Aug. 20-22 and 27-29: Webster University’s Winifred Moore Auditorium in Webster Hall, 470 E. Lockwood Ave.

Tickets/Passes: Tickets are $14 for general admission; $11 for students and Cinema St. Louis members. Two types of passes are available: Five-Film Passes are $60, $45 for CSL members; All-Access Passes are $100, $80 for CSL members. Passes and advance tickets can be purchased through the Cinema St. Louis website. More Info: 314-289-4150, cinemastlouis.org

The 13th Annual Robert Classic French Film Festival — presented by TV5MONDE, sponsored by the Jane M. & Bruce P. Robert Charitable Foundation, and produced by Cinema St. Louis (CSL) — celebrates St. Louis’ Gallic heritage and France’s extraordinary cinematic legacy, offering a revealing overview of French cinema.

The Robert Classic French Film Festival is the first CSL in-person event since the Covid-19 pandemic. The host venues — Washington University on Aug. 13-15 and Webster University on Aug. 20-22 and 27-29 — have not yet determined whether capacity limits or masks will be required. Details will be announced on the CSL website when available.

The fest annually includes significant restorations, and this year features a quintet of such works: Melvin Van Peebles’ “The Story of a Three-Day Pass,” Diane Kurys’ “Entre Nous,” Joseph Losey’s “Mr. Klein,” Jacques Deray’s “La piscine,” and the extended director’s cut of Jean-Jacques Beineix’s “Betty Blue.”

The fest also provides one of the few opportunities available in St. Louis to see films projected the old-school, time-honored way, with Agnes Varda’s “Vagabond” screening from a 35mm print.

As part of CSL’s year-long Golden Anniversaries programming, which features films celebrating their 50th anniversaries, the fest includes a pair of films from 1971: François Truffaut’s “Two English Girls” and Claude Jutra’s French-Canadian “Mon oncle Antoine.”

Completing the fest is a pandemic-delayed tribute to the late Anna Karina, who died in December 2019: Jean-Luc Godard’s essential “Vivre sa vie.”

Every program features introductions and discussions by film or French scholars and critics.

All films are in French with English subtitles (“The Story of a Three-Day Pass” is in both English & French).

TV5MONDE serves as the fest’s presenting sponsor, and the Jane M. & Bruce P. Robert Charitable Foundation is the event’s title sponsor.

Schedule

For film synopses,  see the CSL website

7:30 PM FRIDAY, AUG. 13, WASHINGTON U.

Mon oncle Antoine

Claude Jutra, Canada, 1971, 104 min., color, DCP

With an introduction and post-film discussion by Lionel Cuillé, teaching professor in French and director of the cultural center French ConneXions at Washington University.

7:30 PM SATURDAY, AUG. 14, WASHINGTON U.

Entre Nous/Coup de foudre

Diane Kurys, France, 1983, 110 min., color, new restoration, DCP

Entre Nous

With an introduction and post-film discussion by Colin Burnett, associate professor of Film & Media Studies at Washington U. and author of “The Invention of Robert Bresson: The Auteur and His Market.”

7 PM SUNDAY, AUG. 15, WASHINGTON U.

Mr. Klein

Joseph Losey, France, 1976, 123 min., color, new restoration, DCP

With an introduction and post-film discussion by Pier Marton, video artist, self-described “Unlearning Specialist at the School of No Media,” and former instructor at several leading U.S. universities.

7:30 PM FRIDAY, AUG. 20, WEBSTER U.

The Story of a Three-Day Pass/La permission

Melvin van Peebles, France/U.S., 1967, B&W, 86 min., English & French, new restoration, MP4 file

With an introduction and post-film discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

7:30 PM SATURDAY, AUG. 21, WEBSTER U.

Vagabond/Sans toit ni loi

Agnès Varda, France, 1985, 105 min., color, 35mm print

With an introduction and post-film discussion by Kathy Corley, documentary filmmaker and professor emerita of film at Webster University.

6:30 PM SUNDAY, AUG. 22, WEBSTER U.

Betty Blue

Jean-Jacques Beineix, France, 1986, 185 min., color, new restoration of extended director’s cut, Blu-ray

With an introduction and post-film discussion by Andrew Wyatt, editor of and film critic for Cinema St. Louis’ The Lens and the Gateway Cinephile film blog.

7:30 PM FRIDAY, AUG. 27, WEBSTER U.

Vivre sa vie/Vivre sa vie: Film en douze tableaux

Jean-Luc Godard, 1962, 83 min., B&W, Blu-ray

With an introduction and post-film discussion by Pete Timmermann, director of the Webster U. Film Series and adjunct professor of film studies at Webster U.

7:30 PM SATURDAY, AUG. 28, WEBSTER U.

La piscine

Jacques Deray, 1969, France, 122 min., color, new restoration, Blu-ray

With an introduction and post-film discussion by Calvin Wilson, theater critic for the St. Louis Post-Dispatch, who also writes on film, dance, and music.

7 PM SUNDAY, AUG. 29, WEBSTER U.

Two English Girls/Les deux Anglaises et le continent

François Truffaut, 1971, France, 130 min., color, Blu-ray

With an introduction and post-film discussion by Robert Garrick, attorney, board member of the French-preservation nonprofit Les Amis, and former contributor to the davekehr.com film blog.

Golden Anniversaries, which is co-presented by Cinema St. Louis (CSL) and the St. Louis Public Library, features classic films celebrating their 50th anniversaries. This third edition of the event will highlight 14 films from 1970, including two double bills.

Because in-person screenings remain problematic during the pandemic, Cinema St. Louis will hold free online conversations on the films, with people watching the films on their own but gathering virtually to discuss them.

Film critics, film academics, and filmmakers will offer introductory remarks and then participate in discussions about the films. Those conversations will be offered as free live streams at 7:30 PM every Monday from Aug. 10-Oct. 26. Participants will need to register for the live streams on the CSL website.

Elliott Gould, Tom Skerritt, Donald Sutherland in “M*A*S*H”

In addition to a fine selection of St. Louis critics, Golden Anniversaries will feature a quartet of experts from elsewhere, including David Edelstein, chief film critic of New York magazine (“M*A*S*H” on Aug. 10); AJ Schnack, director of such documentaries as “Gigantic (A Tale of Two Johns),” “Kurt Cobain About a Son,” “We Always Lie to Strangers,” and the recent “Long Gone Summer” (double bill of “Gimme Shelter” and “Woodstock” on Sept. 7); Charles Taylor, author of “Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s” (“Beyond the Valley of the Dolls” on Sept. 21); and Novotny Lawrence, author of “Blaxploitation Films of the 1970s: Blackness and Genre” (double bill of “Cotton Comes to Harlem” and “The Watermelon Man” on Sept. 28).

The discussions with the presenters will be facilitated by Cliff Froehlich, CSL’s executive director. Audience members will be able to ask questions and make observations on the films through the chat function of the live stream; those queries and comments will be relayed to the presenter by CSL.

The introductions and discussions will also be recorded and archived on CSL’s YouTube channel. Essays on many of the films will appear on The Lens, CSL’s blog.

For more information, please visit cinemastlouis.org/golden-anniversaries.

Husbands

FILMS

For full info on films, see CSL’s website.

7:30 PM Monday, Aug. 10

M*A*S*H

Robert Altman, U.S., 1970, 116 min.

Intro and discussion by David Edelstein, chief film critic for New York magazine (currently on furlough), commentator on “CBS Sunday Morning,” and former film critic for NPR’s “Fresh Air,” Slate, New York Post, Village Voice, and Boston Phoenix.

7:30 PM Monday, Aug. 17

Patton

Franklin J. Schaffner, U.S., 1970, 172 min.

Intro and discussion by Andrew Wyatt, editor of and film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Aug. 24

Husbands

John Cassavetes, U.S., 1970, 131 min.

Intro and discussion by Lynn Venhaus, film critic for the Webster-Kirkwood Times and KTRS (550 AM).

7:30 PM Monday, Aug. 31

The Conformist

Bernardo Bertolucci, Italy, 1970, 113 min., Italian

Intro and discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

7:30 PM Monday, Sept. 7

Gimme Shelter

Albert Maysles, David Maysles & Charlotte Zwerin, U.S., 1970, 91 min.

Woodstock: The Director’s Cut

Michael Wadleigh, U.S., 1970, 224 min.

Intro and discussion by AJ Schnack, director of the documentaries “Gigantic (A Tale of Two Johns),” “Kurt Cobain About a Son,” “We Always Lie to Strangers,” and “Long Gone Summer.”

7:30 PM Monday, Sept. 14

Claire’s Knee

Eric Rohmer, France, 1970, 105 min., French

Intro and discussion by Robert Garrick, attorney and former contributor to the davekehr.com film blog.

7:30 PM Monday, Sept. 21

Beyond the Valley of the Dolls

Russ Meyer, U.S., 1970, 109 min.

Intro and discussion by Charles Taylor, author of “Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s” and former film critic for Salon.

7:30 PM Monday, Sept. 28

Cotton Comes to Harlem

Cotton Comes to Harlem

Ossie Davis, U.S., 1970, 97 min.

The Watermelon Man

Melvin van Peebles, U.S., 1970, 100 min.

Intro and discussion by Novotny Lawrence, associate professor at Iowa State University, author of “Blaxploitation Films of the 1970s: Blackness and Genre,” editor of “Documenting the Black Experience,” and co-editor of “Beyond Blaxploitation.”

7:30 PM Monday, Oct. 5

Five Easy Pieces

Bob Rafelson, U.S., 1970, 98 min.

Intro and discussion by Calvin Wilson, theater critic and former film critic for the St. Louis Post-Dispatch.

7:30 PM Monday, Oct. 12

The Traveling Executioner

Jack Smight, U.S., 1970, 95 min.

Intro and discussion by Kayla McCulloch, film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Oct. 19

Wanda

Barbara Loden, U.S., 1970, 102 min.

Intro and discussion by Cait Lore, film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Oct. 26

Performance

Donald Cammell & Nicolas Roeg, U.K., 1970, 105 min.

Intro and discussion by Robert Hunt, former film critic for The Riverfront Times.

Woodstock: The Director’s Cut