With the climate crisis evincing ever more concerns this summer, our Climate Change Theatre Action event on Saturday Oct 16 could not be more timely.
Our free afternoon event will offer eight short internationally commissioned plays in four art galleries, a theatrical adaptation of Greta Thuneberg’s address to the UN, a dance performance, outdoor resource tables by environmental organizations, voter registration, and more.
That Uppity Theatre Company, Artistic director Joan Lipkin, in collaboration with Climate Change Theatre Action (CCTA), a project of the Arctic Cycle will present a theatre and arts crawl on Saturday, Oct 16 from 1-4 pm at area art galleries in the Central West End.
The galleries include Duane Reed, Houska, Philip Slein, and Projects +, all located on McPherson Avenue in the historic CWE district.
“We are living in a time of increasing urgency to address critical climate change. It is no longer something that can be avoided or ignored. Regardless of our business, our occupations or personal situation, we are all in it together. Through our participation in the Climate Change Theatre Action, the gallery hopes to take part in a larger effort that is all about increasing our awareness of this crisis,” said Duane Reed, of the Duane Reed Gallery.
Viewers will be able to see a short play or two of under ten minutes before proceeding to the next gallery to see others. The event will feature 4-8 short pieces. Most performances will be repeated 6-8 times or approximately every twenty minutes, starting at 1 pm. Some work may also be performed outside.
Indoor performances will be limited to ten audience members at a time and masking will be required.
Many St Louis theatre artists are involved in presenting this project including Anna Blair, Donna Weinsting, Dan Kelly, Teresa Doggett, Susan Volkan, Michael Paplanus, Don McClendon, Carrie Hegdahl, Alice Kinsella, and Rachel Mitchell, among others.
The Central Visual & Performing Arts High School will also present a theatrical adaptation of Greta Thunberg’s speech to the United Nations called” How Dare You”. Ashleyliane Dance Company will offer selections from their critically acclaimed “Environmental Intelligence” dance piece.
Additionally, there will be outdoors tabling by environmental groups including Great Rivers Greenway, US Green Building Council – Missouri Gateway Chapter, Missouri Coalition for the Environment, Project Animal Freedom, World Bird Sanctuary, Metropolitan Congregations United, Earth Dance Organic Farm School, St Louis Voter Registration Group and more. Street parking is available as well as a paid lot on Euclid Ave between Washington and McPherson Ave.
“The issues facing us are real but so are the opportunities to change the direction of this global crisis,” said Joan Lipkin. “The arts are a pathway to illuminate the issues in an engaging way and also to promote hope, joy and engagement. It is both meaningful and important that St Louis take part in this international arts and ecology movement.”
Produced by Joan Lipkin and Pamela Reckamp, the St Louis event is part of a worldwide series of readings and performances of short plays about the climate crisis and environmental justice. CCTA 2021 will take place from September 19 to December 18 to coincide with the United Nations Climate Change Conference (COP 26).
The last iteration of CCTA, in 2019, included over 220 events in nearly 25 countries. For more details, the list of participating playwrights, and previous collaborators, see www.climatechangetheatreaction.com.
Missouri Faith & Voter Advocates Host Vigils Honoring Legacy of John Lewis and Calling on Congress to Affirm the Moral Imperative of the Right to Vote
On Sat. July 17, 2021, Missouri advocates will host Good Trouble Vigils for Democracy on the one-year anniversary of the death of Rep. John Lewis – joining more than 100 similar vigils happening at the same time around the country – to uplift his legacy and call on Congress to pass critical legislation to realize Rep. Lewis’ vision for a democracy that includes us all. The Missouri Vigils are being spearheaded by faith leaders around the state to uplift the moral imperative of the right to vote in a moment when partisanship is blocking needed action to protect voting rights for all.
The St. Louis event will include prominent faith leaders in an outdoor vigil at First Unitarian Church followed by a processional with the renowned Red and Black Brass Band to Maryland Plaza in the Central West End, where advocates will sing, dance and engage fellow community members in the call for voting rights. Vigils in Kansas City, Jefferson City and Springfield, lead by faith leaders, local voter advocates and the NAACP, will similarly feature local leaders calling on Congress to take needed action to protect the right to vote by passing the For the People Act – which the late Cong. Lewis authored – and the John Lewis Voting Rights Advancement Act. “Faith leaders have been critical to every historic movement for voting rights and are especially needed in this moment to call out the dignity of all to have a voice in their destinies,” said Denise Lieberman, a voting rights lawyer and Director of the Missouri Voter Protection Coalition. The July 17 actions come on the heels of this week’s call to action by the President for Congress to pass needed voting reforms.
WHAT: ST LOUIS GOOD TROUBLE VIGIL FOR DEMOCRACY WHO: Missouri Voter Protection Coalition, Central Reform Congregation, Missouri Faith Voices, Metropolitan Congregations United, First Unitarian Church, Missouri Baptist State Convention, Dance the Vote, St. Louis Area Voting Initiative, Missouri Jobs with Justice, St. Louis Voter Protection Coalition, NAACP, Missouri State Baptist Convention, Indivisible Missouri, Congregation Shaare Emeth and others – including remarks from: Rev. Dr. Cassandra Gould, Missouri Faith Voices; Rev. Dr. Linden Bowie, Missouri Baptist State Convention; Rabbi Susan Talve, Central Reform Congregation; Rev. Kim Mason, First Unitarian Christian Church; Denise Lieberman, Director of Missouri Voter Protection Coalition; Joan Lipkin, Dance The Vote, among others. WHEN: Sat. July 17, 2021, 6-8pm WHERE: 6-7pm Vigil with Speakers at First Unitarian Christian Church 5007 Waterman Blvd. , St. Louis, MO 63108, followed by processional with Red and Black Brass Band to Maryland Plaza. Event will be broadcast live at: https://www.facebook.com/ProtectMissouriVoters
Missouri July 17 John Lewis “Good Trouble” Vigil For Democracy Events include:
Because there have been a historic number of anti-voting bills recently introduced at the state level and in some states, passed into law, groups throughout the U.S. are participating in various activities called ‘Deadline for Democracy’ in the next two weeks in support of the For the People Act, now under consideration in Congress, and preserving voting rights.
Missouri has some of the worst voter suppression in the country.
. A rally downtown St. Louis will take place on Thursday, July 1, from 6 to 8 p.m. in Kiener Plaza Park, which will feature remarks from Missouri State Rep. Peter Merideth, Dr. Sara Kenzior, Wesley Bell, Denise Lieberman, among others. There will be an ASL interpreter for all speakers.
The rally will open with a community dance led by Ashley L. Tate and Thomas Proctor of Ashleyliane Dance Company called ‘Dancing for Democracy’ for Dance the Vote.
With eight out of ten Americans supporting more access to voting, regardless of party affiliations, Dance the Vote, a non-partisan voting advocacy group, will join with over 30 groups nationwide in the Deadline for Democracy grassroots effort.
In St. Louis, the event is sponsored by the Indivisible Missouri Coalition — includes Indivisible St. Louis, Indivisible Pulaski County, Indivisible Heart of The Ozarks, Indivisible Take Action Now, Indivisible SEMO, Indivisible We Will Persist, Small Deeds Done, Dance The Vote, Missouri Voter Protection Coalition, and Ashleyliane Dance Company.
At the state level, there have been 389 bills introduced in 48 states that would restrict a person’s voting access as of May 14, 2021 according to the Brennan Center.
From 6-6:20 pm, DTV will offer a free community dance class called “Dancing for Democracy” led by Ashley L Tate and Thomas Proctor of Ashleyliane Dance Company featuring favorites like the Electric Slide, the Wobble, the Cupid Shuffle and more. Everyone is welcome, regardless of age or dance experience.
This will be followed by several confirmed speakers: authoritarian scholar, writer and anthropologist Dr Sarah Kendzior, Attorney Denise Lieberman of the non-partisan state wide organization Missouri Voter Protection Coalition and St Louis County Prosecutor Wesley Bell. Additional speakers may be added.
Postcards will be available for signing and the St Louis Voter Registration Group will be registering people to vote.
“Missouri has some of the most restrictive legislation in the country, blocking access to our most fundamental democratic right,” said Joan Lipkin, the founder of Dance the Vote. “The For the People Act would end gerrymandering, allow universal access to vote by mail, expand early voting requirements, restore the right to vote for people with felony convictions who have served their time, modernize voter registration systems and institute automatic voter registration. It is essential that it be passed.”
Who: Dance the Vote, Missouri Voter Protection Coalition, Indivisible St Louis
What: Deadline for Democracy: Rally for S1 For The People Act
Dance the Vote is a non-partisan project that uses the arts to promote voter awareness and registration. Founded in 2016 by theatre artist and activist Joan Lipkin in collaboration with activist designer Anne Taussig, voter registration specialist Sabrina Tyuse and choreographer Ashley L. Tate, DTV raises public awareness by utilizing dance, video, graphics, music and spoken word.
Programming is based on various themes of the voting experience, including the experiences of African-Americans, women, people with disabilities, college students and immigrants around voting, voting rights, voter suppression, among other themes. This project brings together local as well as artists nationwide who creatively seek to make a difference by promoting voter awareness and getting eligible voters registered and committed to vote.
In 2016, the project was presented at Vintage Vinyl, St, Louis Black Pride and Left Bank Books, and the 2018 midterm performance at the Missouri History Museum attracted an audience of 1200. The 2020 season was virtual due to Covid-19, with 10 episodes of commissioned pieces from artists around the country, and also included participation in Every Vote Counts: A Celebration of Democracy, the national special on voting produced by CBS and Global Citizen. Dance the Vote also collaborated with Webster University to sponsor a contest for college students using a variety of arts media called “Make Good Trouble: Why John Lewis Inspires Me To Vote’’ for which they awarded cash prizes.
Dance the Vote has received several awards, including an IDEA Award for commitment to inclusion, diversity, equity and accessibility, a 2021 FOCUS What’s Right With the Region Award for Fostering Creativity for Social Change, an award in the 2021 St. Louis Magazine A List for Moving Democracy, and both a mayoral and aldermanic proclamation declaring Dance The Vote Voter Registration Day in the city of St. Louis.
Ashleyliane Dance Company (ADC) is a professional performance organization under the artistic direction of Ashley L. Tate, with a mission to cultivate diverse repertory, create safe educational spaces, and a vision to promote the intersection of dance and social issues.
Since its inception in 2007, ADC has performed at a plethora of major events and private engagements, including but not limited to: the Muny, Fair St. Louis, First Night, Loop in Motion, Dancing in the Street, Casino Queen, Four Seasons Hotel and The
Pageant. ADC has been featured on Fox 2 News,”Best of the STL” on STL TV, Show Me St. Louis, HEC-TV, and the Nine Network and in Alive Magazine and the St. Louis Post-Dispatch.
The company has produced a number of dance concerts at the Center of Creative Arts (COCA), Ivory Theatre, and Missouri History Museum, Edison Theatre, and The Grandel. They have also been invited to perform at the Dance Chicago Festival, the American College Dance Association Convention, the University of Illinois-Chicago, the Chicago Choreographers’ Carnival, Peridance Capezio Center, TADA! Theater, and Baruch Performing Arts Center in New York City, as well as the 18th St. Arts Center in Santa Monica, California and Gordon Gamm Theater in Boulder, Colorado.
ADC is a proud resident organization of the Kranzberg Arts Foundation.
Indivisible is a movement driven by a vision of a real democracy of, by, and for the people. The Indivisible movement is a network of thousands of local groups and millions of activists across every state working to build an inclusive democracy by fighting for bold, progressive policies and creating lasting grassroots power.
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Indivisible St. Louis is a grassroots group dedicated to the pursuit of justice, equity, and progress for all. They are a registered chapter of Indivisible (www.indivisibleguide.com) committed to promoting, encouraging, and facilitating constituent contact with members of Congress to help move a progressive agenda forward.
In their first collaboration, That Uppity Theatre Company and Alight Theater Guild will co-produce NYC Queer Playback Theater with “Pride in Progress” on Sunday, June 13, at 7 p.m. CDT/8 p.m. EDT in a virtual interactive playback performance to honor Pride. This event is open to all ages and orientations and will run approximately 90 minutes, and is sponsored by St Louis Pride, St Louis Black Pride, #Boom Magazine and the Missouri Arts Council.
During the performance the audience will be invited to tell stories from their lives, then the story will be “played back” with facilitation, improvisational forms, and music by an ensemble, all around the theme of “Pride in Progress.” As we reflect on Pride in the midst of a pandemic and a racial reckoning, “Pride in Progress” hopes to ask what we are proud of individually and collectively, and what progress is left to be gained?
“I am thrilled to be partnering with NYC Queer Playback to share their stories and that of our communities in a live event. Although we may miss gathering in more traditional physical spaces, virtual events like this provide more access for both artists and audiences,“ said Joan Lipkin, the producing artistic director of That Uppity Theatre Company and Playback Now! St Louis. “NYC Queer Playback is one of the only LGBTQ+ specific playback companies in the US, and ideally suited to help explore our theme of Pride in Progress.”
NYC Queer Playback Theater aims to forge connection in the LGBTQ+ communities, whether participants identify within the community or as an ally, by creating a safe and diverse space for personal growth through Playback. Co-founder Jamie Roach said he is excited to collaborate.
“The LGBTQ+ community is hugely diverse, which is one of its biggest assets,” he said. “Playback allows its participants to reach across differences of sexual orientation, gender identity and expression, race, age, country of origin, language, and ability/disability by providing a rare and rich chance to be vulnerable with each other’s stories while learning the true feelings and experiences of this dynamic community. As the many perspectives and identities are better understood, the ever-evolving Queer community is strengthened.”
For tickets, please register at: https://www.eventbrite.com/e/nyc-queer-playback-theaters-pride-in-progress-june-13-at-8pm-edt-registration-156443162711, and an event zoom link will be sent out on the day of the performance.
Tickets are priced at $12, with a pay-what-you-like option, including a free ticket choice. We invite all people, those from the LGBTQ+ community and allies, to reflect on our lives within our community, our nation and globally in the space that we are creating to encourage openness, acceptance, respect, and equality regardless of one’s gender identity, sexual orientation, body size, ability, or status. Personal sharing is encouraged and entirely voluntary. Feel free to tell a story or to enjoy the stories of others.
About Playback Practiced in over 60 countries, Playback Theatre is an original form of improvisational theater developed by Jonathan Fox and Jo Salas in which audience or group members tell stories from their lives and watch them enacted on the spot. Used in a variety of settings, Playback Theater provides highly enjoyable theater and promotes dialogue between different voices as audience members have the opportunity to speak and see their stories embodied on the stage. We discover who we are by telling our stories and, as others bear witness and tell their own stories in response, a deep and empathy- building conversation is created through the collective stories brought to the stage.
About Playback Now! St Louis Founded and directed by Joan Lipkin, Playback Now! St. Louis creates work based on the highly developed improvisational principles established by Jonathan Fox and Jo Salas that are practiced in over 60 countries to assist in individual storytelling for collective well-being.
The ensemble has performed at the Missouri History Museum, Monsanto, Webster University, Grand Center, the Monocle, Boeing, Edward Jones, St Louis Zoo, Missouri Botanical Garden, the Theater Communications Group Conference, the Grand Center Theatre Crawl and more as well as private settings.
About NYC Queer Playback Founded in 2016, NYC Queer Playback Theater serves the LGBTQ+ community through open, monthly rehearsals, and since 2020, as a performing, Core Ensemble. Founded by Rick Sanford and Jamie Roach, under the mentorship of Mountaine Jonas, NYC QPT values creating a safe and brave space for belonging and sharing stories about the layers and intersections within the Queer community. They’ve performed in NYC with SAGE (LGBTQ+ Elders) and in collaboration with Village Playback Theater, and have now found a strong connection through virtual programming. They are excited and grateful to collaborate with Playback Now! St. Louis.
She is dramaturging and writing the script for “Environmental Injustice”, a dance concert by Ashleyliane Dance Company that will also feature the story of Hazel Johnson, the mother of environmental justice. Joan has written the text about Hazel Johnson. This is a hybrid performance event with two optional parts: Program A on Saturday, June 5 is taped and virtual. Program B on Sunday, June 6 is a live event at the Grandel Theatre in Grand Center with different material and also includes the piece about Hazel Johnson.
3. She is contributing to the script for A Call 2 Conscience’s “Celebration of Survival” featuring the real-life stories of St Louisans around COVID and the pandemic that is scheduled for live presentation Aug. 28-29.
the Vote, a St. Louis based arts and civic engagement initiative, founded by
theatre artist and activist Joan Lipkin four years ago will be featured in an
upcoming program, Every Vote Counts: A
Celebration of Democracy, a nationally televised event on Thursday, Oct 29,
at 8pm Central on CBS and other platforms.
their first performance outside Vintage Vinyl, an iconic record store in St.
Louis for a few dozen people on a rainy afternoon, Dance the Vote attracted
over one thousand people at the midterms at the Missouri History Museum for a
community dance class, performances by diverse dance companies, spoken word
artists and singers about the history and importance of voting, paired with
the pandemic hit and following the deaths of Breonna Taylor and George Floyd,
they pivoted to commission and center dance videos, predominantly by
choreographers of color. The themes continue to be about the history and
significance of voting, as well as what issues might compel someone to vote
including: climate change, racial justice, disability, incarceration, gender
equity, women’s suffrage, the wall, and more.
pieces were released in a series of weekly episodes in pairs of two or three
dances, and each episode included information on how to register to vote, check
voter registration, and the phone number for the election protection hotline
for questions or issues at the polls.
pieces may be seen on YouTube, Instagram (@dancethevotestl), Facebook
(@DanceTheVoteStl), Twitter (@DanceTheVoteStl), and Vimeo as well as their
summer, Dance the Vote and Webster University partnered to offer a competition
for college students throughout the United States honoring the late congressman
John Lewis, called Make Good Trouble: Why
John Lewis Inspires Me to Vote. Cash awards have been issued in several
categories including mixed media, video, dance pieces, painting, collage, and
are honored to be included in this exciting program about voting because it
recognizes the essential role that the performing arts can play in voter
education and advocacy. In addition, Dance the Vote exemplifies how a small
grass-roots organization with a promising idea can offer a model for the arts
and civic engagement for many communities. We are pleased to have St. Louis
showcased on this important national platform,” said Joan Lipkin, founder of
Dance the Vote.
Every Vote Counts is a celebration of civic engagement and one last push to
get people to vote.
Hosted by Alicia Keys, America Ferrera, and Kerry
Washington, with appearances by Amy Schumer, Chris Rock, Cobie Smulders,
Coldplay, Condoleezza Rice, Eva Longoria, Jennifer Lopez, John Kasich, Kelly
Clarkson, Leonardo DiCaprio, Lin-Manuel Miranda, Natalie Portman, Shaquille
O’Neal, Tan France, Wilmer Valderrama, and more, with performances by Alicia
Keys, Dan + Shay, Offset, and Shawn Mendes.
Every Vote Counts: A Celebration of Democracy, a
nationally televised and streamed event, will air on the CBS Television Network
and will be streamed via CBS All Access on Thursday, October 29, 2020 at 9 PM,
ET/PT, 8PM CST. The special will also be available via the following platforms:
iHeartMedia radio stations and app, Apple Music, Apple TV App, Amazon Music,
Twitch, NowThis, YouTube, Twitter, TIDAL and Facebook, with more to be
On Dec. 13, 2019 at the Mark Wilson Theatre on the campus of St. Louis University, Playhouse Emissions: Climate Change Theatre Action St. Louis 2019 was presented as part of the international Climate Change Theatre Action 2019.
St. Louis event follows the growing tradition of rapid response from
theatre artists for collective action on some of the most pressing issues of
our time, including gun violence and extrajudicial violence against people of
is a growing movement within the global theatre community: a succession of
artwork-cum-advocacy events, collections of short plays, crafted with an urgent
deadline and for immediate performance, in an effort to address some of the
most critical sociopolitical issues of our time. After an initial production,
these play collections often circulate for years, becoming part of the
theatrical and activist zeitgeist, and often a movement unto itself. Climate
Change Theatre Action (CCTA) is one such movement.
is a worldwide series of readings and performances of short plays on climate
change, primarily presented to coincide with the United Nations COP 25
Joan Lipkin, and directed by Thomas Martin, Anna Blair, Alex Knapp, Playhouse Emissions featured a sampling
of the CCTA international collection of short plays inspired by climate change
and the science surrounding it. In 2019, close to 250 events were hosted
in 25 countries, reaching an audience of 10,000 through live performance and an
additional 10,000 via live streams and radio broadcasts.
change is one of the greatest challenges facing us as a global community,”
said Joan Lipkin, Producing Artistic Director of That Uppity Theatre Company,
and one of 2019’s commissioned playwrights. “Scientists estimate that we
have 15 years to decarbonize the economy if we want to stave off the worst
impacts of climate change that will affect all of us.”
plays were selected from two anthologies that were commissioned by the CCTA
organization. 50 playwrights were chosen from over 25 countries, from
industrialized and developing countries and urban and rural areas. These
perspectives include low-lying nations threatened by sea level change and
countries facing severe heat waves, floods, droughts, deforestation and/or
and Knapp co-hosted the event, which featured performances from leading actors
in St. Louis, including Dan Kelly, Michelle Dillard, Don McClendon, and Anna
Blair, as well as students from St. Louis University and Washington University
in St. Louis. The performance opened with a drum performance by World Vibrations, led by Lisa
Frumhoff and concluded with a question and answer segment with David
Brotherton, the Program Director for Business and the Environment at the
University of California – Berkley.
selected for Playhouse Emissions
included Single Use by Marcia Johnson, Brackendale
by Elaine Ávila, About That Chocolate Bar
by Joan Lipkin, Six Polar Bears Fell from
the Sky This Morning by Alister Emerson, El Toro Sagrado In the Car Repair Shop by Mindi Dickstein, and Homo Sapiens by Chantal Bilodeau.
“Among the short plays was a dramatic,
interpretive reading of Greta Thunberg’s UN address on Climate Change. I was
deeply moved by the re-enactment and inspired by how theatre arts keep the most
compelling issues of our time alive,” said audience member Anne Taussig. Thunberg’s remarks were
adapted by Lipkin and Knapp, a second-year master’s student in Theatre and
Performance at Washington University in St. Louis, with music by Mitchell
Manar. “The most important thing we can do is inform ourselves and
understand the situation,” according to Greta Thunberg, the 16-year old
a scholar and artist, I care deeply about education and access, especially
regarding the most pressing concerns to life on this earth. I find performance
to be an excellent venue for bringing these issues to the fore, sparking a
dialogue within communities, and providing equitable access to education on
these topics,” says Knapp.
“Saint Louis University is dedicated
to providing the vehicle through which students and the general public can
learn the facts about climate change using a variety of platforms including
academics, public programs, and the arts. We are pleased to support this
creative use of the arts in the service of both the humanities and climate
change awareness,” said Dr. Jack Fishman, a Professor of Meteorology in
the Department of Earth & Atmospheric Sciences and director of their
Center for Environmental Sciences.
the model pioneered by NoPassport, the organizers asked fifty writers from
around the world to write short plays about an aspect of climate change. These
plays were made available to producing collaborators who have presented over
100 events so far this season. Collaborators can choose as few or as many of
the plays as they want.
range from readings in classrooms to fully staged performances and will take
place in theatres, high schools, universities, eco-centers, community centers,
on radio, and outdoors.
For the full list of
events and participating playwrights:
Free beer. Free truth. Free participation.A diverse array of artists, activists, elected officials and community people will come together Saturday, June 22 from 2-5 p.m. at the projects+gallery at 4733 McPherson Ave in the Central West End to participate in a free event to read excerpts and summaries of the Mueller Report and offer related commentary through song.
“Many well-known local theatre people have signed up to read or sing and more are signing up every day.
“It has been two months since the Mueller Report was released. No one in St Louis has created an event around this. We are doing one June 22. Events have taken place in LA and NY, said Joan Lipkin, artistic director of That Uppity Theatre Company, who is producing the event.
“While it is true that the report is available both online and for purchase, it is unreasonable to expect the average person to read a 455-page report that is annotated and full of redactions,” Lipkin said.
“Our traditional news
sources and cable outlets are also not always reliable or accurate, so we have
decided to bring the findings of the report directly to the community in the
belief that, as the Washington Post says, ‘Democracy dies in darkness.’”
“What we do know is
that Special Counsel Robert Mueller concluded at the end of an almost two-year
we had confidence after a thorough investigation of the facts that the
President clearly did not commit obstruction of justice, we would so
state,” Mueller wrote.
“We are sharing information but also significantly, providing an
opportunity for people to share their voices and to speak up,” Lipkin
At the event, people will read approximately 5-minute excerpts to accommodate more participation.
include Susan Barrett, Alderwoman Megan Ellyia Green, Rep Ian Mackey, Harper Barnes, Adelia
Parker, Rosalind Early, Roseann Weiss, Edward Coffield, Jennifer Wintzer, Stephen Houldsworth, Matthew Kerns, David
Wraith, Ann Lemons Pollack, Lisette Dennis, Kathleen Sitzer, Don Crozier, Tom Ray, Scott Intagliata,
Kathleen Dunne, Michele Mallette Sherman, Donna Postel, Carol Swartout Klein, Sara Taylor, Sabrina Tyuse, Kim Lee, Michelle Wilson, Marty
K. Casey, Linda Jo Smith, Jill Maguire, Pam Schneider and more.
There will also be
opportunities for people in the audience to read.
“Art is the ultimate
expression of freedom of speech. Because we know that art is a verb, we are
proud to host this event in support of democracy,” said Susan Barrett, founder
and president of Barrett Berrera Projects.
The event will also
include voter registration in partnership with St. Louis Voter Registration
Group, refreshments, a selfie station and the debut performance by the St Louis
chapter of Sing Out, Louise, a New York social activist group founded in 2017
that writes parodies with political commentary of iconic songs ranging from
ABBA and Queen to Rogers and Hammerstein and more.
Free stickers, Stag Beer, and water will be provided.
“Stay as little or as long as you like, although we suggest you come at 2 p.m. for the kick-off. But there will be singing and opportunities for involvement throughout the afternoon” Lipkin said.
“We hope you will join us. As democracy is under threat and continues to unravel, we need to come together as a community to make our voices heard and find mutual support,” she said.
That Uppity Theatre Company is an internationally recognized
company that was founded in 1989 to put the principles of cultural diversity into innovative
theatrical practice and to promote civic engagement and related activities.
For over 25 years, Uppity has boldly stepped into conversations about the
pressing issues of our time including reproductive choice, gender equality,
LGBTQIA rights, racial justice, disability, climate change, immigration, gun
sense advocacy and more.
Projects+gallery is a commercial art space designed to feature
contemporary exhibitions and artists that blur the boundaries of traditionally
understood artistic disciplines and practices. In conjunction with Barrett
Barrera Projects, a consulting company founded by Susan Barrett in 2014 and
specializing in arts, culture and contemporary fashion, projects+gallery
features regional, national and international artists working in a variety of
The favorable response to the inaugural production of “Your Immigration Stories, Mine and Ours,” means that more will be planned, said Joan Lipkin of That Uppity Theatre Company.
“W had a wonderful response to the We Immigrants project,” Lipkin said. It took place April 28 at the Missouri History Museum.Lipkin, who is the producing artistic director, said Playback NOW! St. Louis, a project of That Uppity Theatre Company, shared facts about immigration and profiles of famous immigrants, and re-enacted the stories of several immigrants living in St. Louis to a sold out and diverse crowd.
Lipkin said they were excited about what audience members and storytellers said:
“Thanks so much for the wonderful experience! It was amazing!” –Shreya Ahuja, storyteller
“Joan, I had a good time, and enjoyed the show so much. You and the actors are doing a fantastic job! I love that they’re so approachable and friendly.”–Margarita Sanchez, storyteller
“Honestly, the best part is seeing the actors and how they seamlessly flow between the different parts! Too too cool!!! :-)” — Junior Lara, storyteller
“I laughed, I cried, I thought– it was memorable. Loved the cast, the songs, the topic, and especially the stories from the immigrants. I learned a lot and you opened more of my heart. Thank you!!!” — Lori Schmoll, audience
“So glad I made it today. It was an excellent event with such talented people. The story from the young student from China brought me to tears. The strength, fortitude and sacrifice these immigrants make to seek freedom and make a better life was astonishing to hear.” –Jan Brodsky, audience
“Wonderful show. Bringing to life, with humor, stories about the immigrant experience. Next time there’s a showing ….go….” –Peter Barg, audience
“That Uppity Theatre [Company] presented an inspiring storytelling Playback Theatre production, with St. Louisans from India, China, Mexico and the Dominican Republic sharing their personal immigration stories. Now, more than ever before, each immigrant’s story of searching for freedom and striving for opportunity keeps us grounded in what makes us a great nation. Thanks to Joan Lipkin, for her vision and creative voice!” — Anne Taussig, volunteerSt. Louis Public Radio also featured a very nice story about the event: https://news.stlpublicradio.org/post/st-louis-theater-troupe-uses-improv-bring-immigration-stories-life#stream/0
“We want to continue to uplift and support the voices and presence of our immigrant sisters and brothers with We Immigrants and productions like “Your Immigration Stories, Mine and Ours,” she said.
Joan Lipkin, noted community activist, theatre artist and artistic director of That Uppity Theatre Company, has been selected for one of the first inaugural Bravely awards, to recognize women in St. Louis who exemplify courage. In the invitation, Joan is described as “fearlessly creative.”“It is encouraging that a human rights organization that provides services to women who have been sexually trafficked or exploited who are in recovery recognizes the role of art in promoting a more just society,” she said.
Bravely Inc., formerly Magdalene St. Louis, a Missouri nonprofit corporation, will present its Inaugural Bravely Awards ceremony at a luncheon on Thursday, April 11, at Patty Long’s Ninth Street Abbey, located at 1808 S. 9th Street in the historic Soulard neighborhood, St. Louis.
The luncheon takes place from noon to 1:15 p.m. (with networking and registration from 11:30 to 12:00) and all proceeds from this event will go directly to Bravely, a residential program for women who have survived sexual exploitation (prostitution and trafficking), abuse and addiction.
The inaugural honorees include: the Rev. Traci Blackmon, head of the Justice and Witness Ministries of the United Church of Christ and a leader of the Black Lives Matter movement; Joan Lipkin, community activist and the founder and artistic director of That Uppity Theatre Company; Christine McDonald, author, social justice advocate and survivor of human trafficking, homelessness and addiction; and Aisha Sultan, a nationally syndicated columnist and filmmaker whose work includes a focus on how social change impacts families.
The Bravely Awards were established to honor individuals or organizations that have strengthened our community by bringing attention to social justice issues including sexual exploitation, abuse and addiction. Awardees have demonstrated the highest level of commitment and dedication to the mission and vision of Bravely and furthered our cause through their life’s work.
“These women have dedicated their lives – personally and professionally – to create awareness and support issues and communities that are often at the margins of our society, such as the women we serve,” said Michelle Roberts, Bravely Executive Director. “We are grateful for their leadership and honored to have this opportunity to recognize them.”
Bravely helps women heal and rebuild their lives through free long-term housing, medical care, trauma therapy, education, and job readiness training. Since admitting its first resident in 2015, Bravely has served a total of 50 women on-site, in the building it purchased in the Old North neighborhood of St. Louis, and hundreds more through advocacy and referral.
Over a three year period, this translates to: • More than 6,800 nights of safe rest • More than 20,000 meals • More than 4,800 hours of group therapy Bravely has 501c3 status and operates in the City of St. Louis.
For more information about the April 11 event and to register to attend, go to https://www.eventbrite.com/e/inaugural-bravely-awards-luncheon-tickets-56429434959. www.bravely.org
Over Valentine’s Day weekend, That Uppity Theatre Company produced two sold out performances of The Vagina Monologues by Eve Ensler as the official site for V-Day Missouri 2019, raising over $10,000 in honor of the 50th anniversary of NARAL Pro-Choice Missouri, the state’s largest grassroots pro-choice organization. The show’s success persisted despite a snow storm, censorship from Facebook ads, and competition from one of the busiest weekends of the year. The play was performed at the .ZACK at 3224 Locust St., St. Louis, MO 63103 in Grand Center on Saturday, February 16th at 7:30 PM and Sunday, February 17th at 2 PM. “I believe access to reproductive healthcare is a human right and a fundamental freedom,” said Joan Lipkin, Artistic Director of That Uppity Theatre Company, and producer of V-Day St Louis who selected NARAL Pro-Choice Missouri as the chief beneficiary of the production. “With the Trump administration and anti-choice lawmakers dominating both Congress and the statehouse, it is essential that we lend support in every way, including monetarily. Ninety percent of the proceeds from the show benefited NARAL Pro-Choice Missouri. Everyone volunteered their time to support NARAL Missouri. It is tremendous how many artists in the St Louis community came forward to share their skills to oppose this violence against women.” TUTC’s production broke ground as the first professional production of the play in St. Louis to include four transgender performers. The show was lead by a cast of 25 women, including six live percussionists, and co-directed by a team of four female directors. The cast included cisgender, transgender, non-binary, African American, Asian American, Latina, white, immigrant, and refugee women, spanning several decades in age. The monologues featured Galina Angheluta, Anna Blair, Teresa Doggett, Paige Russell Elias, Carmen Garcia, Pam Reckamp, Gail Smith, Margeau Steinau, Sara Lin, Alderwoman Annie Rice, Christa Lou Cunningham, India Reid, Judi Mann, Talichia Noah, Jeanitta Perkins, Mariah Richardson, Grace Wilder, and Miss Leon (aka Dieta Pepsi). The directors were Rhonda Cropp, Joan Lipkin, Suki Peters, and Pam Reckamp, with technical direction by Michael Perkins.
Lisa Frumhoff, Debbie Blackwell, Rithia Brown, Angela Rey Guerrero, and Natalie Turner Jones provided a live drumming ensemble before and during the show. Although this play by Eve Ensler has been produced thousands of times and was named “probably the most important piece of political theatre of the last decade” by Charles Isherwood of the New York Times, it had not received a production by a professional company in over ten years in St Louis. “Some of the moments were joyful, some poignant, some heartbreaking, but all were vivid,” said theatre critic Gerry Kowarsky of Two on the Aisle. “The cast members made the 20 year-old script entirely their own, celebrating the existence of the play and the gains in openness of expression that have been made in the last two decades.” “That Uppity Theatre Company’s V-Day 2019 production of Eve Ensler’s The Vagina Monologues opened its arms to welcome a truly diverse cast of female and female-identifying performers,” said Tina Farmer for KDHX. “The casting, supported with strong direction by Rhonda Cropp, Joan Lipkin, Suki Peters and Pam Reckhamp, was cause for a celebratory mood, even if the pieces themselves were emotionally varied, ranging from heartbreaking to exuberant and from sensual to righteous and angry.” The play explores consensual and nonconsensual sexual experiences, body image, genital mutilation, direct and indirect encounters with reproduction, sex work, love, rape, menstruation, birth, orgasm, and many other topics. At the performances, audience members were encouraged to sign up for Pro-Choice Lobby Day which will be held by NARAL Pro-Choice Missouri on March 12 in Jefferson City to protest the myriad of anti-choice bills that have been introduced in the General Assembly since the beginning of the year. Sign up now for more information. “It was an honor to see two packed houses full of patrons supporting reproductive freedom via this fantastic production,” said Leah Boersig, NARAL Pro-Choice Missouri Board Chair. “Thank you to Joan Lipkin, That Uppity Theatre Company, The Kranzberg Arts Foundation, the volunteers, patrons, donors, and everyone else who worked to make this weekend such a success.” This production was part of the international V-Day movement started by Ensler, which this year runs February 1-March 8 and encompasses over 1,000 productions around the globe. The Vagina Monologues is the cornerstone of the V-Day movement, whose participants stage benefit performances of the show and/or host other related events in their communities. The remaining 10% of the proceeds, not only from this production but from every V-Day production worldwide, will go to Ensler’s Spotlight campaign.