By Lynn Venhaus
Managing Editor
Broadway’s glorious past merges with The Muny’s dazzling state-of-the-art
present in “Guys and Dolls” for a sensational start to the second century that
bodes well for the future.
What an ideal show to show off the new stage and other upgrades made possible
through the Muny’s Second Century Campaign!

As impressive as the changes set out to be, all the spiffy
new elements made this endearing show sparkle – the redesigned stage allowed
the action flow smoothly, the sound was crystal clear (designers John Shivers
and David Patridge) and the lighting systems’ enhanced illumination by designer
Rob Denton and the expanded LED screens, with video designs by Nathan W.
Scheuer, were eye-catching. Director Gordon Greenberg was able to incorporate
the new downstage lifts into scenes. Overall, an A+ effort.

Besides the successful revelation, the weather was
tailor-made for the 101st season opener June 10. A crowd of 7,677 enjoyed
one of Broadway’s most delightful golden-age classics, filled with Frank
Loesser’s peppy and hummable musical numbers, sweet romance, and colorful
characters based on Damon Runyon’s short stories and given zip by the late
comedy writer Abe Burrows.

“Take Back Your Mink”Jaunty and joyous, “Guys and Dolls” combines hustling high rollers and honorable holy rollers in the bustle of the fabled Times Square, their intentions clashing when the gamblers want to be lucky and the evangelists want to save souls. Paul Tate dePoo III’s vibrant scenic design of neon signage and advertisements reflects a flashy bright lights, big city vibe that pops in every scene.

Once dubbed “the perfect musical comedy” by a critic and I
wholeheartedly agree, the Muny proved how evergreen the show can be, now in its
eighth time here and 15 years since the last one. The talent made sure this
first bicentennial production was a crowning achievement by integrating all the
new-fangled improvements seamlessly.

Zoe Vonder Haar, Orville Mendoza, Kennedy Holmes. Photo by Philip Hamer.Greenberg bathed this frothy concoction in the warm glow of
nostalgia while emphasizing the humor and elevating the romance. The high-spirited
cast injected it with zing through crisp and snappy movements, whether it was a
sharply choreographed number – those elastic dancers in “Crapshooters Dance”
and “Havana” made it fun — or the wise-guys singing Nathan Detroit’s praises
in “The Oldest Established.”
First-time Muny co-choreographers Lorin Latarro and Patrick O’Neill intertwined
different styles with energy and precision, and Music Director Brad Haak freshened
the songs, with arrangements by Larry Blank. Musicians were under a covered pit
for the first time, carrying the upbeat tempos well.
The creative team focused on the original 1950 roots and the rock-solid cast cheerfully
immersed themselves in this idiosyncratic world. One must accept its now dated
story as a period piece to fully appreciate the relationships. Calling women
“tomatoes” and “broads” is no longer acceptable, and no one in contemporary
times would, but this is from a bygone era – and displays how different men and
women roles were back then.

“Guys and Dolls” took Damon Runyon stories about New York
City from the 1920s and 30s, namely “The Idyll of Sarah Brown” and “Blood
Pressure,” with a nod to “Pick the Winner,” and radio comedy writer Abe Burrows
boosted Jo Swerling’s original script by giving the distinctive characters
Runyon’s unique vernacular, a mix of formal speech with slang. Damon, a
newspaperman and sportswriter, favored writing dialogue for gamblers, hustlers,
actors and gangsters.

However, this Runyonland appears more innocent. Detroit, the hapless but lovable mug behind the biggest crap game in NYC, keeps his adorable girlfriend Adelaide waiting for him to marry her after 14 years. The prim and proper Sarah Brown falls in love with the suave Sky Masterson in an opposites-attract storyline.

The script makes all of this seem logical and then throws in merry men named Benny Southstreet and Rusty Charlie, and it’s a surefire winner, especially with Kevin Cahoon hilarious as Harry the Horse and so is Brendan Averett as Big Jule.

From the first bars of the opening number “Fugue for
Tinhorns” to “The Happy Ending” finale, this cast connects with each other, and
ultimately, the audience.

As the sophisticated ladies man Sky Masterson, Ben Davis is
a welcome presence on the Muny stage, continuing his successful run of classic
male leads after Curly in “Oklahoma!” and Emile in “South Pacific.” He has
palpable chemistry with Brittany Bradford, who is one of the best Sarah Browns
I’ve ever seen (sometimes, the actors playing these different types don’t gel,
but this pair does). Their clashing couple delivers velvety-smooth ballads.

Bradford is quite a special talent, genuine in acting and a
splendid soprano. Her breakout number, “If I Were a Bell,” shows her
versatility. Their “I’ve Never Been in Love Before” superbly blends their
voices, another standout moment, and his sleek “My Time of Day” rendition was
terrific.

Davis propelled “Luck Be a Lady” to be one of the evening
highlights, aided by the crackerjack ensemble.

St. Louisan Kendra Kassebaum lights up the stage as Miss
Adelaide, and wow, what a home-grown triple threat. Bubbly and bouncy, she displays
impeccable comic timing in her fully dimensional lived-in performance.

She’s a fitting and funny foil for wacky Nathan, well-played by Jordan Gelber. Their “Sue Me” was on point, and “Adelaide’s Lament” is confident and comical. She leads the Hot Box Girls in a vivacious “A Bushel and a Peck” and “Take Back Your Mink.” (Tristan Raines’ costumes fit each role appropriately, but those purple-sequin gowns draped with the gray furs are stunning.)

Kassebaum and Bradford are a dynamic duo in “Marry the Man
Today” (just don’t wince at those lyrics).

The best scene, the second act showstopper that puts its indelible stamp on “Guys and Dolls,” is “Sit Down, You’re Rockin’ the Boat.” A marvel of movement and pure jubilation, this version is made even more special by the surprise appearance of Kennedy Holmes, the Muny Kid who placed fourth on “The Voice” in 2018, belting out the usual General Cartwright solo. (Zoe Vonder Haar has replaced Doreen Montalvo as General Cartwright),

Orville Mendoza fits, well, nicely, as Nicely-Nicely
Johnson, who leads the number, and is dandy in his duet with Jared Gertner as
Benny in the title number “Guys and Dolls.”

As Arvide Abernathy, Ken Page has a twinkle in his eye and adds
poignancy to the “More I Cannot Wish You” number sung to his granddaughter,
Sarah. This is his 41st appearance at the Muny – and little-known
fact, he played Nicely-Nicely in the 1976 Broadway revival.

The musical has been revived two more times, in 1992 and
2009, with the 1992 version starring Nathan Lane and Faith Prince the most
acclaimed, winning four Tony Awards including Best Revival and running until 1995,
tallying 1,143 performances. The original “Guys and Dolls” won five Tony Awards
in 1951, including Best Musical, and has been a favorite among regional, school
and community groups for decades.

That renowned 1992 version’s spunk is evident in this Muny
production, but the cast makes it their own. They put a fresh sheen on the
characters, imbuing them with heart and humor, and it never sags.

This production is worth rejoicing about, starting out the
summer in swell fashion.

The Muny presents “Guys and Dolls” June 10 – 16 nightly at 8:15 p.m. in Forest Park. For tickets or more information, visit www.muny.org

Photos by Phillip Hamer.

Ken Page to Star in his 41st Muny Show

The Muny announced today its complete cast, design and production team for Guys and Dolls, the first show of its second century, June 10 – 16. Guys and Dolls is proudly sponsored by Wells Fargo Advisors.

“We soar into our second century with one of the most beloved musicals of the last century,” said Muny Artistic Director and Executive Producer Mike Isaacson. “I can’t wait to see this amazing production on our beautiful new stage. Luck be a producer, indeed.”

Joining the previously announced Ben Davis (Sky Masterson), Brittany Bradford (Sarah Brown), Jordan Gelber (Nathan Detroit) and Kendra Kassebaum (Miss Adelaide) are Ken Page (ArvideAbernathy), Doreen Montalvo (General Cartwright), Orville Mendoza (Nicely-Nicely Johnson), Jared Gertner (Benny Southstreet), Brendan Averett (Big Jule), Kevin Cahoon (Harry the Horse) and Rich Pisarkiewicz (Lt. Brannigan). A high-rolling ensemble completes this cast, including Calvin Cooper, Darien Crago, Colby Dezelick, Tyler Eisenreich, Whitney G-Bowley, Berklea Going, Julie Hanson, Jeff Kuhr, Alicia Lundgren, Erin N. Moore, Jevares Myrick, Michael Santomassimo, Michaeljon Slinger, Matthew Steffens, Keith Tyrone, Amy Van Norstrand, Jerry Vogel and Sharrod Williams. The company will also be joined by the Muny Kid and Teen youth ensemble.

As previously announced, Guys and Dolls is directed by Gordon Greenberg and co-choreographed by Lorin Latarro and Patrick O’Neill with music direction by Brad Haak.

This production includes scenic design by Paul Tate dePoo III, costume design by Tristan Raines, lighting design by Rob Denton, sound design by John Shivers and David Patridge, video design by Nathan W. Scheuer and wig design by Leah J. Loukas. Production stage manager is Nancy Uffner.

Ben Davis

BEN DAVIS (Sky Masterson) Muny: Jesus Christ Superstar (Pilate), Oklahoma! (Curly); South Pacific (Emile), Spamalot (Galahad). Ben was most recently seen as Cosmo Constantine in New York City Center’s Encores! Call Me Madam, opposite Carmen Cusack. Broadway: 2003 Tony Honor for La Bohème (Marcello), Dear Evan Hansen (Larry), Violet (Preacher), A Little Night Music, Les Misérables(Javert and Enjolras), Thoroughly Modern Millie (Trevor Graydon). Tours: The Sound of Music (Georg von Trapp), Spamalot (Galahad). Regional: Kiss Me, Kate (Fred/Petruchio) at The 5th Avenue Theatre. UK: BBC Proms Kiss Me, Kate (Fred/Petruchio). Concerts: Philly Pops, Boston Pops, LA Philharmonic, RTÉ and many others. Film/TV: Blue Bloods, A Hand of Bridge, The Magic Flute, 30 Rock, Numb3rs. www.benjaminjaydavis.com

Actor | New York | Headshot| Brittany Bradford

BRITTANY BRADFORD (Sarah Brown) Muny debut! Brittany was recently seen in Roundabout Theatre Company’s production of Merrily We Roll Along, staged by the critically-acclaimed Fiasco Theater. She made her Broadway debut last fall as Ophelia in Bernhardt/Hamlet opposite Janet McTeer. Additional credits: For Colored Girls… (Public Theater), Flyin’ West (Westport Country Playhouse), Family Resemblance (Eugene O’Neill), The Profane and Taming of the Shrew (Chautauqua Theater Company), A Midsummer Night’s Dream (Ten Thousand Things Theater), Neighbors, AvenueQ and Next to Normal (Mixed Blood Theatre), Ragtime and Stick Fly (Park Square Theatre). 2018 graduate of The Juilliard School, Group 47. Credits: Father Comes Home from the Wars, Hoodoo Love, Triumph of Love, King Lear, Cymbeline, Christina Martinez and The Marriage of Bette and Boo. Co-Founder of HomeBase Theatre Collective. www.brittany-bradford.com

JORDAN GELBER (Nathan Detroit) Muny debut! Broadway: Sunday in the Park with George, Elf the Musical (Buddy), All My Sons, Avenue Q (original cast, special Outer Critics Circle Award). Off-Broadway: John Guare’s Nantucket Sleigh Ride (Lincoln Center Theater), Mike Leigh’s 2000 Years, Avenue Q, The Joke, Birth and After Birth. TV: Elementary, Mr. Robot, Mindhunter, Insatiable, Boardwalk Empire, Nurse Jackie, The Good Wife, Rescue Me, Ugly Betty, first three Law & Order series (recurring on SVU), The Sopranos, 100 Centre Street. Film: (upcoming) The Kitchen, Bleed for This, Dark Horse, The Taking of Pelham 1 2 3, Before the Devil Knows You’re Dead, Everyday People (IFP/Gotham Award nominee for Breakthrough Acting), Riding in Cars With Boys, Changing Lanes. BA, Stanford University; MFA, NYU Tisch Graduate Acting (2000 Laura Pels Award). www.JordanGelber.com

KENDRA KASSEBAUM (Miss Adelaide) Muny: A Chorus Line (Val). On Broadway, Kendra originated the role of Janice in the Tony-nominated production of Come From Away as well as Sam in Leap of Faith. She played Glinda in Wicked on Broadway, in San Francisco and on the first national tour (Helen Hayes nominee). Other New York: The Receptionist (MTC) and the Tony Award-winning, Grammy-nominated production of Assassins, both directed by Joe Mantello. Kendra made her Broadway debut in Rent. For the Roundabout, she performed the role of Petra in A Little Night Music starring Vanessa Redgrave and Natasha Richardson. Kassebaum’s regional appearances include Actors Theatre of Louisville, The 5th Avenue Theatre, ACT, Ordway and Florida Stage. Film: The Other Woman (with Natalie Portman and Lisa Kudrow).

Ken Page will be in his 41st Muny show

KEN PAGE(Arvide Abernathy) is proud to be part of the 101st season of The Muny. This will be his forty-first show on the stage and his fourth year as “the voice” of the theatre. Ken made his Broadway debut as Nicely-Nicely Johnson in the all-black revival of Guys and Dolls, receiving the Theatre World Award for his performance. This year, he received a Lifetime Achievement Award from The St. Louis Arts & Education Council and directed a sold-out run of Love, Linda with Max & Louie Productions. Recent/upcoming: live-to-film concerts of Disney’s The Little Mermaid (Sebastian) at the Hollywood Bowl,Grumpy Old Men (La Mirada Theatre) and the UK live-to-film tour re-creating his role of Oogie Boogie in The Nightmare Before Christmas. 

DOREEN MONTALVO (General Cartwright) Muny debut! Broadway: On Your Feet! (Gloria, original Broadway cast); In the Heights (original Broadway cast, Drama Desk Award). Off-Broadway: Curvy Widow (Heidi, Westside Theatre), Giant (Lupe, The Public Theater), Flashdance The Musical (Louise), Mamma Mia! (Tanya); In the Heights (Camila, Westport Country Playhouse), American Mariachi(Denver Center/Old Globe), La Lupe (Lupe, Puerto Rican Traveling Theatre), In the Heights (37 Arts), Havana Under the Sea (Cecilia, INTAR Theatre). TV/Film: Law & Order, Elementary, Madam Secretary, The Tale of Timmy Two Chins, Smash, All My Children, One Life to Live. Recordings: American Soul/Latin Heart, Disney’s Moana soundtrack. Live: 54 Below, Joe’s Pub, The Metropolitan Room, The Duplex, Green Room 42. www.doreenmontalvo.com

ORVILLE MENDOZA (Nicely-Nicely Johnson) is thrilled to be back at The Muny where he got his Equity card 25 years ago in The King and I. Other Muny: Miss Saigon (2001), The King and I (2006), Godspell (2009). Broadway: Peter and the Starcatcher, Pacific Overtures. Most recently, the world premiere of The Heart of Rock and Roll (Old Globe, coming to Broadway). Previously, he toured with Small Mouth Sounds (Ars Nova). Off-Broadway: Found (Atlantic Theater Company), Pacific Overtures, Passion (Classic Stage Company); Romeo and Juliet, Timon of Athens and Road Show all at The Public Theater/NYSF. He’s worked all across the U.S. from La Jolla Playhouse to Long Wharf Theatre. TV: The Blacklist, Law & Order: CI and many commercials. Drama Desk nominee and Barrymore Award winner. www.orvillemendoza.com

JARED GERTNER (Benny Southstreet) Muny debut! Jared is best known for playing Elder Cunningham in The Book of Mormon on Broadway, on the first national tour and in London (Olivier nomination). Other New York: The 25th Annual Putnam County Spelling Bee (Broadway) and Ordinary Days (off-Broadway, premiere). Regional: Repertory Theatre of St. Louis, Cincinnati Playhouse, Goodspeed, The Fulton, Cape Playhouse and Sacramento Music Circus. Television: Mom, Modern Family, 2 Broke Girls, Supernatural, Superior Donuts, How I Met Your Mother, Marvel’s Agent Carter, Ugly Betty, The Good Wife, American Dad, Family Guy and the popular Broadway-themed web series, Submissions Only. Jared also starred in an NBC pilot called How We Live. Film: Nightmare Cinema(upcoming), Smallfoot and Pup Star. Education: NYU’s Tisch School of the Arts. Twitter: @JaredGertner Instagram: @Jaredgertner1

BRENDAN AVERETT (Big Jule) is excited to make his Muny debut. Off-Broadway: Hamlet (Waterwell), Sam and Dede (Custom Made Theatre/59E59), Titus Andronicus (NY Shakespeare Exchange), The Killer, A Midsummer Night’s Dream (TFANA), As You Like It (Shakespeare in the Park), Massacre: Sing to Your Children (Rattlestick), Hamlet (Gallery Players), Passion Play (Epic Theatre Ensemble). Tours: Guys and Dolls. Regional: The Comedy of Errors, Kiss Me, Kate (Hartford Stage), Romeo and Juliet(Actors Theatre of Louisville), Of Mice and Men (Cincinnati Playhouse in the Park), Cyrano de Bergerac, The Tempest (Theatricum Botanicum), Henry V (California Shakespeare Company), Bloody Poetry, The Alchemist (Everyman Theatre), Measure for Measure, Guys and Dolls, The Swanne: Pt. III(Stratford Shakespeare Festival of Canada). TV/Film: Law & Order: SVU, Trapped in the Closet, Blossom. Former Associate Producer for NYSX’s The Sonnet Project.

KEVIN CAHOON (Harry the Horse) Muny: The Wizard of Oz and Spamalot. Broadway: The Wedding Singer, Chitty Chitty Bang Bang, The Lion King, The Rocky Horror Show revival and The Who’s Tommy(debut). Off-Broadway: original Hedwig and The Angry Inch, How I Learned to Drive (Second Stage), The Foreigner (Roundabout, Lortel nomination), The Shaggs (Playwrights Horizons), The Wild Party (Manhattan Theatre Club), Hair and Babes in Arms (NY City Center Encores!). Regional: The Old Globe, Guthrie, Williamstown. TV: A Series of Unfortunate Events, Glow (upcoming), Nurse Jackie, Elementary, NCIS, Modern Family, The Mentalist, The Good Wife, CSI, Odd Mom Out, Six Degrees, Black Box, The Royale, Law & Order (original/CI). Film: I Am Michael, Mars Needs Moms, The Thing About My Folks, Curse of The Jade Scorpion. Debut album: Doll (OutMusic Award).

RICH PISARKIEWICZ (Lt. Brannigan) Muny 101 marks Rich’s 38th season on the Muny boards, appearing in over 80 productions, including last season’s An Evening with the Stars and Annie. He has appeared regionally with The Fox Theatres (Atlanta and St. Louis), Dallas Summer Musicals, Kansas City Starlight, and locally with Stages St. Louis, Shakespeare Festival St. Louis, Repertory Theatre of St. Louis, The Black Rep, Westport Playhouse and Opera Theatre of Saint Louis. He has also enjoyed working with the Variety Theatre in several productions, most recently The Wizard of Oz. Upcoming: Man of La Mancha (Stages St. Louis). 2019 is his 41st year in professional theatre beginning with 1776 at Summerstage in 1979.

Link for more information: muny.org/guys-and-dolls.

About the show:

Guys and Dolls is based on a story and characters of Damon Runyon with music and lyrics by Frank Loesser and a book by Jo Swerling and Abe Burrows. 

Considered by many to be the perfect musical comedy, Guys and Dolls gambles with luck and love during a time when Broadway was rampant with wise guys, mission girls and Lindy’s cheesecake. This all-time Broadway classic features a high-rolling score, including “Luck Be a Lady,” “If I Were a Bell” and “Sit Down, You’re Rocking the Boat.” With this Muny favorite, everyone’s a winner!

The seven shows in the 2019 Muny season are: Guys and Dolls (June 10 – 16), Kinky Boots (June 19 – 25), 1776 (June 27 – July 3), Rodgers + Hammerstein’s Cinderella (July 8 – 16), Footloose (July 18 – 24), Lerner and Loewe’s Paint Your Wagon (July 27 – August 2) and Roald Dahl’s Matilda (August 5 – 11). For more information, visit muny.org.  

Season and single tickets are currently on sale. Muny gift cards for the 101st season are available online and at The Muny Box Office. MetroTix is the only official online point-of-purchase vendor for The Muny. For more information, visit muny.org or call (314) 361-1900.

The Muny announced Tuesday the directors, choreographers and music directors for its 2019 season, which opens on June 10 with Guys and Dolls.
“We head into our second century with the first phase of our new stage, and a renewed sense of passion and commitment to our audiences, artists and community,” said Muny Artistic Director and Executive Producer Mike Isaacson. “I’m so thrilled to announce these brilliantly talented colleagues who will create this season. They are already hard at work, ready to make this season just as historic and memorable as our 100th.”
GUYS AND DOLLS
June 10 – 16
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
GORDON GREENBERG (Director) co-wrote and directed the Broadway stage adaptation of Irving Berlin’s Holiday Inn for Roundabout, Universal and PBS Great Performances. Recent work includes Barnum (London), Heart of Rock and Roll (Old Globe), the acclaimed West End revival of Guys and Dolls, nominated for six Olivier Awards (Savoy Theatre, Phoenix Theatre, Chichester, UK and international tour), the Drama Desk Award-winning NYC revivals of Working and Jacques Brel, the stage adaptation of Tangled for Disney, and writing TV musicals for Disney and Nickelodeon. Muny: Meet Me In St. Louis (revised book), Jesus Christ Superstar, Holiday Inn, West Side Story, Pirates! Upcoming: The Secret of My Success (Universal), Mystic Pizza (MGM), Dracula (Maltz). He attended Stanford University and NYU and is a member of SDC, WGA and the Dramatists Guild.

LORIN LATARRO (Choreographer) Broadway: Waitress, Les Liasions Dangereuses, Waiting for Godot. Curious Incident of the Dog… and American Idiot (Associate). Additional choreography: La Traviata (The Met), Chess (Kennedy Center), Twelfth Night (The Delacorte), Lin-Manuel Miranda’s 21 Chump Street(BAM), Heart of Rock and Roll (Old Globe), Assassins, God Bless You, Mr. Rosewater (Encores!), Between The Lines (KC Rep), Queen of The Night (Drama Desk Award), Kiss Me, Kate (Barrington); The Best Is Yet To Come (59E59, Drama Desk Award). Director: Taste of Things to Come (Chicago). Lorin performed in 12 Broadway shows and danced for Tharp, Momix, Graham. Juilliard graduate. Upcoming: Merrily We Roll Along (Roundabout), SuperHero (Second Stage), Waitress and Home Street Home (West End).
BRAD HAAK (Music Director/Conductor) Muny: A Funny Thing…Forum, Fiddler on the Roof, Into the Woods, South Pacific, The King and I and Gypsy. Broadway: An American in Paris, Mary Poppins, Lestat and Il Divo – A Musical Affair. National tours: The Lion King, Miss Saigon. Music supervision and orchestrations:Daddy Long Legs (Off-Broadway, London, Tokyo, Seoul and 19 US productions) and John Caird’s A Knight’s Tale (Tokyo, 2018). International: Sousatzka (Toronto), An American in Paris (Paris), Honk! (Singapore and Philippines); Jane Eyre (Tokyo). Chicago Shakespeare Theater’s Sunday in the Park with George and Follies (Jeff Award for music direction), Children of Eden (Kennedy Center). Orchestrations for New York and Boston Pops, National Symphony, L.A. Philharmonic.
KINKY BOOTS
June 19 – 25
Music and Lyrics by Cyndi Lauper
Book by Harvey Fierstein
Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth
DB BONDS (Director) is thrilled to be making his directorial debut at The Muny after appearing as Emmett in Legally Blonde in 2011. DB is the associate director of Kinky Boots and Pretty Woman on Broadway. He also served as the associate director of Kinky Boots worldwide with productions in England, Australia, Canada, Germany, Japan and Korea. As an actor, he appeared in Broadway and national touring productions of Les Misérables, The Phantom of the Opera, Legally Blonde and Dirty Rotten Scoundrels.
RUSTY MOWERY (Choreographer) is thrilled to be back at the magical Muny after serving as choreographer for The Muny productions of Legally Blonde and Hairspray. He is currently the Associate Choreographer of Pretty Woman on Broadway and the Associate Choreographer of Kinky Boots for Broadway, both U.S. national tours, England, Australia, Canada, Germany, Korea and Japan tours. Proud SDC member. As an actor, Rusty appeared on Broadway in Cats, Ragtime, Hairspray, Seussical and Legally Blonde.
RYAN FIELDING GARRETT (Music Director/Conductor) NYC/national tour: Kinky Boots, Jasper in Deadland, The Man in the Ceiling, Hamilton, Mary Poppins, Sweeney Todd (NY Philharmonic), Wicked, Big River (Encores!), Finding Neverland, The Three Little Pigs. Regional: Next to Normal (Weston Playhouse), Little Miss Scrooge (Rubicon Theatre), Passing Strange, [title of show], Chess (Playhouse Square), Two Gentlemen of Verona (Lake Tahoe Shakespeare). NYC orchestration credits include Darling, A Night Like This. Graduate of Baldwin Wallace University.
JERRY MITCHELL (Original Broadway Direction and Choreography) Tony Award winner for Best Choreography: La Cage aux Folles (revival) and Kinky Boots (also nominated as Director). Broadway: Pretty Woman (Director/Choreographer) and the Gloria Estefan musical On Your Feet! (Director). Other recent work includes the pre-Broadway productions of Half Time (Chicago and Paper Mill Playhouse) and Dirty Rotten Scoundrels (West End, Olivier nomination for Choreography). In the 35 preceding years, Jerry has been involved with over 50 Broadway, West End and touring productions, including as choreographer of You’re A Good Man, Charlie Brown, The Full Monty (Tony nomination), The Rocky Horror Show, Hairspray (Tony nomination and NBC telecast), Gypsy, Never Gonna Dance (Tony nomination), Dirty Rotten Scoundrels (Tony nomination), La Cage aux Folles, Legally Blonde (Tony nomination), Catch Me If You Can and Kinky Boots.
1776
June 27 – July 3
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards
ROB RUGGIERO (Director) is thrilled to be returning for The Muny’s 101st season. Last year, he directed Gypsy, as well as past productions of The Music Man, Oklahoma!; Hello, Dolly!; South Pacific and The King and I. He has also directed many award-winning productions at The Repertory Theatre of St. Louis, including Follies, Sunday in the Park with George and a recent production of Evita. Broadway: High and Looped. Off-Broadway he conceived and directed Make Me a Song (Drama Desk and Outer Critics Circle nominations). Rob also recently directed Oliver!, his 11th collaboration with Goodspeed Musicals, with whom he also adapted and directed a new production of Show Boat. He is the Producing Artistic Director for TheaterWorks in Hartford, Connecticut.
JAMES MOORE (Music Director/Conductor) The Muny: Gypsy, The Music Man, Irving Berlin’s Holiday Inn, Hello, Dolly!; West Side Story, Meet Me In St. Louis, The Producers. Broadway: Miss Saigon, On the Town, Gigi, Follies, South Pacific, Ragtime, Steel Pier, Company. National tours: The Producers, Kiss Me, Kate; Crazy for You, And the World Goes ‘Round. The Kennedy Center: Camelot starring Brian Stokes Mitchell, My Fair Lady starring Jonathan Pryce, Mame starring Christine Baranski. Concerts: National Symphony, Orchestra of St. Luke’s, Santa Barbara Symphony. Mr. Moore serves as the music supervisor for the United States touring productions of Les Misérables and Miss Saigon. Upcoming: Titanic (Broadway revival). Education: Master and Bachelor degrees from the Indiana University Jacobs School of Music.
RODGERS AND HAMMERSTEIN’S CINDERELLA
July 8 – 16
Music by Richard Rodgers
Book by Oscar Hammerstein II
Lyrics by Oscar Hammerstein II
MARCIA MILGROM DODGE (Director) is a Tony and Drama Desk nominated director & choreographer. The Muny: Meet Me In St. Louis (100th Season!), The Little Mermaid, Young Frankenstein, The Buddy Holly Story, The Addams Family. Broadway: Ragtime, High Society. National tours: Ragtime, Curious George,Seussical, Cookin’. New York: Venus Flytrap, Radio Gals, Maltby & Shire’s Closer Than Ever (original production) and William Finn’s Romance in Hard Times. TV/Video: Sesame Street and Elmo‘s Wild West. Upcoming: Deathtrap (Cape Playhouse), Mary Poppins (Drury Lane) and a new Buddy (Cincinnati Playhouse). Between reimagining revivals and directing & choreographing world premieres regionally and abroad, Dodge is also a wife, a mother, a teacher, an SDC Executive Board Member and a published and produced playwright.
JOSH WALDEN (Choreographer) returns to The Muny after choreographing Meet Me In St Louis (2018), The Little Mermaid (2017) and The Buddy Holly Story (2015). He directed/ choreographed A Chorus Line for Maltz Jupiter Theatre and Theatre Memphis, The Rocky Horror Show for University of Buffalo, Legally Blonde for Merry-Go-Round Playhouse and the rock opera Fallen Angel in the New York International Fringe Festival. Josh has also choreographed for Des Moines Metro Opera, Signature Theatre, Sacramento Music Circus, Doonce Productions, Actors Theatre of Louisville, Gateway Playhouse and Morag Productions for Seabourn Cruise Lines. On Broadway, he was the associate director/associate choreographer for the revival of Ragtime. As a performer, Josh was in the Broadway revivals of 42nd Street, La Cage aux Folles, A Chorus Line and Ragtime.
GREG ANTHONY RASSEN (Music Director/Conductor) Drama Desk winner and Tony nominee for Bandstand. Other Broadway credits include: An American in Paris, Bullets Over Broadway, The Little Mermaid, The Book of Mormon, R&H’s Cinderella, A Chorus Line (revival). Arranger/ orchestrator: Jerry Springer: The Opera (New Group); Between the Lines (Kansas City Rep.), The Beast in the Jungle (Vineyard). Commissions include: New York Pops, Boston Pops, Philly Pops, Indianapolis Pops; Leslie Odom, Jr., Ashley Brown, Sierra Boggess, Jeremy Jordan, Norm Lewis, Darren Criss, Liz Callaway, Julia Murney, André Previn, John Williams. TV: The Late Show with Stephen Colbert, Live with Kelly & Michael, The View. M.M. degree from Cincinnati Conservatory of Music. www.greganthonymusic.com
FOOTLOOSE
July 18 – 24
Music by Tom Snow
Lyrics by Dean Pitchford
Stage Adaptation by Dean Pitchford and Walter Bobbie
Based on the original screenplay by Dean Pitchford
Additional Music by Eric Carmen, Sammy Hagar, Kenny Loggins and Jim Steinman
CHRISTIAN BORLE (Director) is a two-time Tony Award winner and has starred in a myriad of roles both on stage and screen. His turn as Shakespeare in Something Rotten! garnered him both Tony and Drama Desk Awards for Best Featured Actor in a Musical, as well as a Tony Award for Best Featured Actor in a Play as Black Stache in Peter and the Starcatcher. Other Broadway: Footloose, Jesus Christ Superstar, Thoroughly Modern Millie, Amour, Spamalot, Mary Poppins, Legally Blonde, Falsettos and Charlie and the Chocolate Factory. Film: Blackhat, Bounty Hunter. TV: Masters of Sex, Lifesaver, The Good Wife, Smash and NBC’s TheSound of Music Live! Most recently, Christian made his directorial debut with the off-Broadway production of Popcorn Falls at The Davenport Theatre.
JESSICA HARTMAN (Choreographer) is thrilled to return for The Muny’s 101st after choreographing Annie(2018), All Shook Up (2017), Mamma Mia! (2016); Hairspray (2015/Co-Choreographer) and Seussical (2014/Associate). Broadway: Lysistrata Jones (Associate Choreographer), The Boy from Oz starring Hugh Jackman (Assistant Choreographer). Off-Broadway: Elephant and Piggie’s We Are in a Play! (Choreographer, New Victory Theatre). Other credits include: Memphis (Choreographer, TUTS), Norwegian Creative Studios/Oceania Cruise Lines (Choreographer), Disney Jr. Dance Party (Associate Show Director/ Choreographer, Universal Studios/The Wizarding World of Harry Potter (Associate), How to Succeed… (Associate, TUTS), West Side Story (Associate, Signature Theatre), Next to Normal (Choreographer, BaltimoreCenter Stage). Up next: Mamma Mia! at TUTS (Choreographer) and a new musical for The Kennedy Center. Jessica is the Artistic Director of Broadway Theatre Connection.
ANDREW GRAHAM (Music Director/Conductor) New York: The Book of Mormon, Wicked and Avenue Q. Las Vegas: Spamalot, Avenue Q. National tours: Wicked, Avenue Q, Pippin, Thoroughly Modern Millie, Seussical, The Music Man, Footloose. European tours: Hair and Grease. Regional: world premiere of Disney’s Freaky Friday at Signature Theatre, La Jolla Playhouse, Cleveland Play House and Alley Theatre. Muny: Aida, Annie and Footloose. Beauty and the Beast and the world premiere of Disney’s When You Wish at Tuacahn Center for the Arts. He holds degrees from both Capital University in Columbus, Ohio and Trinity College of Music in London.
LERNER & LOEWE’S PAINT YOUR WAGON
July 27 – August 2
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Revised Book by Jon Marans
Produced in Association with On the Wagon Productions and Garmar Ventures
JOSH RHODES (Director/Choreographer) directed Grand Hotel (NY City Center Encores!), Ken Ludwig’s Baskerville (Old Globe Theatre), Jersey Boys (The Muny), Guys and Dolls (Asolo Rep/Old Globe), Evita(Asolo Rep), Spamalot (5th Avenue Theatre), Ebenezer Scrooge’s Big Playhouse Christmas Show (Bucks County Playhouse) and Celestina Warbeck and the Banshees at The Wizarding World of Harry Potter. He alsochoreographed the Broadway productions of Rodgers & Hammerstein’s Cinderella, It Shoulda Been You, First Date and Bright Star. On London’s West End, he choreographed Carousel at the English National Opera and Sweeney Todd starring Emma Thompson. Other choreography credits include Company starring Neil Patrick Harris and Sondheim: The Birthday Concert (PBS), Young Frankenstein (Muny) and the current U.K. tour ofDoctor Dolittle. Rhodes is a proud graduate of the University of Michigan.
BEN WHITELEY (Music Director/Conductor) Muny: Singin’ in the Rain, A Chorus Line, 42nd Street, My Fair Lady, The Addams Family, Spamalot, Pirates!; The Sound of Music (twice), Beauty and the Beast (thrice), Kiss Me, Kate; Oklahoma!; The Music Man, Meet Me In St. Louis, South Pacific. Music director for 1776 at NY City Center Encores! Broadway/national tours: A Christmas Story, The Addams Family, Spamalot, The Full Monty, Cats (conducted final original Broadway performance), Grand Hotel, Falsettos, Big. Carnegie Hall: Sail Away (with Elaine Stritch). Choral direction: Carousel (NY Philharmonic/PBS), My Fair Lady (NY Philharmonic). Encores!: associate music director and chorus master for over 30 productions. Other: St. Louis Symphony, Paper Mill Playhouse, The 5th Avenue Theatre, University of Michigan. Recordings: Allegro, Boardwalk Empire (Grammy Award),Paint Your Wagon.
MATILDA
August 5 – 11
Book by Dennis Kelly
Music and Lyrics by Tim Minchin
Based on Matilda by Roald Dahl
JOHN TARTAGLIA (Director) Director: Stephen Schwartz’s The Secret Silk (Princess Cruises, writer/director), Beauty and the Beast (Maltz Jupiter Theatre), Annie, The Wizard of Oz, Tarzan and Shrek (Muny), Claudio Quest (NY Musical Festival, Best of the Fest), Shrek the Halls (DreamWorks Theatricals) and many more. Broadway: Avenue Q (Tony nomination), Beauty and the Beast and Shrek. Muny: Aladdin (The Genie), Seussical (The Cat in the Hat), A Funny Thing Happened on the Way to the Forum (Hysterium, St. Louis Theater Circle Award). Film/TV: The Happytime Murders (STX Films), Johnny and the Sprites (Disney Jr., Emmy nomination), Sesame Street (PBS Kids), Jim Henson’s Word Party and Julie’s Greenroom (both on Netflix), creator, co-executive producer and star of Jim Henson’s Splash and Bubbles (PBS Kids, Emmy nomination).
CHRIS BAILEY (Choreographer) Gettin’ The Band Back Together (Broadway), Jerry Springer: The Opera(New Group, 2018 Chita Rivera Award nomination); The New Yorkers and 1776 (NY City Center Encores!), The Entertainer with Kenneth Branagh (West End), Assassins (Menier Chocolate Factory), Because of Winn Dixie (Alabama Shakespeare Festival), 2013 Tony Awards (CBS), Muny: Jerome Robbins Broadway(production supervisor), Newsies (St. Louis Theater Circle Award), The Music Man, Into the Woods, My Fair Lady, Tarzan, West Side Story and Thoroughly Modern Millie. 2013-2015 Academy Awards (Assistant Choreographer). Film: Cinderella, Ted 2, A Million Ways to Die in the West and Beyond the Sea. Chris was also the movement director for the Roundabout Theatre Company’s production of Cyrano De Bergerac on Broadway.
MICHAEL HORSLEY (Music Director/Conductor) is The Muny’s music supervisor. 25 Muny seasons include: Jerome Robbins Broadway, Mamma Mia!; The Buddy Holly Story, Grease, Mary Poppins, Joseph and the Amazing Technicolor® Dreamcoat, Thoroughly Modern Millie, 42nd Street, Godspell, White Christmas, Damn Yankees, Sleeping Beauty, Singin’ in the Rain, and many more. National tours: Thoroughly Modern Millie, Chicago, Cinderella, White Christmas and Seven Brides for Seven Brothers. Other regional: Into the Woods (Theatrezone), Roman Holiday (Guthrie Theater), On a Clear Day You Can See Forever (Music Theatre Wichita), Fiddler on the Roof (AMT San Jose), A Chorus Line (Pioneer Theatre Company), The Full Monty(North Carolina Theatre). Voice director: Christmas Concert Series for the Detroit, National and Birmingham Symphony Orchestras. He is the music director for the San Francisco Conservatory of Music.
The 2019 season schedule is: Guys and Dolls (June 10 – 16), Kinky Boots (June 19 – 25), 1776 (June 27 – July 3), Rodgers and Hammerstein’s Cinderella (July 8 – 16), Footloose (July 18 – 24), Lerner and Loewe’s Paint Your Wagon (July 27 – August 2) and Matilda (August 5 – 11).
World Wide Technology (WWT) and The Steward Family Foundation became the first overall season sponsor in the history of The Muny in 2014. They are committed to continuing in this role with their leadership gift as The Muny’s 2019 Season Presenting Sponsor.
Muny gift cards for the 101st season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900.
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The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 400,000 theatregoers over our nine-week season. Celebrating 101 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.
For more information about The Muny, visit muny.org
For more information about The Missouri History Museum’s
Muny Memories: 100 Seasons Onstage exhibit, visit mohistory.org
For more information about The Missouri History Museum’sMuny Memories: 100 Seasons Onstage exhibit, visit mohistory.org