By Lynn Venhaus
A semi-autobiographical journey about his childhood in Arkansas in the 1980s, writer-director Lee Isaac Chung has crafted a series of genuine remembered moments that resonate, especially from young son David’s point of view. The story may be slender but its sensitivity is significant.

A Korean American family has moved to a rural Arkansas farm in search of its own American dream. Trying to adapt to a new life, with its challenges and unfamiliar terrain, they learn how resilient they can be and what really makes a home.

As precocious David, Alan S. Kim stomps around in cowboy boots, soaking up everything as he drinks Mountain Dew and blurts out exactly how he feels and what he means. Kim is a natural, and just watching how he looks at everything in a curious light, is just one of the film’s many delights. He translates his emotions subtly and superbly.

At first, David has a testy relationship with his grandmother, Soonja (Youn Yuh-jong), his mom’s mother who has come over from Korea to live with them. But their relationship blossoms and their bond is tight – and neither has a filter.

Youn Yuh-jong delivers one of the best performances of the year as the grandma, whose love, strength and wisdom is a saving grace. She is also wickedly funny, providing welcome moments of comic relief.

In a poignant performance, Steven Yeun plays Jacob, who tries to hold on to his farm and his family in the face of great adversity. He moves them from California to the middle of nowhere because he wants more for them – and himself.

But his wife, Monica (Yeri Han), has a harder time and is frustrated that she is forced to fit in to a life she is apprehensive about, and worries about everything. After all, David was born with a heart murmur and a hospital is miles away.

The fine ensemble sincerely draws us in to their heartbreaks, happiness and sorrows. Character actor Will Patton plays a Pentecostal neighbor who helps Jacob with the farm, and the character is based on Chung’s father’s friend.

“Minari” won both the Audience and the Grand Jury Awards at the 2020 Sundance Film Festival, and as a contender in the current awards season, audiences are discovering how relatable a film, which is in English subtitles for about half of it, is. The family is bilingual.

The production elements are also outstanding in helping to strike a universal chord, with lyrical cinematography by Lachlan Milne and crisp editing by Harry Yoon. Production designer Yong Ok Lee creates the ‘80s home from a ramshackle trailer to a family of four’s personalities within their economic means.

Composer Emile Mosseri’s beautiful score evokes youthful memories and warmth.

The film’s namesake, minari, also known as “water dropwort,” is a resilient plant with an herbal flavor, tasting like parsley. With its crisp stems and leafy tops, it can grow pretty much anywhere, and is sold as a vegetable in Korean markets. Its meaning is obvious.

With its poetic small moments, what the deeply personal “Minari” says about roots and family echoes with all of us.

“Minari” is a drama written and directed by Lee Isaac Chung. It stars Steven Yeun, Alan S. Kim, Yeri Han, Youn Yuh-jung, Noel Cho and Will Patton. Rated: PG-13 for some thematic elements and a rude gesture, it’s run time is 1 hr. 58 min. Lynn’s Grade: A. In theaters Feb. 12 and video on demand Feb. 26.

“The NBR is proud to honor ‘Da 5 Bloods,’ Spike Lee, and the film’s incredible ensemble cast, along with all of our 2020 awardees,” NBR president Annie Schulhof said in a statement.

“Lee is one of our greatest filmmakers, a bold auteur with a cinematic vision and an astute perspective on human relationships, focusing at times on that intersection between the personal and the political. ‘Da 5 Bloods’ is not only a unique portrait of the experience and lingering trauma of Black Vietnam War veterans, but also a moving story of enduring friendship, a suspenseful jungle treasure hunt, and a powerful reckoning with the American dream. We are also honored to present the posthumous NBR Icon Award to Chadwick Boseman, an extraordinary talent who represented the best of what an actor could be no matter what the role.”

The NBR was established in 1909 by theater owners protesting the New York mayor’s attempt to block the exhibition of motion pictures in the city.

According to The Wrap, In the 88 years it has been naming the year’s best film, it has agreed with the Oscars 22 times, though only once (“Green Book”) in the last 11 years.

The National Board of Review is not a critics’ organization. The group is made up of “knowledgeable film enthusiasts and professionals, academics, young filmmakers and students” in the New York area.

The Wrap said much of its relatively high profile comes from the fact that it is normally one of the first groups to pick the year’s best films — although in this year’s extended awards season, it made its choices well after the critics’ groups that adhered to calendar-year eligibility.

Like the Oscars and most guilds, the NBR allowed films to qualify this year as long as they were being released by Feb. 28, 2021.

Plans for an awards ceremony to celebrate 2020 winners will be announced at a later date.

Here’s the full list of winners below:

Best Film:  “Da 5 Bloods”

Best Director:  Spike Lee, “Da 5 Bloods”

Best Actor:  Riz Ahmed, “Sound of Metal”

Best Actress:  Carey Mulligan, “Promising Young Woman”

Best Supporting Actor:  Paul Raci, “Sound of Metal”

Best Supporting Actress:  Youn Yuh-jung, “Minari”

Best Adapted Screenplay:  Paul Greengrass & Luke Davies, “News of the World”

Best Original Screenplay:  Lee Isaac Chung, “Minari”

Breakthrough Performance:  Sidney Flanigan, “Never Rarely Sometimes Always”

Best Directorial Debut:  Channing Godfrey Peoples, “Miss Juneteenth”

Best Animated Feature:  “Soul”

Best Foreign Language Film:  “La Llorona”

Best Documentary:  “Time”

NBR Icon Award:  Chadwick Boseman

NBR Freedom of Expression Award: “One Night in Miami”

NBR Spotlight Award: Radha Blank for writing, directing, producing and starring in “The Forty-Year-Old Version”

Best Ensemble:  “Da 5 Bloods”

Outstanding Achievement in Cinematography:  Joshua James Richards, “Nomadland”

Top Films (in alphabetical order):

First Cow
The Forty-Year-Old Version
Judas and the Black Messiah
The Midnight Sky
Minari
News of the World
Nomadland
Promising Young Woman
Soul
Sound of Metal

Top 5 Foreign Language Films (in alphabetical order):

Apples
Collective
Dear Comrades
The Mole Agent
Night of the Kings

Top 5 Documentaries (in alphabetical order): 

All In: The Fight for Democracy
Boys State
Dick Johnson is Dead
Miss Americana
The Truffle Hunters

Top 10 Independent Films (in alphabetical order): 

The Climb
Driveways
Farewell Amor
Miss Juneteenth
The Nest
Never Rarely Sometimes Always
The Outpost
Relic
Saint Frances
Wolfwalkers