The Midnight Company has scheduled four shows for their MainStage 2024 season., including “Spirits to Enforce” by Mickle Maher, to be directed by Lucy Cashion and presented May 2- 18 at the Kranzberg Black Box Theatre and Harold Pinter’s “Old Times,” to be directed by Sarah Holt,” on July 11 – 27 at The Chapel.

Co-founder and artistic director Joe Hanrahan has written three short plays, ‘Auditions,” that will be presented at the St. Louis Fringe Festival Aug. 12 – 18.

Another Hanrahan original, “Now Playing Third Base for the St. Louis Cardinals… Bond, James Bond,” will be reprised Oct. 3 – 13 at the Greenfinch.

In addition to these, Midnight will continue to present Cabaret Theatre performances at The Blue Strawberry, including JACEY’S JAZZ JOINT, finishing it’s scheduled run on Wednesday, March 27, and JUST ONE LOOK, with an encore performance on April 10.

Tickets are on sale for The Midnight Company’s St. Louis premiere production of Mickle Maher’s It Is Magic at MetroTix.com.  Performances, at Kranzberg’s Black Box Theatre, are Thursdays, Fridays and Saturdays October 21 through November 6, with all shows at 8pm.  Tickets are $15 for Thursdays and $20 for Fridays and Saturdays.  The production will be following all Kranzberg Arts Foundation safety protocols, including proof of vaccination for entry, and masks at all times.

It Is Magic is a sorrowful and hilarious meditation on the deep, ancient evil at the heart of the community theatre audition process, and an investigation into the mysteries of theatre-making itself.  Two sisters, community theatre veterans who’ve never had the chance to contribute artistically, are holding auditions for their adult version of The Three Little Pigs in the theatre basement, while the group’s pretentious artistic director is attending, then avoiding, opening night of his MacBeth on the MainStage above.  A third sister appears, and reality becomes really magical at the local playhouse.

It Is Magic premiered in Chicago in May, 2019, and Third Coast Review called it “…one of those love letters to theatre…delightfully wacky,” while New City Stage said “Any show that juggles loving critics and tearing their throats out is good in my book.”  Midnight has previously presented two Mickle Maher plays, The Hunchback Variations and An Apology For The Course And Outcome of Certain Events As Delivered By Doctor John Faustus On This His Final Evening.  

Mickle Maher plays have Off-Broadway and around the world, and have been supported by grants from the NEA, the Rockefeller MAP fund, and Creative Capital. They include There is a Happiness That Morning Is; Song About Himself; The Strangerer; Spirits to Enforce; Cyrano (translator), The Cabinet; Lady Madeline; The Pine; and An Actor Prepares (an adaptation of Stanislavsky’s seminal book). He is a cofounder of Chicago’s Theater Oobleck, and has taught playwriting and related subjects at the University of Chicago, Columbia College, and Northwestern University. He recently wrote the book and lyrics for a new musical about basketball, commissioned by the Catastrophic Theatre of Houston and Daryl Morey, the General Manager of the Houston Rockets. And he’s currently adapting the graphic novel Berlin by Jason Lutes for the Court Theatre.

Suki Peters will direct It Is Magic.  In Spring, 2022, Suki will play the bride in Cherokee Street Theatre’s adaptation of Kill Bill, and she will direct Once for R-S Theatrics.  The cast for It Is Magic includes Nicole Angeli as Sandy, desperate to get a part in a play, the part being the lead role of the Wolf in her sister’s play.  Nicole was most recently seen in Metro Theater’s It’s A Wonderful Life, in West End’s Photograph 51, and in Stray Dog’s Hedda Gabler and A Doll’s House.  Michelle Hand portrays her sister, the first-time, aspiring playwright, Deb.  This past year Michelle was in Max & Louie’s Tiny Beautiful Things and SATE’s Zoom show Tonya And The Totes In Subterrstrata.  Carl Overly Jr. is Tim in the play, another actor vying for that coveted Big Bad Wolf role.  Carl was in recent productions of St. Louis Shakespeare Festival’s King Lear and COCA’s Billy Elliott, and upcoming will direct Rimers Of Eldritch at St Louis University.  Chrissie Watkins will be Elizabeth, arriving from seemingly nowhere to land smackdab in the middle of the audition process.  Chrissie was seen in Alpha Players’ The Mountaintop this summer.   And Midnight’s Artistic Director, Joe Hanrahan is in the role of Mortier Civic Playhouse Artistic Director Ken Mason, as arrogant, self-absorbed and sporadically brilliant as any Artistic Director comes.  This year Joe has acted in Midnight productions of Here Lies Henry, and in his own scripts of Now Playing Third Base For The St. Louis Cardinals Bond James Bond, My Violin My Voice at the St. Louis Fringe Festival, and Tonight’s Special at the St. Louis Theatre Showcase.  He will next be seen in his new script, Midnight’s Tinsel Town in December.

Linda Menard will be the Stage Manager for the show, Elizabeth Henning is designing costumes, Kevin Bowman is designing the set and lights, and Ted Drury will design sound.

For more information, visit MidnightCompany.com  

Due to the continued and aggressive presence of the Coronavirus, The Midnight Company has rescheduled two of their planned productions.

NOW PLAYING THIRD BASE FOR THE ST. LOUIS CARDINALS…BOND, JAMES BOND, originally scheduled for August 13 – 29, will now run July 8 – 23, 2021 at The Chapel.
Midnight had also scheduled IT IS MAGIC by Mickle Maher October 29 – November 14 at The Kranzberg Black Box theatre.  That production will now run October 21 – November 16, 2021 at the Kranzberg Black Box.
Still on Midnight’s schedule, pending further notice, is “GIVE ‘EM HELL HARRY” September 17 – October 3 at the .ZACK Theatre, and another production to take the place of IT IS MAGIC in late October.  That title will be announced shortly.
Midnight’s Artistic Director, Joe Hanrahan, said “It was clear we couldn’t move forward with “NOW PLAYING…” at this time, and IT IS MAGIC has a cast of five.  The restrictions of the virus have made that size of a production problematic.  We’re hoping to possibly move forward with another one-person show in its place.  The people at The Chapel and at The Kranzberg Arts Foundation have been wonderful, not only in their hard work and preparation for possible performances at their spaces, but in their understanding of postponements due to the virus.”

Photo by Todd Davis