FOR IMMEDIATE RELEASE

Clayton Community Theatre’s production of the classic romantic comedy “The Philadelphia Story” swept the 2021 Theatre Mask Awards, winning seven out of its eight nominations.

For the second year in a row, a virtual ceremony took place. On April 3, the 17-minute pre-recorded announcement honored excellence in community theater productions of comedies and dramas, as the TMAs have done since 2015.

Only for 2020, Arts For Life scaled back the format to reflect the number of eligible plays performed before the coronavirus pandemic shutdown. Awards were presented in 10 non-musical play categories instead of the usual 18.

TMA Steering Committee co-directors Melissa Boyer and Tim Naegelin announced the winners. The presentation is available on Arts For Life’s YouTube channel:

https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

Clayton Community Theatre, last year’s big winner in both comedy and drama with “Biloxi Blues” and “A Soldier’s Play,” added to their overall total of 28 awards and 113 nominations. They won for Play, Director Heather Sartin, Leading Actress Kelsey McCroskey, Supporting Actress Caitlin Souers, Costume Designer Julie Smailys, Lighting Designer Nathan Schroeder and Set Designers Andrew Cary, Zac Cary and Heather Sartin.

They staged “The Philadelphia Story” in March 2020. The 1939 play by Philip Barry deals with family dynamics and class prejudice at the affluent Lord estate, where everyone has gathered for socialite Tracy Lord’s second wedding, but romantic entanglements ensue and she must choose between three men – her fiancé, ex-husband and reporter covering the society event.

The winning actresses, McCroskey and Souers played Tracy Lord and her younger sister Dinah respectively. This is Schroeder’s third award for lighting design, winning for CCT’s “Macbeth” in 2015 and “A Soldier’s Play” last year.

Act Two Theatre’s production of the comedy “Who’s in Bed with the Butler?” won two – for Best Supporting Actor Todd Micali and Best Ensemble. The St. Peters-based group had led this year’s awards with nine nominations.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California billionaire who has bequeathed all of his assets to his only daughter, Constance – except the $22 million yacht he wanted Josephine to have, a $25 million art collection left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at her father’s mansion with her lawyer to find out who these women are and discovers the butler seems to hold the key.

Micali, playing the bumbling detective Davis, has won in the supporting actor category before –as Felix Ungar, in “The Odd Couple” in 2016, and a Best Performance Award for Comedic Actor in multiple roles in “Spamalot” in 2014.

Alton Little Theater won one for Leading Actor, Shea Maples, in “Inherit the Wind.” He played the character Matthew Harrison Brady, which is based on attorney William Jennings Bryan, in the drama that is a fictional account of the 1925 Scopes Monkey Trail.

Arts For Life announced the TMA nominations on March 12, during the nonprofit organization’s first-ever virtual trivia night.

“The TMAs were able to do eight shows last year and so the show must go on. Several categories were combined to allow for more nominees,” said AFL President Mary McCreight.

Naegelin explained the reasoning behind 2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA Steering Committee and the AFL Board of Directors believed the Theatre Recognition Guild had reviewed enough shows to make a successful TMA event. With only eight shows eligible, some categories were combined so that we did not lose the integrity of our awards and nominations.  To that end, there was not a division of drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, because of the public health emergency in Illinois and Missouri. performance venues were closed, gatherings limited to a percentage of capacity and safety protocols in place, including social distancing and face coverings to lessen community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of those who work and play in metropolitan St. Louis-southwest Illinois community theater.

“We will continue our charitable mission of service and recognition once it is safe to do so,” McCreight said.

The Philadelphia Story

The 2020 TMA winners are:

BEST PRODUCTION
“The Philadelphia Story,” Clayton Community Theatre

BEST DIRECTOR
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST LEADING ACTOR
Shea Maples, “Inherit the Wind,” Alton Little Theater

BEST LEADING ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater

BEST SUPPORTING ACTOR
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

Winners can record an acceptance speech, no more than two minutes in length, and send it by April 9 to tmavideo2021@gmail.com

AFL will upload the recording to its YouTube channel.

Who’s in Bed with the Butler? cast

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best Performance Awards (musical theater and youth productions) shows honoring productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in early 2020 will be considered for the 2022 awards. In April 2020, the AFL president suspended all public activities of the AFL organization, and then the board extended suspension of the Theatre Recognition Guild judging activities, for the BPA branch (musicals), through July 1, 2021.

“All is well with AFL. We will survive and look forward to meeting again in July.  Where there’s a will, there’s a way, and I thank all theater groups who are working to create a safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the best information currently available and will continue to share information promptly and transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.  From helping provide a sense of community, to providing scholarships, and mentoring at risk students in local theatre programs, AFL/TMA provides a full range of support to the St. Louis metro area.  I’m excited that we can continue that, even in our limited way, in 2021, he said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

To see a complete list of the nominees and awards history, visit the website: www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

AFL’s 2021 Theatre Mask Awards, honoring excellence in community theatre
productions of plays during 2020, will be pre-recorded and premiere as a virtual
ceremony at 10 a.m. on Saturday, April 3, on AFL’s YouTube Channel.
Act Two Theatre’s production of the farce “Who’s in Bed with the Butler?” leads this
year’s Theatre Mask Awards nominations with nine. Alton Little Theater, with its two
productions of “Inherit the Wind” and “The Miracle Worker,” earned 12 nominations in
total – six for each.

Two classic comedies by Clayton Community Theatre, “The Philadelphia Story,” and
Monroe Actors Stage Company, “The Solid Gold Cadillac,” both received eight
nominations apiece.

Arts For Life announced the TMA nominations on March 12, during the nonprofit
organization’s first-ever virtual trivia night.

Awards in nine non-musical play categories will be announced. The format has been
scaled back to reflect the number of eligible plays.

Normally, 11 community theater companies participate in the TMAs, with awards in 18
categories, but last year’s shutdown forced show cancellations.

“The TMAs were able to do eight shows last year and so the show must go on. Several
categories were combined to allow for more nominees,” said AFL President Mary
McCreight.

Tim Naegelin, co-chair of the TMA Steering Committee, explained the reasoning behind
2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA
Steering Committee and the AFL Board of Directors believed the Theatre Recognition
Guild had reviewed enough shows to make a successful TMA event. With only eight
shows eligible, some categories have been combined so that we do not lose the
integrity of our awards and nominations. To that end, there will not be a division of
drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, a shutdown because of the global COVID-19
pandemic happened. Because of the public health emergency in Illinois and Missouri.
performance venues were closed, gatherings limited to a percentage of capacity and
safety protocols in place, including social distancing and face coverings to lessen
community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of
those who work and play in metropolitan St. Louis-southwest Illinois community theater.
“We will continue our charitable mission of service and recognition once it is safe to do
so,” McCreight said.

TMA Eligible Shows
For this year’s TMA awards, Act Two Theater in St. Peters garnered nine nominations –
for production, actress, supporting actor and actress, director, costume design and
lighting design, and as the only nominee for Best Ensemble, has won that award
already.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California
billionaire who has bequeathed all of his assets to his only daughter, Constance –
except the $22 million yacht he wanted Josephine to have, a $25 million art collection
left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at
her father’s mansion with her lawyer to find out who these women are and discovers the
butler seems to hold the key.

Act Two, with 43 nominations since 2016, swept the 2017 TMAs, with “Drop Dead”
winning Best Comedy and “The Boys Next Door” winning Best Drama.

Over the years, Clayton Community Theatre has received 113 nominations, sweeping
last year’s TMAs with “A Soldier’s Play” and “Biloxi Blues” as winners in drama and
comedy.

They staged “The Philadelphia Story” in March 2020, the classic romantic comedy by
Philip Barry about privileged Tracy Lord, who is divorced from CK Dexter Haven, and
engaged to a successful young snob. A society paper sends a reporter to cover the
wedding arrangements, and she finds herself interested. Romantic entanglements
ensue. It has eight nominations – for production, director, actress, supporting actress
(2), lighting, costume and set designs.

“The Solid Gold Cadillac,” the 1954 play by George S. Kaufman and Howard
Teichmann, has a little old lady beat wicked corporate shareholders at their own game.
MASC staged it in February 2020 and has received eight nominations – for director,
actor, actress, supporting actor and actress, costume, set and lighting designs.

The Alton Little Theater has a total of 12 nominations, with six for “Inherit the Wind” –
production, director, actor, supporting actor and set design, which they staged last
January and February, and six for “The Miracle Worker” – production, director, actress
(2), costumes and set design, which they produced last October. Kevin Frakes is a
three-time nominee for both his set designs and directing “The Miracle Worker.”
“Inherit the Wind” is the fictional account of the 1925 Scopes Monkey Trial by Jerome
Lawrence and Robert E. Lee. “The Miracle Worker” by William Gibson tells the story of

Helen Keller, blind and deaf after childhood fever, and her governess and teacher,
Annie Sullivan.

Looking Glass Playhouse received four nominations – for production, actor, supporting
actor and set design for “It’s Only a Play,” a comedy by Terence McNally about an
opening night after-party where a producer, playwright, director, actors and their friends
eagerly wait for the reviews. They presented it in March 2020.

Since 2015, Monroe Actors Stage Company in Waterloo, Ill., has received 83
nominations over the years, Alton Little Theatre over 80 nominations, and Looking
Glass Players in Lebanon, Ill., 43 nominations.

The 2020 TMA nominations include:

BEST PRODUCTION
“Inherit the Wind,” Alton Little Theater
“It’s Only a Play,” Looking Glass Theatre
“The Miracle Worker,” Alton Little Theater
“The Philadelphia Story,” Clayton Community Theatre
“Who’s in Bed with the Butler?” Act Two Theatre

BEST DIRECTOR
Lee Cox, “Inherit the Wind,” Alton Little Theater
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Paul James, “Who’s in Bed with the Butler?” Act Two Theatre
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmermann, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTOR
Howard S Bell, “Inherit the Wind,” Alton Little Theater
Shea Maples, “Inherit the Wind,” Alton Little Theater
Steve Shininger, “It’s Only a Play,” Looking Glass Playhouse
David Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater
Marisa Puller, “Who’s in Bed with the Butler?” Act Two Theatre
Emily Schneider, “The Miracle Worker,” Alton Little Theater
Maria Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Kya Wonders, “The Miracle Worker,” Alton Little Theater

BEST SUPPORTING ACTOR
Matt Dossett, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Brad Kinzel, “It’s Only a Play,” Looking Glass Playhouse
Brant McCance, “Inherit the Wind,” Alton Little Theater
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Linda Daly, “Who’s in Bed with the Butler?” Act Two Theatre
Jenifer Elias, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Monica Lee, “The Philadelphia Story,” Clayton Community Theater
Trish Nelke, “Who’s in Bed with the Butler?”, Act Two Theatre
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Lee Cox, “Inherit the Wind,” Alton Little Theatre
Jean Heckmann, “Who’s in Bed with the Butler?” Act Two Theatre
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story, Clayton
Community Theatre
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Kevin Frakes, “Inherit the Wind,” Alton Little Theater
Chris Resimius, “Who’s in Bed with the Butler?” Act Two Theatre
Brad Sanker, “It’s Only a Play,” Looking Glass Playhouse
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best
Performance Awards (musical theater and youth productions) shows honoring
productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in
early 2020 will be considered for the 2022 awards. In April 2020, the AFL president
suspended all public activities of the AFL organization, and then the board extended
suspension of the Theatre Recognition Guild judging activities, for the BPA branch
(musicals), through July 1, 2021.

“Arts for Life is plugging along with theater-starved actors for a new day! On Friday,
AFL proceeded to produce our first ever Virtual Trivia Night to announce the Theatre

Mask Awards (TMAs) nominations. It was well-attended and a lot of fun,” McCreight
said.

“With the Best Performance Awards cancelled this year due to not being able to have
shows in 2020, heads were down. But old habits don't die. The Trivia Night’s audio and
visual musical categories brought us back to life,” she said.

“All is well with AFL. We will survive and look forward to meeting again in July. Where
there’s a will, there’s a way, and I thank all theater groups who are working to create a
safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the
best information currently available and will continue to share information promptly and
transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.
From helping provide a sense of community, to providing scholarships, and mentoring
at risk students in local theatre programs, AFL/TMA provides a full range of support to
the St. Louis metro area. I'm excited that we can continue that, even in our limited way,
in 2021, he said.

Co-chair Melissa Boyer was optimistic as well.

“I can’t wait to see what the future holds for the TMAs. I’m excited to co-chair this
committee and look forward to finding ways to grow the TMAs and find opportunities for
people to be involved with this wonderful, dedicated group. We are all looking forward to
theatres being able to safely open again and welcoming new members to the TMA
Theatre Recognition Guild,” Boyer said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated
to the healing power of the arts through its work with youth, the under-served and the
community. The BPAs have honored musical theater since 1999 and the TMAs have
honored plays since 2015.

“We hope that you and your loved ones have stayed safe during this difficult time,”
McCreight said. “Because of your commitment to our community and belief in our
mission, my optimism is not diminished about AFL being able to move forward once this
unprecedented time passes.”

Besides co-chairs Boyer and Naegelin, the TMA Steering Committee officers are Laurie
Blanner, recorder; Linda Daly, marketing facilitator; and Keaton Treece, Theatre
Recognition Guild director.

To see a complete list of the nominees and awards history, visit the website:
www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org
 The YouTube Channel link:https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

The awards be available afterwards for later viewing. Please subscribe to the Arts For Life
STL channel so you can get a reminder of the event.
Be sure to subscribe/like to our social media:
https://www.facebook.com/artsforlifestlouishttps://twitter.com/arts_for_life

By Lynn Venhaus

Clayton Community Theatre was the big winner at this year’s Arts For Life’s fifth annual Theatre Mask Awards, taking the top prizes for both Outstanding Production of a Comedy  – “Biloxi Blues” – and Outstanding Production of a Drama – “A Soldier’s Play.” Combined, the two plays won eight awards.

The 2020 Theatre Mask Awards, honoring excellence in community theatre productions of dramas and comedies during 2019, included winners in 18 non-musical play categories. Nine community theater companies throughout the St. Louis Metropolitan region, including three counties in the metro-east, participate in the TMAs.

This year’s event was a pre-recorded virtual presentation online on Saturday, July 18, instead of the usual brunch because of the coronavirus pandemic. Originally scheduled for April 4, the TMAs were moved to mid-July, then ultimately cancelled because of the public health emergency and the gathering restrictions in St. Louis County.

Melissa Boyer and Tim Naegelin, members of the TMA Steering Committee and the Arts For Life board of directors, were the co-hosts. Brant McCance was the tech and video coordinator.

“We were able to still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” said AFL President Mary McCreight.

Clayton Community Theatre, formed in 1998, also was honored for Outstanding Large Ensemble for “Biloxi Blues,” and Director Sam Hack. It was back-to-back wins for their Eugene Trilogy by Neil Simon. In 2018, they won comedy production and direction for “Brighton Beach Memoirs.” The second play in Simon’s semi-autobiographical series won five awards overall.

Two “Biloxi Blues” actors were recognized – Michael Bouchard for Lead Actor and Sam Guillemette for Supporting Actor in a Comedy.

“A Soldier’s Play” won three, including Nada Vaughn for Director of a Drama and Nathan Schroeder for Lighting Design of a Play. Schroeder was a previous winner for “Macbeth” in 2015.

Clayton Community Theatre had notched 24 nominations — “Biloxi Blues” (13), “A Soldier’s Play” (10) and “Eurydice” (1). CCT also broke a record for having the most acting nominations from a single show – 8 for “Biloxi Blues.”

Other multiple award winners included Act Two Theatre, two for “Plaza Suite” – Amanda McMichael for Lead Actress in a Comedy and Jean Heckmann for Costume Design of a Play; Monroe Actors Stage Company for “It’s a Wonderful Life” – Sarah Polizzi for Supporting Actress and Randy Manning for Supporting Actor in a Drama; and Theatre Guild of Webster Groves won two – Matthew Linhardt for Lead Actor in Drama as McMurphy in “One Flew Over the Cuckoo’s Nest” and Anna Drake as Outstanding Juvenile Performer for ‘The Bad Seed.”

O’Fallon TheatreWorks won two for “The Miracle Worker” – Kaylee Ryan for Lead Actress in a Drama as Helen Keller and Chris and Ellie Lanham for Outstanding Set Design of a Play, which they have won two previous times – in 2016 for “The Diary of Anne Frank” and in 2018 for “One Flew Over the Cuckoo’s Nest.”

Awards went to Alton Little Theater for Outstanding Small Ensemble in a Play – “A Twisted Christmas Carol” and Looking Glass Playhouse for Supporting Actress in a Comedy – Pam Boker in “Peter and the Starcatcher.”

The Theatre Guild of Webster Groves had led all area community theaters with 27 nominations.

Special Achievement Awards went to Alton Little Theater for “Vintage Voices” and Hawthorne Players for “Voices of Valhalla: Hayrides through History,” both unique applications of theater that take place in the fall around Halloween. Each theater troupe presents stories of the people buried in local cemeteries.

The 40-minute awards video is available on the AFL You Tube channel: https://youtu.be/5Peni8T5UA8

AFL had previously announced the switch to virtual for the Best Performance Awards, which honors musical theater and youth productions. That ceremony was streamed Sunday, June 14, at 2 p.m. on the AFL YouTube channel.

TMA winners have an opportunity to send an acceptance speech to AFL, and it will be posted on social media.

For the groups who have not picked up their trophies, please contact Mary McCreight at marymccreight18@gmail.com

To see a complete list of the nominees and winners for both TMAs and BPAs, visit the website: www.artsforlife.org

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” McCreight added.

McCreight said AFL appreciates the support shown during these difficult times.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

AFL was founded in 1994 by Lucinda Gyurci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel: https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

By Lynn Venhaus

As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.

Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.

Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.

PROFESSIONAL VENUES

Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. These closures will remain in place until at least May 11.

This includes the Kranzberg Arts Center, The Marcelle Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room, Sophie’s Artist Lounge and the High-Low building.

Fox Theatre
Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.

On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.

“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.

Ticket holders should keep their tickets until new dates are announced. More information will be available once new dates are secured.

The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.

The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.

“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.

Plans to reschedule other postponed shows are currently underway.  Ticket holders should hold on to their tickets – they will be honored on the new dates.

Decisions about other future shows will be made as we follow the evolving situation with the COVID-19 virus and the City of St. Louis’ determination of the length of this prohibition, public relations manager Megan Ketcherside said.

Operational hours are subject to change based on the COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix 314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m., closed on Saturday and Sunday.

Visit the website, www.fabulousfox.com/coronavirus

Family Arena

As of March 25, the Family Arena and The Family Arena Box Office is closed to the public until such time as the limit on public gatherings is lifted in St. Charles County.

Tickets are still available for purchase at Ticketmaster.com.

Manager Tom O’Keefe said if you purchased tickets at the box office for an upcoming rescheduled event that you would like a refund for, please hold on to your tickets until they re-open and they will refund your tickets at that time.

They have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center for guidance and check back regularly for additional information and status updates, www.familyarena.com.

Stifel Theatre

The Stifel Theatre and Enterprise Center Box Offices will not open until further notice. For guests who purchased tickets to an upcoming show through the box office that has been cancelled, please hold on to your tickets until we re-open and are able to assist with your questions.

These events at Stifel Theatre have been postponed. Ticket holders should hold on to their tickets, as all tickets will be honored on the rescheduled dates.

Here are rescheduled dates:

Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18 to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March 20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.

The following events have been cancelled and refunds will be available at original point of purchase:

“Sesame Street Live,” March 27-29; TD Jakes, April 10; The Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April 23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.

Decisions about other future shows will be made as they continue to monitor this rapidly evolving situation. Visit www.stifeltheatre.com

Chaifetz Arena

The arena is closed until further notice and in an abundance of caution, the venue will be thoroughly cleaned while closed.

They are currently working to reschedule all impacted events and will provide updates as quickly as possible. We ask all current ticket-holders to retain their tickets for these events until such time when a new date is determined as your current ticket will be valid for the new date. “Please be patient and hang tight as we work through this unprecedented time,” a spokesman said.

Additionally, they have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center by clicking here for guidance and check back regularly for additional information and status updates as they become available.

Impacted Events: Festival Of Laughs from March 20 to Sept. 26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28 to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15; Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24 to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29 to TBD.

The Playhouse at Westport

All March/April events were cancelled, including “Flanagan’s Wake,” which had been extended to mid-April.

John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain scheduled.

Refunds are available at point of purchase.

REGIONAL PROFESSIONAL THEATER

Metro Theatre Company

They are partnering with Off the Page for this project “Art Apart, Together.” Share your creativity and learn more here: https://www.metroplays.org/art-apart-together

Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/

We feel really lucky to be partnering with Alliance TheatreCry Havoc Theater Company, and Metro Theater Company on this project.

EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!

New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.

The Muny

The Muny administrative offices and box office are closed through late April. Ticketing services for the 2020 season are available online at any time.Ticketing related questions can be sent to boxoffice@muny.org

“We are closely monitoring all developments regarding the COVID-19 outbreak and will continue to follow the guidance of health and government officials with the goal of keeping our staff and community as safe and healthy as possible,” the Muny statement reads on their website. 

“With the start of our 2020 season still months away, we remain optimistic that the season will proceed as planned and hope the restrictions on gatherings are lifted in early May, as scheduled. If that changes, we will adjust accordingly. Meanwhile, we continue communicating with health officials on all levels to stay fully informed and responsive to this unprecedented situation,” the statement reads.

Given the Stay at Home order for St. Louis City and County, and for the health and safety of our team, The Muny Offices are currently closed and some ticketing dates have changed. However, we’re still busy getting ready for the 2020 summer season, and we can’t wait to meet you at The Muny this summer!

Ticketing Update as of March 26 – These dates are subject to change. 

Muny Season Tickets will be mailed in early May

Season Ticket Exchanges: May 26 – 29

Single Ticket on Sale: June 1

To purchase new season tickets, or pay a current balance on existing season tickets, please visit:  muny.org/buy-tickets

To purchase season tickets with a gift card you currently have in-hand, please email The Muny Box Office at boxoffice@muny.org and a Muny Ticketing agent will contact you  to process your request. If you wish to purchase a gift card, it will not be mailed until the restrictions on gatherings have been lifted. 

Also, if you are looking for a way to stay entertained during these “quiet days,” we encourage you to enjoy a specially curated set of video clips from our previous productions on our social media channels. You can follow us on Facebook, Twitter and Instagram.

The Repertory Theatre of St. Louis

The Cake starring Rigel Harris, Denny Dillon and Dria Brown. Photo by Phillip Hamer.

The Repertory Theatre had to cancel the run of “The Cake,” which began in the Studio Theatre on March 14, but was forced to be shutdown March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from March 21, with the goal of mounting it this summer.

“The Cake”

An online stream of “The Cake” has been made available to all Studio Theatre patrons who previously purchased tickets at no additional cost.

There are a limited number of streaming tickets available for purchase for those who are interested in viewing the final performance of the Steve Woolf Studio Series this season. That is available through April 24.

Additionally, The Rep is collaborating with a national group of theatres to commission a series of short plays specifically developed to spark joy and connection among people who are sheltering in place. These initiatives are designed to keep the art alive and vital, even in a time of isolating quarantines.

“Keep an eye out for more entertaining content and educational resources from The Rep and our local and national partners by following us on social media,” spokesman Jeremy Goldmeier said.

On March 27, The Rep announced that they have honored the entire contracts of the guest artists who devoted their talents to “Dreaming Zenzile” and “The Cake,” despite their runs being delayed or cut short.

“In these uncertain times, The Rep felt it was imperative that these artists, whose livelihoods depend on their contracts, not bear the additional burden of lost wages in this pandemic,” a statement said.

“As you know, The Rep has an extraordinarily talented and dedicated staff that works year-round to support the productions, education, and community initiatives to serve the greater St. Louis region. We have continued to pay the full salaries of our full-time, year-round administrative staff, with no furloughs or other lapses in pay. We have moved our administrative and box office teams to work remotely to serve you during this period,” a statement said.

Play at Home

The Repertory Theatre of St. Louis has teamed with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company to present Play at Home, a series of micro-commissioned short plays from some of the American theatre’s most exciting and prominent playwrights.

These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

In the wake of widespread event cancellations following the spread of the coronavirus (COVID-19), the participating theatres conceived Play at Home as a way to support artists, connect people to theatre, and to ignite imagination and joy in these uncertain times.

Each organization commissioned multiple playwrights – most of whom had plays canceled due to the coronavirus outbreak – to create new works that were big, joyful and not bound by the constraints of what might be “possible” on a traditional stage.

The Rep’s commissioned playwrights feature:

Regina Taylor (playwright of The Rep’s 2020-2021 production of Oo-Bla-Dee)

Karen Zacarias (playwright of The Rep’s 2020-2021 production of Native Gardens)

Steph Del Rosso (playwright of The Rep’s 2020-2021 world premiere of The Gradient)

Guadalís Del Carmen (who appeared at The Rep as an actor in 2020’s Mojada: A Medea in Los Angeles)

Tre’von Griffith (a St. Louis performer and playwright, co-founder of TLT Productions)

These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.

Max and Louie Productions

Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.

Moonstone Theatre Company
Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.

Joe Hanrahan of The Midnight Company

The Midnight Company
Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.

 It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved.  Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating.  A difficult show to describe but what it is is excellent.”  Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word.  The Cardinals are the talk of the town again.  This show should be the talk of the town, too!” 
Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show.  At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.”
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns  a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation.  The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.”  Throughout, the playwright draws links between what’s happened and happening –  from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time.
Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.

There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.



Grace Langford and Jaclyn Amber in “Head Over Heels” Photo by Jill Ritter Lindberg



New Line Theatre


New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.

Its June production of “Urinetown” has been cancelled.

Stray Dog Theatre

“Annie,” which was to open April 9, has been postponed, with dates to be announced.

“We will honor all tickets already purchased to any of the new performance dates once they are announced. To purchase tickets to any other future productions, please call our box office directly at (314) 865-1995.

“We are currently planning to hold the remainder of the 2019-2020 season as scheduled. Any changes or additional information will be shared as soon as possible. If you have any questions, please feel free to contact us,” said Artistic Director Gary F. Bell.

“We would like to thank everyone for the hard work they’ve already put into the production and we would like to thank you for your patience as we work to bring you the quality story telling you, our family, deserve. Annie is that bit of light we all need right now, ‘the sun will come out tomorrow’ and we will overcome anything,” Bell said.

“We know we are not the only organization dealing with these difficult decisions and we stand with them, ready to come back stronger. Your continued support of all arts organizations is always appreciated but never more than in times like these. We look forward to seeing you soon,” he said. “Please stay safe and be kind to one another.”

Kenneth Lonergan’s “Lobby Hero” is set to run June 4 – June 20

“However, due to the extreme strain currently being faced by many organizations we have made the decision to halt online sales of upcoming productions. We will resume online sales once matters have settled and the timeline of events moving forward becomes more defined,” Bell said.

“You may continue to purchase tickets for upcoming shows by calling our Box Office at (314) 856-1995 or emailing us at boxoffice@straydogtheatre.org. Thank you for your patience and your continued support as we manage these unfortunate events.”

For more information, visit www.straydogtheatre.org

St Louis Actors’ Studio

Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10

This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.

New Jewish Theatre

Judi Mann, Kelly Weber and Joneal Joplin in “We Are the Levinsons”

Initially, New Jewish rescheduled “We Are the Levinsons” from March 19 to May, but now they have pushed it back, along with their Sondheim musical revue, “Putting It Together.”  They would like to reschedule later this summer.

All activities at the JCCA have been suspended during the public health crisis.

For more information, please contact them by email or by phone, 314-442-3283.

Opera Theatre of St. Louis

Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah

Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again. 

At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!

For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:

https://www.opera-stl.org/beyond-the-stage/updates-regarding-covid-19

This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.

“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.

Shakespeare Festival St. Louis

The 2020 Shakespeare in the Park production of “Much Ado About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director Tom Ridgely said it was in order to provide the best possible chance of safely gathering artists and audiences for its 20th anniversary season. It is to be directed by Bruce Longworth.

“For the past 20 years in St. Louis, the opening of Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely said. “This year it’s clear that the only way to care for our actors, crew, volunteers and community is to give as much time as possible for social distancing measures to take effect and hope to be one of the ways we all bring our summer 2020 to a much happier close.”

The previously announced creative team of Matt Pace & Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis (Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design) remains the same.

In response to the widespread cancellation of live events, the Festival has already shifted to generating a full schedule of new and original content for the online and social media platforms under the umbrella of “ShakespeareTV.”

These include the previously aired “watch party” of its canceled regional tour of Cymbeline, a live reading of “Venus and Adonis” (which Shakespeare wrote during a plague-induced theater closure) and a five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together they’ve already been viewed 10,000 times.

Now through May 29 on ShakespeareTV, which can be accessed on their Facebook page:

THE ZOOM PLAYS: a weekly series of 20- to 30-minute original plays written especially to be performed live over the videoconferencing app Zoom. Created and performed by local playwrights, directors and actors.

GREEN SHOW MONDAYS: an eclectic variety program featuring music, comedy and performance from Festival favorites.

SHAKESPEARE AND CHILL: a special selection of Shakespeare-inspired movies featuring live commentary from artists and scholars, co-curated by Cinema St. Louis.

Other one-night only events to be announced.

May 29 – June 21 is SHAKE20

A 20th anniversary reboot of the beloved engagement program SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s originally scheduled run, May 29-June 21.

Like the original, SHAKE20 will be a region-wide collaboration involving artists and organizations including SHAKE38 alumni: Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics, Poor Monsters and Theater Nuevo. More details about the program and how to apply will be shared soon.

 “In the meantime, we hope that you and yours stay well. We have planned an incredible season of free Shakespeare, and we cannot wait to share it with you. It’s an interesting time to be in the business of live theatre and touring productions, but the Festival is committed to paying our artists and staff throughout this crisis,” Ridgely said.

So, if you have ever considered becoming a member, know that we are always grateful for your support—but especially so at this time,” he said.

“During this crisis, we feel more connected to Shakespeare and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The Plague was the single most powerful force shaping [Shakespeare’s] life and those of his contemporaries.’ During times of quarantine, Shakespeare wrote some of his most important sonnets and plays,” Ridgely said.

“We can’t claim to have his genius, but we will take inspiration from his dedication and from artists around the world that are stepping up to create, facilitate, and share stories in new and exciting ways. Stay tuned for updates on new and existing Festival programs,” he said.

For more information, visit the website sfstl.com and on social media. Visit https://www.facebook.com/shakesfestSTL

Stages St. Louis

While Stages St. Louis continues to follow guidance from the CDC as well as mandates from both local and national government, for the time being, they have made no adjustments to the schedule for our upcoming 2020 Season.

However, here are some changes regarding tickets, activities and outreach:

Single tickets for the 2020 Season will now go on sale beginning Monday, April 27.

All in-person activities with the Stages Performing Arts Academy will be canceled until the start of our Summer Semester on Monday, June 1.

The Stages administrative, production, and academy offices will remain closed until Thursday, April 23.

In the meantime, the Box Office is still open for questions or subscription ticket sales online at www.StagesStLouis.org or by phone at (314) 821-2407.

The Stages Performing Arts Academy will continue to offer digital and streaming content in order to continue performing arts education for students at home and can answer any and all questions by phone at (636) 449-5775. 

Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.

Tennessee Williams Festival St. Louis

Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.

The Tesseract Theatre Company
Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.

For more information, contact: brittaniegunn@gmail.com or visit the website, www.tesseracttheatre.com

That Uppity Theatre Company
Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.

Upstream Theater
In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.

West End Players Guild

Steven Dietz’s “Bloomsday” set to open April 17 and run through April 26 has been cancelled. It was the final production of the group’s 109th season.

“As our country copes with the growing threat of the Coronavirus, one of the most important steps we must take to protect ourselves and each other is the kind of “social distancing” that is impossible at a theatrical production. Our Board of Directors believes it is highly unlikely that the need for social distancing will be any less in April than it is today, and decided that the best course of action for our company and our patrons was to act now to cancel the show,” a statement reads.

Patrons who have purchased advance tickets through Brown Paper Tickets will be issued automatic refunds. WEPG will reach out to season ticket holders in the near future with refund options.

WEPG will begin its 110th season in September.

Alfresco Productions
Auditions for “Hairspray Jr.” will be by video for the Granite City community theater production. The show is to run July 24-26 and deadline for video submissions is April 19. The age limit is from 6th grade to 18 years old. For more information, visit: https://www.alfrescoproductions.org/auditions

Alton Little Theatre

All productions and concert events through May 1 have been cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and “Broadway Salutes America” may be refunded or transferred. Call 618-462-3205 for options.

“Brigadoon” has been moved from May to June, with plans for a June 5 opening, with eight performances through June 14. Season ticket holders can follow the same schedule but can call the office at 618-462-3205 anytime in May.

“Shrek” auditions have been rescheduled for Saturday, May 10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting at least 30 characters. The show will run July 31-Aug. 9 for eight performances.

Clayton Community Theatre
“The Philadelphia Story” was to run March 12-22 but was cancelled after opening weekend.

They hope to premiere “Broadway Bound” July 9 -14

Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a future date in 2020, to be determined, and cancelled March 28 auditions. The musical was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep informed of updates, visit www.curtainsuptheater.com

Kirkwood Theatre Guild

Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek: The Musical,” which were set to run in April and May.

Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on hold. More information will be forthcoming. Please follow or check out website www.HawthornePlayers.com for any further announcements.

Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it after state and local mandates due to the COVID-19 pandemic.

They have cancelled the rest of the season, including “Rock of Ages” in May and have moved it to the opening slot in the fall.

“We are reaching out to the publishers to reschedule and are hopeful that we will be able to still perform the show in September,” he said.

They hope to announce the full season soon and for patrons who renew their season tickets for next year, they will receive a 10 percent discount.

“Currently, we are still planning our summer youth production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror Show.”

Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19 and 24-26, has been postponed.

Due to the current health crisis in our area, all MASC rehearsals and activities at the Capitol Theater have been postponed effective Monday, March 16. 

“The MASC Board will be discussing the plan of action moving forward regarding Watch on the Rhine, the current show in production, and the remainder of the 2019-2020 season, as we monitor the progression of this crisis. Specific information regarding these two shows will be sent out accordingly. The health and safety of our membership and patrons is our highest priority,” a statement read.

O’Fallon Theatre Works

The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions were recently handled by video.

Over Due Theatre Company

The group in Olivette has postponed “My Fair Lady.” It was to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.

The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”

“We are hopeful and fully intend to mount this production at a later date,” a statement read.

AWARDS EVENTS

St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards were to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event has been cancelled. Local theater critics will still honor outstanding regional professional theater, however.

Instead, HEC will provide a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy outfits and schmoozing, the event will be downscaled reading of the nominations and awards.

Here is the URL link to the Higher Education Channel TV (HEC-TV):  https://www.facebook.com/hectv/live/

The event’s hashtag is #TCA20

The theater critic members of the St. Louis Theater Circle have recorded the nominations, and their voice-overs will run over photos of the nominees. Then HEC announcer Rod will announce the winner. There are 34 categories to give awards in, which cover dramas, comedies and musicals. A special award is being given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts.

Visit the Theater Circle’s Facebook page for more information.

If you would like to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Arts For Life

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

AFL President Mary McCreight has suspended all public activities of the AFL organization, effective until at least May 1. This includes all judging activities of the Theatre Recognition Guild.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” she said.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).

ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS

In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

ARTS CENTERS AND CONCERT HALLS

The Hettenhausen Center for the Arts

All events and performances scheduled through June 1 have been cancelled at “The Hett,” which is located on the campus of McKendree University.

 “TAO Drum” has been rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah” has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.

The ReMINDers has been cancelled for April 6.

They are offering patrons the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees. Please contact the box office during operating hours to discuss ticket disposition at 618-537-6863. The box office is open from noon to 4 p.m. Monday-Friday.

Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For more information, please contact thehett@mckendree.edu.

St. Louis Symphony Orchestra

All performances through April 12 are postponed or canceled. For information regarding tickets and schedules, visit slso.org.

The Sheldon Concert Hall & Art Galleries

All Sheldon-presented concerts and other events through May 10 have been postponed or canceled. Plans to reschedule are underway, and ticket buyer should retain their current tickets – they will be honored for the new dates. Additional information will be provided to ticket buyers as events are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley, “Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17; David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes for events presented by non-Sheldon promoters will be handled on a case by case basis. All updates can be found at TheSheldon.org or at MetroTix.com.

The Sheldon is located at 3648 Washington Blvd., St. Louis.

Fair Saint Louis

Fair Saint Louis and America’s Birthday Parade events have been canceled this year due to concerns about the COVID-19 pandemic.

Fair Saint Louis was set to run July 2-4 at the Gateway Arch with concerts, air show, and fireworks each night.

“While we are saddened to cancel two of our region’s most popular and free Fourth of July celebrations, the safety of our community is of utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair Saint Louis and America’s Birthday Parade embody the prideful spirit of our city, and over the past few weeks, we’ve seen that spirit shine so brightly within our community as we face this unthinkable challenge together.”

This year would have marked the 40th Fair Saint Louis and 138th America’s Birthday Parade.

“We look forward to returning to downtown St. Louis and celebrating with our community in the future when the time is right,” said David Plufka, Chairman, America’s Birthday Parade.

By Lynn Venhaus

As concerns for public health grows as the Coronavirus spreads in the U.S., many arts and entertainment events have been cancelled in the metropolitan St. Louis area. Some will be rescheduled. While others, in smaller venues, continue.

St. Louis City banned events with crowds bigger than 1,000 Thursday and St. Louis County announced Friday it is preventing crowds bigger than 250, effective immediately, until further notice.

Slowing the spread of COVID-19 is the utmost importance in making these decisions. Governors of Missouri and Illinois have declared states of emergency, as had the U.S. President on Friday.

Nationally, Broadway went dark and its 31 theatres announced they would be closed through Easter, which is April 12.

Dramatists Play Service, which holds the rights to many shows, has announced refunds to companies who have to cancel and also information regarding possibly live-streaming shows. For further information, visit https://www.dramatists.com/text/covid19cancellationpolicy.asp

Here is a list of what’s the latest news from local companies and venues, with the most up-to-date information as possible. It is best to check with a group before heading out as news can change fast.

Most companies released statements about how they have stepped up cleaning efforts and encouraging those feeling sick to stay home. They have also offered refund information. Check their social media and websites for current information.

On Thursday, the Fox Theatre announced postponement of all performances and tours through March 31.

“The Bachelor Live on Stage, scheduled for Friday, March 13 and Charlie and the Chocolate Factory scheduled for March 17-29 will both be postponed.   Plans to reschedule are currently underway. Ticket holders should hold on to their tickets – they will be honored on the new dates,” statement said.

Decisions about other future shows will be made as they follow the evolving situation with the COVID-19 Virus and the City of St. Louis’ determination of the length of this prohibition, a spokesman said.

The Repertory Theatre of St. Louis, on the campus of Webster University, is opening “The Cake” in the Studio Theatre March 13, and Friday evening announced that they would suspend all performances beginning Monday, March 16. They are postponing the opening of “Dreaming Zenzile,” set to open March 20, with hopes of rescheduling this summer.

This is a reversal of their announcement Wednesday that all their performances would continue. Here is the new statement:

“Following the declaration of a state of emergency in St. Louis County surrounding the spread of coronavirus (COVID-19), The Repertory Theatre of St. Louis must place the safety of its patrons, staff and artists above all other considerations.

Based on the Centers for Disease Control and World Health Organization’s recommendations against large group gatherings, The Rep has decided to cancel all performances and events beginning Monday, March 16 through the end of the season. We plan to postpone our Mainstage world premiere of Dreaming Zenzile, with the goal of mounting it this summer.

“We do not take this decision lightly, knowing that the communal connections made at public arts events are some of the strongest tools against the fears and anxieties of this moment. As we ride out this turbulent time together, we remain resolutely committed to the power of storytelling to change lives and uplift our shared humanity. Thank you for your understanding and for being a part of our Rep family. We look forward to welcoming you home again this summer.

We will be reaching out to ticketholders shortly via email, phone and/or text with more details regarding ticket options. For additional updates, stay tuned to repstl.org and our Facebook and Twitter feeds,” the statement said.

The Playhouse at Westport continues “Flanagan’s Wake” performances as planned. However, the company that owns the venue released a statement explaining their efforts.

“Our efforts in cleaning the venue have been stepped up and we will be disinfecting each seat, handrail and surface within the theatre prior to opening doors for each performance. Our bartenders will be wearing gloves, which will be changed frequently through the evening.

“In addition, Cushman & Wakefield, the property management for Westport Plaza has increased their efforts to assist in providing a safe environment for those that visit the Plaza. All public surfaces, from elevator buttons to escalator rails, to door handles and bathrooms are all being heavily sanitized multiple times throughout each day.

We, along with, many of you, are closely following and monitoring all reports issued from the CDC as well as our local and state governmental agencies and will adjust any and all protocol accordingly. At this time, all shows are playing as scheduled,” explained Sue Silverstein, vice president / general manager, Playhouse @ Westport Plaza

The Moolah Shrine have announced plans to reschedule the annual circus March 19-22 at Family Arena. Here is their statement:

For more than 78 years, the Moolah® Shriners have provided family entertainment to St Charles and St Louis region. As always, our focus has been the safety and well-being of families. After consulting with government health professionals and the Family Arena, We have decided to take strong but necessary actions to protect the health and well-being of all who plan on attending our circus.

As Shriners, we are about compassion and love; we help heal the sick, care for those in need. Our plans, for now, are to reschedule our 78th Moolah Shrine Circus for later this year. Thank you for your support, and we look forward to seeing you all later this year.

For further information, please refer to Moolah.org on Monday, March 16,” they noted.

William Roth, founder and artistic director of St. Louis Actors’ Studio, said they would offer their black box theater, The Gaslight Theatre, to performers in need of space during this pandemic.

“Many performers and band members have lost their incomes. The 100- seat Gaslight Theatre, based on availability, is offering itself up to bands whose gigs have been canceled. This offer is, of course, based on availability and the daily health regulations posted by the CDC and the local governments. As long as it’s legal we are an available venue,” Roth said. He can be reached by email at william@stlas.org

THE SHOW MUST GO ON
“Clybourne Park” at Alpha Players at the Florissant Civic Center Theatre this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.
The audience is limited to 200.

Note: “We are constantly disinfecting common surfaces as much as we can. We ask that high risk individuals (as defined by the CDC) or those that are exhibiting symptoms to refrain from entering the premises.”

“It’s Only a Play” at Looking Glass Playhouse in Lebanon, Ill. this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.

Note: “As of 12 March 2020 we have no intention to cancel any performances for It’s Only a Play. If we do, every effort will be made to give a minimum notice of 24 hours.”

Also, cleaning efforts stepped up and ticket refunds available.

“Flanagan’s Wake” at The Playhouse at Westport continue performances as planned, extended through April 11, with a special St. Patrick’s Day performance Tuesday.

Note: “Please be aware of your own health. If you are sick, or even questioning you are sick, please stay home. We will be happy to exchange your tickets for another performance. The top priority at the Playhouse @ Westport is the safety and the well-being of our guests, casts and employees.”

“Love Sex and the IRS” at Theatre Guild of Webster Groves this Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at their theatre, Newport and Summit.

“On Golden Pond” at Kirkwood Theatre Guild this Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at the Robert G. Reim Theatre, 111 S. Geyer Road.

“The Philadelphia Story” at Clayton Community Center cancelled their opening night, March 12, but continue performances March 13 and 14 and at 2 p.m. March 15 in the Washington University South Campus Theatre.

“Return to Forbidden Planet” at KTK Productions in the St. John the Baptist gymnasium, 4200 Delor, this weekend and next (Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.)


“Head Over Heels” at New Line Productions at The Marcelle Theatre this Friday and Saturday at 8 p.m., sold out, and continuing Thursday through Saturday until March 28.

Note: “We hope to run as scheduled through March 28, but we’ll continue to monitor the news and re-assess as the situation evolves. If anyone has purchased tickets but is not feeling well, please stay home, rest up, and contact MetroTix for a refund. The usual “no refund” rule will not apply.”

POSTPONED
“The Bachelor Live on Stage” tour at The Fox Theatre March 13. Plans to be rescheduled.

“Charlie and the Chocolate Factory” tour at The Fox Theatre March 17 – 29. To be rescheduled.

10th Annual St. Louis Teen Talent Competition April 4 at The Fox Theatre. To be rescheduled.

CANCELLED
The Black Rep “Spell #7” at the A.E. Hotchner Studio Theatre. They had extended the run through this weekend, but cancelled it in light of the COVID-19 developments.

The Hettenhausen Center for the Arts at McKendree University
All events and performances (internal, hosted or rented) scheduled through June 1.
This includes:
Shakespeare Festival St. Louis “Cymbeline” (March 16), Young People’s Concert (March 19), TAO DRUM (March 24), The ReMINDers (April 6), and speaker, Ishmael Beah (April 15).

Patrons are offered the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees.

Please contact the box office, during operating hours, to discuss your ticket disposition. The box office is open Monday – Friday from noon to 4 p.m.

College Performances Cancelled

“Cabaret” at Lindenwood University – St. Charles. Representatives will contact ticket holders on refunds.

“A Doll’s House” at Missouri Baptist University. Will transition to streaming. More information to follow.

By Lynn Venhaus
Managing Editor
Treat Mom to a play or musical this weekend? Or next weekend! Any time is the
right time to Go See a Play! Here’s what is happening now.  And make time for the Tennessee Williams
Festival! Only once a year, and the time is now!

“Biloxi Blues” Clayton Community Theatre May 2-12 Thursday through Saturday at 8 p.m.; Sunday at 2 p.m. but no performance May 10 Washington University South Campus Theatre 314-721-9228www.placeseveryone.org

What It’s About: The second in “The Eugene Trilogy,” Neil
Simon’s semi-autobiographical comedy centers on the contest of wills between a
drill sergeant and an intellectual recruit at an Army base in Biloxi, Miss., in
1943. Along the way, he loses his innocence in many ways.

“Death Tax” Mustard Seed Theatre May 9 – 19 Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m. Fontbonne Fine Arts Theatre What It’s About:  by Lucas Hnath “As Maxine nears the end of her life she is certain of three things: Death, Taxes and the Greed of her daughter who wants her to die quickly. A desperate nurse vows to keep her alive, but at what cost? Darkly comic, the play explores morality and forgiveness.” Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com.

“Dear Mr. Williams” The Tennessee Williams Festival Friday at 8:30 p.m. and Saturday at 3:30 and 8:30 p.m., May 10 and 11 Curtain Call Lounge www.twstl.org What It’s About: The blue devils of sex, alcohol, and mendacity take center stage in this tender and funny coming-of-age story of a young gay artist. With the great American playwright as his compass, writer and performer Batt takes us on a thrilling and very personal journey out of the shadows into a bright light of self-discovery. The tumultuous-and sometimes treacherous-journey from adolescence to adulthood is one we all must take, but Batt’s one-man tour de force proves that it’s oh so much more fascinating and fun with Tennessee Williams as your guide. “Freaky Friday” Curtain’s Up Theater Company May 10-12 Thursday and Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at 2 p.m. Dunham Theatre, SIUEwww.curtainsuptheater.com

What It’s About: Based on the Disney movie, “Freaky Friday” is a musical about a mother and daughter changing places to comical effect.  

“A Lovely Sunday for Creve Coeur” The Tennessee Williams Festival May 11- 19 Saturdays and Sundays at 1 and 5 p.m.  www.twfstl.org

What It’s About: Four eccentric and unforgettable women fry
chicken, plan a picnic to Creve Coeur Lake, and cope with loneliness and lost
dreams in an efficiency apartment on Enright Avenue in the Central West End
circa the mid-1930s. Williams gives us more laughs than usual, but no less
poetry or poignancy. Williams believed that growing up in St. Louis was
essential to the shape of his work. A Lovely Sunday for Creve Coeur is one of
his few plays set here, and was the inspiration behind TV’s “The Golden
Girls.

Director: Kari Ely
Starring: Kelly Weber, Ellie Schwetye,  

Madea’s Farewell Play Tour May 10 – 12 Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 3 and 7:30 p.m. The Fabulous Fox Theatre www.fabulousfox.com What It’s About: Tyler Perry’s 21st stage play Starring: Tyler Perry, Tamela Mann, David Mann and Cassi Davis Patton

“Mamma Mia!” Alton Little Theater May 10-19 Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. 2450 N. Henry in Alton 6180462-6562www.altonlittletheater.org What It’s About: Love, mishaps, and music by ABBA will have audiences dancing in the aisles again as they feel transported to the Greek Island of Kalokairi on the eve of a wedding.

“Mamma Mia!” Looking Glass Playhouse May 2 – 12 Thursday through Saturday at 7:30 p.m. and Sunday at 2 p.m. 301 W. St. Louis St., Lebanon, Ill.www.lookingglassplayhouse.com 618-537-4962

What It’s About: Through ABBA’s hits, a romantic comedy
tell the hilarious story of a young woman’s search for her birth father. This
sunny and funny tale unfolds on a Greek island paradise. On the eve of her
wedding, a daughter’s quest to discover the identity of her father brings three
men from her mother’s past back to the island they last visited 20 years ago. A
mother. A daughter. Three possible dads.

“Nice Work If You Can Get It” Kirkwood Theatre Guild May 3-5, 9-12 Evenings at 8 p.m., Sunday matinees at 2 p.m. Robert G. Reim Theatre Website: https://www.ktg-onstage.org/ 314-821-9956

What It’s About: A screwball comedy set in the Prohibition
era with songs by George and Ira Gershwin. Elegant socialists and boorish
bootleggers clash, when playboy Jimmy Winter meets a female bootlegger, Billie
Bendix, on the weekend of his third or fourth wedding.

“The Night of the Iguana” Tennessee Williams Festival May 9 – 19 The Grandel Theatre What It’s About: based on Williams’ 1948 short story, which was then developed into three acts for Broadway production in 1961. A Tony nominee for Best Play, it was adapted into a 1964 movie, directed by John Huston, that starred Richard Burton, Ava Gardner and Deborah Kerr. The play focuses on a former minister, barred from his church for defaming God, who works as a tour guide. He is accused of statutory rape of a 16-year-old girl in his tour group. Director: Tim Ocel Starring: James Andrew Butz, Lavonne Byers, Hannah Sturgis, Harry Weber, Spencer Sickmann, Greg Johnson, Victor Mendes, Luis Aguilar.“Over the Tavern” The Theatre Guild of Webster Groves May 3 – 11 Friday and Saturday at 8 p.m.www.theatreguildwg.org 314-962-0876 What It’s About: In that most idealized period of 20th-century America, the Eisenhower years of the 1950s, the Pazinski family has a lot going on in their cramped Buffalo apartment. The youngest of the bunch, 12-year-old Rudy, is a smart, wise-cracking kid who’s starting to question family values and the Roman Catholic Church. When Rudy goes up against the ruler-wielding Sister Clarissa and announces that instead of being confirmed he’d rather shop around for a more “fun” religion, all hell breaks loose.” Parental discretion is advised.

Director: Warren Frank Starring: Henry Alverson, Jimmy Hall, Andrea Jacobson, Tracy Murphy, Pepi Parshall, Declan Ryan, Patrick Ryan “Salt, Root and Roe” Upstream Theatre April 26 – May 12 Shows at 8 p.m. except Sundays at 7 p.m. but May 12 at 2 p.m. Kranzberg Arts Centerwww.upstreamtheater.org What It’s About: Tim Price’s play is about the nature of change, the comfort of home and the eternal bond of love, set against the mythical backdrop of the Pembrokeshire coast in western Wales. Identical twins Iola and Anest, who are devoted to age other and aging fast. Anest’s daughter, Menna, rushes to her long-abandoned childhood home where her own ideas of love and compromise are tested to the limit. Director: Kenn McLaughlin Cast: Donna Weinsting, Sally Edmundson, Eric Dean White, Amy Loui

Of Note: A U.S. premiere in co-production with Stages
Repertory Theatre of Houston.

By Lynn VenhausManaging EditorLooking Glass Playhouse’s “Frost/Nixon,” a political drama based on a series of televised interviews between a disgraced president and a British journalist, was the big winner at the fourth annual Theatre Mask Awards.

The 43-year-old theater in Lebanon, Ill., earned four awards for Peter Morgan’s 2006 play, including outstanding drama production (tie), and for director Glenn Saltamachia, supporting actor Mike Russell (as Reston) and large ensemble.

A sold-out crowd of 265 attended the Arts For Life event on April 6, a brunch celebration in the Atrium Banquet Center at Christian Northeast Hospital. Awards were presented in 18 categories and Kevin Frakes of the Alton Little Theater received the Lifetime Achievement Award.

AFL honored plays produced by St. Louis area community theaters during the 2018 calendar year. The non-profit organization has sponsored awards for musical theater in community and youth productions for 20 years. AFL organized the TMAs in 2015 to recognize dramas and comedies.

Sharing in Outstanding Drama Production was the local premiere of “The Curious Incident with the Dog in the Night-time” by Actors’ Attic in Columbia, Ill. The play is about a gifted math genius with Asperger’s syndrome who begins a journey of self-discovery when he starts investigating the neighbor’s dog’s death. Simon Stephen’s acclaimed 2012 adaptation of Mark Haddon’s 2003 novel earned seven Olivier Awards and the 2015 Tony Award for Best Play.

Cast of “The Curious Incident of the Dog in the Night-time” at the TMAs. Photo by Kim KlickActors’ Attic’s two leading performers, Dan Haller and Emily Brutton, won outstanding actor and actress. Haller said it was a privilege to play Christopher, who is also the narrator, while Brutton played his primary school teacher Siobhan. Actors’ Attic, lead by MaryBeth Babcock, has produced plays for 10 years and joined the TMAs last year.

Haller said the awards event was inspiring and thanked everyone for working in theater because they love it.

“You do theater for the love of doing theater, and that’s the best reason to do it,” Haller said.

Brutton thanked director Babcock for “always knowing how a story needs to be told.”“People follow their dreams because of her,” she said. 

“Brighton Beach Memoirs” cast at TMAs. Photo by Kim Klick.Clayton Community Theatre’s production of Neil Simon’s “Brighton Beach Memoirs” won three awards, including outstanding comedy production and for actor Patrick Blanner as Eugene and director Sam Hack. CCT, founded in 1998, plans to produce Simon’s entire Eugene trilogy, is working on “Biloxi Blues” now and will present “Broadway Bound” next year.

Clayton’s production of William Inge’s ‘Bus Stop” won for outstanding large ensemble.

Both Outstanding Lead Actors in a Drama and a Comedy were under 20 years old — Haller is 19 and Blanner is 18.

Other multiple winners included O’Fallon TheatreWorks’ play version of F. Scott Fitzgerald’s “The Great Gatsby,” which won two — supporting actress for Tori Stukins, who played Daisy’s society friend Jordan Baker, and costume design for Carole Lanham.

The drama “One Flew Over the Cuckoo’s Nest” received awards for two different theater groups’ productions. Alton Little Theater’s show won lighting design for Lee Cox and Dennis R. Stephenson and the O’Fallon Theatre Works’ play won set design for Chris and Ellie Lanham.

Chris Lanham said working behind-the-scenes is a “labor of love,” quipping it’s really “mostly labor.”

Alton Little Theater also won outstanding actress in a comedy – Alison Beach as the frustrated daughter dealing with other people in line for her late billionaire father’s fortune in “Who’s in Bed with the Butler?” 

Beach said the year before, she had auditioned for many shows and had been turned down. After one tryout at Alton, director Lee Cox took the time to explain to her why she didn’t get a part.“I assured her it mattered. She gave me the strength to keep auditioning,” she said.

The Theatre Guild of Webster Groves was honored with three acting awards. Kaylee Ryan won outstanding juvenile performance in “The Children’s Hour” while Will Shaw won supporting actor in a comedy as bar patron Gaston in Steve Martin’s “Picasso at the Lapin Agile”” and Sarah Hirshfield won supporting actress in a comedy as Carol, the only female writer, in Neil Simon’s “Laughter on the 23rd Floor.”

Cast of “Frost/Nixon with directors at TMAs. Photo by Kim Klick.Mike Russell, a past AFL nominee, won Outstanding Supporting Actor for his portrayal of James Reston Jr., an American author and government official who served as David Frost’s Watergate advisor for the Nixon interview. In “Frost/Nixon,” he also served as narrator. In his speech, he thanked LGP for taking a risk on the show “in today’s political climate.”

Kevin Frakes, current president of Alton Little Theater and longtime actor, director, set designer and mentor, received the Lifetime Achievement Award.

He joined the group, founded in 1933, 40 years ago. With his vision and hard work, the theater has grown into a creative center for the performing arts, presenter Lee Cox said.

“(Theater) changed my life and made me face my weaknesses. It made me a stronger, better person because of it,” he said.

Best friends Lee Cox and Lifetime Achievement Award winner Kevin Frakes, who have been doing theater together since she was 17 and he was 19. Photo by Kim Klick.Frakes told how he got into theater, and one of the reasons was to be accepted, for he was from a poor and abusive family.KLOU (103.3 FM) radio personality Vic Porcelli, who also acts in local productions, again served as the master of ceremonies, returning for the fourth time. Grace Boyer and Kailynn Stiff were the trophy presenters.

The TMAs include participation by 10 area theater companies. A judges panel scored 12 dramas and 13 comedies to determine the nominations, which are announced at the annual AFL trivia night, and the eventual winners. A large ensemble is nine or more people in the cast. TMA Chair is Glenn Guillermo and the Steering Committee is 26 people affiliated with the participating theater companies. The Judges Panel includes 42 volunteers. 

“I am proud of the dedication of the TMA Steering Committee and Director Glenn Guillermo,” said AFL President Mary McCreight. “The AFL Board of Directors congratulates all participants/nominees in last year’s shows. I am happy to see the TMAs thriving and creating a niche for yourselves in the theater community.”

The AFL’s 20th annual Best Performance Awards will take place on Sunday, June 9, at 2 p.m. at the Skip Viragh Center for the Performing Arts on the campus of Chaminade College Preparatory School, 425 S. Lindbergh Blvd. 

The musical theater awards reflect the work of 25 companies who produced 48 musicals – 21 large ensemble, 7 small ensemble and 20 youth productions. Two special youth awards will be presented to Caroline Santiago Turner for “Violet” (Best Youth Musical Performance) and Sean Harvey as Bobby in “Crazy For You” (Best Youth Featured Dancer), both works by the Gateway Center for the Performing Arts.The Lifetime Achievement Award will be presented to Joe Paule Sr. Local professional actor Ryan Cooper is the returning master of ceremonies.Reserved tickets will be available for $20 until May 10, then tickets are $25. Formal attire is requested.

For more information, visit www.artsforlife.org

By Lynn VenhausManaging EditorAnother opening, another show, and another, and another…We have an abundance of riches in the St. Louis region this weekend — many solid offerings from St. Peters, Mo. to Waterloo, Ill.

Whether it’s established playwrights like Arthur Miller, Sarah Ruhl or Laura Gunderson or emerging writers, we encourage you to take a fresh look at a classic or dive in to something new.

Speaking of playwrights, homegrown Beau Willimon will be in town Thursday night to attend the preview performance of his drama, “Farragut North.”

Willimon, who adapted the British TV series “House of Cards” for the American version on Netflix, is a graduate of John Burroughs High School, where he was a student of director Wayne Salomon.It’s the final week for several shows — “District Merchants” at New Jewish Theatre, “Wittenberg” at Upstream Theatre and “The Motherf**ker with the Hat” at R-S Theatrics. “Fiddler on the Roof” tour ends its St. Louis stop on Sunday.

Openings include “The Crucible” at Stray Dog Theatre, “Farragut North” at St. Louis Actors’ Studio, “Oslo” at the Repertory Theatre of St. Louis, and “Exit, Pursued by a Bear” at West End Players Guild.Four shows open in Community Theatre — “Don’t Dress for Dinner” at Act Two, ” “First Date” at Clinton County Showcase, “Little Shop of Horrors” at MASC and “Eurydice” at Clayton Community Theatre.

Metro Theatre continues with “The Hundred Dresses,” “Avenue Q” goes through March 3 at The Playhouse at Westport, “Deenie Nast Is Back” is just on Fridays, and SATE’s “Classic Mystery Game” has two more weekends.Whatever you are in the mood for, you can find it in the ‘Lou, or by crossing one of the bridges. Wherever you go, GO SEE A PLAY! “Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie
Mueller

Starring: Andrew Keeler, Brent Ambler, Jennifer
Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony Awards, including Best Musical. “Black Theatre Workshop” Metcalf Theatre Southern Illinois University at Edwardsville Friday, Feb. 8 at 7:30 p.m. and Sunday, Feb. 10 at 5 p.m. 618-650-2774www.siue.edu

Of Note: In honor for the 20th anniversary celebration of Black
Theater Workshop, SIUE Theater and Dance welcomes the return of alumnus Greg
Fenner who directed this year’s edition of BTW “Black in My Day.”
Fenner has worked in professional theater in both St. Louis and Chicago, and is
the recipient of Best Actor in a Comedy for “Fully Committed” from the St.
Louis Theater Circle.

Photo by Joey Rumpell“Classic Mystery Game” Slightly Askew Theatre Ensemble (SATE) Wednesdays – Saturdays at 8 p.m. Jan. 30 – Feb. 16 The Chapel, 6238 Alexander Drive, 63105www.brownpapertickets.comrachel@slightlyoff.org 314-827-5760

What It’s About: SATE opens its Season of Ritual with a parody of the cult classic 1985 movie, “Clue,” written by Katy Keating. She has written about the failure of capitalism in a climate-changing world.

The film was written by Jonathan Lynn, and that was based
on the game, “Cluedo,” which was created by Anthony E. Pratt.

Director: Katy Keating

Starring: Will Bonfiglio. Maggie Conroy, Michael Cassidy
Flynn, Carl Overly Jr., Reginald Pierre, Ellie Schwetye, Rachel Tibbetts, Kristen
Strom, Marcy Wiegert and Bess Moynihan

Of Note: Wednesdays, Feb. 13, are “Pay What You Can”

Photo by Justin Been“The Crucible” Stray Dog Theatre Feb. 7 – 23 Thursdays through Saturdays at 8 p.m.; special 2 p.m. matinee Sunday, Feb. 17. Tower Grove Abbey 2336 Tennessee www.straydogtheatre.org 314-865-1995

What It’s About: Lies. Betrayal. Lust. In 1690s
Salem, a young girl leads a Puritanical purge of witchcraft against a local
farmer and his wife. As fear and excitement grow in the town, the accusations
grow more ferocious and terrifying, until no one is safe, and the truth is
obscured completely. Written by Arthur Miller and winner of the 1953 Tony Award
for Best Play.

Director:
Starring: John Proctor: Graham Emmons, Elizabeth Proctor: Cynthia Pohlson, Abigail
Williams: Alison Linderer, Mercy Lewis: Sienna DeSuza, Rebecca Nurse: Suzanne
Greenwald, John Danforth: Joe Hanrahan, Ezekiel Cheever: Charles Heuvelman, John
Hathorne: Jonathan Hey, Ann Putnam: Laura Kyro, Francis Nurse: Chuck Lavazzi, Susanna
Walcott: Zoe Liu, Giles Corey: Gerry Love, Hopkins : Michael Maskus, Sarah
Good: Liz Mischel, Thomas Putnam: Tom Moore, John Willard: Stephen Peirick, Rev.
Samuel Parris: Ben Ritchie, Betty Parris: Avery Smith, John Hale: Abraham Shaw,
Mary Warren: Chrissie Watkins and Tituba: Kelli Wright.

“Deenie Nast is Back” Ten Directions and the St. Lou Fringe Fridays at 8 p.m. Feb. 1, 8 and 15 Emerald Room at The Monocle www.deenienast.com

What It’s About: One-woman show by Audrey Crabtree features
international performance superstar Deenie Nast, who delivers a no holds
barred, song-filled tribute to her lonely fans. Nast presents a hilarious and
heartbreaking exploration of relationships, loneliness, and true connections.
Nast sings the hits from her past, revealing very personal stories. Songs,
physical comedy and audience interaction are involved.

Photo by Eric Woolsey “District Merchants” New Jewish Theatre Jan. 24 – Feb. 10 Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Wool Studio Theater Jewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org 314-442-3283

What It’s About: Love, litigation, deep passions and
predatory lending are taken to a new level. The play wades fearlessly into the
complexities of life in America. It is set among Black and Jewish populations
in an imagined time and place, simultaneously Shakespearean and post- Civil War
Washington, D.C.

Directed by Jacqueline Thompson

Cast: Gary Wayne Barker, J. Samuel Davis, Courtney Bailey
Parker, Alicen Moser, Erika Flowers, Karl Hawkins, Ron White, Rae Davis

Of Note: In Aaron Posner’s re-imagining, the play becomes
less about the quality of mercy and more about how flexible a supposedly
egalitarian society can be to the varied tribes struggling to find partners in
America. Aaron Posner expertly blends humor, emotional truths and topics that
make people think. He is able to create characters who are deeply flawed, like
we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the
Reconstruction Era, but what he has written is relevant to audiences today.

Trish Nelke, John Emery, Laura Deveney and Becky Loughridge. Photo by Lori Biehl“Don’t Dress for Dinner” Act Two Theatre Feb. 8 – 17 Fridays and Saturdays at 7:30 p.m.; Sundays at 2 p.m. St. Peters Cultural Arts Centrewww.acttwotheatre.com What It’s About: Bernard and Jacqueline are a not-so-happily married couple, both of whom are having extramarital affairs. As Jacqueline prepares to go out of town to visit her mother, Bernard invites his mistress and Robert, his best friend (and also Jacqueline’s lover, unbeknownst to Bernard), over for the weekend. He’s even hired a Cordon Bleu chef to cater the evening. Jacqueline discovers Robert is coming to town and cancels her trip, causing Bernard to panic. When Robert arrives, Bernard asks him to pretend Suzanne is Robert’s mistress. Robert mistakes the chef, for Bernard’s mistress, producing a highly complicated dinner of hilarious hijinks, secret trysts and slapstick comedy.” Performances take place in the St. Peters Cultural Arts Centre at 1 St Peters Centre Blvd, St. Peters, MO 63376. For more information: act2theater.com.

Director: Paul James Starring: Trish Nelke, John Emery, Laura Deveney, Becky Loughridge, Travis Wiggins, Justin Spurgeon

“Eurydice” Clayton Community Theatre Feb. 7 – 17 Thursday – Saturday at 8 p.m.; Sunday at 2 p.m. Washington University South Campus Theatre  6501 Clayton Road Tickets by email at tickets@placeseveryone.org 314-721-9228 www.placeseveryone.org. What It’s About: This “weird and wonderful” (New York Times) retelling of the Greek myth about the musician Orpheus and his wife Eurydice ruminates on love, loss, and the power of memory. “Eurydice” by Sarah Ruhl is one of the few retellings of the classic myth told from the heroine’s perspective. It considers her untimely death and descent to the Underworld, what she finds there, and her difficult decision of whether or not to return to Earth with Orpheus. “Eurydice” was nominated for Drama League and Drama Desk awards in 2008. Director – Jessa Knust

Starring: Eurydice – Mary Tomlinson, Orpheus – Wil Spaeth, Eurydice’s Father – Jeff Lovell, Nasty Interesting Man / Lord of the Underworld – Britteny Henry, Big Stone – Jack Janssen, Little Stone – Amie Bossi, Loud Stone – Ann Egenriether

Photo by John Lamb“Exit, Pursued by a Bear” West End Players Guild Feb. 8 – 17 Showtimes are 2 p.m. Sundays and 8 p.m. Fridays and Saturdays, with Thursday the second week. Union Avenue Christian Church 733 Union Boulevard in the Central West End www.westendplayersguild.com

What It’s About: Nan Carter has had it.  She’s had it with her husband Kyle’s
“good ole boy” ways – the coming home drunk, the passing out on the
couch, but not before he gives her a good shot or two.  More importantly, she’s had it with a life
contained within the four walls of their dreary North Georgia cabin.  She knows there’s a more exciting world out
there, and she’s decided to leave Kyle’s world behind and go find her own.

But first, she’s going to have some fun.

With the help of her stripper pal Sweetheart and her best
bud theatre pal Simon, Nan is going to duct tape Kyle to his favorite chair,
put on a little show to teach Kyle the error of his ways and then feed him to a
bear.

Director: Teresa Doggett
Starring: Lexa Wroniak as Nan Carter, Alex Fyles as Kyle Carter, Tara Ernst as
Sweetheart and Ethan Isaac as Simon.

Of Note: The play marks a return for playwright Lauren
Gunderson, recognized last year by American Theatre magazine as America’s
most-produced playwright. Gunderson’s Silent Sky was the big hit of WEPG’s
2018-19 season.

Please note that the Thursday show is on Valentine’s Day.  For this show only, all ladies in attendance will receive a flower and chocolate. Gentlemen will receive a red duct tape bracelet.

Photo by Patrick Huber“Farragut North” St. Louis Actors’ Studio Feb. 8 – 24 Thursdays through Saturdays at 8 p.m.; Sunday at 3 p.m. Gaslight Theatre 358 North Boyle Metrotix.com 314-458-2978www.stlas.org

What It’s About: Stephen Bellamy is a wunderkind press secretary who has built a career that men twice his age would envy. During a tight presidential primary race, Stephen’s meteoric rise falls prey to the backroom politics of more seasoned operatives. “Farragut North” is a timely story about the lust for power and the costs one will endure to achieve it. Director: Wayne Salomon Starring: Spencer Sickmann, Peter Mayer, David Wassilak, Luis Aguilar, Hollyn Gayle, Shannon Nara and Joshua Parrack. Of Note: Playwright Beau Willimon, who grew up in St. Louis and was a student of the director at John Burroughs School, will be in attendance for a special preview on Thursday, Feb. 7, at 8 p.m. The West End Grill and Pub will be open before and after the performances for drinks.

Fiddler on the Roof“Fiddler on the Roof” Jan. 29 – Feb. 10 The Fabulous Fox Theatre 529 N. Grand www.fabulousfox.com

What It’s About: Tony-winning director Bartlett Sher and
the team behind South Pacific, The King and I and 2017 Tony-winning Best Play
Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece
from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon
Harnick.

The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family. “First Date” Clinton County Showcase Feb. 8 – 17 Fridays and Saturdays at 8 p.m., Sundays at 2 p.m. Avon Theatre, 525 N. Second St., Breese, Ill. www.ccshowcase.com What It’s About: Aaron is a “blind date virgin,” while Casey has been on more than her fair share. When the two are set up by a mutual friend, sparks fly-or do they? The night unfolds over the course of this couple’s hilarious first date, and it’s not without its share of surprises in the form of imaginary visits from Aaron’s ex-girlfriend, Casey’s uptight sister, the pair’s protective parents and even their future son.

“The Hundred Dresses” Metro Theatre Company Feb. 3 – Feb. 25 The Grandel Theatre Metrotix.com www.metroplays.org

What It’s About: Wanda Petronski, the new girl in Room 13,
is a Polish immigrant who lives in a shabby house and doesn’t have any friends.
Every day she wears the same faded blue dress, but tells her new class-mates
that she has a hundred dresses at home. Her classmates tease Wanda about her
hundred dresses until one day she disappears from school. As guilt overtakes
the children, they decide to find out what happened to Wanda and to make
amends. But is it too late? Bullying, friendship and forgiveness are at the
center of this play adapted from the beloved Newbery Honor Book by Eleanor
Estes.

Cast: Sophie Murk as Wanda, Alicia Revé Like as Maddie, Hailey Medrano as Peggy, Philip C. Dixon as Mr. Mason, and Jacob Cange as Tommy/Mr. Svenson

Of Note: Eleanor Estes wrote down her childhood memories while recovering from tuberculosis and became a children’s author. Her many published works are widely read; but “The Hundred Dresses” continues to be the most popular, remaining in print since its publication in 1944. It was awarded the Newbery Honor in 1945. Speaking about “The Hundred Dresses” Eleanor Estes said, “I am holding up a mirror, and the scene reflected in the mirror is a true image of childhood, and the mirror, besides reflecting, also speaks and echoes the clear, profound, unpremeditated utterances, thoughts, and imageries of these children. I like to make children laugh or cry, to be moved in some way by my writing.

“Little Shop of Horrors” Monroe Actors Stage Company Feb. 8 – 10, 15 – 17 Friday and Saturday at 7:30 p.m.; Sunday at 2:30 p.m. Historic Capitol Theatre Waterloo, Ill. 618-939-7469www.masctheatre.org What It’s About: Science fiction mixes with romantic comedy for the musical based on the Roger Corman B-movie, “Little Shop of Horrors,” with book and lyrics by Howard Ashman and music by Alan Menken. Seymour Krelbourn works for a florist on skid row and purchases a strange plant that appears during an eclipse, which he names Audrey Two. He has a crush on his co-worker Audrey, who dates a sado-masochistic dentist. The plant is a big hit, and things get weird. Director: Matt Dossett, with music direction by Marcia Braswell Starring: George Doerr IV as Seymour, John Jauss as Mr. Mushnik, Julie Petraborg as Audrey, Seth Acock as Orin, Tim McWhirter as Audrey Two, and Sarah Polizzi, Kara Grossmann and Hannah Lindsey as the street urchin chorus, with Jeff Clinebell, Valleri Dillard, Jennifer Kerner, Reagan Posey, Rachel Mackenzie, Mark Sochowski and Austin Brouk.

Of Note: A sensory-friendly performance is set for Sunday,
Feb. 10.

Jesse Munoz, Adam Flores, Aaron Dodd. Photo by Jill Ritter Lindberg“The Motherf**ker with The Hat” R-S Theatrics Jan. 25 – Feb. 3 Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. .Zack, 3224 Locust www.r-stheatrics.com

What It’s About: How do you know where you’re going…if you
don’t know who has been in your home? The serio-comedy explores how five people
in New York navigate loyalty, trust, and duty through friendship, love and the
challenges of adulthood. And how no one should ever underestimate the
importance of cleaning up their accessories.

Director: Carl Overly Jr.

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron
Dodd, Taleesha Caturah.

Of Note: Adult themes and language, recommended for mature
audiences.

Photo by Peter Wochniak“Oslo” Feb. 8 – March 3 The Repertory Theatre of St. Louis 130 Edgar Road, St. Louiswww.repstl.org 314-968-4925 What It’s About: The winner of the 2017 Tony Award for Best Play, this play by J.T. Rogers is set in 1993, when two bitter enemies shocked the world by shaking hands and agreeing to work towards peace. “Oslo” finds the unlikely story behind the historic event. The drama explores the secretive and precarious negotiations that made that moment possible and focuses on the Norwegian couple who brokered talks between the Israelis and Palestinians. Director: Steven Woolf Starring: Jim Poulos, Kathleen Wise, Rajesh Bose, Ben Graney, Jerry Vogel, Michael James Reed, Amro Salama, John Rensenhouse, Michelle Hand, Jonathan Gillard Daly, Jeff Cummings, Jim Shankman, Chaunery Kingsford Tanguay, Jack Theiling and Tom Wethington. Of Note: “Oslo” is recommended for adult audiences. The show contains strong adult language and weighty discussions about global politics and diplomatic relations.

Photo by ProPhotoSTL“Wittenberg” Upstream Theater Jan. 25 – Feb. 10 Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m. Kranzberg Arts Center www.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall
semester at the University of Wittenberg finds certain members of the faculty
and student body at personal and professional crossroads. Hamlet (senior, class
of 1518) is returning from a summer in Poland spent studying astronomy, where
he has learned of a revolutionary scientific theory that threatens the very
order of the universe, resulting in psychic trauma and a crisis of faith for
him. His teacher and mentor John Faustus has decided at long last to make an
honest woman of his paramour, Helen, a former nun who is now one of the
Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s
instructor and priest, Martin Luther, is dealing with the spiritual and medical
consequences of his long-simmering outrage at certain abusive practices of the
Church.

Director: Philip Boehm

Starring: Casey Boland, Steve Isom, Alan Knoll and Caitlin
Mickey.

Of Note: St. Louis premiere.

By Lynn Venhaus
Managing Editor
St. Charles will literally become a ghost town when actors take over the streets during “Legends and Lanterns” this weekend and next. Strange things will be happening not only in neighborhoods but on local stages this week, too.
More Halloween spirit can be found in “Evil Dead: The Musical” at Stray Dog Theatre and “The Zombies of Penzance” at New Line Theatre.
The Bard gets spooky in “Macbeth,” and Rebel and Misfits starts its third Immersive Theatre Project Oct. 24 with a preview of “Macbeth: Come Like Shadows.”
The Bard also gets stormy in “The Tempest,” a gender-swap production from St. Louis Shakespeare.
For fantasy fun, Variety Club celebrates its 10th season with “The Little Mermaid” at the Touhill.
Times, they are a-changing for women in “A Doll’s House, Part 2,” now surprising audiences at The Rep, while a punk-rock, lesbian chef holds court in “Raging Skillet at The New Jewish Theatre.
The LGBTQ community is sharing their stories in “The Coming Out Festival” from the Q Collective. The tragic hate-crime death of Matthew Shepard is explored in “The Laramie Project” at Clayton Community Theatre.
Mustard Seed Theatre offers a provocative look at sin, grief and grace in “The Last Days of Judas Iscariot,” with 13 actors portraying 27 characters.
Fun, fantasy, comedy, drama, spooky or tragic — take your pick, but Go See a Play!

Amanda Brasher rehearses “Weird” by Nicholas Pappas in The Coming Out Festival.The Coming Out Play Festival
The Q Collective
Oct. 19 and 20
Friday at 7 p.m., Saturday at 4:30 p.m. and 8 p.m.
The Monocle on Manchester in the Grove
www.theqcollective.theater
What It’s About: Six one-act plays that explore the coming out experience.
 
 
 
“A Doll’s House, Part II”
The Repertory Theatre of St. Louis
Oct. 11 – Nov. 4
Browning Mainstage, Loretto-Hilton Center
130 Edgar Roadwww.repstl.org
314-968-4925
Michael James Reed as Torvald and Photo by Peter Wochniak, ProPhotoSTL.comWhat It’s About: Lucas Hnath’s audacious sequel was written more than 135 years after Henrik Ibsen’s original. The familial drama remains a foundational piece of theater, with a still-controversial ending in which a married woman chooses to walk out on her family. But in 2017, Hnath took the themes and characters of that familiar classic and flipped them on their heads, imagining what would happen if protagonist Nora Helmer returned home 15 years after her dramatic exit.
Director: Timothy Near
Starring: Caralyn Kozlowski, Andrea Abello, Michael James Reed, Tina Johnson
Photo by John Lamb“Evil Dead: The Musical”
Stray Dog Theatre
Oct. 11 – 27
Thursday through Saturday; Added performance Wednesday, Oct. 24
Tower Grove Abbey
2336 Tennesseewww.straydogtheatre.org
314-865-1995
What It’s About: Based on the 1980s cult classic “Evil Dead” films, this campy show bursts with farce and blood. Five college kids take a trip to a remote cabin in the woods and encounter ancient evil spirits and revenge-seeking Candarian demons.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Sam Gaitsch.
Starring: Riley Dunn, Dawn Schmid, Maria Bartolotta, Josh Douglas, Stephen Henley, Jennelle Gilreath, Kevin O’Brien, Corey Fraine and Christen Ringhausen.
Of Note: Some performances are sold out, and tickets are predicted to be limited during run. Wait lists will begin nightly at 7 p.m. (when the lobby opens) at the box office for any unclaimed seats and those will be handed out at 7:55 p.m.
The Splatter Zone is considered Signature Seating. With your purchase of a “Splatter Zone” seat you also receive an exclusive T-Shirt with just enough white space for us to create a one-of-a-kind souvenir.
Those adventurous enough to sit in the “Splatter Zone” are encouraged to dress down. Stray Dog Theatre is not responsible for property damage or loss resulting from the “Splatter Zone.”
“The Laramie Project”
Clayton Community Theatre
Oct. 11 – 21
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Washington University South Campus Theatre (old CBC high school)
314-721-9228
www.placeseveryone.org
What It’s About: Based on the true story of gay Matthew Shepard, the 21-year-old victim of a hate crime in 1998 in Laramie, Wy., “The Laramie Project” unfolds through the words of people in Laramie who were interviewed by members of Tectonic Theater Company in the 18 months following Matthew Shepard’s death (Oct. 12, 1998), creating a portrait of the community and key individuals in the aftermath of the event and as the victim’s killers were brought to trial and convicted.
Director: Jim Danek
Starring: Jim Abels, Kelly Hunter, Jack Janssen, Mark Lull, Tim Naegelin, Elizabeth Penny, Tina Renard, Lucy Sappington, Rob Tierney, Johnathon Waller, Chrissie Watkins
Of Note: This is the 20th anniversary of Matthew Shepard’s death.
In connection with its production, Clayton Community Theatre will be hosting post-show discussion of the issues raised in the play on Friday, Oct. 19. These conversations will be hosted by Denny Patterson, who has studied the Shepards, the Matthew Shepard Foundation, and their ongoing legacy.
Chris E. Ware and Jesse Munoz as Judas and Jesus. Ann K Photography“The Last Days of Judas Iscariot”
Mustard Seed Theatre
Oct. 10 – 28
Wednesday, Thursday and Saturday at 8 p.m., Sunday at 2 p.m., No Friday
Fontbonne University Fine Arts Theatre
6800 Wydown Blvd.www.mustardseedtheatre.com
Tickets: MetroTix.com
314-719-8060
What It’s About: Set in Purgatory, the trial to determine Judas’ fate is underway. A defense attorney argues that the disgraced disciple should not be damned for all time, that others are culpable in the greater scheme of things, while an overzealous prosecutor thinks a special place in hell is just fine.
A jury will decide Judas’ fate, but not before a parade of high-profile witnesses take the stand
Director: Adam Flores, resident artist
Starring: Courtney Bailey Parker, Rae Davis, Graham Emmon, Carmen Garcia, Chelsea Krenning, Erick Lindsey, Carl Overby, Chandler Spradling, Arielle Rovinsky, Rachel Tibbetts, Chris E. Ware, and Eric Dean White
Of Note: Mature/adult subject matter, language and content. Not recommended for children.
There are no Friday performances. Thursday evening performances on Oct. 18 and 25 are Pay With A Can/Pay What You Can performances.
Photo by Ann K Photography
“Legends and Lanterns”
Historic Main Street in St. Charles
Oct. 20-21, 26-28
Saturday, Oct. 20 – 11 a.m. to 6 p.m.; Sunday, Oct. 21 – noon to 5 p.m.; Friday, Oct. 26, from 5 to 8 p.m.; Saturday, Oct. 27 – 11 a.m. to 8 p.m., and Sunday, Oct. 28 – noon to 5 p.m.
What It’s About: This Halloween, St. Charles will become literally a ghost town. Historic Main Street will be invaded by a plethora of playful paranormal poltergeists from parts unknown. These notorious and infamous witches, villains, and spirits from lore and legend will unleash the magic of their enchanted lanterns to bring you eerie entertainment. But don’t worry, these friendly ghouls have more treats to offer than tricks, and they enjoy meeting “little monsters” of all ages.
Finding its inspiration from the past, Legends & Lanterns offers the vintage charm of Halloween in the 1910s-1930s, to the historical rituals and customs brought to the holiday by the Druids and Victorians, to the ethereal atmosphere depicted in American ghost stories and Brothers Grimm fairy tales.
As you explore every mysterious nook and cranny of Main Street, you’ll unearth various activities that will bring to “life” the backstories and origins of this beloved holiday, All Hallow’s Eve. It’s a little bit silly. It’s a little bit macabre. But it’s all fun.
Some of the programs include “The Legend of Sleepy Hollow,” “Writers Block: Unbound,” and “Eerie Jamboree.”
Pick-up your official Legends & Lanterns Passport at the Tourism Center (230 South Main Street), Scarecrow Glen, Hayride Locations, or Plaza del Dia de los Muertos.
The Little Mermaid presented by Variety – Children’s Charity St. Louis at Touhill at University of Missouri – St. Louis on Oct 23, 2014.“The Little Mermaid”
Variety Theatre
Thursday through Sunday, Oct. 18 – 21
Touhill Performing Arts Center
University of Missouri – St. Louis
www.touhill.org
What It’s About: Sing, dance and swim along as we follow Ariel’s journey to walk on land and find true love. Celebrating its 10th anniversary, Variety Theatre is the country’s only production of its kind. Featuring an inclusive children’s ensemble performing alongside a professional adult cast, this Broadway classic is a must-see event.
Director: Lara Teeter
Starring Terrence Mann as King Triton; Berklea Going as Ariel; David Bryan Johnson as Prince Eric; Joy Boland as Ursula: Drew Humphrey, Alan Knoll, Ian Nolting, Dustin Crumbaugh, Michael Hawkins, Chandler Ford, Will Bonfiglio, Eileen Engel, Larissa White, Whit Reichert, Corbyn Sprayberry, Dena DiGiancina, Allison Newman, Caitlin Witty, JR Pruski, Jimmy Capek and Mason Kelso.
Of Note: In 2018, Variety Theatre was awarded the “Special Award for a Body of Work” by the St. Louis Theater Circle, an honor only presented when it is felt it is truly deserved.
“Macbeth: Come Like Shadows”
Rebel and Misfits Productions
Immersive Theatre Project
Oct. 24 – Nov. 10
Wednesday through Saturday at location patrons are bused to.
www.rebelandmisfitsproductions.com
What It’s About: Dive into a shocking world and discover the heart and dark underbelly of a story that you have undoubtedly come in contact with before, but never allowed full access to the dripping heat and intimacy pulled along by its characters. This is one of Shakespeare’s boldest and most passionate plays deeply imagined.
Who are the inhabitants?  Why do their souls choose the courses they embark upon?  What is behind the door? Immerse yourself in a world of direct interaction, walk into this complexly-woven tale, wade into its unlocked depths.
Co-Directors: Kelly Hummert, Sean Patrick Higgins with Jordan Woods assisting.
Starring: Sean Patrick Higgins, Jeffrey Cummings, Spencer Sickmann, Reginald Pierre, Paul Cereghino, Shane Signorino, Kelly Hummert, Aarya Locker, Phil Leveling, Patrice Foster, Joel Antony, Hailey Medrano, Tyler Cheatem, Cynthia Pohlson, Ali Linderer, Kevin Corpuz and Jordan Woods
Of Note: We invite you to meet these characters as you never have before. Drink with them.  Dance with them.  Share your secrets with them. They will, in turn, weave you into the fabric of the action. Come and experience this high-octane, dangerous, and sexy world, where nothing is ever quite what it seems.
Pick Up Location: 1615 South Broadway, St Louis, MO 63104 (parking lot near DB’s), buses will transport the audience to and from the location.
“The Naked Magicians”The Playhouse at Westport
Oct. 19-21 (5 shows)
Tickets: MetroTix at metrotix.com or by phone at 314-534-1111. Additionally, tickets will also be available at the box office one hour prior to show time.
www.playhouseatwestport.com
What It’s About: The Naked Magicians, the world’s naughtiest and funniest magic show, strips away the top hats and capes to promise full-frontal illusions with magic, muscles and endless laughs.
Starring: Mike Tyler and Christopher Wayne, two of Australia’s most famous magicians, w who have performed in seven countries and 200+cities. “Good magicians don’t need sleeves and great magicians don’t need pants,” Tyler said.
Of Note: They are back by popular demand after their sold-out performances last year. Post-show meet-and-greet tickets for an additional $20.
The show includes coarse language, sexual references and some nudity and is intended for audiences 18+. For more information, go to www.nakedmagicians.com.
“Raging Skillet”New Jewish Theatre
Oct. 4 – 21
JCCA Wool Theatre, Creve Coeur
www.newjewishtheatre.com
What It’s About: A tasty adaptation of celebrity Chef Rossi’s autobiographical memoir, “Raging Skillet” – is equal parts book launch, cooking demonstration, heaping helping of comedy and a side of Jewish mother guilt.  When Rossi’s Jewish mother discovers the microwave, home-cooked meals become a thing of the past. What starts as a rebellion against her Orthodox parents, chauvinism in the kitchen and the pressures of conformity ends with Rossi becoming New York’s #1 punk-rock, Jewish, Lesbian caterer. This hilarious and heartfelt new comedy is based on her true-life story.
Director: Lee Anne Mathews
Starring: Sarajane Alverson as Chef Rossi, Kathleen Sitzer as her mother, and Erin Renee Roberts as DJ Skillet, sous chef and part-time DJ.
Of Note: Talkback scheduled for Oct. 18.
There is food.
“Redemption of a Dogg”
Stifel Theatre
Friday, Oct. 19, at 8 p.m.
www.stifeltheatre.com
What It’s About: Je’Carvous Johnson’s new stage play examines the internal battle one man has between preserving his lifelong legacy and losing the love of his life, when he is faced with choosing fame and fortune over faith and family. It is set against a backdrop of Snoop Dogg’s greatest hits.
“The Rocky Horror Show”
Washington University
The Performing Arts Department
Oct. 19 – 28
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
Edison Theatre
314-935-6543
pad.artsci.wustl.edu
What It’s About: Cult classic rock musical. Newlyweds Brad and Janet have blown a tire. They abandon their car and stumble into Frank N Furter’s castle in Transylvania.
“Silent Sky”
Insight Theatre Company
Oct. 19 – Nov. 4
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Kranzberg Arts Center, 510 N. Grand
314 – 556-1293
www.insighttheatrecompany.com
What It’s About: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love.
Director: Maggie Ryan
Cast: Gwen Wotawa, Henrietta Leavitt; Alex Freeman, Peter Shaw; Jennifer Theby-Quinn, Margaret; Jenni Ryan, Willamina; and Chrissy Steele – Abigail.
Of Note: The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.”
 
“The Tempest”
St. Louis Shakespeare
Oct. 12 – 21
Ivory Theatre
7620 Michigan
314-361-5664
www.stlshakespeare.org
What It’s About: A story of shipwreck and magic, “The Tempest” begins on a ship caught in a violent storm. Alonso, the king of Naples, is on board. On a nearby island, the exiled Duke of Milan, Prospero, tells his daughter, Miranda, that he has caused the storm with his magical powers.
Director: Patrick Siler
“Workers’ Opera”
Bread and Roses
Saturday, Oct. 20
Communications Workers of America Local 6300
Brunch Buffet & Performance Tickets are $20 in advance or at the door
Westport: 2258 Grissom Drive St. Louis, MO 63146
What It’s About: Written and performed by members of Service Employees International Union, Communications Workers of America, United Media Guild, Labor Engagement for the United Way, and others involved in the arts and organized labor.
Every sketch is full of good music, some history and lots of political humor featuring these workers-turned-actors.
Director: Kathryn Bentley, associate professor at SIU-Edwardsville and Artistic Director of the Black Theater Workshop. Music and script editing by Colin McLaughlin.

“The Zombies of Penzance”
New Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
 
 
 
 
 
 
 

By Lynn Venhaus
Managing Editor
The Splatter Zone is open at “Evil Dead: The Musical,” which starts its campy run at Stray Dog Theatre. What else goes bump in the night? “The Zombies of Penzance” are shambling at New Line Theatre, only they sing and dance on their quest to eat flesh.
Talk about timely. Stories taken from the headlines open — Local playwright Mariah Richardson’s new play on the opioid crisis, ‘Chasing the White Rabbit,” is up at the Touhill and the Clayton Community Theatre is marking the 20th anniversary of Matthew Shepard’s hate-crime death with “The Laramie Project.”
Also opening are “The Tempest” with St. Louis Shakespeare providing a feminist spin and “The Last Days of Judas Iscariot” with Mustard Seed Theatre offering a provocative look at sin, grief and grace — with a cast of 27 and several women taking on male saints and sinners.
In continuing productions, women are driving the plots: Taking up 15 years after Nora left, “A Doll’s House, Part II” opens at The Repertory Theatre of St. Louis, white male privilege is rampant in Lillian Hellman’s 1939 drama “The Little Foxes” at St. Louis Actors’ Studio, the Comden-Green chestnut “Bells Are Ringing” is at Alpha Players, and Elle Wood’s shows it’s not hard in “Legally Blonde” at KTK Productions. “Chef” and “Raging Skillet” are serving up food for thought at Upstream and New Jewish theaters.
The air is crisp, the sun goes down early, and it’s perfect for me-time to sit inside in the dark and be transported to another place. GO SEE A PLAY!
“Bells Are Ringing”
Alpha Players
Oct. 12, 13 at 7:30 p.m., and Oct. 14 at 2 p.m.
Florissant Civic Center Theatre
Parker Road at Waterford Drive in Florissant
Box Office: 314-921-5678
www.alphaplayers.org
What It’s About: Ella Peterson is an operator for an answering service run by her cousin, Sue. Lacking excitement in her personal life, Ella starts becoming involved in the lives of the service’s clients, including a struggling playwright, Jeffrey Moss
Director: David Wicks
Starring: Lisa Rosenstock, Jeff Kargus, Mary McCreight, Nori Rhodes, Brittany Hester, Marlee Wenski, Bob Veatch, Priscilla Case, Dan Stockton, Steven Cook, Sydnee Edward, Mike Nash and Glenn Guillermo.
“Chasing the White Rabbit”
University of Missouri at St. Louis
Oct. 11-14
Thursday through Saturday at 7:30 p.m., Sunday at 2 p.m.
Touhill Center for the Performing Arts
Free admission, open to public
www.touhill.org
What It’s About: 15-year-old Alice, has recently lost her mother and the only thing that she feels that can save her is to go to a school far away from her hood. To go where the neighborhoods are well manicured and the school has resources and new books and good teachers. This is her dream. Is it a dream? After taking a prescription medication she falls deep into what she believes is the school she longs to go to. But all is not what it seems.
Of Note: Original play by Mariah Richardson of St. Louis. “Chasing the White Rabbit” is a contemporary adaptation of “Alice in Wonderland,” with a focus on the opioid epidemic that is currently ravaging our country.
Free admission. Play for mature audiences.
“Chef”
Upstream Theater
Oct. 12-14
All shows at 8 p.m. except Oct. 14 at 2 p.m.
Kranzberg Arts Center (Grand and Olive)
Box Office Hotline: 314-669-6382
Running time: 1 hr., 15 min.
What It’s About: “Chef” is the gripping story of how one woman went from being a haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Director: Marianne de Pury
Starring: Linda Kennedy
Of Note: U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz.
Photo by ProPhotoStl.com
“A Doll’s House, Part II”
The Repertory Theatre of St. Louis
Oct. 11 – Nov. 4
Browning Mainstage, Loretto-Hilton Center
130 Edgar Roadwww.repstl.org
314-968-4925
What It’s About: Lucas Hnath’s audacious sequel was written more than 135 years after Henrik Ibsen’s original. The familial drama remains a foundational piece of theater, with a still-controversial ending in which a married woman chooses to walk out on her family. But in 2017, Hnath took the themes and characters of that familiar classic and flipped them on their heads, imagining what would happen if protagonist Nora Helmer returned home 15 years after her dramatic exit.
Director: Timothy Near
Starring: Caralyn Kozlowski, Andrea Abello, Michael James Reed, Tina Johnson
Photo by Peter Wochniak
“Drop Dead”
Clinton County Showcase
Oct. 5 – 7 and 12-14
Avon Theatre,  525 N. Second St., Breese, Ill.
www.ccshowcase.com
What It’s About: An oddball cast of has-been actors revive their careers in ‘Drop Dead!,’ a potboiler murder mystery directed by ‘Wonder Child of the Broadway Stage’ Victor Le Pewe. At the dress rehearsal, the set falls, props break, and the producer and an actor are murdered. But the show must go on! During the opening night performance, the murders continue. The remaining thespians must save the show and their careers, solve the mystery, and stay alive for curtain call.
“Evil Dead: The Musical”
Stray Dog Theatre
Oct. 11 – 27
Added performance Wednesday, Oct. 24
Tower Grove Abbey
2336 Tennesseewww.straydogtheatre.org
314-865-1995
What It’s About: Based on the 1980s cult classic “Evil Dead” films, this campy show bursts with farce and blood. Five college kids take a trip to a remote cabin in the woods and encounter ancient evil spirits and revenge-seeking Candarian demons.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Sam Gaitsch.
Starring: Riley Dunn, Dawn Schmid, Maria Bartolotta, Josh Douglas, Stephen Henley, Jennelle Gilreath, Kevin O’Brien, Corey Fraine and Christen Ringhausen.
Of Note: Some performances are sold out, and tickets are predicted to be limited during run. As of Oct. 11, Friday, Oct. 12 and Sat., Oct. 13 performances are sold out Wait lists will begin nightly at 7 p.m. (when the lobby opens) at the box office for any unclaimed seats and those will be handed out at 7:55 p.m.
The Splatter Zone is considered Signature Seating. With your purchase of a “Splatter Zone” seat you also receive an exclusive T-Shirt with just enough white space for us to create a one-of-a-kind souvenir.
Those adventurous enough to sit in the “Splatter Zone” are encouraged to dress down. Stray Dog Theatre is not responsible for property damage or loss resulting from the “Splatter Zone.”
“The Laramie Project”
Clayton Community Theatre
Oct. 11 – 21
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Washington University South Campus Theatre (old CBC high school)
314-721-9228
www.placeseveryone.org
What It’s About: Based on the true story of gay Matthew Shepard, the 21-year-old victim of a hate crime in 1998 in Laramie, Wy., “The Laramie Project” unfolds through the words of people in Laramie who were interviewed by members of Tectonic Theater Company in the 18 months following Matthew Shepard’s death (Oct. 12, 1998), creating a portrait of the community and key individuals in the aftermath of the event and as the victim’s killers were brought to trial and convicted.
Director: Jim Danek
Starring: Jim Abels, Kelly Hunter, Jack Janssen, Mark Lull, Tim Naegelin, Elizabeth Penny, Tina Renard, Larry Sappington, Rob Tierney, Johnathon Waller, Chrissie Watkins
Of Note: This is the 20th anniversary of Matthew Shepard’s death.
In connection with its production, Clayton Community Theatre will be hosting post-show discussions of the issues raised in the play on Friday, Oct. 12 (the anniversary of Matthew Shepard’s death) and Friday, Oct. 19. These conversations will be hosted by Denny Patterson, who has studied the Shepards, the Matthew Shepard Foundation, and their ongoing legacy.
“The Last Days of Judas Iscariot”
Mustard Seed Theatre
Oct. 10 – 28
Wednesday, Thursday and Saturday at 8 p.m., Sunday at 2 p.m., No Friday
Fontbonne University Fine Arts Theatre
6800 Wydown Blvd.www.mustardseedtheatre.com
Tickets: MetroTix.com
314-719-8060
What It’s About:
Director: Adam Flores, resident artist
Starring: Courtney Bailey Parker, Rae Davis, Graham Emmon, Carmen Garcia, Chelsea Krenning, Erick Lindsey, Carl Overby, Chandler Spradling, Arielle Rovinsky, Rachel Tibbetts, Chris E. Ware, and Eric Dean White
Of Note: Mature/adult subject matter, language and content. Not recommended for children.
There are no Friday performances.
Thursday evening performances on Oct. 18 and 25 are Pay With A Can/Pay What You Can performances.
“Legally Blonde”
KTK Productions
Oct. 5 – 14
Thursday through Saturday at 8 p.m., Sundays at 2 p.m.
Southampton Presbyterian Church
4716 Macklindwww.kurtainkall.org
314-351-8984
What It’s About: Elle Woods appears to have it all. Her life is turned upside down when her boyfriend Warner dumps her so he can attend Harvard Law. Determined to get him back, Elle geniously charms her way into the prestigious law school. While there, she struggles with peers, professors and her ex. With the support of some new friends, though, Elle quickly realizes her potential and sets out to prove herself to the world.
Cast: Sarah Polizzi, Elle; Kevin Kickham, Emmett; Natalie Torrence, Paulette; Kyle Kelesoma, Professor Callahan; Kyle Kranes-Rutz, Warren; Kathy Dailey, Vivienne; Rachel Livingston, Brooke; and Jon Bray, Kyle the UPS guy.
Photo by Patrick Huber“The Little Foxes”
St. Louis Actors’ Studio
Sept. 28 – Oct. 14
Thursday through Saturday at 8 p.m., Sunday at 3 p.m.
The Gaslight Theatre, 358 North Boyle
www.stlas.org
What It’s About: Lillian Hellman’s drama about greed and ambition, set in Alabama in 1900.  Regina Giddens and her ruthless clan clash as they try to strike the deal of their lives.
Director: John Contini
Starring: Kari Ely, Laurie McConnell, William Roth, Bob Gerchen, Wendy Greenwood, Bridget Bassa, Ryan Lawson-Maeske, Chuck Brinkley, Richard Lewis and Dennis Jethroe II.
Of Note:  Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
Photo by Patrick Huber
Kathleen Sitzer, Sarajane Alverson and Erin Renee Roberts in “Raging Skillet,” Photo by Eric Woolsey“Raging Skillet”
New Jewish Theatre
Oct. 4 – 21
JCCA Wool Theatre, Creve Coeur
www.newjewishtheatre.com
What It’s About: A tasty adaptation of celebrity Chef Rossi’s autobiographical memoir, “Raging Skillet” – is equal parts book launch, cooking demonstration, heaping helping of comedy and a side of Jewish mother guilt.  When Rossi’s Jewish mother discovers the microwave, home-cooked meals become a thing of the past. What starts as a rebellion against her Orthodox parents, chauvinism in the kitchen and the pressures of conformity ends with Rossi becoming New York’s #1 punk-rock, Jewish, Lesbian caterer. This hilarious and heartfelt new comedy is based on her true-life story.
Director: Lee Anne Mathews
Starring: Sarajane Alverson as Chef Rossi, Kathleen Sitzer as her mother, and Erin Renee Roberts as DJ Skillet, sous chef and part-time DJ.
Of Note: Talkbacks scheduled for Oct. 14 and 18.
There is food.
“The Tempest”
St. Louis Shakespeare
Oct. 12 – 21
Ivory Theatre
7620 Michigan
314-361-5664
www.stlshakespeare.org
What It’s About: A story of shipwreck and magic, “The Tempest” begins on a ship caught in a violent storm. Alonso, the king of Naples, is on board. On a nearby island, the exiled Duke of Milan, Prospero, tells his daughter, Miranda, that he has caused the storm with his magical powers.
Director: Patrick Siler
“The Zombies of Penzance”

New Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
In 2013, New Line Theatre artistic director Scott Miller discovered the original manuscripts for “The Zombies of Penzance” in the second sub-basement of the Judson Memorial Church in New York, hidden beneath some moldy band parts from Rockabye Hamlet and Shogun the Musical, and Miller set about reconstructing the bizarre original show as G&S intended. Gilbert’s living dead and their Zombie King now make their long-delayed world premiere.
Voices of Valhalla: A Hayride Through History
Oct. 5 – 13
Valhalla Cemetery and The Hawthorne Players
www.hawthorneplayers.com
MariWhat It’s About: Hayrides through Valhalla Cemetery depart every fifteen minutes beginning at 6:30 each evening as members of the Hawthorne Players portray some of the noted locals buried in Valhalla. Valhalla Cemetery is located at 7600 St. Charles Rock Road.