By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



The Fabulous Fox Theatre brings the Best of Broadway to St. Louis with the announcement of the 2019–2020 U.S. Bank Broadway Series, including four new musicals that will make their St. Louis debuts. The seven-show season ticket package is headlined by pop culture phenomenon DEAR EVAN HANSEN. The season opens with the winner of four Tony® Awards including Best Revival of a Musical, HELLO, DOLLY!. Get ready to dance into 2020 with SUMMER: THE DONNA SUMMER MUSICAL,followed bythe 2018 Tony® Award Winner for Best Musical, THE BAND’S VISIT.  Embark on a mesmerizing joyride through a world of pure imagination with Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY.  The memory lives again when CATS, the record-breaking musical spectacular, comes to St. Louis in April and HAMILTON returns to close out the season for a limited five-week engagement! The season also features seven series specials that will include St. Louis’ most “popular” musical WICKED. 

HELLO, DOLLY! | October 1-13, 2019

Winner of four Tony® Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.”DirectorJerry Zaks’ “gorgeous” (Vogue) new production is “making people crazy happy!” hails The Washington Post. Afterbreaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! is now touring America, paying tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”

DEAR EVAN HANSEN | October 22 – November 3, 2019

The much anticipated DEAR EVAN HANSEN, winner of six 2017 Tony® Awards including Best Musical and the 2018 Grammy® Award for Best Musical Theater Album, is coming to St. Louis this fall.  A letter that was never meant to be seen, a lie that was never meant to be told and a life he never dreamed he could have, Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.  DEAR EVAN HANSEN has struck a remarkable chord with audiences and critics everywhere, including The Washington Post which says DEAR EVAN HANSEN is “one of the most remarkable shows in musical theatre history.” The New York Times calls it “a gut-punching, breathtaking knockout of a musical.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.” DEAR EVAN HANSEN features a book by Tony Award-winner Steven Levenson, a score by Grammy®, Tony and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal).

SUMMER: THE DONNA SUMMER MUSCAL | January 15-26, 2020

She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music diva who followed.  With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby,” “Bad Girls” and “Hot Stuff,” this electric experience is a moving tribute to the voice of a generation.  SUMMER: THE DONNA SUMMER MUSICAL takes us through Donna Summer’s tumultuous life, tempestuous loves and mega-watt musical hits. Spend the night in her electrifying universe.

THE BAND’S VISIT | February 25 – March 8, 2020

Spend an evening in the company of unforgettable strangers at THE BAND’S VISIT—now one of the most celebrated musicals ever with ten 2018 Tony® Awards including Best Musical. And now it’s also a Grammy Award® winner for Best Musical Theater Album. THE BAND’S VISITrejoices in the way music brings us to life, brings us to laughter, brings us to tears, and ultimately, brings us together.  In an Israeli desert town where every day feels the same, something different is suddenly in the air. Dina, the local café owner, had long resigned her desires for romance to daydreaming about exotic films and music from her youth. When a band of Egyptian musicians shows up lost at her café, she and her fellow locals take them in for the night. Under the spell of the night sky, their lives intertwine in unexpected ways, and this once sleepy town begins to wake up.   

Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY | March 17-29, 2020

Roald Dahl’s amazing tale is now St. Louis’ golden ticket! It’s the perfect recipe for a delectable treat: songs from the original film, including “Pure Imagination,” “The Candy Man,” and “I’ve Got a Golden Ticket,” alongside a toe-tapping and ear-tickling new score from the songwriters of Hairspray.   Willy Wonka is opening his marvelous and mysterious chocolate factory…to a lucky few. That includes Charlie Bucket, whose bland life is about to burst with color and confection beyond his wildest dreams. He and four other golden ticket winners will embark on a mesmerizing joyride through a world of pure imagination. St. Louis audiences will experience the wonders of Wonka like never before – with Oompa-Loompas, incredible inventions, the great glass elevator, and more, more, more at this everlasting showstopper!

CATS | April 7-19, 2020

CATS, the record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory”. Winner of 7 Tony Awards® including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn. The original score by Andrew Lloyd Webber (The Phantom of the Opera, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a newCATS for a new generation!

HAMILTON | May 5 – June 7, 2020

HAMILTON is  the  story  of  America’s  Founding  Father  Alexander  Hamilton,  an  immigrant  from the  West  Indies  who  became  George  Washington’s  right-hand  man  during  the  Revolutionary War  and  was  the  new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.  With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

Series Specials

Seven Broadway specials will be offered to 2019–2020 season ticket holders for priority seating before their public on-sale dates.

The party starts with Jimmy Buffett’s ESCAPE TO MARGARITAVILLE October 18-20, the musical comedy featuring both original songs and your most-loved Jimmy Buffett classics. See what all the noise is about with STOMP November 15-17, now celebrating 25 years in New York City. CIRQUE DREAM HOLIDAZE lights up the Fox stage with its popular and electrifying holiday stage spectacular November 29-30. St. Louis’ most “popular” musical WICKED returns for the holidays December 4-29.JERSEY BOYS will take you from the streets of New Jersey to the Rock ‘n’ Roll Hall of Fame January 30-February 2. RIVERDANCE comes back to St. Louis with a powerful and new 25th Anniversary production February 14-16. Back by popular demand, the Pulitzer Prize and Tony® Award winning show RENT continues to speak loudly and defiantly to audiences February 21-23.

New seven-show season ticket packages will go on sale May 8 at 10 a.m. Current U.S. Bank Broadway season ticket holders will receive their renewal information the week of March 18. On-sale dates for individual shows will be announced later. For more information, please call the Fox Subscription office at 314-535-1700. Groups of 10 or more should call 314-535-2900 for special rates and reservations. The Broadway Series at the Fabulous Fox Theatre is presented by U.S. Bank.

2019 – 2020 U.S. Bank Broadway Series Shows and Specials:

(The Seven Season Ticket shows are in bold)

HELLO, DOLLY! * October 1-13, 2019

Jimmy Buffett’s ESCAPE TO MARGARITAVILLE * October 18-20, 2019

DEAR EVAN HANSEN * October 22 – November 3, 2019

STOMP * November 15-17, 2019

CIRQUE DREAMS HOLIDAZE * November 29-30, 2019

WICKED * December 4-29, 2019

SUMMER: THE DONNA SUMMER MUSICAL * January 15-26, 2020

JERSEY BOYS * January 30 – February 2, 2020

RIVERDANCE New 25th Anniversary Show * February 14-16, 2020

RENT 20th Anniversary Tour * February 21-23, 2020

THE BAND’S VISIT * February 25 – March 8, 2020

Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY * March 17 – 29, 2020

CATS * April 7-19, 2020

HAMILTON * May 5 – June 7, 2020

#              #              #

Megan Ketcherside

By Lynn Venhaus
Managing EditorA STAR WAS BORN: It was as if scripted in a movie. You’ve heard of that classic moment in the 1933 movie “42nd Street” when an understudy takes over for an injured diva. Well, it really happened right here in St. Louis one summer 46 years ago at The Muny.
On Aug. 14, 1972, MGM musical star Ann Miller was playing Reno Sweeney to Michael Callan’s Billy Crockett in “Anything Goes.” The classic Cole Porter romantic romp was underway when right after the song “Friendship” during a scenery change, Miller was conked on the head by a steel boom. Callan had followed her off-stage, then found her on the floor, dazed and bruised.

“Is there a doctor in the house?” A call went out from the stage and 15 doctors responded. The show was cancelled and Miller taken to Deaconess Hospital with a mild brain concussion and loss of equilibrium. She spent 23 days there.With Miller out but not wanting to cancel the week, Muny brass sought a replacement. They plucked Pat St. James, a senior at Webster University, from the ensemble. She rose to the occasion.
St. James, whose parents were local broadcast celebrities Clif and Nance St. James, was praised for her soaring performance. She later thrived in a musical theater career.
But in 1999, she switched gears, earning a degree in theology and ordained an Episcopal priest. She was married to David Roberts, and they lived in Atlanta with their two children, Oliver and Julia. At age 61, after a four-year battle with cancer, she died on Dec. 5, 2010.
Her moment in the sun became a Muny legend.
“Anything Goes” may have been Miller’s first appearance at The Muny but it wouldn’t be her last. She would be persuaded to return in the next decade, for ‘Sugar Babies” with Mickey Rooney in 1984.
Miller starred in “Kiss Me Kate,” “Easter Parade,” “On the Town,” “Stage Door,” “Room Service” and “Mulholland Drive” (?!?).Side Note: I actually saw Pat St. James as Reno Sweeney that week at The Muny. Everyone was abuzz.
(“Anything Goes” photo from Muny archives, from left, Pat Paulsen, Pat St. James, Michael Callan.)
***HELLO, USA!: Congratulations to Madison Johnson of St. Louis, who has been cast in the national tour of “Hello, Dolly!” that begins in late September. She is part of the ensemble and understudy for Minnie Fay.This tour of the Broadway revival, which won four Tony Awards in 2017, will feature Betty Buckley as Dolly Levi and Lewis J. Stadlen as Horace Vandergelder. Stadlen, a three-time Tony nominee, has been in several Muny shows, including “The Producers,” “Damn Yankees,” “Meet Me in St. Louis” and “Fiddler on the Roof.”
Madison has been part of the Muny ensemble the past six years, recently playing Lucille Ballard in “Meet Me in St. Louis.” She was Kristine in “A Chorus Line” last summer and Frenchie in 2014’s “Grease.” She started at age 7 as a Muny Kid. A graduate of Whitfield School and Elon College, she moved to New York City in 2016.
***
SIX DEGREES OF ST. LOUIS: John David Washington is starring in “BlackkKlansman” as undercover cop Ron Stallworth, who wrote the book that Spike Lee has adapted into this acclaimed film.

He was signed by the St. Louis Rams in 2007 after he was not drafted in the NFL Draft. Later cut from the Rams, he was a running back for the Hamburg Sea Devils, a German team playing in the NFL Europe League. Fun fact: Eldest son of two-time Oscar winner Denzel Washington.
Photo: Adam Driver and John David Washington
***GO SEE A PLAY! POLL: The St. Louis Fringe Festival’s local headlining act is an original musical written and composed by Colin Healy called “The Gringo.” The world premiere will be performed four times from Thursday, Aug. 16 through Sunday, Aug. 19, at the .Zack, 3224 Locust.
It’s about how art can bring a community together. Set in Miami, a local street artist is wrongfully gunned down by police. As told through the lens of a successful painter, this community faces injustice and rapid gentrification. They learn what it means to fight for your home.
The cast includes Gheremi Clay, Kevin Corpuz, Robert Crenshaw, Evann De-Bose, Riley Dunn, William Humphrey, Omega Jones, Tim Kaniecki, Alicia Revé Like, Brittany Losh, Samantha Madison, Gabby McNabb, Carly Niehaus, Janine Norman and David Zimmerman.
Healy directs, with Bradley Rohlf assistant director; Christopher Page-Sanders choreographer and Carly Uding costume design.Tieliere Cheatem contributed the artwork. On opening night, they will give this portrait away that has been signed by the cast and the crew. Tickets available at Metrotix.com

For a chance to win two tickets to one performance, enter our poll drawing!Poll Question: What Is Your Favorite Show About Art? “Art”
“Is He Dead?”“Red”“Sunday in the Park with George”“Sight Unseen”
Submit your selection to [email protected] by noon on Wednesday, Aug. 15. Please include your phone number. You will be notified that afternoon if you won, and you can select what performance so that tickets can be arranged. The show is at 8 p.m. Wednesday through Saturday, and Sunday at 2 p.m. Thanks for participating.
Winner of our two tickets to “Meet Me in St. Louis” was Chuck Brinkley. Thank you, Muny!
“Meet Me in St. Louis” received the most votes as the favorite local movie shot in or made about St. Louis.
***TRIVIA TIME-OUT: Oscar winner Shelley Winters, whose career spanned five decades, was born Shirley Schrift on Aug. 18, 1920, in St. Louis to Jewish immigrant parents. Her father, a tailor, moved the family to Brooklyn when she was a child. She died at age 86 in 2006.
Once nicknamed “The Blonde Bombshell,” she later became known for forceful dramatic roles.For what movie performances did she win her two Academy Awards for Best Supporting Actress?Answer: “The Diary of Anne Frank” in 1959, as a shrill Mrs. Van Daan, and “A Patch of Blue” in 1965, in which she played a slatternly mother cruel to her blind daughter.
Her breakthrough role on stage was as Ado Annie in “Oklahoma!” five years into the run, and she was noticed in “A Double Life” starring Oscar winner Ronald Coleman in 1947.But after a dissatisfying number of movie roles, she finally got the role of her lifetime in “A Place in the Sun” with Montgomery Clift and Elizabeth Taylor.
Some of her other big movies were “A Night of the Hunter” in 1955 and “The Poseidon Adventure” in 1972. Earlier, she had returned to studying at the Actors Studio and became a big advocate of the Lee Strasberg method.
A lifelong progressive Democrat and outspoken on feminist issues, she became quite a raconteur on talk shows during the 1970s and ‘80s. Her two tell-all autobiographies created quite a stir, as she had some high-profile leading-men dalliances.
Fun fact: She roomed with Marilyn Monroe when they were just starting out in Hollywood.
Happy Birthday, Shelley! (She would have been 98 Monday).Photo at right: Marilyn Monroe, Robert Mitchum and Shelley Winters.
***ICYMI: A movie adaptation of Lin-Manuel Miranda’s Tony-winning “In the Heights” is planned for summer release 2020. Jon M. Chu, who helmed the new romantic comedy “Crazy Rich Asians,” will direct.Andrew Lloyd Webber’s “Cats” will be made into a movie, and production is to start in November. Stars signed so far are Tony winners James Corden and Ian McKellen, along with Oscar winner Jennifer Hudson and Grammy winner Taylor Swift.
***WORD/DOWN MEMORY LANE: “Would you shut your phones off for Christ sakes?” – Stanley Tucci, during the Aug. 14, 2002, performance of “Frankie and Johnny in the Clair de Lune” at the Belasco Theatre on Broadway. An audience member’s cell phone kept ringing. Calls for a ban on cell phones at NYC’s theatres grew louder, and a law was put into effect in 2003.
***Have any tidbits for this people column? Contact Managing Editor Lynn Venhaus – [email protected]
.All photos from archives or submitted. Featured image is of St. Louis native Shelley Winters.