Beginning May 29 at 8 p.m., the St Louis Shakespeare Festival kicks off the virtual companion to the beloved SHAKE38 program created in 2012. For five years, SHAKE38 brought professional and amateur artists together to reshape Shakespeare’s stories using their own voice and perspective.

Recent national events are stark reminders there is still an exceptional need for stories about the full range of human experience–often joyous and kind but sometimes painful and unjust. The Festival is honored to bring this program back in a new form and hand the reigns of our online platforms off to the talented and diverse group of performers for each of these 20 nights

With the recent announcement that we are postponing this summer’s production of Much Ado About Nothing, we will be approaching the first June in twenty years without Shakespeare in Forest Park. Instead of going dark – we are resurrecting Shake38 as SHAKE20. 

20 nights of virtual Shakespeare plays for each night we would have been in Shakespeare Glen. You are invited to join!

Performances will take place every night but Monday, May 29 – June 20, 2020.

Go the Festival’s Facebook page (every night but Monday) at 8 p.m. and watch live. If you miss a night, each performance will be archived here and available for viewing at any time. 

Parameter: Create a 20-30 minute adaptation of one of Shakespeare’s 38 plays crafted for a live streaming experience.

15 arts organizations will join forces with OTSL and RAC to present a streamed concert in support of artists whose livelihoods have been directly impacted by COVID-19.

Together with 14 other arts organizations and the Regional Arts Commission (RAC), Opera Theatre of Saint Louis (OTSL) is proud to announce “Arts United STL,” a free virtual benefit in support of RAC’s Artist Relief Fund, which provides critical aid to St. Louis working artists whose livelihoods have been critically interrupted by the pandemic. Produced by OTSL in partnership with the St. Louis Shakespeare Festival, this benefit will take place at 7 p.m. on Sunday, May 31st and present performances from local arts organizations, including The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, the Tennessee Williams Festival St. Louis, and more. 

Arts United STL was first envisioned by OTSL General Director Andrew Jorgensen as a way for St. Louis’ established arts institutions to help support the community’s vibrant arts ecosystem. After an initial consultation between OTSL, RAC, and the St. Louis Shakespeare Festival, a consortium of 15 organizations was invited across an array of arts mediums. In the coming days, RAC will also encourage open submissions from independent artists and other arts organizations to further highlight the artistic diversity of the city. 

More information about Arts United STL can be found on Opera Theatre’s website at ExperienceOpera.org/ArtsUnited, which will also host the live video stream on Sunday, May 31st. In addition, viewers may watch the livestream via YouTube on Opera Theatre’s channel. Viewers will be encouraged to donate to the RAC Artist Relief Fund during the concert. To date, the Artist Relief Fund has distributed $136,500 in direct support to individual artists. The goal of Arts United STL is to raise an additional $250,000 through 1,000 individual donations and sponsorships. Supporters may donate to the Artist Relief Fund at ExperienceOpera.org/ArtsUnited at any time before, during, or after the live event.

The arts and culture sector is an important driver for the St. Louis economy. According to the 2015 Americans for the Arts Economic Prosperity 5 study commissioned by RAC, the nonprofit arts and culture sector generated $590.9 million and 19,129 full-time equivalent jobs for the greater St. Louis area during that same year. Since the start of the pandemic, based on research conducted by Americans for the Arts, 89% of St. Louis City and County arts institutions have canceled events that would have reached more than 285,000 individuals.

“This benefit represents an exciting and collaborative effort to respond to the global crisis affecting the arts and culture sector in our region,” said Mont Levy, chair of the board of commissioners at RAC. “As the major public funder of arts in the region with a mandate to support individual artists, we know it is RAC’s responsibility to provide emergency support during this time of great need. We could not be more grateful to Opera Theatre of Saint Louis for spearheading this event, or to the St. Louis Shakespeare Festival and every participating organization for their work to highlight the rich cultural tapestry of our region and support their fellow artists.”

The Regional Arts Commission of St. Louis is the largest annual funder of non-profit arts in the region, providing grants to individual artists, arts and culture organizations, and other programs since 1985. RAC established the Artist Relief Fund through the St. Louis Community Foundation on April 1st to help working artists who have lost income due to the pandemic. So far, the fund has distributed $500 and $1,000 grants to more than 130 artists and will resume accepting new relief applications once additional funds have been secured.

OTSL General Director Andrew Jorgensen says of the effort, “We are thrilled to be collaborating with so many other arts organizations to help local artists, whose work makes St. Louis an immeasurably vibrant, special place. OTSL couldn’t be happier to produce this concert in support of artists during these difficult times. This benefit will highlight a fantastic array of art from different genres that reflect the artistic diversity and traditions of this community. I am so grateful to all my many colleagues who are uniting in this remarkable way to support one another and our entire arts ecosystem.”

All participating organizations are donating their time, with production costs and staffing needs covered by Opera Theatre of Saint Louis, additional staffing needs covered by St. Louis Shakespeare Festival, and an in-kind donation from Switch. The program will be directed by St. Louis Shakespeare Festival Artistic Director Tom Ridgely. Arts United STL is produced in partnership with the Regional Arts Commission, and the following arts partners: The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, and the Tennessee Williams Festival St. Louis.

Here is the HEC featurette piece: https://youtu.be/Upzz841hHX4

# #

About Regional Arts Commission

The Regional Arts Commission of St. Louis (RAC) supports artists and arts organizations through grantmaking, strategic initiatives and other programs that build capacity, improve quality and advance diversity, equity and inclusion within the region’s arts and culture sector. Celebrating its 35th anniversary in 2020, RAC has been pivotal in nurturing the vibrant art scene throughout St. Louis, awarding more than 7,000 grants totaling over $100 million since its inception in 1985. Directed by a board of 15 commissioners appointed by the chief executives of St. Louis City and St. Louis County,  RAC prioritizes quality in its support of nonprofit arts organizations, individual artists, and programs and promotes partnerships that strengthen the sector and drive progress throughout the region. RAC receives its funding from hotel/motel room sales tax revenue from St. Louis City and County. Visit www.racstl.org for more information, or follow us on Facebook at Regional Arts Commission or Twitter @RACStLouis.

The COVID-19 pandemic presents a multitude of obstacles to overcome for organizations of all types, and theater groups are no exception. Sharon Hunter, Artistic Director-Producer of Moonstone Theatre Company, aims to help address some of the virus-related challenges that the St. Louis theatre community faces by forming the St. Louis Theatre Community Task Force.

“As I was thinking about how to proceed with my own company in the wake of the pandemic, I started thinking it would be helpful  to get a lot of the theaters to sit down via Zoom and discuss concerns, ideas and solutions for moving forward as we navigate the future of theatre in St. Louis,” Hunter explains.

Sharon Hunter

The Task Force will address concerns including conducting safe auditions, rehearsals and performances, finding new ways to seat audiences, maintaining the visibility of the St. Louis theatre community, new ways to offer theatre experiences and recommendations for the use of personal protective equipment.

Hunter said the Task Force, which is the first of its kind in the St. Louis area, welcomes local theatre groups of all sizes. In addition to these organizations, representatives from the St. Louis County Department of Health and the Center For Disease Control have also been invited to the first online meeting to address questions and concerns.

Theatre companies invited to participate include R-S Theatrics, The Q Collective, The Midnight Company, Slightly Askew Theatre Ensemble, Upstream Theater, Repertory Theatre of St. Louis, COCA, Shakespeare Festival STL, Black Rep, Stray Dog Theatre, Stages St. Louis, St. Louis Actors’ Studio, The Muny, Opera Theatre of Saint Louis, New Jewish Theatre, Cherokee Street Theatre, The Cabaret Project of St. Louis, Max & Louie Productions, Black Mirror Theatre, Young Liars, West End Players Guild, Tennessee Williams Festival St Louis, New Line Theatre, ERA Theatre Company, STL Fringe Festival, St Louis Shakespeare, Metro Theatre Company, That Uppity Theatre Company and the Tesseract Theatre Company.

The initial meeting of the Task Force is scheduled for Thursday, April 23, at 7 p.m. Theatre groups interested in interested in participating should contact Hunter at [email protected] to get access to the Zoom link. For more info, check their Facebook page for updates: https://www.facebook.com/STLTheatre/.


 The theatre will produce classics Moby Dick and Little Shop of Horrors, as well as two world premieres at two different theatres this season
 ST. LOUIS — The Repertory Theatre of St. Louis announces a dynamic new set of shows for its 2020-2021 season designed to delight, excite and engage theatregoers like never before.

“This year, we want to share the magic of The Rep with both our longtime supporters and new audiences across the region,” said Hana S. Sharif, The Rep’s Augustin Family Artistic Director. “Our new season will feature classics, contemporary thought-provoking shows and robust family programming to make theatre accessible to more people than ever before.”

The 2020-2021 season will include well-known works such as Moby Dick and Little Shop of Horrors, as well as groundbreaking contemporary plays like Hir, a dark comedy that explores family dysfunction and gender roles in America, and Mlima’s Tale, a captivating work from two-time Pulitzer Prize-winning playwright Lynn Nottage.

The Rep will also debut world-premiere productions of Top of the World, a riveting psychological thriller, and The Gradient, a daring new play set in a near-future world where there are rehabilitation centers for men accused of sexual misconduct.

Sharif announced the season lineup at an event Thursday evening at Delmar Hall emceed by Julie Tristan, award-winning host and journalist for 98.1 FM and KPLR 11, and featuring special guest Missouri State Sen. Jamilah Nasheed, who delivered a proclamation welcoming Sharif to Missouri.

For the first time, two of The Rep’s productions this season will be presented in partnership with COCA – Center of Creative Arts in the soon-to-be-opened, state-of-the-art Berges Theatre in University City.

“Welcoming partners such as The Rep into our space is just the type of new programming we envisioned as we launched COCA’s expansion plans,” said Kelly Pollock, Executive Director of COCA. “Hosting part of The Rep’s season in the new Berges Theatre creates an opportunity to support professional theatre in St. Louis, while providing opportunities for young people brings us all closer to creating a St. Louis that is connected and inclusive.”

Event guests also got a sneak peek of the 2020-2021 season lineup with a special musical performance from Little Shop of Horrors, performed by vocalists Shayna Blass and Mark G. Meadows.

In addition to the six Mainstage shows and three Studio shows, The Rep will also produce the story of Donny Hathaway in Twisted Melodies, three productions for young audiences as part of its Imaginary Theatre Company, as well as an expanded New Play Festival in the fall. This season also kicks off a new holiday tradition with a December production of Charles Dickens’ classic, A Christmas Carol. (Detailed descriptions and run dates of all shows below and at repstl.org/2020-2021).

ABOUT THE REPERTORY THEATRE ST. LOUIS
The Rep is the St. Louis region’s most honored live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. Learn more about The Rep at www.repstl.org.


The Rep’s 2020-2021 Season

MAINSTAGE:

Little Shop of Horrors
Book by Howard Ashman
Music by Alan Menken
Lyrics by Howard Ashman
 
Previews: Sept. 4-10, 2020
Performances: Sept. 11 – Oct. 2, 2020
Performed at the Loretto-Hilton Center for the Performing Arts (130 Edgar Rd.)
 
It’s a classic tale, really: Girl meets boy. Boy meets carnivorous alien plant. Carnivorous alien plant develops an insatiable taste for blood. Join Seymour and Audrey on this musical comedy joy ride bursting with pop melodies, soul ballads and girl group swagger. Buckle up for an evening of romance, action and a just a touch of overzealous dentistry.
 
Top of the World
by Catherine Butterfield
 
Performances: October 2020
Performed at COCA’s Berges Theatre (524 Trinity Ave.)
 
A riveting psychological thriller makes its world premiere at The Rep. Following the suicide of his wife, television crime show runner Brendan Murray desperately seeks any clues he might have missed. The mystery deepens when an episode of Brendan’s TV show begins to mirror his real-life tragedy all too closely. As Brendan and his family replay their memories seeking answers, they only unlock more questions. One question looms above the rest: how do they find a pathway to healing?
 
The Great Leap
by Lauren Yee
 
Previews: Oct. 30 – Nov. 5, 2020
Performances: Nov. 6-22, 2020
Performed at the Loretto-Hilton Center for the Performing Arts
 
Armed with a lethal crossover dribble and a knack for devastating trash talk, 17-year-old Manford Lum is the star point guard of a U.S. college basketball team traveling to Beijing for an exhibition match between two rival coaches. But as this Chinese-American phenom arrives amidst the roiling backdrop of the 1989 Tiananmen Square protests, Manford discovers himself at the epicenter of a personal, political and cultural standoff. Lauren Yee’s formidable play bristles with all the relentless energy of its underdog hero.
 
Native Gardens
by Karen Zacarias
 
Previews: Jan. 15-21, 2021
Performances: Jan. 22 – Feb. 7, 2021
Performed at the Loretto-Hilton Center for the Performing Arts
 
“The difference between a flower and a weed is a judgment.” In Karen Zacarías’ brilliant comedy, cultures and gardens collide, turning well-meaning neighbors into feuding enemies. The play begins as a polite backyard dispute between the young, upwardly mobile Del Valles and the thoroughly Baby Boomer Butleys. But as the pairs squabble over the two feet of dirt where their properties meet, the action spirals into a symphony of inspired chaos.
 
Oo-Bla-Dee
by Regina Taylor
 
Performances: February 2021
Performed at COCA’s Berges Theatre
 
The piano is rollicking, the bass is thumping and the saxophone is wailing. It can only mean one thing: Evelyn Waters & The Diviners are in town. Regina Taylor’s swinging musical chronicles a 1940s Black female jazz band as they journey from St. Louis to Chicago seeking fame and freedom in a climate of racism, sexism and an unforgiving industry. Inspired by the true stories of Billie Holiday, Sweethearts of Rhythm, Valaida Snow and May Lou Williams, Oo-Bla-Dee celebrates all the women musicians who fought for and earned their rightful place in American history.
 
Moby Dick
Adapted by David Catlin
From the book by Herman Melville
 
Previews: March 12-18, 2021
Performances: March 19 – April 11, 2021
Performed at the Loretto-Hilton Center for the Performing Arts
 
Madness, obsession and bloodlust take harrowing flight in a thrilling revision of Melville’s masterpiece. Captain Ahab’s hunt for the great White Whale soars to new heights through exhilarating acrobatic and theatrical spectacle that invites audiences into the heart of the action. This adaptation from Lookingglass Theatre Company brings a literary legend to life in an experience that’s both visceral and evocative.
STEVE WOOLF STUDIO SERIES:

Hir
by Taylor Mac
 
Previews: Oct. 9-15, 2020
Performances: Oct. 16 – Nov. 1, 2020
Performed at the Loretto-Hilton Center for the Performing Arts
 
As Isaac returns from the war zone of Afghanistan, he finds fresh battle lines have been drawn in his childhood home. This dark comedy sees the soldier’s dysfunctional family in a total role reversal: a tyrannical father enfeebled by sickness, a once timid mother drunk with power and a sibling transitioning into a person he doesn’t recognize anymore. With the family’s former identity upended, old wounds and unresolved grudges drag them into all-out chaos.
 
The Gradient
by Steph Del Rosso
 
Previews: Jan. 8 – Jan. 14, 2021
Performances: Jan. 15-31, 2021
Performed at the Loretto-Hilton Center for the Performing Arts

In this world premiere satire set in the not-so-distant future, a new facility promises to take men accused of sexual misconduct and rehabilitate them into responsible citizens. But inside the walls of The Gradient, the culture ruled by profit margins and corporate buzzwords muddles its high ideals. New employee Tess is eager to do her part, but finds herself locked in a subtle psychological battle with her latest client – one who has the perfect answer to her every question. Steph Del Rosso’s bold new play asks: can we mass-produce forgiveness?
 
Mlima’s Tale
by Lynn Nottage
 
Previews: March 26 – April 1, 2021
Performances: April 2-18, 2021
Performed at the Loretto-Hilton Center for the Performing Arts

Mlima, a majestic and powerful African elephant, is murdered for his tusks. From beyond the veil of death, Mlima’s spirit follows the path of his tusks on a moving, lyrical journey through the dark world of the international ivory trade. From Lynn Nottage, the two-time Pulitzer Prize-winning playwright of Sweat and RuinedMlima’s Tale is a captivating and haunting fable come to life.
Kelvin Roston Jr. as Donny Hathaway
SPECIAL SHOWS:*
 
Twisted Melodies
Written by and starring Kelvin Roston, Jr.
 
Performances: July 2020
 
This powerful one-man show is based on the life of St. Louis soul music icon Donny Hathaway, perhaps best known for his duets with Roberta Flack. Twisted Melodies is an immersive and crushing play about the brilliant singer and composer’s compelling inner struggle. Torn between the muses that inspire him and the mental illness that torments him, Hathaway evaluates his life in a gripping performance by St. Louis native Kelvin Roston, Jr.
 
A Christmas Carol
by Charles Dickens
Adapted by Michael Wilson
 
Previews: Dec. 6-10, 2020
Performances: Dec. 11-30, 2020
Performed at the Loretto-Hilton Center for the Performing Arts
 
At long last, the ghosts of Ebenezer Scrooge’s past, present and future have caught up with him. Now London’s most infamous miser must take a transformative journey as he faces the worst parts of himself and discovers unexpected redemption. Families are sure to delight in this enchanting winter’s tale filled with the wonder of Christmas in a theatrical extravaganza unlike any that St. Louis has seen before. Don’t miss the start of a new tradition as The Rep launches its annual production of Michael Wilson’s fantastical adaptation of Charles Dickens’ beloved tale.

* Single-ticket exclusives
IMAGINARY THEATRE COMPANY:
 
A Gnome for Christmas
by Sarah Brandt
Music and lyrics by Stephen James Neale
 
A warm-hearted holiday musical sprinkled with fun and hijinks, A Gnome for Christmas returns to the Imaginary Theatre Company. Lulu’s father is an inventor…just not a very successful one. After another of his failed inventions lands the family at a rundown farmhouse, Lulu’s about ready to give up. But when mysterious and magical things start happening, it seems that this farm might be home to more than meets the eye. A mischievous enchanted gnome, Timmy, is determined to bring Lulu a little Christmas cheer. With memorable songs and lovable characters, it’s the perfect holiday confection.
 
Puss in Boots
by Nathan and Jennifer Roberts
 
Everyone’s favorite feline fable is here to charm and beguile! The miller’s son is not finding life easy, with barely a penny to his name and no inheritance from his father, save for a useless cat and a pair of too-small boots. But this cat hides a secret: She can talk! And sing! And she has a plan to take them from the poorhouse to a princely castle. But how long can this extraordinary kitty keep up the ruse before the cat is out of the bag? Bring the whole family and share the legend of Puss in Boots!
 
Tomás and the Library Lady
Adapted by José Cruz Gonzalez
From the book by Pat Mora
 
Dive into a fantastical world of books in this celebratory true story. As Tomás’ family heads north to Iowa for work, they find fewer and fewer people who speak their native Spanish language. Looking for a place to fit in, Tomás finds a new passion when he befriends a librarian who introduces him to the magical world of books. This enchanting story adventures through the pages of towering dinosaurs and ferocious tigers, igniting Tomás’ imagination and bringing the audience along for the ride.

By Lynn Venhaus
Managing Editor
A variety of classics old and new are currently on local stages. Opening this
weekend are “Paint Your Wagon” at The Muny and “La Boheme” at Union Avenue
Opera, with community theater productions of “Joseph and the Amazing
Technicolor Dreamcoat,” “The Wizard of Oz,” and “Mamma Mia!”, a college production
of “Catch Me If You Can” and youth productions of “Carrie,” “Frozen Jr.,” “Seussical”
and “Into the Woods.”

An annual tradition, “The Rocky Horror Show,” is performed
twice each evening on Friday and Saturday at the Looking Glass Playhouse in
Lebanon.

Continuing on regional stages are “Grease,” “Jaws the
Parody: Live” and the second leg of the LaBute New Theater Festival.

“Carrie” at Debut TheatreWhatever your plans on this last weekend in July, go see a play!“Carrie” Debut Theatre Company July 26-28 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. The Olive Tree, 1211 S. Newstead Ave., St. Louis https://debuttheatreco.weebly.com/ What It’s About: Based on the Stephen King novel and Brian DePalma movie, Carrie White is bullied in high school and her religious fundamentalist mother doesn’t want her going to the prom. Carrie has telekinesis and all hell will break loose.

Starring: Carrie White-MacLean Blanner, Margaret White-Isabel Cecilia Garcia, Sue Snell-Jessica Watts, Tommy Ross-Charlie Wehde, Chris Hargensen-Gabby Anderson, Billy Nolan-Sam Guillemette, Ms. Gardner-Ally Wukitsch, Norma-Emma Gulovsen, Helen-Gabby DeRennaux, Frieda-Allison Crandall, Claudia-Savannah Lamb, -Thomas Molen, Freddy-Nathan Hakenworth and Stokes-Santino Bono. Also Featuring Ginger Cox-Young Carrie, Children’s Ensemble- Tatum Douglas, Chloe Grieshaber, and Riley Kummer.“Catch Me If You Can” July 24-28 St. Charles Community College FAB Theater in the Donald D. Shook Fine Arts Building 4601 Mid Rivers Mall Drive in Cottleville, Mo 636-922-8050 www.stchas.edu/events

What It’s About: Based on the hit film and the incredible true story, “Catch Me If You Can” is a musical comedy about chasing your dreams without getting caught. Seeking fame and fortune, precocious teenager, Frank Abignale Jr., runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer – living the high life and winning the girl of his dreams. When Frank’s lies catch the attention of FBI agent, Carl Hanratty, though, Carl pursues Frank across the country to make him pay for his crimes“Frozen Jr.” Rock Show Productions Thursday, July 25 at 7 p.m., Friday, July 26 at 7 p.m., Saturday, July 27 at 7 p.m. The Grandel Theatre, 3610 Grandel Square, St. Louis, MO 63103www.rockshowproductions.org What It’s About: Hans Christian Anderson’s fairy tale, “The Snow Queen,” based on the Disney animated musical adaptation.

“Beauty School Dropout”“Grease” Stages St. Louis July 19 – Aug 18 Robert G. Reim Theatre at the Kirkwood Community Center 111 South Geyer Road in Kirkwood www.stagesstlouis.org

What It’s About: Welcome to Rydell High where Danny Zuko
and his gang of Burger Palace Boys and Pink Ladies rule the school! Bursting
with explosive energy and 1950’s nostalgia, GREASE blends an irresistible mix
of adolescent angst and All-American teen spirit to create a high-octane,
pop-culture phenomenon.

Director: Michael Hamilton
Starring: Sam Harvey, Summerisa Bell Stevens, Morgan Cowling, Jessie Corbin,
Patrick Mobley, Collin O’Connor, Frankie Thams, Julia Knitel, Lucy Moon and
Brooke Shapiro.

“Into the Woods” COCA July 26-27 Friday at 7 p.m. and Saturday at 1 and 5 p.m. Edison Theatre on the Washington University campus www.cocastl.org

What It’s About: An epic fairytale about wishes, family and
the choices we make. James Lapine and Stephen Sondheim take everyone’s favorite
storybook characters and bring them together for a timeless, and relevant,
piece.
Director: Jim Butz, with music direction by Colin Healy and choreography by
Christopher Page-Sanders

Of Note: Ages 9 and up.

Great White Shark scares“Jaws The Parody: Live!” St. Louis Shakespeare’s Magic Smoking Monkey Theatre July 19 – July 27 Wednesday and Thursday, July 24 and 25, 8 p.m. Friday and Saturday, July 26 and 27, at 8 p.m. and 10:30 p.m.  Regional Arts Commission in University Citywww.stlshakespeare.org What It’s About: A spoof of the 1975 movie about the killer shark that terrorized a New England beach community, Amity Island, based on Peter Benchley’s 1974 bestseller.

Director: Donna Northcott
Starring: Ryan Glosemeyer as Chief Brody, James Enstall as Matt
Hooper, Rob McLemore as Quint, Shannon Nara as Ellen Brody, Dylan Comer as
Mayor Vaughn and playing multiple roles are CeCe Day, Jack Janssen, Maya Kelch,
Deanna Massie, Bethany Miscannon, and others.

“Joseph and the Amazing Technicolor Dreamcoat” July 26 – Aug. 4 Over Due Theatre Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. Olivette Community Center 9723 Grandview Drive, Olivette, MO 314-210-2959 www.overduetheatrecompany.com

What It’s About: Celebrating its 50th anniversary in 2019, “Joseph”
is one of the most enduring shows of all time and reimagines the biblical story
of Joseph, his father Jacob, eleven brothers and the coat of many colors.

“La Boheme”“La Boheme” Union Avenue Opera July 26 – Aug. 2 Fridays and Saturdays at 8 p.m. Union Avenue Christian Church 733 Union at Enright 314-361-2881www.unionavenueopera.org What It’s About: Puccini’s opera about a group of poor artists and their search for love and happiness.

Of Note: The opera is sung in Italian with projected
English text.

LaBute New Theater Festival July 19-28 Thursday through Saturday at 8 p.m., Sunday at 3 p.m. The Gaslight Theatre 358 N. Boyle, St. Louiswww.stlas.org 314-458-2978 Box Office: www.ticketmaster.com, 800-982-2787; will also be available at the theater box office one hour prior to performances

What It’s About: New previously unproduced one-act play
submissions of 45 minutes or less are juried and selected. They must not have
more than four characters and be able to

 Six plays were
chosen: One group was performed in the first two weeks of July, the final group
in the second two weeks. “Great Negro Works of Art,” a Midwest Premiere from
Mr. LaBute, will be performed every night for the run of the festival.

Set 2 includes:

 “Great Negro Works
of Art” by Neil LaBute, Directed by John Pierson, starring Carly Rosenbaum and
Jaz Tucker

“Predilections” by Richard Curtis, directed by Wendy Renee
Greenwood, starring Kim Furlow and Tielere Cheatem
 “Henrietta” by Joseph Krawczyk,
directed by Wendy Renee Greenwood, starring Carly Rosenbaum and Chuck Brinkley

“Sisyphus and Icarus a Love story” by William
Ivor Fowkes, directed by Wendy Renee Greenwood, starring Colleen Backer, Shane
Signorino and Tielere Cheatem

“Mamma Mia!” July 26 – Aug. 4 Hard Road Theatre Productions Fridays and Saturdays at 7 p.m. and Sundays at 2 p.m. Highland Elementary School auditorium in Highland, Ill. www.hardroad.org

What It’s About: ABBA songs on a Greek isle. Three possible
dads, a wedding, and Donna and the Dynamos.

 “Overdone” by David
Hamley and “Screaming at Optimum Pitch” by Peg Flach
First Run Theatre
July 19 – 28
Friday and Saturday at 8 p.m. and Sunday at 2 p.m.
Theatre Guild of Webster Groves, 517 Theatre Lane in Webster Groves, Mo. www.firstruntheatre.com.

“Paint Your Wagon” The Muny July 27 – Aug. 2 Nightly at 8:15 p.m. Forest Park outdoor stagewww.muny.org What It’s About: A reimagined version of a 1951 Lerner and Loewe musical set in the California gold rush. It’s a moving tale of ambition, love and home that features such songs as “They Call the Wind Mariah,” “I Talk to the Trees” and “Wand’rin’ Star.” This adaptation has a revised book by Jon Marans. It’sproduced in association with On the Wagon Productions and Garmar Ventures.

Director: Josh Rhodes, also choreographer, with Starring: Bogart (Ben Rumson), Mamie Parris (Cayla Woodling), Omar Lopez-Cepero (Armando), Mark Evans (William), Maya Keleher (Jennifer Rumson), Allan K. Washington (Wesley), Andrew Kober (Jake), Austin Ku (Ming-Li), Raymond J. Lee (Guang-Li), Rodney Hicks (H. Ford) and Michael James Reed (Craig Woodling). A golden ensemble completes this cast, including Akilah Ayanna, Juan Caballer, Matthew Davies, Richard Gatta, Sally Glaze, Michael Milkanin, Trina Mills, Pascal Pastrana, Michael Seltzer and Cooper Stanton. The company will also be joined by the Muny Teen youth ensemble.

Russ Reidelberger as Dr. Frank N. Furter“The Rocky Horror Show” Looking Glass Playhouse Friday and Saturday at 7 p.m. and 10 p.m., July 26 and 27 301 W. St. Louis St. in Lebanon, Ill.www.lookingglassplayhouse.com What It’s About: In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.“Seussical the Musical” DaySpring Arts July 26-27 at 7 p.m.; July 28 at 3 p.m. DeSmet High School, 222 N. Ballas Road, St. Louis dayspringarts.org

What It’s About: The musical by Stephen Flaherty and Lynn
Ahrens brings Dr. Seuss’ beloved characters to life, including Cat in the Hat, Gertrude
McFuzz and Horton the Elephant.

“The Wizard of Oz” Alton Little Theater July 25 – Aug. 4. Thursdays through Saturdays at 7:30 p.m. and Sunday at 2 p.m. 2450 North Henry in Alton, Ill. 618-462-6562www.altonlittletheater.org

What It’s About: Based on the books by L. Frank Baum, Dorothy
needs to find her way home after following the yellow brick road and making her
way to the Emerald City.