”

His agent sends him out on auditions for things he may be
right for – “it’s about who they happen to be looking for,” he said. “It’s
often being at the right place at the right time. I’m starting to get noticed
by casting directors. It’s about knowing who they can trust.”

He and Bennett, who had never met before, were rehearsing
the week before the shows.

“She has a lovely voice, it gave me chills – really
spectacular,” he said.

Bennett played the title character in Rodger and
Hammerstein’s “Cinderella” last summer and is a graduate of The Juilliard
School, known for her work on stage and concert halls. She won a Lincoln Center
Award for Emerging Artists this year.

Her credits include Maria in “West Side Story” at the Lyric
Opera of Chicago and in concert performances at the BBC Proms, New York
Philharmonic, Philadelphia Orchestra, and the Los Angeles Philharmonic
Orchestra. She has appeared at the Kennedy Center and Carnegie Hall.

She originated both the role of Norma in the off-Broadway
production of “Renascence” and the title role of Acquanetta at the Prototype
Festival.

Michael Baxter is directing the show and frequent Muny
music director Charlie Alterman is directing the music.
Prakken said they have come up with solos and duets to reflect their strengths,
the new season, Muny classics and shows they have been in around the country.

“What felt best for us,” he said. The timeless music of Leonard Bernstein, Harold Arlen, Jason Robert Brown and Rodgers and Hammerstein is among the selections. Bennett and Prakken will be accompanied by a trio: Charlie Alterman (music director and piano), Nick Savage (drums) and Vince Clark (bass).

The concert will feature Broadway hits including “If I Loved You” (“Carousel”), “How Could I Ever Know” (“The Secret Garden”), “One Second and A Million Miles” (“The Bridges of Madison County”) and a medley from “West Side Story.”

In addition to the performances, Isaacson will reveal the
line-up for the much-anticipated 2020 summer season, its 102nd.

“It’s a very exciting season next year,” Prakken said — while
not revealing anything.

“Mike is so supportive. There is a whole other level of
care at the Muny,” he said, noting that Isaacson comes to rehearsals, making
sure people have what they need to put on a good show.

“It’s just such a great place,” he said. “In St. Louis, it’s a cultural event. People come two and a half hours early to listen to music, watch the young people perform. I hope we can make a little bit of Muny Magic at the Sheldon. It’s really a knockout place.”

He has sung at the Sheldon before, too, for a senior recital.

“It was an awesome night,” he said. Muny Magic at The Sheldon is sponsored by The Kranzberg Arts Foundation.  The Sheldon is located at 3648 Washington Boulevard in St. Louis.

Tickets are available now and range from $25 to $50. For
more information and to purchase tickets, visit www.muny.org/munymagic or call
314-534-1111.

For more information about The Muny, visit muny.org

101st Season to be Announced
The Muny concludes its century of celebration with the seventh installment of its bi-annual concert series, Muny Magic at The Sheldon. Set for Oct. 17 and 18 at 7:30 p.m., Muny Magic at The Sheldon will star one of The Muny’s most beloved leading ladies, Jenny Powers, and her husband, Broadway’s Matt Cavenaugh, both Drama Desk nominees.
Powers was recently seen in The Muny’s Centennial Gala, An Evening with the Stars, and was featured in Jerome Robbins’ Broadway. Cavenaugh was last seen on Broadway as Tony in the Tony Award-winning revival of West Side Story.
In addition to the performance, Muny Artistic Director and Executive Producer Mike Isaacson will announce the line-up for the highly-anticipated 2019 summer season, The Muny’s first season of its second century, and the premiere season for the new James S. McDonnell Stage.

“I was so happy when Jenny and Matt agreed to join us this fall,” said Isaacson. “Jenny has been a part of our Muny family for a while, with so many wonderful and varied performances to her credit. Having worked with Matt long ago on the first national tour of Thoroughly Modern Millie, and seeing his extraordinary career since, I’m thrilled for the Muny audience to finally have a chance to experience his talent.”
Their show will feature a variety of songs from Broadway, the Great American songbook and a few pop selections, and will be music directed by frequent Muny artist and season music director, Michael Horsley.
“Jenny and Matt are both incredible talents and perfect for this Muny Magic series,” said Muny President and CEO Denny Reagan. “The love they share for their music and each other is unmistakable and I know audiences will enjoy getting caught up in their story.”
JENNY POWERS – Muny credits include: Jerome Robbins’ Broadway (Hildy/Monotony Singer), An Evening with the Stars, Mary Poppins (Mary Poppins), The Addams Family (Morticia Addams), Mamma Mia! (Tanya), Oliver! (Nancy), Seven Brides for Seven Brothers (Milly) and Camelot (Guenevere). Broadway: Grease, Little Women. Theatre highlights: It’s a Bird…It’s a Plane…It’s Superman!; Of Thee I Sing and Follies at NYC City Center Encores!; Donnybrook! at the Irish Rep (Drama Desk nomination); Dangerous Beauty at the Pasadena Playhouse; Happiness at Lincoln Center; Secondhand Lions at the 5th Avenue Theatre; Little Dancer at the Kennedy Center. TV/Film: The Mysteries of Laura (NBC), Blue Bloods (CBS), Power (Starz), The Good Wife (CBS), Mercy (NBC), Law & Order: CI (USA & NBC), Six Degrees (ABC), Nurse Jackie(Showtime), I Think I Love My Wife and Confessions of a Shopaholic. Gonna Make You Love Me is her debut album with husband, Matt Cavenaugh.
MATT CAVENAUGH – Broadway credits include: West Side Story, Grey Gardens, A Catered Affair, Urban Cowboy and Thoroughly Modern Millie (national tour). He can be heard on the original cast recordings of West Side Story, Grey Gardens, A Catered Affairand Death Takes a Holiday. Off-Broadway: Death Takes a Holiday, Grey Gardens. Matt has performed regionally at the La Jolla Playhouse, Los Angeles Reprise, The Old Globe, Williamstown Theatre Festival, Goodspeed Opera House, Dallas Theater Center, Pittsburgh CLO, George Street Playhouse and the Denver Center. Television audiences know Matt as Mark Solomon from One Life to Live, Adam Munson on As the World Turns and from Law & Order: CI. Matt has collaborated twice with the New York Philharmonic on The Soldier’s Tale and Sondheim: The Birthday Concert (PBS). Matt’s debut album, Gonna Make You Love Me, produced and performed with his wife Jenny Powers, is available on iTunes and CDBaby.
What the critics have said about Jenny Powers and Matt Cavenaugh:
“Powers possesses a potent voice, and she commands the stage with her charm and conviction.” – Los Angeles Times
“Cavenaugh’s creamy voice has a persuasive charm.” – Variety
“Broadway stars Matt Cavenaugh and Jenny Powers work in perfect harmony.” – New York Daily News
Following its sensational premiere season staring Tony Award-winner Beth Leavel (2015) and The Buddy Holly Boys (2016), the Muny Magic at The Sheldon concert series has welcomed four of the most beloved leading ladies from recent Muny seasons (2016), Nicholas Rodriguez (2017), four of The Muny’s favorite leading men (2017) and Olivier Award-winner Laura Michelle Kelly (2018). Each fall and spring, the Muny Magic at The Sheldon series showcases the performers who have delighted Muny audiences by offering an intimate evening of story and song.
The October 17 and 18 performances of Muny Magic at The Sheldon will be held at The Sheldon Concert Hall – 3648 Washington Blvd, St. Louis, MO 63108 – at 7:30 p.m.
Tickets are available now and range from $25 – $50. For more information and to purchase tickets, visit www.muny.org/munymagic or call 314-534-1111.
Photo credits: Broadway World, The Muny