COVID-19 Pandemic Results in Production Streamcast by HEC Media

New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday for Creve Coeur.

Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE

Awards were given in 31 categories covering comedies, dramas and musicals as well as two categories for opera. In addition, Ken and Nancy Kranzberg received a special award for their philanthropic contributions to the arts and theater in the St. Louis area, including many developments in Grand Center. The awards honored outstanding achievement in locally produced professional theater for the calendar year 2019.

A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.

The 2020 presentation featured nominees from two companies, Black Mirror Theatre and The Q Collective, which were represented for the first time in consideration of St. Louis Theater Circle Awards.  Each company received an award for outstanding achievement.

In all, 25 local companies received nominations in 33 categories for comedy, drama, musical and opera, as well as 125 individuals up for awards. Honorees who have previously received St. Louis Theater Circle Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton, Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.

The mission of the St. Louis Theater Circle is simple: To honor St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington D.C., pay tribute to their own local theatrical productions with similar awards programs.

Nominations for the St. Louis Theater Circle Awards were divided into categories for musicals, dramas, comedies and operas.  More than 120 local professional theatrical productions were staged in the St. Louis area in 2019.

Honorees of the eighth annual St. Louis Theater Circle Awards are:

Outstanding Ensemble in a Comedy

A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actress in a Comedy

Kelley Weber, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actor in a Comedy

Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis

Outstanding Actress in a Comedy (tie)

Katie Kleiger, Pride and Prejudice, Repertory Theatre of St. Louis

Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Actor in a Comedy

Will Bonfiglio, Fully Committed, New Jewish Theatre

Outstanding Director of a Comedy

Kari Ely, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Production of a Comedy

Brighton Beach Memoirs, New Jewish Theatre

Indecent

Outstanding Ensemble in a Drama

Indecent, Max & Louie Productions

Outstanding Supporting Actress in a Drama

Carly Uding, Translations, Black Mirror Theatre

Outstanding Supporting Actor in a Drama

J. Samuel Davis, District Merchants, New Jewish Theatre

Outstanding Actress in a Drama

Donna Weinsting, Salt, Root and Roe, Upstream Theater

Outstanding Actor in a Drama

Gary Wayne Barker, District Merchants, New Jewish Theatre

Outstanding Director of a Drama

Joanne Gordon, Indecent, Max & Louie Productions

Outstanding Production of a Drama

Indecent, Max & Louie Productions

Outstanding Set Design in a Play

Margery and Peter Spack, Brighton Beach Memoirs, New Jewish Theatre

Outstanding Costume Design in a Play

Felia Davenport, District Merchants, New Jewish Theatre

Outstanding Lighting Design in a Play

Patrick Huber, Indecent, Max & Louie Productions

Outstanding Sound Design

Phillip Evans, Indecent, Max & Louie Productions

Outstanding Set Design in a Musical

Mary Engelbreit and Paige Hathaway, Matilda, The Muny

Outstanding Costume Design in a Musical

Sarah Porter, La Cage aux Folles, New Line Theatre

Outstanding Lighting Design in a Musical

Sean M. Savoie, Man of La Mancha, Stages St. Louis

Outstanding Musical Director

Charles Creath, Don’t Bother Me, I Can’t Cope, The Black Rep

Outstanding Choreographer

Dexandro Montalvo, Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding Ensemble in a Musical

Matilda, The Muny

Outstanding Supporting Actress in a Musical

Taylor Louderman, Kinky Boots, The Muny

Outstanding Supporting Actor in a Musical

Tielere Cheatem, La Cage aux Folles, New Line Theatre

Outstanding Actress in a Musical

Kendra Kassebaum, Guys and Dolls, The Muny

Outstanding Actor in a Musical

Luke Steingruby, Hedwig and the Angry Inch, The Q Collective

Outstanding Director of a Musical

Michael Hamilton, Man of La Mancha, Stages St. Louis

Outstanding Production of a Musical

Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding New Play

Nonsense and Beauty, by Scott C. Sickles, Repertory Theatre of St. Louis

La Boheme

Outstanding Achievement in Opera (tie)

Terence Blanchard and Kasi Lemmons, Fire Shut Up in My Bones, Opera Theatre of Saint Louis

Roland Wood, Rigoletto, Opera Theatre of St. Louis

Outstanding Production of an Opera

La Boheme, Union Avenue Opera

Special Award

Ken and Nancy Kranzberg

Members of the St. Louis Theater Circle include Steve Allen, stagedoorstl.com; Mark Bretz, Ladue News; Bob Cohn, St. Louis Jewish Light; Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck Lavazzi, KDHX; Sarah Bryan Miller, St.Louis Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack, stlouiseats.typepadcom; Tanya Seale, Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com; Bob Wilcox, Two on the Aisle (HEC Media); and Calvin Wilson, St. Louis Post-Dispatch.Eleanor Mullin, local actress and arts supporter, is the group’s administrator. 

For more information, contact [email protected] or ‘like’ The St. Louis Theater Circle on Facebook.

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Love at the River’s Edge , the latest new work from Shakespeare Festival St. Louis’ internationally recognized Shakespeare in the Streets initiative, will open on Friday, September 13, 2019. The world premiere play is based on Shakespeare’s “As You Like It” and is the culmination of a year’s work in Calhoun County, Illinois and north St. Louis County, Missouri. It is part of Shakespeare Festival’s ongoing work to bridge the urban-rural divide and elevate the voices of Midwest artists and residents. Love at the River’s Edge opens with one of Shakespeare’s most famous lines, “All the world’s a stage, and all the men and women merely players.” The players are Midwestern families and their journey of love, community and reconciliation will take audience members from Pagedale, Mo. to Calhoun County, Ill., with the mighty Mississippi in a starring role. The performances will begin at 7 p.m. outside the 24:1 Coffee House/Cafe at the intersection of Page and Ferguson.

After Act 1, the cast and audience will journey together by bus and on the Golden Eagle Ferry from north St. Louis County, across the river to Calhoun County. The second act of the production will take place on the riverbank with the Mississippi River as the backdrop. The entire experience including travel will take approximately three hours and 30 minutes. Tickets will be free and open to the public, but reservations are recommended and will open on Aug.15.

“Love at the River’s Edge” is written by acclaimed St. Louis playwright Mariah Richardson , directed by Kathryn Bentley , and shares stories from Normandy, Mo. and Brussels, Ill. The two partner communities and their surrounding counties are the Festival’s first-ever urban/rural Shakespeare in the Streets collaboration. Bentley and Richardson will be joined on the creative team by musicians Syrhea Conaway and Colin McLaughlin who will be composing original music for the production and Kendrick Lawson-Knight (Set Designer), Felia Davenport (Costumes) and Jayson M. Lawshee (Lighting Designer).

The ensemble cast is comprised of professional actors and community members and is led by local students. Included in the cast are Brussels High School graduate Lindsey Watters (Rosalind), Normandy High School student Margaret Mischeaux (Cee Cee), Brussels High School student Ellie Nolte (Phoebe), and Shakespeare Squadron alumnus Daniel Clear (Oliver). Other notable cast: Normandy High School teacher Lisa “Mama Lisa” Gage (Duchess), acclaimed St. Louis jazz singer and actress Anita Jackson (Adam), Shakespeare Festival favorite Eric Dean White (Wittmond), Shakespeare in the Streets veteran Chris Ware (Jackson) and other natives of the St. Louis, Brussels and Normandy community.

Students from Brussels High School and Normandy Schools Brussels High School student and cast member Ellie Nolte has been working on the project for the last year, “What I think is so great about this project is how we’ve been given the chance to work with people from Normandy and bridge the gap between our school and theirs. I personally really enjoy having the opportunity to work with kids my age who come from such a different background and connect with them because of our differences rather than in spite of them. It’s truly amazing how quickly I became close to these people I had never met, never even imagined meeting, and now I’m very glad I did.” “Social division and fragmentation are the most serious challenges facing our generation,” said Executive Producer Tom Ridgely in a statement. “And nowhere is the divide as wide as it often feels between our urban and our rural communities. It’s a rift Shakespeare knew intimately – he spent his entire adult life moving between the country and the city. Shakespeare in the Streets has always been about breaking down the barriers that separate us in St. Louis, and I can’t think of a more powerful way to do that than by breaking bread and sharing the stories of our good neighbors in Normandy and Brussels.” Richardson, Bentley and the SITS creative team have been working in Calhoun County and north St. Louis County since early 2018: building relationships, leading conversations and collaborating with residents to create the new play. Organizational partners include Beyond Housing, Brussels High School and the Normandy Schools Collaborative. “We are simply thrilled to be a part of this innovative, one of a kind event that brings Shakespeare in the Streets to the 24:1 footprint,” said Chris Krehmeyer, President and CEO of Beyond Housing. “Linking our community with the folks from Brussels, Ill., is a great representation of how our region can come together.” 24:1 is a nationally-recognized community development effort created by Beyond Housing toaddress the fundamental challenges within the 24 municipalities in the Normandy school district in North St. Louis County.

Page and Ferguson intersection, where the play will be performed. Shakespeare in the Streets is underwritten by PNC Arts Alive with generous support from the Whitaker Foundation, National Endowment for the Arts: Creativity Connects, the Strive Fund, and Moneta Group. Leadership support for all of Shakespeare Festival St. Louis’ new work initiatives comes from Karen and Mont Levy. It is in partnership with Beyond Housing, the Normandy Schools Collaborative and Brussels High School. Shakespeare in the Streets ( www.sfstl.com/streets ) is an internationally-recognized program that celebrates local stories and takes high-quality professional arts directly to those who may not otherwise experience it. A Festival playwright, designer, and director spend a year conducting conversations and research in a community. The playwright draws directly from the stories shared to write an original play, inspired by the neighborhood, and based on the work of Shakespeare. With Festival resources, the community then comes together to perform the new play in a weekend-long outdoor celebration. About Shakespeare Festival St. Louis Shakespeare Festival St. Louis presents Shakespeare and works inspired by his legacy of storytelling. Since 2001, the festival has grown from producing a single production of Shakespeare in the Park to a year-round season of impactful theater in exciting and accessible venues throughout the St. Louis community. The festival’s artistic and education programs reached over 50,000 patrons and students during the 2018 season and have reached over one million since 2001. In 2019, the Festival received a “What’s Right with the Region” award from Focus St. Louis. Leadership support for Shakespeare Festival St. Louis’ 2019 season is provided by the Whitaker Foundation. The festival is also funded in part by the National Endowment for the Arts, the Missouri Arts Council, the Regional Arts Commission, and the Arts & Education Council of Greater St. Louis. For more information, please visit www.sfstl.com, or call 314-531- 9800. Facebook: https://www.facebook.com/shakesfestSTL Twitter: @shakesfestSTL Instagram: ShakesfestSTL

The Golden Eagle Ferry and the Brussels, Ill. river banks.Artistic Team Bios Mariah L. Richardson (Playwright) A native of St. Louis, Missouri, Richardson received her BA in Communications from the University of New Mexico and an MFA from Smith College in Playwriting. Recipient of the Regional Arts commission $20,000 Artist Fellowship 2016, Richardson was named to the Confluence Regional Writers Project with Shakespeare Festival St. Louis for 2019. In 2018 she was their playwright fellow and helped rewrite Shakespeare in the Streets’ performance of Blow Winds . Mariah is the author of the plays: all that… , Sistahs Indeed!, Delilah’s Wish , ¡Soy Yo! , Idris Elba is James Bond, and Chasing the White Rabbit . Her last play, in partnership with Jazz St. Louis and commissioned by A Call to Conscience Theatre for Social Change, Next to Normal: The Thelonius Monk Story , premiered to sold-out crowds.Kathryn Bentley (Director) is an Associate Professor of Theater Performance at Southern Illinois University Edwardsville where she is the Artistic Director of SIUE’s Black Theatre Workshop as well as the Director of the Black Studies Program. Some of her directing credits include Gem of the Ocean, Joe Turner’s Come and Gone, The Colored Museum , Since Africa , Venus, Only Just a Minute , and Intimate Apparel . Kathryn is the Artistic Director of Bread and Roses Missouri. She commits herself to community-engaged arts collaborations, striving to create compassionate artistic experiences, using theater to lift social consciousness.

Mariah RichardsonKathryn Bentley