Venue: Webster University’s Winifred Moore Auditorium in Webster Hall, 470 E. Lockwood Ave.

Tickets: Tickets are $15 for general admission; $12 for students and Cinema St. Louis members. Webster U. students are admitted free. Advance tickets can be purchased through the Cinema St. Louis website.

Passes: Two types of passes are available: Five-Film Passes are $65, $50 for CSL members; All-Access Passes are $120, and $95 for CSL members.

More Info: 314-200-5684, cinemastlouis.org

The 15th Annual Robert Classic French Film Festival — sponsored by Jane M. & Bruce P. Robert Charitable Foundation and co-presented by the Webster Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. This year’s featured films span the decades from the 1920s through the 1990s, offering a revealing overview of French cinema.

The fest annually includes significant restorations, and this year is no different, touting a brand-new restoration of Claire Denis’ “Chocolat,” which is the filmmaker’s debut feature. The fest also screens the seldom seen “Martin Roumagnac” in a new restoration, starring Marlene Dietrich and Jean Gabin in a riveting crime thriller.

Every program features introductions and discussions by film or French scholars and critics. All films are in French with English subtitles.

The Jane M. & Bruce P. Robert Charitable Foundation is the event’s title sponsor. This festival is co-presented by the Webster Film Series.

Free parking is available in the lots both in front of and behind Webster Hall; no permits are required on weekends.

8 Women, 2002

FILM SCHEDULE

For film synopses,  see the CSL website

Friday, April 14, 7:30 PM

Pierrot le fou

Jean-Luc Godard, France, 1965, 110 min., color, French, DCP

Intro and discussion by Pete Timmermann, director of the Webster U. Film Series and adjunct professor of film studies at Webster U.

Sponsored by Jane M. and Bruce P. Robert Charitable Foundation

Saturday, April 15, 7:30 PM

Chocolat

Claire Denis, Cameroon/France, 1988, 105 min., color, restoration, DCP

Intro and discussion by Joshua Ray, film critic, and Co-Founder and Contributing Editor of The Take-Up. 

Sunday, April 16, 7:30 PM

Martin Roumagnac

Georges Lacombe, France, 1946, 108 min., black & white, French, restoration, DCP

Intro and discussion by Robert Garrick, attorney and former contributor to the davekehr.com film blog.

Friday, April 21, 7:30 PM

8 Women

François Ozon, France/Italy, 2001, 103 min., color, French, 35mm

Intro and discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

Saturday, April 22, 6:30 PM

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

Chantal Akerman, Belgium/France, 1975, 202 min., color, French, DCP

Intro and discussion by Jessica Pierce, St. Louis-based filmmaker.

Sunday, April 23, 7:30 PM

The Wing or the Thigh/L’aile ou la cuisse

Claude Zidi, France, 1976, 104 min., color, French, Blu ray

Intro and discussion by Salim Ayoub, the Jane M. and Bruce P. Robert Endowed Professor in French and Francophone Studies and director of the Centre Francophone at Webster University.

Friday, April 28, 7:30 PM

Le Magnifique

Philippe de Broca, France/Italy/Mexico, 1973, 95 min., color, French, DCP

Intro and discussion by Jean-Louis Pautrot, professor of French and in the Department of Languages, Literatures and Cultures at Saint Louis University.

Fat Girl, 2001

Saturday, April 29, 7:30 PM

Fat Girl

Catherine Breillat, France/Italy, 2001, 86 min., color, French, English & Italian, Blu ray

Intro and discussion by Andrew Wyatt, film critic and Managing Editor of The Take-Up.

Sunday, April 30, 7:30 PM

Shoot the Piano Player

François Truffaut, France, 1960, 81 min., black & white, French, Blu ray

Intro and discussion by Cliff Froehlich, former executive director of Cinema St. Louis and adjunct professor of film studies at Webster University.

Sponsored by Jane M. and Bruce P. Robert Charitable Foundation

Chocolat, 1988. Claire Denis.

Golden Anniversaries, which is co-presented by Cinema St. Louis (CSL) and the St. Louis Public Library, features classic films celebrating their 50th anniversaries. This third edition of the event will highlight 14 films from 1970, including two double bills.

Because in-person screenings remain problematic during the pandemic, Cinema St. Louis will hold free online conversations on the films, with people watching the films on their own but gathering virtually to discuss them.

Film critics, film academics, and filmmakers will offer introductory remarks and then participate in discussions about the films. Those conversations will be offered as free live streams at 7:30 PM every Monday from Aug. 10-Oct. 26. Participants will need to register for the live streams on the CSL website.

Elliott Gould, Tom Skerritt, Donald Sutherland in “M*A*S*H”

In addition to a fine selection of St. Louis critics, Golden Anniversaries will feature a quartet of experts from elsewhere, including David Edelstein, chief film critic of New York magazine (“M*A*S*H” on Aug. 10); AJ Schnack, director of such documentaries as “Gigantic (A Tale of Two Johns),” “Kurt Cobain About a Son,” “We Always Lie to Strangers,” and the recent “Long Gone Summer” (double bill of “Gimme Shelter” and “Woodstock” on Sept. 7); Charles Taylor, author of “Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s” (“Beyond the Valley of the Dolls” on Sept. 21); and Novotny Lawrence, author of “Blaxploitation Films of the 1970s: Blackness and Genre” (double bill of “Cotton Comes to Harlem” and “The Watermelon Man” on Sept. 28).

The discussions with the presenters will be facilitated by Cliff Froehlich, CSL’s executive director. Audience members will be able to ask questions and make observations on the films through the chat function of the live stream; those queries and comments will be relayed to the presenter by CSL.

The introductions and discussions will also be recorded and archived on CSL’s YouTube channel. Essays on many of the films will appear on The Lens, CSL’s blog.

For more information, please visit cinemastlouis.org/golden-anniversaries.

Husbands

FILMS

For full info on films, see CSL’s website.

7:30 PM Monday, Aug. 10

M*A*S*H

Robert Altman, U.S., 1970, 116 min.

Intro and discussion by David Edelstein, chief film critic for New York magazine (currently on furlough), commentator on “CBS Sunday Morning,” and former film critic for NPR’s “Fresh Air,” Slate, New York Post, Village Voice, and Boston Phoenix.

7:30 PM Monday, Aug. 17

Patton

Franklin J. Schaffner, U.S., 1970, 172 min.

Intro and discussion by Andrew Wyatt, editor of and film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Aug. 24

Husbands

John Cassavetes, U.S., 1970, 131 min.

Intro and discussion by Lynn Venhaus, film critic for the Webster-Kirkwood Times and KTRS (550 AM).

7:30 PM Monday, Aug. 31

The Conformist

Bernardo Bertolucci, Italy, 1970, 113 min., Italian

Intro and discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

7:30 PM Monday, Sept. 7

Gimme Shelter

Albert Maysles, David Maysles & Charlotte Zwerin, U.S., 1970, 91 min.

Woodstock: The Director’s Cut

Michael Wadleigh, U.S., 1970, 224 min.

Intro and discussion by AJ Schnack, director of the documentaries “Gigantic (A Tale of Two Johns),” “Kurt Cobain About a Son,” “We Always Lie to Strangers,” and “Long Gone Summer.”

7:30 PM Monday, Sept. 14

Claire’s Knee

Eric Rohmer, France, 1970, 105 min., French

Intro and discussion by Robert Garrick, attorney and former contributor to the davekehr.com film blog.

7:30 PM Monday, Sept. 21

Beyond the Valley of the Dolls

Russ Meyer, U.S., 1970, 109 min.

Intro and discussion by Charles Taylor, author of “Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s” and former film critic for Salon.

7:30 PM Monday, Sept. 28

Cotton Comes to Harlem

Cotton Comes to Harlem

Ossie Davis, U.S., 1970, 97 min.

The Watermelon Man

Melvin van Peebles, U.S., 1970, 100 min.

Intro and discussion by Novotny Lawrence, associate professor at Iowa State University, author of “Blaxploitation Films of the 1970s: Blackness and Genre,” editor of “Documenting the Black Experience,” and co-editor of “Beyond Blaxploitation.”

7:30 PM Monday, Oct. 5

Five Easy Pieces

Bob Rafelson, U.S., 1970, 98 min.

Intro and discussion by Calvin Wilson, theater critic and former film critic for the St. Louis Post-Dispatch.

7:30 PM Monday, Oct. 12

The Traveling Executioner

Jack Smight, U.S., 1970, 95 min.

Intro and discussion by Kayla McCulloch, film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Oct. 19

Wanda

Barbara Loden, U.S., 1970, 102 min.

Intro and discussion by Cait Lore, film critic for Cinema St. Louis’ blog, The Lens.

7:30 PM Monday, Oct. 26

Performance

Donald Cammell & Nicolas Roeg, U.K., 1970, 105 min.

Intro and discussion by Robert Hunt, former film critic for The Riverfront Times.

Woodstock: The Director’s Cut

Because of the ongoing world health crisis, Cinema St. Louis (CSL) will move all of the organization’s 2020 film festivals and events online. This includes CSL’s signature event in November, the 29th Annual Whitaker St. Louis International Film Festival.

When the Covid-19 pandemic began, CSL originally moved its spring events to summer with the hope that the virus would have abated and in-person theatrical screenings could resume in some form. Even though the U.S. has begun to loosen restrictions on some activities, it has become clear to CSL that holding traditional film festivals would be impossible. To protect the health and safety of our patrons and volunteers, and to ensure that the organization can deliver the highest-quality festival experience possible, CSL has decided that a virtual approach to our events is the prudent and most responsible course of action.

CSL will be partnering with Eventive (watch.eventive.org) to present its festivals online. In a few instances, films will only be available at a specific time and date, but patrons will be able to stream the majority of films, shorts programs, and special events at any time during the run of a festival, similar to the video-on-demand approach of cable services and such platforms as Amazon Prime, YouTube, or Vudu. Once a program is started, viewers will have 24 hours to watch the stream. Programs can be paused, rewound, and fast-forwarded. Films will be accessible on most computers and tablets, and on televisions via services such as Roku or Chromecast. Full information will be available on the CSL website as festivals are announced. 

Patrons will be able to purchase individual films — $10 general, $8 for CSL members, students, and ARTS Card holders — but passes will also be available for the various festivals. CSL remains committed to making its events as accessible as possible, so select programs will continue to be offered for free.

To retain as much of the festival experience as possible, many of the films will feature accompanying conversations with filmmakers, documentary subjects, critics, academics, or experts on the subjects addressed in a film. Most conversations will be recorded, but live Q&As, master classes, and seminars will also occur. In addition, recordings of all such conversations and events will be available for free on the CSL website.

The following CSL festivals will be offered online:

  • QFest St. Louis: CSL’s annual LGBTQ-focused festival will now take place virtually from June 19-28.
  • St. Louis Filmmakers Showcase: The event will take place virtually from July 10-19.
  • Classic French Film Festival: Because films in this event are older works, many of the originally scheduled programs were unavailable for online presentation, but a smaller-scale virtual fest will include three of the selected films — “India Song,” “Olivia,” and “Rider on the Rain” — from July 17-23. Experts will still offer recorded intros, and CSL will record Q&As with the presenters that will play after the films.
  • St. Louis International Film Festival: CSL’s premier event will take place virtually in November, with specific dates to be announced. Originally scheduled to take place Nov. 5-15, SLIFF will likely increase the length of its run by several days.

Three CSL co-presentations are still in flux, and announcements will be made when CSL’s partners make decisions on how to proceed:

  • St. Louis Science Fiction and Fantasy Short Film Festival: CSL is a co-presenter of this event with the Saint Louis Science Center. The fest was originally scheduled for May 1. The Science Center hopes to reschedule the event for later in the summer, but a virtual presentation remains an option.
  • SLIFF Best of Shorts: CSL is co-presenter of this event — a selection of the best shorts from the 2019 SLIFF at the Public Media Commons — with St. Louis Public Radio. The event was originally scheduled for June. St. Louis Public Radio hopes to reschedule the event for later in the summer, but a virtual presentation remains an option.
  • Filmmaking Camps: CSL partners with local libraries and schools to present free filmmaking camps. Because these events are not able to be presented virtually, many of the camps have already been cancelled, including all St. Louis Public Library camps. The Community School and the University City Library have cancelled camps through June, but the possibility of camps later in the summer remains open at present.

Finally, here are updates on two other CSL events in 2020:

  • I Love Movies Trivia Night: This fundraiser, originally scheduled for June 5, will now be held online in a new format. Details will be announced soon.
  • Golden Anniversaries: Films of 1970: The six-film fest is currently slated for Aug. 22-23, Aug. 29-30, and Sept. 5-6 at the St. Louis Public Library’s Central Library. If the library is not able to hold public events during these dates, the screenings will be cancelled, but CSL will hold Zoom conversations on the scheduled films in a format similar to CSL’s Movie Club, with people watching the films on their own but gathering virtually to discuss them
Some of the movies that played at the 29th annual St Louis International Film Festival. Photo from Cinema St Louis