FOR IMMEDIATE RELEASE

Clayton Community Theatre’s production of the classic romantic comedy “The Philadelphia Story” swept the 2021 Theatre Mask Awards, winning seven out of its eight nominations.

For the second year in a row, a virtual ceremony took place. On April 3, the 17-minute pre-recorded announcement honored excellence in community theater productions of comedies and dramas, as the TMAs have done since 2015.

Only for 2020, Arts For Life scaled back the format to reflect the number of eligible plays performed before the coronavirus pandemic shutdown. Awards were presented in 10 non-musical play categories instead of the usual 18.

TMA Steering Committee co-directors Melissa Boyer and Tim Naegelin announced the winners. The presentation is available on Arts For Life’s YouTube channel:

https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

Clayton Community Theatre, last year’s big winner in both comedy and drama with “Biloxi Blues” and “A Soldier’s Play,” added to their overall total of 28 awards and 113 nominations. They won for Play, Director Heather Sartin, Leading Actress Kelsey McCroskey, Supporting Actress Caitlin Souers, Costume Designer Julie Smailys, Lighting Designer Nathan Schroeder and Set Designers Andrew Cary, Zac Cary and Heather Sartin.

They staged “The Philadelphia Story” in March 2020. The 1939 play by Philip Barry deals with family dynamics and class prejudice at the affluent Lord estate, where everyone has gathered for socialite Tracy Lord’s second wedding, but romantic entanglements ensue and she must choose between three men – her fiancé, ex-husband and reporter covering the society event.

The winning actresses, McCroskey and Souers played Tracy Lord and her younger sister Dinah respectively. This is Schroeder’s third award for lighting design, winning for CCT’s “Macbeth” in 2015 and “A Soldier’s Play” last year.

Act Two Theatre’s production of the comedy “Who’s in Bed with the Butler?” won two – for Best Supporting Actor Todd Micali and Best Ensemble. The St. Peters-based group had led this year’s awards with nine nominations.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California billionaire who has bequeathed all of his assets to his only daughter, Constance – except the $22 million yacht he wanted Josephine to have, a $25 million art collection left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at her father’s mansion with her lawyer to find out who these women are and discovers the butler seems to hold the key.

Micali, playing the bumbling detective Davis, has won in the supporting actor category before –as Felix Ungar, in “The Odd Couple” in 2016, and a Best Performance Award for Comedic Actor in multiple roles in “Spamalot” in 2014.

Alton Little Theater won one for Leading Actor, Shea Maples, in “Inherit the Wind.” He played the character Matthew Harrison Brady, which is based on attorney William Jennings Bryan, in the drama that is a fictional account of the 1925 Scopes Monkey Trail.

Arts For Life announced the TMA nominations on March 12, during the nonprofit organization’s first-ever virtual trivia night.

“The TMAs were able to do eight shows last year and so the show must go on. Several categories were combined to allow for more nominees,” said AFL President Mary McCreight.

Naegelin explained the reasoning behind 2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA Steering Committee and the AFL Board of Directors believed the Theatre Recognition Guild had reviewed enough shows to make a successful TMA event. With only eight shows eligible, some categories were combined so that we did not lose the integrity of our awards and nominations.  To that end, there was not a division of drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, because of the public health emergency in Illinois and Missouri. performance venues were closed, gatherings limited to a percentage of capacity and safety protocols in place, including social distancing and face coverings to lessen community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of those who work and play in metropolitan St. Louis-southwest Illinois community theater.

“We will continue our charitable mission of service and recognition once it is safe to do so,” McCreight said.

The Philadelphia Story

The 2020 TMA winners are:

BEST PRODUCTION
“The Philadelphia Story,” Clayton Community Theatre

BEST DIRECTOR
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST LEADING ACTOR
Shea Maples, “Inherit the Wind,” Alton Little Theater

BEST LEADING ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater

BEST SUPPORTING ACTOR
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

Winners can record an acceptance speech, no more than two minutes in length, and send it by April 9 to [email protected]

AFL will upload the recording to its YouTube channel.

Who’s in Bed with the Butler? cast

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best Performance Awards (musical theater and youth productions) shows honoring productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in early 2020 will be considered for the 2022 awards. In April 2020, the AFL president suspended all public activities of the AFL organization, and then the board extended suspension of the Theatre Recognition Guild judging activities, for the BPA branch (musicals), through July 1, 2021.

“All is well with AFL. We will survive and look forward to meeting again in July.  Where there’s a will, there’s a way, and I thank all theater groups who are working to create a safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the best information currently available and will continue to share information promptly and transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.  From helping provide a sense of community, to providing scholarships, and mentoring at risk students in local theatre programs, AFL/TMA provides a full range of support to the St. Louis metro area.  I’m excited that we can continue that, even in our limited way, in 2021, he said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

To see a complete list of the nominees and awards history, visit the website: www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

AFL’s 2021 Theatre Mask Awards, honoring excellence in community theatre
productions of plays during 2020, will be pre-recorded and premiere as a virtual
ceremony at 10 a.m. on Saturday, April 3, on AFL’s YouTube Channel.
Act Two Theatre’s production of the farce “Who’s in Bed with the Butler?” leads this
year’s Theatre Mask Awards nominations with nine. Alton Little Theater, with its two
productions of “Inherit the Wind” and “The Miracle Worker,” earned 12 nominations in
total – six for each.

Two classic comedies by Clayton Community Theatre, “The Philadelphia Story,” and
Monroe Actors Stage Company, “The Solid Gold Cadillac,” both received eight
nominations apiece.

Arts For Life announced the TMA nominations on March 12, during the nonprofit
organization’s first-ever virtual trivia night.

Awards in nine non-musical play categories will be announced. The format has been
scaled back to reflect the number of eligible plays.

Normally, 11 community theater companies participate in the TMAs, with awards in 18
categories, but last year’s shutdown forced show cancellations.

“The TMAs were able to do eight shows last year and so the show must go on. Several
categories were combined to allow for more nominees,” said AFL President Mary
McCreight.

Tim Naegelin, co-chair of the TMA Steering Committee, explained the reasoning behind
2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA
Steering Committee and the AFL Board of Directors believed the Theatre Recognition
Guild had reviewed enough shows to make a successful TMA event. With only eight
shows eligible, some categories have been combined so that we do not lose the
integrity of our awards and nominations. To that end, there will not be a division of
drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, a shutdown because of the global COVID-19
pandemic happened. Because of the public health emergency in Illinois and Missouri.
performance venues were closed, gatherings limited to a percentage of capacity and
safety protocols in place, including social distancing and face coverings to lessen
community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of
those who work and play in metropolitan St. Louis-southwest Illinois community theater.
“We will continue our charitable mission of service and recognition once it is safe to do
so,” McCreight said.

TMA Eligible Shows
For this year’s TMA awards, Act Two Theater in St. Peters garnered nine nominations –
for production, actress, supporting actor and actress, director, costume design and
lighting design, and as the only nominee for Best Ensemble, has won that award
already.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California
billionaire who has bequeathed all of his assets to his only daughter, Constance –
except the $22 million yacht he wanted Josephine to have, a $25 million art collection
left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at
her father’s mansion with her lawyer to find out who these women are and discovers the
butler seems to hold the key.

Act Two, with 43 nominations since 2016, swept the 2017 TMAs, with “Drop Dead”
winning Best Comedy and “The Boys Next Door” winning Best Drama.

Over the years, Clayton Community Theatre has received 113 nominations, sweeping
last year’s TMAs with “A Soldier’s Play” and “Biloxi Blues” as winners in drama and
comedy.

They staged “The Philadelphia Story” in March 2020, the classic romantic comedy by
Philip Barry about privileged Tracy Lord, who is divorced from CK Dexter Haven, and
engaged to a successful young snob. A society paper sends a reporter to cover the
wedding arrangements, and she finds herself interested. Romantic entanglements
ensue. It has eight nominations – for production, director, actress, supporting actress
(2), lighting, costume and set designs.

“The Solid Gold Cadillac,” the 1954 play by George S. Kaufman and Howard
Teichmann, has a little old lady beat wicked corporate shareholders at their own game.
MASC staged it in February 2020 and has received eight nominations – for director,
actor, actress, supporting actor and actress, costume, set and lighting designs.

The Alton Little Theater has a total of 12 nominations, with six for “Inherit the Wind” –
production, director, actor, supporting actor and set design, which they staged last
January and February, and six for “The Miracle Worker” – production, director, actress
(2), costumes and set design, which they produced last October. Kevin Frakes is a
three-time nominee for both his set designs and directing “The Miracle Worker.”
“Inherit the Wind” is the fictional account of the 1925 Scopes Monkey Trial by Jerome
Lawrence and Robert E. Lee. “The Miracle Worker” by William Gibson tells the story of

Helen Keller, blind and deaf after childhood fever, and her governess and teacher,
Annie Sullivan.

Looking Glass Playhouse received four nominations – for production, actor, supporting
actor and set design for “It’s Only a Play,” a comedy by Terence McNally about an
opening night after-party where a producer, playwright, director, actors and their friends
eagerly wait for the reviews. They presented it in March 2020.

Since 2015, Monroe Actors Stage Company in Waterloo, Ill., has received 83
nominations over the years, Alton Little Theatre over 80 nominations, and Looking
Glass Players in Lebanon, Ill., 43 nominations.

The 2020 TMA nominations include:

BEST PRODUCTION
“Inherit the Wind,” Alton Little Theater
“It’s Only a Play,” Looking Glass Theatre
“The Miracle Worker,” Alton Little Theater
“The Philadelphia Story,” Clayton Community Theatre
“Who’s in Bed with the Butler?” Act Two Theatre

BEST DIRECTOR
Lee Cox, “Inherit the Wind,” Alton Little Theater
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Paul James, “Who’s in Bed with the Butler?” Act Two Theatre
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmermann, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTOR
Howard S Bell, “Inherit the Wind,” Alton Little Theater
Shea Maples, “Inherit the Wind,” Alton Little Theater
Steve Shininger, “It’s Only a Play,” Looking Glass Playhouse
David Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater
Marisa Puller, “Who’s in Bed with the Butler?” Act Two Theatre
Emily Schneider, “The Miracle Worker,” Alton Little Theater
Maria Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Kya Wonders, “The Miracle Worker,” Alton Little Theater

BEST SUPPORTING ACTOR
Matt Dossett, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Brad Kinzel, “It’s Only a Play,” Looking Glass Playhouse
Brant McCance, “Inherit the Wind,” Alton Little Theater
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Linda Daly, “Who’s in Bed with the Butler?” Act Two Theatre
Jenifer Elias, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Monica Lee, “The Philadelphia Story,” Clayton Community Theater
Trish Nelke, “Who’s in Bed with the Butler?”, Act Two Theatre
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Lee Cox, “Inherit the Wind,” Alton Little Theatre
Jean Heckmann, “Who’s in Bed with the Butler?” Act Two Theatre
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story, Clayton
Community Theatre
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Kevin Frakes, “Inherit the Wind,” Alton Little Theater
Chris Resimius, “Who’s in Bed with the Butler?” Act Two Theatre
Brad Sanker, “It’s Only a Play,” Looking Glass Playhouse
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best
Performance Awards (musical theater and youth productions) shows honoring
productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in
early 2020 will be considered for the 2022 awards. In April 2020, the AFL president
suspended all public activities of the AFL organization, and then the board extended
suspension of the Theatre Recognition Guild judging activities, for the BPA branch
(musicals), through July 1, 2021.

“Arts for Life is plugging along with theater-starved actors for a new day! On Friday,
AFL proceeded to produce our first ever Virtual Trivia Night to announce the Theatre

Mask Awards (TMAs) nominations. It was well-attended and a lot of fun,” McCreight
said.

“With the Best Performance Awards cancelled this year due to not being able to have
shows in 2020, heads were down. But old habits don't die. The Trivia Night’s audio and
visual musical categories brought us back to life,” she said.

“All is well with AFL. We will survive and look forward to meeting again in July. Where
there’s a will, there’s a way, and I thank all theater groups who are working to create a
safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the
best information currently available and will continue to share information promptly and
transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.
From helping provide a sense of community, to providing scholarships, and mentoring
at risk students in local theatre programs, AFL/TMA provides a full range of support to
the St. Louis metro area. I'm excited that we can continue that, even in our limited way,
in 2021, he said.

Co-chair Melissa Boyer was optimistic as well.

“I can’t wait to see what the future holds for the TMAs. I’m excited to co-chair this
committee and look forward to finding ways to grow the TMAs and find opportunities for
people to be involved with this wonderful, dedicated group. We are all looking forward to
theatres being able to safely open again and welcoming new members to the TMA
Theatre Recognition Guild,” Boyer said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated
to the healing power of the arts through its work with youth, the under-served and the
community. The BPAs have honored musical theater since 1999 and the TMAs have
honored plays since 2015.

“We hope that you and your loved ones have stayed safe during this difficult time,”
McCreight said. “Because of your commitment to our community and belief in our
mission, my optimism is not diminished about AFL being able to move forward once this
unprecedented time passes.”

Besides co-chairs Boyer and Naegelin, the TMA Steering Committee officers are Laurie
Blanner, recorder; Linda Daly, marketing facilitator; and Keaton Treece, Theatre
Recognition Guild director.

To see a complete list of the nominees and awards history, visit the website:
www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at [email protected]
 The YouTube Channel link:https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

The awards be available afterwards for later viewing. Please subscribe to the Arts For Life
STL channel so you can get a reminder of the event.
Be sure to subscribe/like to our social media:
https://www.facebook.com/artsforlifestlouishttps://twitter.com/arts_for_life

Article originally appeared in Arts For Life’s Feb. 18 newsletter. Article written by Kim Klick and Lynn Venhaus

After working as a professional actor and singer for more than 30 years in Las Vegas, including performing opera at the Venetian Hotel on the Strip, Kimmie decided to move back to her hometown.

To leave her comfort zone and start over at 45 years old was daunting.

“More than a few people thought I must have been crazy!” she said.

But she knew it was time for a change and she did have support.

She was hired to work at Nordstrom Department Stores and found an apartment in Valley Park.

“I thought I’d be satisfied with all of that, but I wasn’t. Frankly, I was quite miserable. I was lonely, broke and terribly homesick! Most of all, I missed performing.”

However, things slowly fell into place. She not only found her way into the St. Louis theatre scene but reconnected with childhood friends, settled down here and married Gregg Booker. They grew up in the same neighborhood, and found each other on Facebook.

She started researching St. Louis theater companies, sending out letters and headshots, hoping to be acknowledged, but no response.

One day in 2012, she came across an audition for an upcoming production of August Wilson’s “Fences” at Hawthorne Players.

“I hadn’t even heard of August Wilson! Can you believe that? Someone like me, who has done theatre her entire life, had not heard of August Wilson?”

She showed up, prepared but “terrified.”

“A little-known fact about me is that I had never done a ‘straight play’ before! I had always done musical theatre. So, to put myself in a position where I had to just ACT, well, it was unchartered territory for me, to say the least!”

She was offered the part of Rose, the long-suffering wife who is married to the lead character, Troy.

Kimmie Kidd-Booker in “Fences” at the Hawthorne Players. Photo by Larry Marsh

“It’s one of the most important, historical, emotional, heartfelt roles to exist in American Theatre. I thought, ‘What the hell did I get myself into?’” she said.
She did not need to fret.

“This was one of the best and most fulfilling theater experiences of my career,” she said.

For the record, August Wilson was not only an African American playwright, but also was an amazingly talented award-winning playwright who died too soon at the age of 60, Kidd-Booker explained.

“Fences” is part of Wilson’s celebrated “Pittsburgh Cycle,” sometimes called “The Century Cycle,” in which he wrote 10 plays, each set in a certain decade of the 20th century.

Set in the 1957, it is the sixth play of the cycle, premiered in 1985, and like the others, explores the evolving African American experience and among other themes, examines race relations.

Troy is a Negro Baseball League player who now works as a garbageman – but can’t be a driver (yet). His bitterness is apparent and affects his family – wife Rose and sons Lyons and Cory, and disabled brother Gabriel.

“Fences” won the 1987 Pulitzer Prize for Drama and the Tony Award for Best Play.
“I am honored and privileged to say I performed in an August Wilson play! Being in an August Wilson play was both thrilling and terrifying. The context is historic and genuine and dramatic. His words are thoughtful and compelling and emotional,” she said.

 While “Fences” is her only August Wilson play to date, she said she is optimistic that moving forward, there will be more opportunities to educate, perform, explore and share the African American experience with everyone.

“Black History Month is just a drop in the bucket. But it is certainly a start. My hope moving forward is that we can continue to gain an understanding of each other and continue a dialogue and put fears to rest. We have many differences, but we must continue to be reminded that we are more alike than we’d like to think,” Kimmie said.

Before she debuted in “Fences,” after a year here, she was considering returning to Las Vegas.

But once she started rehearsals with the cast and crew, then bonding with everyone, she decided to stay.

“My love for theatre kept me here in St. Louis. As I began to meet other theatre people and make more and more theatre connections, I knew that this is where I belonged. These are my People!” she said.

As Eliza Haycraft in the original musical “Madam”

Kimmie recently became part of the AFL Board of Directors. She has won two Best Performance Awards for Best Featured Actress as Glinda in “The Wiz” at Hawthorne Players in 2014 and as Estonia Dulworth in “Nice Work If You Can Get It” at the Kirkwood Theatre Guild in 2019.

She was nominated as Best Actress in a Featured Role as Sister Mary Hubert in “Nunsense” at Hawthorne Players in 2015 and as The Witch in “Into the Woods” at Curtain’s Up Theater in 2018.

Among her roles in regional professional theater, she played Tom Robinson’s wife in “To Kill a Mockingbird” at The Repertory Theatre of St. Louis, as Lady Bird in Stray Dog Theatre’s “Spellbound: A Musical Fable”and in the ensemble of “Sweeney Todd,” as “Aunt Missy” in The Black Rep’s “Purlie” and as Evangeline Harcourt in “Anything Goes” at New Line Theatre. In January 2020, she starred as brothel owner and philanthropist Eliza Haycraft in the original musical, “Madam.”

About August Wilson

August Wilson

Wilson was born Frederick August Kittel in Pittsburgh, Penn., on April 27, 1945. His mother, Daisy Wilson, was of African American heritage. His father, Frederick Kittel, was a German immigrant.

As a child, Kittel attended St. Richard’s Parochial School. When his parents divorced, he, his mother and his siblings moved from the poor Bedford Avenue area of Pittsburgh to the mostly white neighborhood of Oakland. After facing the relentless bigotry of his classmates at Central Catholic High School, he transferred to Connelly Vocational High School, and later to Gladstone High School.

When he was 15 years old, Wilson pursued an independent education at Carnegie Library of Pittsburgh, where he would earn his high school diploma.

Following his father’s death in 1965, a 20-year-old Wilson adopted the pen name “August Wilson” — reportedly an homage to his mother — and declared himself a poet. In 1968, Wilson and a friend, Rob Penny, co-founded the Black Horizon Theater.

Wilson remained primarily focused on making it as a poet — largely to no avail — until moving to St. Paul, Minnesota, in 1978.

Wilson wrote his first notable play in 1979,” Jitney,” for which he earned a fellowship at the Minneapolis Playwright Center.

The following year, his new play, “Ma Rainey’s Black Bottom,” was accepted at the Eugene O’Neill Playwright’s Conference. The year 1982 was particularly fruitful for Wilson, as it marked his introduction to Lloyd Richards, who went on to direct Wilson’s first six Broadway plays.

“Joe Turner,” the second part of the cycle, opened on Broadway in 1988.He took home another Pulitzer Prize in 1990, this time for The Piano Lesson, following its Broadway premiere.

Wilson died of liver cancer on Oct. 2, 2005, in Seattle. His new play, “Radio Golf,” had opened in Los Angeles just a few months earlier.

Information from www.biography.com is included here.

Mrs. Harcourt in “Anything Goes” at New Line Theatre 2018

There’s no business like show business! Arts For Life is devoted to supporting community theater in these pandemic times and will host its annual Trivia Night – only with a few twists.

The event is set for Friday, March 12, with rounds beginning at 7 p.m. but ‘doors’ open at 6:30 p.m. Teams can have up to 8 players and the cost is $10 per person/$80 a team. Mulligans and 50-50 tickets are available separately.

During the evening, nominations for the sixth annual Theatre Mask Awards will be announced. A scaled-back format is planned for a virtual awards ceremony on April 3. The TMAs honor plays – both comedy and drama – produced by community theater companies in the St. Louis metropolitan area, including the metro-east and St Charles County.

The Best Performance Awards, which recognizes excellence in community musical theatre, have been cancelled for this year.

“We hope groups will come together from their homes to share in the camaraderie of the arts community and have a fun evening celebrating theater,” said AFL President Mary McCreight. “AFL plans to return to its regular activities once it is safe to do so during this public health crisis.”

Using the teleconferencing platform Zoom, the AFL Board of Directors is producing an evening of eight rounds of 10 all-theater questions.

Colin Dowd, who is on the AFL Board of Directors and has been a BPA winner and TMA nominee, will be the host.

Registration will close on March 10. When registering, the team needs to designate a team captain. Information updates will be sent to the team captain to pass along to their teammates.

Players are encouraged to wear cast T-shirts that evening. (Pajama pants optional!).

To register or for more information, visit the website, www.artsforlife.org

Any questions may be directed to AFL Secretary Kim Klick — email [email protected]

By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



Arts For Life’s fifth annual Theatre Mask Awards will now take place in cyberspace on Saturday, July 18, rather than during a brunch at The Atrium banquet center at Christian Hospital.

This year’s event has been cancelled and reimagined because of the current coronavirus public health situation and gathering restrictions in St. Louis County.

The 2020 Theatre Mask Awards, honoring excellence in community theatre productions of dramas and comedies during 2019, will premiere at 11 a.m. as a live interactive viewing event on the AFL Facebook page, but the awards show will have been pre-recorded.

In addition to the TMA Facebook Watch Party, the video will be on the AFL YouTube channel as a live event and then will remain for later viewings. Please subscribe so you can get a reminder of the event.

TMA will announce winners in 18 non-musical play categories. Eleven community theater companies participate in the TMAs.

Since mid-March, the COVID-19 pandemic has affected the entire St. Louis Metropolitan region. With the need to maintain social distancing and to wear face coverings to lessen community spread, as well as the fact that all AFL performance venues remain closed at this time, the TMA Steering Committee made the difficult decision to cancel the annual TMA gathering and transition to a streamed format .

AFL had previously announced the switch to virtual for the Best Performance Awards, which honors musical theater and youth productions. That ceremony will be streamed Sunday, June 14, at 2 p.m. on the AFL YouTube channel. The TMAs, originally set for April 4, had been moved earlier to July 18.

Uncertainty about when large groups can safely gather in St. Louis County is another factor.

AFL President Mary McCreight emphasizes that the AFL board will continue to base their decisions upon the best information currently available in this rapidly evolving situation and will continue to share information promptly and transparently, mindful of the need for our community to receive timely updates.

“While we are disappointed that we cannot produce the regular in-person ceremony that so many people look forward to attending, we hope that moving to a stream-based format will still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

The Theatre Guild of Webster Groves led all St. Louis- southwest Illinois metropolitan area community theaters with 27 nominations.

The TGWG produces five plays a season and received nominations for five of its shows during the 2018-2019 and 2019-2020 seasons: “One Flew Over the Cuckoo’s Nest” (10), “The Bad Seed” (5), “Over the Tavern” (5), “The Musical Comedy Murders of 1940” (4) and “Dial ‘M’ for Murder” (3).

Clayton Community Theatre notched 24 nominations — “Biloxi Blues” (13), “A Soldier’s Play” (10) and “Eurydice” (1). CCT also broke a record for having the most acting nominations from a single show – 8 for “Biloxi Blues.”

To see a complete list of the nominees, visit the website: www.artsforlife.org

McCreight had previously suspended all public activities of the AFL organization, effective March 16 until at least May 1, and then the board extended suspension of the Theatre Recognition Guild judging activities, for the BPA branch (musicals), through July 31.

However, some TMA-eligible productions may open earlier if conditions permit. TMA branch judges and participating groups should be alert for announcements regarding future developments.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” the president added.

For those who have purchased TMA tickets, AFL will contact you about refund options and how your money can be returned. Instead of receiving a refund you might also consider treating the purchase amount as a tax-deductible donation to AFL.

Any company that wins can pick up their trophies on July 19 at 1 p.m. in the parking lot of Clayton Community Theatre.

“We’d like them to send one representative to collect everything and then disperse to the winners,” said TMA/AFL board member Melissa Boyer.

McCreight said AFL appreciates the support shown during these difficult times.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel.

By Lynn Venhaus
Arts For Life’s 21st annual Best Performance Awards will now take place in cyberspace on Sunday, June 14, rather than at the Skip Viragh Center for the Performing Arts at Chaminade College Preparatory School. This year’s gala gathering has been cancelled and reimagined because of the current public health situation.

The 2020 Best Performance Awards, honoring excellence in community and youth musical theater productions presented during 2019, will premiere at 2 p.m. as a live interactive viewing event on the AFL Facebook page, but the awards show will have been pre-recorded. In addition to the BPA Facebook Watch Party, the video will be on the AFL YouTube channel as a live event and then will remain for later viewings. Please subscribe so you can get a reminder of the event.

Arts For Life will announce winners in 33 categories and will reveal the annual youth scholarship awardees. There will also be several special presentations. The Lifetime Achievement Award will not be presented this year.

Jennifer Kerner

Arts For Life will honor Jennifer Kerner with a Special Achievement Award for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

The COVID-19 pandemic has affected the entire St. Louis Metropolitan region. Mandatory stay-at-home orders remain in effect for all 8,460 square miles that the Arts For Life family calls home: St. Louis city and county, St. Charles County and the Metro-East.

With the need to maintain social distancing and to wear face coverings to lessen community spread, as well as the fact that all AFL performance venues remain closed at this time and that there is considerable uncertainty as to when large group events will be allowed to resume, the AFL board made the difficult decision to cancel the annual BPA gathering and transition to a streamed format .

AFL President Mary McCreight emphasizes that the AFL board will continue to base their decisions upon the best information currently available in this rapidly evolving situation and will continue to share information promptly and transparently, mindful of the need for our community to receive timely updates.

“While we are disappointed that we cannot produce the regular in-person ceremony that so many people look forward to attending, we hope that moving to a stream-based format will still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

In an emergency notification on March 16, McCreight had previously suspended all public activities of the AFL organization, effective until at least May 1. At the most recent regularly scheduled meeting, held via teleconference on April 18, the board voted to extend the suspension through July 31 with the following two exceptions:

The Board has not yet taken a final decision regarding the fifth annual Theater Mask Awards ceremony set to honor achievements in non-musical plays. The brunch ceremony had already been rescheduled from April 4 to July 18 at the Atrium Banquet Center on the Christian Hospital campus in North St. Louis County. Stay tuned for announcements regarding any potential changes that might further affect the timing and/or location of this upcoming event.

Because of the suspension of public activities, the Theatre Recognition Guild (TRG) judging activities for the BPA branch (musicals) are suspended through July 31. However, activities for the TMA branch (non-musical plays) may resume slightly earlier if conditions permit. TMA branch judges and participating groups should be alert for any announcements regarding future developments.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” the president added.

For those who have purchased BPA tickets, AFL will contact you about refund options and how your money can be returned. Instead of receiving a refund you might also consider treating the purchase amount as a tax-deductible donation to AFL.

“We appreciate your support. I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

To see a list of the nominees, visit the website: www.artsforlife.org

For this year’s honors, the Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” from Kirkwood Theatre Guild and the Rodgers and Hammerstein classic “Oklahoma!” from Christ Memorial Productions each garnered 17 nominations apiece, including Best Large Ensemble.

Kayla Dressman

CMP’s “Dream Laurie,” Kayla Dressman, will receive a special award for Best Featured Dancer.

Among youth groups, the Goshen Theatre Project scored 18 nominations – 13 for “Les Miserables School Edition” and 5 for “Disney’s The Little Mermaid.” Bennett English, who played Jean Valjean, will receive a special award for Best Youth Musical Performance.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “A New Brain” from Hawthorne Players and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, besides “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

Fifteen theater groups and 10 youth-only groups participate in the BPAs, which has honored musical theater since 1999. AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community.

This year, judges scored 46 shows — 19 large ensembles, 3 small ensembles and 24 youth productions — from 27 participating groups, featuring 939 roles. For 2019, there are 154 individual nominations from 22 groups, and 36 percent are first-time nominees.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel.

By Lynn Venhaus

Greetings! This is a people, places and events column about local and national showbiz items that will appear regularly. Feel free to message me with interesting tidbits.

Today we provide some ways to fill your quarantine days and nights, a list of resources for artists, updates on the Theatre Proms and more.

MRS. AMERICA: St. Louis anti-feminist icon Phyllis Schlafly was an Alton, Ill. housewife when she gained national attention in conservative politics, fighting the Equal Rights Amendment and founding the Eagle Forum in 1972. She’s the subject of a nine-part miniseries, “Mrs. America,” which starts Wednesday, April 15 on Hulu. The first three episodes: “Phyllis,” “Gloria” and “Shirley” will air then, then each week through May 27, depicting the battles between Schlafly and the leaders of the women’s movement in the 1970s.

The cast includes Cate Blanchett as Schlafly, Tracey Ullman as Betty Friedan, Rose Byrne as Gloria Steinem, Margo Martindale as Bella Abzug and Uzo Aduba as Shirley Chisholm.

Fun fact: I saw Schlafly debate Betty Friedan on the ERA during college. Phyllis came up to the podium, looking like Betty Crocker, and said: “How many women want to get drafted?” A guy in the audience yelled out: “How many men do?” When Betty came up, in a mumu, she clearly had the crowd on her side. Illinois State University, 1973.

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THEATER PROMS: Springtime is awards season for the theater community, but this year, the mandatory Shelter-in-Place doesn’t allow gatherings of 10 or more. Therefore, events have been cancelled, rescheduled and rebooted

Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards ceremony was to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event had to be cancelled. Local theater critics still honored outstanding regional professional theater.

Instead, HEC provided a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. The event was downscaled reading of the nominations and awards, but hey, it’s #TCA20. You can still see it! Here is the YouTube link:

https://www.youtube.com/embed/tCo0AFHbChE

The theater critics recorded the nominations, and their voice-overs ran over photos. Then HEC announcer Rod Milam announced the winner. There were 34 categories to give awards in, which cover dramas, comedies and musicals. All in a half hour.

Many thanks to HEC Media, including Dennis Riggs, total pro announcer Rod Milam and ace producer Paul Langdon. Thanks to our theater buddy Andrea Torrence for the work on the graphics – the photos really made the virtual. event “pop.” I applaud your sharp professional skills and your devotion to local theater.

A special award was given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts. Where would St. Louis arts be without the Kranzbergs?

Here are the winners:
https://www.poplifestl.com/indecent-creve-coeur-new-jewish-theatre-are-big-winners-at-eighth-annual-st-louis-theater-circle-awards-ceremony/

Congratulations to the winners AND the nominees, and everyone who gave of their heart and soul to produce live regional professional theater with such passion and panache in 2019.

It truly was a fantastic year, especially for drama, and what a crowded field of talent among the 125 artists nominated and 51 shows from 25 different companies.

It is a privilege to see such a variety of theater during the year, and as a founding member of the St. Louis Theater Circle, it has been a real joy these past eight years.

In due time, we’ll be back in darkened theaters watching people create magic. We’ll get to hug and laugh again, and marvel at this thing called art that connects us all.

Even virtually for one evening — that was a welcome respite from the sad, terrifying and anxious daily news, wasn’t it, in what’s become the norm in our current global pandemic. People really seemed to enjoy it, lifted spirits – some casts had Zoom parties.

I look forward to seeing you all again, in the “After Times.”

If you want to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).
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HELP IS HERE: How can you help all the artists around the region and homebound folks around the region? During this unprecedented time of isolation, Stay-at-Home mandate, social distancing to #flattenthecurve, here are some resource links:

Gateway Resilience Fund: https://stlgives.org/covid19/gateway-resilience-fund/

This fund will provide short term monetary relief to employees and owners of independent bars, restaurants, and shops in the St. Louis area affected by closures and other circumstances brought about by the COVID-19 outbreak.

Curbside STL: https://www.curbsidestl.com/

CurbsideSTL was created to help support our local independent restaurant and retail businesses and their workers during the Covid-19 outbreak.

Regional Response Fund: https://stlgives.org/covid-19-regional-response-fund/

The fund will be used to direct resources to regional nonprofits that are working with local communities disproportionately affected by the coronavirus crisis and its economic fallout.

St. Louis COVID-19 Artist Relief Fund: https://www.gofundme.com/f/st-louis-covid19-artist-relief-fund

Any individual artist living in the St. Louis metro area who has had an event, gig, or paying opportunity canceled due to the COVID-19 crisis can apply for funding.

Support for Artists and Production Crews:

• I Lost My Theatre Gigs resource list and donation site: https://ilostmytheatregigs.squarespace.com/

• Freelance Artists Resource List: https://covid19freelanceartistresource.wordpress.com/ 

 Alive STL: https://alivestl.org/ 314-993-2777

 Safe Connections: https://safeconnections.org/ Hotline: 314-531-2003

The National Domestic Violence Hotline: https://www.thehotline.org/ Hotline: 1-800-799-7233 Text support: Text “LOVEIS” to 22522

Broadway may be dark, but today you can be a light for the theater community.

Broadway Cares/Equity Fights AIDS launched the COVID-19 Emergency Assistance Fund to help those onstage, backstage and behind the scenes during and after the coronavirus pandemic. Through your donation to this special fund, administered by The Actors Fund, you can ensure entertainment professionals get the health care, emergency financial assistance and counseling they need.

Any others I miss?

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THEATER UPDATES: I try to keep up with the latest news on cancellations and postponements. Here’s the new one. https://www.poplifestl.com/?p=1845
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THE SHOW MUST GO ON: OverDue Theatre Company had to cancel “My Fair Lady” this spring but has put together a Quarantine Concert for Facebook Live on Friday, April 17, at 7 p.m. Special guests include Kaitlyn Mayse, Lauren Molina and Nikki Snelson. Featuring Kimmie Kidd, Eleanor Humphrey and Kay Love, there are 17 performers from the OverDue family who will perform too.

SOME GOOD NEWS: You know him, you love him from “The Office,” the immortal Jim Halpern of the Jim and Pam office romance. Actor John Krasinski has started his own web series, “Some Good News,” and the first episode on March 29 was such a hit, he has produced two more, all dropping on Sunday nights. It’s both inspiring and distracting.

The first one features an interview with Steve Carell, as they reminisce about “The Office.” Watch here: https://youtu.be/F5pgG1M_h_U

John Krasinski

The second features the cast of “Hamilton”:
And here is the third: https://youtu.be/Eg08rJGKjtA

You can follow his page on Facebook for updates and a link to submit good news.

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CINEMA STL: Like everyone else, Cinema St. Louis has rescheduled some events. Here are the new dates/information: Classic French Film Festival: Working to move to late July/early August; St. Louis Science Fiction and Fantasy Short Film Festival: Moving from May 1 to hopefully this summer; QFest: Moving from mid-May to possibly July; Filmmaking camps: Camps slated for June and July will continue as scheduled for now; I Love Movies Trivia Night: Still scheduled for Friday, June 5, with backup dates of Friday, Aug. 28, or Friday, Sept. 4; St. Louis Filmmakers Showcase: This event is currently scheduled to go on as planned in July – deadline May 31; Golden Anniversaries: Films of 1970: The six-film fest is now slated for the following Saturday-Sundays: Aug. 22-23, Aug. 29-30, and Sept. 5-6 at the St. Louis Public Library’s Central Library; SLIFF: Hoping to go as scheduled in November.

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TEAM LEGEND: About a year ago, singer-guitarist Joanna Serenko won the St. Louis Teen Talent Showcase, sponsored by the Fox Performing Arts Charitable Foundation. Now she’s a contestant on “The Voice.”

Joanna Sorenko

The poised and talented 2019 Kirkwood High School graduate had a four-chair judges’ turn for her blind audition during Feb. 24 night’s season premiere. She sang Amy Winehouse’s R&B rendition of The Beatles’ classic “All My Loving,” and new judge Nick Jonas fought for her to be on his team. Here’s her performance link:

https://www.nbc.com/the-voice/video/nick-jonas-fights-for-joanna-serenko-who-sings-all-my-loving-voice-blind-auditions/4121502

The Battle Rounds began March 23, and Joanna was paired with Roderick Chambers to sing Billie Eilish’s “When the Party’s Over.” Here is the duet:

https://youtu.be/lVmvz9v5KgE

Kelly Clarkson described their duet as “effortless and beautiful and passionate,” and coach Nick called her a “flawless singer” but picked Rod as the winner — then John Legend stole Joanna, so she advances to the Knockout Rounds on Team Legend. EGOT Legend said she had a lot of “style and grace” in her voice.

Both the Battle and Knockout Rounds were taped earlier, so they aren’t affected by the virus shutdown. However, the live shows in May might be, which follows the Knockout Rounds. Go Joanna! (Tune in April 13).

For the first show, a viewing party took place at the Marcus Des Peres Cinema. Due to the pandemic, that can’t happen now. If it starts up again, I’ll let you know.

She used to sing in the choir at Kirkwood’s United Methodist Church and moved here from Cleveland in 2010.

***

AND THAT’S A WINNER: Sports commentator and hometowner Joe Buck is reaching out to sports fans, asking them to send videos so he can provide a “play-by-play” of what they’re doing while staying at home — perhaps dribbling in place? Just be careful what you send him.

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HARRY POTTER INTERACTION: Want to escape to fantasy worlds during this global pandemic? “Harry Potter” author J.K. Rowling has launched a new website called Harry Potter at Home – a free magical resource to keep readers of all ages entertained while staying at home. In addition to the existing interactive features on WizardingWorld.com, the site creators have added new activity kits, “nifty magical craft videos,” quizzes, puzzles, and more. You can also listen to the first book on Audible for free or download and read it from a digital library.

***
AND HE SCORES! Congratulations to Tom Calhoun, one of the nice guys in local media and the St. Louis Blues announcer for 33 years, who was recognized with three honors by the St. Louis Sports Hall of Fame. He was recently inducted, presented with the President’s Choice Award and given a commemorative 1500th-game plaque at the fourth annual Illinois Enshrinement Dinner.

Tom Calhoun, Tom Morris and Laila Anderson

A veteran of KMOX, WIBV and other stations, he is currently an adjunct communications professor at Southwestern Illinois College and general manager of its campus radio station, Blue Storm. He has never missed a Blues game since 1987 — until the global pandemic sidelined the team and the NHL cancelled the season. (Just think: a year ago, on April 10, we won the first of the 16 games we needed to win in the Stanley Cup Playoffs).

Cutline: Pictured, left to right, Tom Calhoun, head of the St. Louis National Hockey League Off-Ice Crew Tom Morris and St. Louis Blues inspiration and “super-fan” Laila Anderson. Photo by Bill Greenblatt

APPLAUSE, APPLAUSE: The Black Rep was awarded the August Wilson American Century Cycle Award by Christopher Rawson of the Pittsburgh Gazette on its opening night of “Two Trains Running.”

In 2008, they were the third company in America to complete the 10-play American Century cycle and are currently two-thirds of the way through it for the second time. Each of the 10 plays are set in a different decade of the 20th century.

The Black Rep board at ceremony – Rawson at far right. Photo by Phillip Hamer.

Rawson, the newspaper’s senior theater critic and an August Wilson House board member, made the presentation Jan. 10. The award was established only recently, so presentations are being made gradually to the 15 qualifying companies.

 “August is still alive, first, in the people, places and stories from what we call August Wilson’s Hill, and second, in the theaters around the country that bring them to life. This award, presented jointly by his hometown newspaper and his childhood home, celebrates the conjunction of these two. It says that we are all connected in August’s work, through our recognition of its rich humanity and spiritual passion,” he said.

Wilson’s widow, Constanza Romero Wilson, sent thanks to The Black Rep “for your ongoing support of his legacy and for continuing to tell the stories for many generations to come. You ‘belong to the band’!” The quotation comes from Wilson’s “Gem of the Ocean,” where “the band” refers to those who struggled to free black Americans from slavery and Jim Crow.

Meadow Nguy

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IN THE CREDITS: Meadow Nguy of O’Fallon, Ill., makes an appearance in the seventh episode of the new Amazon Series “Hunters” starring Al Pacino. She was seen in “Law and Order: SVU” last November, and has been on “Madam Secretary” and “The Blacklist.”
She moved to New York after graduating from Indiana University with a degree in musical theater. She appeared on stages in St. Louis, including the 2012 “Spring Awakening” at Stray Dog Theatre and their world premiere of “Spellbound,” and in the metro-east during her high school years. She won the Illinois Musical Theater Award, her ticket to the Jimmy Awards in 2012.

***
BOOKSHELF: New Line Theatre Artistic Director Scott Miller is also a prolific writer. His latest, “Idiots, Heathers, and Squips,” digs into a new batch of original, interesting musicals produced the first 15 years of the millennium.

He does deep dives into these 11 that represent “the astonishing variety and fearlessness of this new Golden Age:  Urinetown, Sweet Smell of Success, Jerry Springer the Opera, Passing Strange, Cry-Baby, Next to Normal, Bloody Bloody Andrew Jackson, American Idiot, Heathers, and Be More Chill.

It’s available on Amazon for $17.96: https://www.amazon.com/Idiots-Heathers-Squips-Musical-Theatre/dp/B084DR2HNW


***

MK Andersen

LISTEN IN: MK Andersen’s “The First Hundred Days.” She is inspired by the idea that if the first hundred days of a presidency are the most pivotal and important, then the first hundred days of X,Y and Z must also be important. New ones are released every Tuesday: https://yourdaybymk.com/podcast-first-hundred-days
:
MK, who operates a wedding planning business, is a graduate of University of Notre Dame with a bachelor’s degree in political science. For the podcast she has talked to a writer at Netflix, a former university president and others. In episode 2, a fascinating talk with former FCC Chairman Newton Minow  (1961-1963) is here. Minow, 94, served under President Kennedy. He practices telecommunications law in Chicago and in 2016, received the Presidential Medal of Freedom from Barack Obama.

Fun fact: “Gilligan’s Island” creator Sherwood Schwartz named the tiny ship that took that fateful trip for Minow because he thought he had ruined television. Minow is noted for a speech in which he called American television a “vast wasteland.”

Reel Times Trio

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REEL TIMES TRIO: Of course I’m going to plug my own, Reel Times Trio podcast, which is Carl “The Intern” Middleman, myself and a rotating guest to discuss the latest movie releases, what’s out on DVD and streaming, what’s new in Hollywood and Broadway, what’s happening locally, good TV and more.

We’re on iTunes and SoundCloud, and have a Facebook page where we post episodes each week. We also are posted here at PopLifeSTL.com
During the pandemic, after a brief layoff, we have transitioned to Zoom.  Find us here: https://soundcloud.com/lynn-zipfel-venhaus

Bill Hader and Henry Winkler in “Barry”

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ICYMI: Need something to do?
HBO has unlocked the vault on nine popular series that you can watch for free on HBO Now or HBO Go, or if you have cable TV, now through May 31. The shows are: Barry, Big Little Lies, The Wire, The Sopranos, Succession, Veep, Silicon Valley, Six Feet Under, True Blood and Ballers.

Here are musicals and shows to watch online: https://www.broadwayworld.com/article/Broadway-From-Home-157-Musicals-Shows-You-Can-Watch-Online-20200319

Need to know where you can find a movie to watch, whether it’s streaming or not? Check out www.justwatch.com or download the app on your phone.

Did you miss Andrea Bocelli’s free streaming concert from Milan on Easter Sunday? Here is the YouTube link to the half-hour concert, featuring the famed opera singer performing “Ave Maria,” “Santa Maria” and “Amazing Grace”: https://youtu.be/huTUOek4LgU

He told NBC News: “I believe in the strength of praying together. I believe in the Christian Easter, a universal symbol of rebirth that everyone – whether they are believers or not – truly needs right now. Thanks to music, streamed live, bringing together millions of clasped hands everywhere in the world, we will hug this wounded earth’s pulsing heart…”

One of the best ads yet on staying safe for the good of a city, Here’s Doner Advertising Agency’s uplifting message to Detroit: https://youtu.be/JJzlXhXrD7I

Playwright Nancy Bell and Director Lucy Cashion teamed up for “MUTE: A Play for Zoom” that debuted on Facebook April 5. Spencer Lawton was the production manager. )Main photo is a screen shot of the Zoom play, a remarkable achievement.) Here is the Vimeo link to the half-hour production: https://vimeo.com/405178212?fbclid=IwAR2hkRVBGu78QK8rLQWmb6pY-e7fynRixVlGxky1vvhWNxyN3kKY8PrCP0s
Here is our review: https://www.poplifestl.com/visionary-apocalyptic-farce-mute-a-play-for-zoom-brings-joy-in-modern-storytelling/

Ali MacGraw

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MEMORY LANE: Valentine’s Day marked the 50th anniversary of bestseller “Love Story,” the young romance that had hearts aflutter back when I was in high school. This is actually my own book cover.

And the movie turns 50 in December. I wrote about the movie’s impact. We all wanted to be Ali MacGraw. We sure did copy her fashions. Here is that link:
 https://www.poplifestl.com/love-story-at-50-the-iconic-romance-revisited/

***
WORD: “The world needs artists more than ever to remind us what truth and beauty and kindness really are.” — Terence McNally (1938-2020), in his Lifetime Achievement Award speech at last year’s Tony’s.

By Lynn Venhaus

As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.

Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.

Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.

PROFESSIONAL VENUES

Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. These closures will remain in place until at least May 11.

This includes the Kranzberg Arts Center, The Marcelle Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room, Sophie’s Artist Lounge and the High-Low building.

Fox Theatre
Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.

On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.

“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.

Ticket holders should keep their tickets until new dates are announced. More information will be available once new dates are secured.

The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.

The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.

“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.

Plans to reschedule other postponed shows are currently underway.  Ticket holders should hold on to their tickets – they will be honored on the new dates.

Decisions about other future shows will be made as we follow the evolving situation with the COVID-19 virus and the City of St. Louis’ determination of the length of this prohibition, public relations manager Megan Ketcherside said.

Operational hours are subject to change based on the COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix 314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m., closed on Saturday and Sunday.

Visit the website, www.fabulousfox.com/coronavirus

Family Arena

As of March 25, the Family Arena and The Family Arena Box Office is closed to the public until such time as the limit on public gatherings is lifted in St. Charles County.

Tickets are still available for purchase at Ticketmaster.com.

Manager Tom O’Keefe said if you purchased tickets at the box office for an upcoming rescheduled event that you would like a refund for, please hold on to your tickets until they re-open and they will refund your tickets at that time.

They have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center for guidance and check back regularly for additional information and status updates, www.familyarena.com.

Stifel Theatre

The Stifel Theatre and Enterprise Center Box Offices will not open until further notice. For guests who purchased tickets to an upcoming show through the box office that has been cancelled, please hold on to your tickets until we re-open and are able to assist with your questions.

These events at Stifel Theatre have been postponed. Ticket holders should hold on to their tickets, as all tickets will be honored on the rescheduled dates.

Here are rescheduled dates:

Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18 to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March 20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.

The following events have been cancelled and refunds will be available at original point of purchase:

“Sesame Street Live,” March 27-29; TD Jakes, April 10; The Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April 23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.

Decisions about other future shows will be made as they continue to monitor this rapidly evolving situation. Visit www.stifeltheatre.com

Chaifetz Arena

The arena is closed until further notice and in an abundance of caution, the venue will be thoroughly cleaned while closed.

They are currently working to reschedule all impacted events and will provide updates as quickly as possible. We ask all current ticket-holders to retain their tickets for these events until such time when a new date is determined as your current ticket will be valid for the new date. “Please be patient and hang tight as we work through this unprecedented time,” a spokesman said.

Additionally, they have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center by clicking here for guidance and check back regularly for additional information and status updates as they become available.

Impacted Events: Festival Of Laughs from March 20 to Sept. 26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28 to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15; Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24 to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29 to TBD.

The Playhouse at Westport

All March/April events were cancelled, including “Flanagan’s Wake,” which had been extended to mid-April.

John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain scheduled.

Refunds are available at point of purchase.

REGIONAL PROFESSIONAL THEATER

Metro Theatre Company

They are partnering with Off the Page for this project “Art Apart, Together.” Share your creativity and learn more here: https://www.metroplays.org/art-apart-together

Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/

We feel really lucky to be partnering with Alliance TheatreCry Havoc Theater Company, and Metro Theater Company on this project.

EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!

New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.

The Muny

The Muny administrative offices and box office are closed through late April. Ticketing services for the 2020 season are available online at any time.Ticketing related questions can be sent to [email protected]

“We are closely monitoring all developments regarding the COVID-19 outbreak and will continue to follow the guidance of health and government officials with the goal of keeping our staff and community as safe and healthy as possible,” the Muny statement reads on their website. 

“With the start of our 2020 season still months away, we remain optimistic that the season will proceed as planned and hope the restrictions on gatherings are lifted in early May, as scheduled. If that changes, we will adjust accordingly. Meanwhile, we continue communicating with health officials on all levels to stay fully informed and responsive to this unprecedented situation,” the statement reads.

Given the Stay at Home order for St. Louis City and County, and for the health and safety of our team, The Muny Offices are currently closed and some ticketing dates have changed. However, we’re still busy getting ready for the 2020 summer season, and we can’t wait to meet you at The Muny this summer!

Ticketing Update as of March 26 – These dates are subject to change. 

Muny Season Tickets will be mailed in early May

Season Ticket Exchanges: May 26 – 29

Single Ticket on Sale: June 1

To purchase new season tickets, or pay a current balance on existing season tickets, please visit:  muny.org/buy-tickets

To purchase season tickets with a gift card you currently have in-hand, please email The Muny Box Office at [email protected] and a Muny Ticketing agent will contact you  to process your request. If you wish to purchase a gift card, it will not be mailed until the restrictions on gatherings have been lifted. 

Also, if you are looking for a way to stay entertained during these “quiet days,” we encourage you to enjoy a specially curated set of video clips from our previous productions on our social media channels. You can follow us on Facebook, Twitter and Instagram.

The Repertory Theatre of St. Louis

The Cake starring Rigel Harris, Denny Dillon and Dria Brown. Photo by Phillip Hamer.

The Repertory Theatre had to cancel the run of “The Cake,” which began in the Studio Theatre on March 14, but was forced to be shutdown March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from March 21, with the goal of mounting it this summer.

“The Cake”

An online stream of “The Cake” has been made available to all Studio Theatre patrons who previously purchased tickets at no additional cost.

There are a limited number of streaming tickets available for purchase for those who are interested in viewing the final performance of the Steve Woolf Studio Series this season. That is available through April 24.

Additionally, The Rep is collaborating with a national group of theatres to commission a series of short plays specifically developed to spark joy and connection among people who are sheltering in place. These initiatives are designed to keep the art alive and vital, even in a time of isolating quarantines.

“Keep an eye out for more entertaining content and educational resources from The Rep and our local and national partners by following us on social media,” spokesman Jeremy Goldmeier said.

On March 27, The Rep announced that they have honored the entire contracts of the guest artists who devoted their talents to “Dreaming Zenzile” and “The Cake,” despite their runs being delayed or cut short.

“In these uncertain times, The Rep felt it was imperative that these artists, whose livelihoods depend on their contracts, not bear the additional burden of lost wages in this pandemic,” a statement said.

“As you know, The Rep has an extraordinarily talented and dedicated staff that works year-round to support the productions, education, and community initiatives to serve the greater St. Louis region. We have continued to pay the full salaries of our full-time, year-round administrative staff, with no furloughs or other lapses in pay. We have moved our administrative and box office teams to work remotely to serve you during this period,” a statement said.

Play at Home

The Repertory Theatre of St. Louis has teamed with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company to present Play at Home, a series of micro-commissioned short plays from some of the American theatre’s most exciting and prominent playwrights.

These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

In the wake of widespread event cancellations following the spread of the coronavirus (COVID-19), the participating theatres conceived Play at Home as a way to support artists, connect people to theatre, and to ignite imagination and joy in these uncertain times.

Each organization commissioned multiple playwrights – most of whom had plays canceled due to the coronavirus outbreak – to create new works that were big, joyful and not bound by the constraints of what might be “possible” on a traditional stage.

The Rep’s commissioned playwrights feature:

Regina Taylor (playwright of The Rep’s 2020-2021 production of Oo-Bla-Dee)

Karen Zacarias (playwright of The Rep’s 2020-2021 production of Native Gardens)

Steph Del Rosso (playwright of The Rep’s 2020-2021 world premiere of The Gradient)

Guadalís Del Carmen (who appeared at The Rep as an actor in 2020’s Mojada: A Medea in Los Angeles)

Tre’von Griffith (a St. Louis performer and playwright, co-founder of TLT Productions)

These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.

Max and Louie Productions

Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.

Moonstone Theatre Company
Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.

Joe Hanrahan of The Midnight Company

The Midnight Company
Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.

 It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved.  Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating.  A difficult show to describe but what it is is excellent.”  Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word.  The Cardinals are the talk of the town again.  This show should be the talk of the town, too!” 
Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show.  At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.”
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns  a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation.  The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.”  Throughout, the playwright draws links between what’s happened and happening –  from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time.
Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.

There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.



Grace Langford and Jaclyn Amber in “Head Over Heels” Photo by Jill Ritter Lindberg



New Line Theatre


New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.

Its June production of “Urinetown” has been cancelled.

Stray Dog Theatre

“Annie,” which was to open April 9, has been postponed, with dates to be announced.

“We will honor all tickets already purchased to any of the new performance dates once they are announced. To purchase tickets to any other future productions, please call our box office directly at (314) 865-1995.

“We are currently planning to hold the remainder of the 2019-2020 season as scheduled. Any changes or additional information will be shared as soon as possible. If you have any questions, please feel free to contact us,” said Artistic Director Gary F. Bell.

“We would like to thank everyone for the hard work they’ve already put into the production and we would like to thank you for your patience as we work to bring you the quality story telling you, our family, deserve. Annie is that bit of light we all need right now, ‘the sun will come out tomorrow’ and we will overcome anything,” Bell said.

“We know we are not the only organization dealing with these difficult decisions and we stand with them, ready to come back stronger. Your continued support of all arts organizations is always appreciated but never more than in times like these. We look forward to seeing you soon,” he said. “Please stay safe and be kind to one another.”

Kenneth Lonergan’s “Lobby Hero” is set to run June 4 – June 20

“However, due to the extreme strain currently being faced by many organizations we have made the decision to halt online sales of upcoming productions. We will resume online sales once matters have settled and the timeline of events moving forward becomes more defined,” Bell said.

“You may continue to purchase tickets for upcoming shows by calling our Box Office at (314) 856-1995 or emailing us at [email protected] Thank you for your patience and your continued support as we manage these unfortunate events.”

For more information, visit www.straydogtheatre.org

St Louis Actors’ Studio

Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10

This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.

New Jewish Theatre

Judi Mann, Kelly Weber and Joneal Joplin in “We Are the Levinsons”

Initially, New Jewish rescheduled “We Are the Levinsons” from March 19 to May, but now they have pushed it back, along with their Sondheim musical revue, “Putting It Together.”  They would like to reschedule later this summer.

All activities at the JCCA have been suspended during the public health crisis.

For more information, please contact them by email or by phone, 314-442-3283.

Opera Theatre of St. Louis

Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah

Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again. 

At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!

For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:

https://www.opera-stl.org/beyond-the-stage/updates-regarding-covid-19

This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.

“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.

Shakespeare Festival St. Louis

The 2020 Shakespeare in the Park production of “Much Ado About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director Tom Ridgely said it was in order to provide the best possible chance of safely gathering artists and audiences for its 20th anniversary season. It is to be directed by Bruce Longworth.

“For the past 20 years in St. Louis, the opening of Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely said. “This year it’s clear that the only way to care for our actors, crew, volunteers and community is to give as much time as possible for social distancing measures to take effect and hope to be one of the ways we all bring our summer 2020 to a much happier close.”

The previously announced creative team of Matt Pace & Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis (Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design) remains the same.

In response to the widespread cancellation of live events, the Festival has already shifted to generating a full schedule of new and original content for the online and social media platforms under the umbrella of “ShakespeareTV.”

These include the previously aired “watch party” of its canceled regional tour of Cymbeline, a live reading of “Venus and Adonis” (which Shakespeare wrote during a plague-induced theater closure) and a five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together they’ve already been viewed 10,000 times.

Now through May 29 on ShakespeareTV, which can be accessed on their Facebook page:

THE ZOOM PLAYS: a weekly series of 20- to 30-minute original plays written especially to be performed live over the videoconferencing app Zoom. Created and performed by local playwrights, directors and actors.

GREEN SHOW MONDAYS: an eclectic variety program featuring music, comedy and performance from Festival favorites.

SHAKESPEARE AND CHILL: a special selection of Shakespeare-inspired movies featuring live commentary from artists and scholars, co-curated by Cinema St. Louis.

Other one-night only events to be announced.

May 29 – June 21 is SHAKE20

A 20th anniversary reboot of the beloved engagement program SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s originally scheduled run, May 29-June 21.

Like the original, SHAKE20 will be a region-wide collaboration involving artists and organizations including SHAKE38 alumni: Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics, Poor Monsters and Theater Nuevo. More details about the program and how to apply will be shared soon.

 “In the meantime, we hope that you and yours stay well. We have planned an incredible season of free Shakespeare, and we cannot wait to share it with you. It’s an interesting time to be in the business of live theatre and touring productions, but the Festival is committed to paying our artists and staff throughout this crisis,” Ridgely said.

So, if you have ever considered becoming a member, know that we are always grateful for your support—but especially so at this time,” he said.

“During this crisis, we feel more connected to Shakespeare and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The Plague was the single most powerful force shaping [Shakespeare’s] life and those of his contemporaries.’ During times of quarantine, Shakespeare wrote some of his most important sonnets and plays,” Ridgely said.

“We can’t claim to have his genius, but we will take inspiration from his dedication and from artists around the world that are stepping up to create, facilitate, and share stories in new and exciting ways. Stay tuned for updates on new and existing Festival programs,” he said.

For more information, visit the website sfstl.com and on social media. Visit https://www.facebook.com/shakesfestSTL

Stages St. Louis

While Stages St. Louis continues to follow guidance from the CDC as well as mandates from both local and national government, for the time being, they have made no adjustments to the schedule for our upcoming 2020 Season.

However, here are some changes regarding tickets, activities and outreach:

Single tickets for the 2020 Season will now go on sale beginning Monday, April 27.

All in-person activities with the Stages Performing Arts Academy will be canceled until the start of our Summer Semester on Monday, June 1.

The Stages administrative, production, and academy offices will remain closed until Thursday, April 23.

In the meantime, the Box Office is still open for questions or subscription ticket sales online at www.StagesStLouis.org or by phone at (314) 821-2407.

The Stages Performing Arts Academy will continue to offer digital and streaming content in order to continue performing arts education for students at home and can answer any and all questions by phone at (636) 449-5775. 

Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.

Tennessee Williams Festival St. Louis

Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.

The Tesseract Theatre Company
Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.

For more information, contact: [email protected] or visit the website, www.tesseracttheatre.com

That Uppity Theatre Company
Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.

Upstream Theater
In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.

West End Players Guild

Steven Dietz’s “Bloomsday” set to open April 17 and run through April 26 has been cancelled. It was the final production of the group’s 109th season.

“As our country copes with the growing threat of the Coronavirus, one of the most important steps we must take to protect ourselves and each other is the kind of “social distancing” that is impossible at a theatrical production. Our Board of Directors believes it is highly unlikely that the need for social distancing will be any less in April than it is today, and decided that the best course of action for our company and our patrons was to act now to cancel the show,” a statement reads.

Patrons who have purchased advance tickets through Brown Paper Tickets will be issued automatic refunds. WEPG will reach out to season ticket holders in the near future with refund options.

WEPG will begin its 110th season in September.

Alfresco Productions
Auditions for “Hairspray Jr.” will be by video for the Granite City community theater production. The show is to run July 24-26 and deadline for video submissions is April 19. The age limit is from 6th grade to 18 years old. For more information, visit: https://www.alfrescoproductions.org/auditions

Alton Little Theatre

All productions and concert events through May 1 have been cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and “Broadway Salutes America” may be refunded or transferred. Call 618-462-3205 for options.

“Brigadoon” has been moved from May to June, with plans for a June 5 opening, with eight performances through June 14. Season ticket holders can follow the same schedule but can call the office at 618-462-3205 anytime in May.

“Shrek” auditions have been rescheduled for Saturday, May 10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting at least 30 characters. The show will run July 31-Aug. 9 for eight performances.

Clayton Community Theatre
“The Philadelphia Story” was to run March 12-22 but was cancelled after opening weekend.

They hope to premiere “Broadway Bound” July 9 -14

Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a future date in 2020, to be determined, and cancelled March 28 auditions. The musical was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep informed of updates, visit www.curtainsuptheater.com

Kirkwood Theatre Guild

Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek: The Musical,” which were set to run in April and May.

Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on hold. More information will be forthcoming. Please follow or check out website www.HawthornePlayers.com for any further announcements.

Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it after state and local mandates due to the COVID-19 pandemic.

They have cancelled the rest of the season, including “Rock of Ages” in May and have moved it to the opening slot in the fall.

“We are reaching out to the publishers to reschedule and are hopeful that we will be able to still perform the show in September,” he said.

They hope to announce the full season soon and for patrons who renew their season tickets for next year, they will receive a 10 percent discount.

“Currently, we are still planning our summer youth production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror Show.”

Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19 and 24-26, has been postponed.

Due to the current health crisis in our area, all MASC rehearsals and activities at the Capitol Theater have been postponed effective Monday, March 16. 

“The MASC Board will be discussing the plan of action moving forward regarding Watch on the Rhine, the current show in production, and the remainder of the 2019-2020 season, as we monitor the progression of this crisis. Specific information regarding these two shows will be sent out accordingly. The health and safety of our membership and patrons is our highest priority,” a statement read.

O’Fallon Theatre Works

The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions were recently handled by video.

Over Due Theatre Company

The group in Olivette has postponed “My Fair Lady.” It was to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.

The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”

“We are hopeful and fully intend to mount this production at a later date,” a statement read.

AWARDS EVENTS

St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards were to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event has been cancelled. Local theater critics will still honor outstanding regional professional theater, however.

Instead, HEC will provide a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy outfits and schmoozing, the event will be downscaled reading of the nominations and awards.

Here is the URL link to the Higher Education Channel TV (HEC-TV):  https://www.facebook.com/hectv/live/

The event’s hashtag is #TCA20

The theater critic members of the St. Louis Theater Circle have recorded the nominations, and their voice-overs will run over photos of the nominees. Then HEC announcer Rod will announce the winner. There are 34 categories to give awards in, which cover dramas, comedies and musicals. A special award is being given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts.

Visit the Theater Circle’s Facebook page for more information.

If you would like to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Arts For Life

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

AFL President Mary McCreight has suspended all public activities of the AFL organization, effective until at least May 1. This includes all judging activities of the Theatre Recognition Guild.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” she said.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).

ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS

In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

ARTS CENTERS AND CONCERT HALLS

The Hettenhausen Center for the Arts

All events and performances scheduled through June 1 have been cancelled at “The Hett,” which is located on the campus of McKendree University.

 “TAO Drum” has been rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah” has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.

The ReMINDers has been cancelled for April 6.

They are offering patrons the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees. Please contact the box office during operating hours to discuss ticket disposition at 618-537-6863. The box office is open from noon to 4 p.m. Monday-Friday.

Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For more information, please contact [email protected].

St. Louis Symphony Orchestra

All performances through April 12 are postponed or canceled. For information regarding tickets and schedules, visit slso.org.

The Sheldon Concert Hall & Art Galleries

All Sheldon-presented concerts and other events through May 10 have been postponed or canceled. Plans to reschedule are underway, and ticket buyer should retain their current tickets – they will be honored for the new dates. Additional information will be provided to ticket buyers as events are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley, “Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17; David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes for events presented by non-Sheldon promoters will be handled on a case by case basis. All updates can be found at TheSheldon.org or at MetroTix.com.

The Sheldon is located at 3648 Washington Blvd., St. Louis.

Fair Saint Louis

Fair Saint Louis and America’s Birthday Parade events have been canceled this year due to concerns about the COVID-19 pandemic.

Fair Saint Louis was set to run July 2-4 at the Gateway Arch with concerts, air show, and fireworks each night.

“While we are saddened to cancel two of our region’s most popular and free Fourth of July celebrations, the safety of our community is of utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair Saint Louis and America’s Birthday Parade embody the prideful spirit of our city, and over the past few weeks, we’ve seen that spirit shine so brightly within our community as we face this unthinkable challenge together.”

This year would have marked the 40th Fair Saint Louis and 138th America’s Birthday Parade.

“We look forward to returning to downtown St. Louis and celebrating with our community in the future when the time is right,” said David Plufka, Chairman, America’s Birthday Parade.

St. Louis Theater Circle Awards Ceremony Cancelled, AFL’s Theatre Mask Awards Moved to July

By Lynn Venhaus

Because of the COVID-19 pandemic, productions scheduled in March, April and May at New Jewish Theatre, St. Louis Actors’ Studio, Tennessee Williams Festival, Upstream Theater, West End Players Guild and the Playhouse at Westport have announced postponements, some with new dates and others to be determined.

The Kranzberg Arts Foundation has closed all its venues.

St. Louis Theater Circle has cancelled the March 30 Awards Ceremony and Arts For Life has pushed back its annual Theatre Mask Awards. Metro Theatre Company has announced some changes in scheduling.

Here is the most up-to-date information available, and updates will be happening as we get word.

The companies are following the U.S. Centers for Disease Control guidelines for social distancing, which has recommended limiting gatherings of no more than 50 for the next eight weeks. St. Louis City and St. Louis County have banned such public gatherings.

On Monday, the White House advised the public to avoid groups of more than 10 and urged older people to stay at home for the next 15 days in a set of new guidelines designated to fight a spreading coronavirus outbreak.

Kranzberg Arts Foundation
They announced Tuesday that they have followed the recommendations and guidelines put in place by our government and health officials and have moved to shut down all Kranzberg Arts Foundation venue operations. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. For the time being, our tenant and resident organization offices remain open. These closures will remain in place until at least May 11:

  • The Grandel Theatre
  • The Marcelle
  • The Kranzberg Studio, Black Box, and Gallery
  • .ZACK Theatre
  • High Low
  • Sophie’s Artist Lounge
  • The Dark Room

To ticket holders, MetroTix will be reaching out and instructing guests to respond with “refund” or “donate”.
“While this is a difficult time for everyone, arts organizations and artists will be particularly impacted by COVID-19 and the disruption to their jobs. We’re asking for guests, as they are able to, to consider donating to the organizations instead of asking for a refund,” Executive Director Chris Hansen said.

“We will continue to work with our funding partners and local government agencies to find ways to help support artists and arts organizations through these unprecedented times and to make sure the arts are still felt and present in people’s daily lives,” he said.

“We will stay connected through social media and other digital platforms and will share resources, updates, and next steps as frequently as possible,: Hansen said.

West End Players Guild
West End Players Guild said Monday that Steven Dietz’s “Bloomsday,” originally scheduled for April 17 – 26, has been cancelled as the season’s final show but will be rescheduled in September as the first show of the 2020-2021 season.

WEPG said online ticket purchasers will receive an automatic full refund through Brown Paper Tickets.  “Please allow two weeks for the refund to be posted to your credit card.  Season ticket holders will be advised of refund options this week by email,” the statement said. 

Photo by Greg Lazerwitz

New Jewish Theatre
New Jewish Theatre has moved “We Are the Levinsons” to May 6 0 17. The St. Louis premiere had been scheduled to open this Thursday and run from March 19 to April 5. 

A comedy that tugs on your heart, it centers on Rosie, a divorced fiftyish TV writer with an insufferable 21 year-old daughter, who suddenly finds herself responsible for her father’s care. This thoughtful and earnest play delves into some difficult but universal passages of life. We all must give up the insolence of youth and take on the mantle of adulthood. Along the way are opportunities to love and to pursue our dreams. We are the Levinsons teaches us how we should cherish these moments with tenderness and with laughter.

Fox Theatre

At the Fox Theatre, the touring production of “Charlie and the Chocolate Factory,” which had been set to open Tuesday, March 17 and run through, has been postponed but a new date has not been announced.

“We are working with the producers of the show to reschedule for dates in the near future and I will be sure to keep you updated!” Publicity Manager Megan Ketcherside said.

“We appreciate your support and please know that the health and safety of our guests is always our top priority. We will continue to look to our government and health professionals for guidance as we work through this unprecedented time in our history.,” she said.

As of March 17 announcement, “Cats” scheduled for April 7-19 and Chaka Khan scheduled for April 24 are postpone until a future date can be determined.

The Fox Performing Arts Charitable Foundation’s 10th annual St. Louis Teen Talent Competition Finals are being moved from Saturday, April 4, to a later date, to be determined.

In the spirit of fostering the emerging talent in the St. Louis performing arts community, the Fox Performing Arts Charitable Foundation is proud to underwrite and produce an adjudicated competition showcasing the talented teens of the St. Louis region. Students are competing for college scholarships, cash awards, prizes, and public appearance opportunities

The Playhouse @ Westport

All March events are presently cancelled, including Flanagan’s Wake due to the updated information and recommendations implemented to regarding Covid-19. “Flanagan’s Wake” had been extended through April 11, with a special St. Patrick’s Day performance March 17.

John Denver Tribute May 7-10 and Rockin’ Chair June 5 and 6 are still scheduled.

Refunds are available at point of purchase.

St. Louis Actors’ Studio

The St. Louis Actors’ Studio has postponed its world premiere of Neil LaBute’s “Comfort,” that was to run from April 17 to May 3 at the Gaslight Theatre, but is providing an offer for online content.

“STLAS to offer Neil LaBute’s 10 x 10 series as exclusive streaming content for its current subscribers (new subscribers to the 20/21 season) and ticket holders and will postpone the world premiere of LaBute’s play “Comfort,” said William Roth, founder and artistic director.

“While we wait at home for the virus to settle, Neil and I quickly put our heads together to see how we could entertain our best patrons as we figure out how to navigate these ever-changing waters. Neil has been so very generous to us and he truly appreciates, as I do, our ongoing collaboration as well as the patrons and artists of St. Louis.” Roth said.

Each of the 10-minute films features one actor telling their story directly to the viewer. The first five feature Frederick Weller (In Plain Sight, The Good Wife), St. Louisan Jenna Fischer (The Office), Louisa Krause (Martha Marcy May Marlene, Young Adult), Richard Kind (Luck, Burn Notice, Curb Your Enthusiasm) and Judith Light (Other Desert Cities, Assembled Parties).

Weller’s character is a man who relays the story of an encounter he had with a woman sitting next to him on a flight. Fisher portrays a woman telling about the abuse she suffered at the hands of her husband and about her new life partner. Krause’s character is a young woman who discusses the way in which she takes control of her sexual destiny. Kind portrays a man discussing his feelings about his long-time marriage and his views on same-sex marriage as well. Light becomes a woman remembering the ‘man who got away’ while discussing her former marriage and her new boyfriend.

The second five feature Adam Brody (Some Girls), Maggie Grace (Taken; Taken 2), Jason Patric (Your Friends and Neighbors), Amy Madigan (Gone Baby Gone) and Bill Pullman (While You Were Sleeping). Each film explores the nature of human relationships, specifically themes of love and lust, told by characters at different stages in their lives.

Brody portrays a young man bemoaning his impending hair loss and talking about his ‘ideal’ woman. Grace’s character is a woman talking about a friend who was killed in a car accident while texting her boyfriend. Patric embodies a man recounting the tale of a fight between parents that he was involved in at a little league game. Madigan plays a woman confessing to slowly having lost her will to live and asks a visitor for some spiritual help. Pullman becomes a man considering the ever-changing culture around him and his evolving views on love and life

LaBute explains, “The series was initially written as exclusive content for DIRECTV’s  ‘AUDIENCE CHANNEL’ and has been rarely seen since its initial  airing on television. 10 X 10 is a collection of original monologues— five men, five women—that are performed directly to the camera and in real time, meaning there is no editing or camera trickery. It is all about the material and the actor, bringing each piece to the audience at home as purely and directly as possible.”

The 10 x 10 videos will be released weekly to STLAS patrons via email with password a protected link. They will also be providing in-home entertainment from the Gaslight courtesy of St. Louis Actors’ Studio as it can be generated and as regulations permit.

Details for the new dates for “Comfort” will be announced soon. The new LaBute play is about a mother and son meeting after some time apart to see if their relationship can survive the past and two new book deals.

Tennessee Williams Festival St. Louis
Executive Artistic Director Carrie Houk said the multiple activities of the fifth annual Tennessee Williams Festival St. Louis would be moved to summer. It had been scheduled for May 7 – 17 in the Grand Center.

“After careful deliberation, we find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe.The show WILL go on. We will be announcing new dates shortly,” she said.
.
The multi-award-winning Tennessee Williams Festival St. Louis headliner is The Rose Tattoo.  There will be more than a dozen separate elements, scheduled so that attendees may attend every one during the eleven-day run, all held in the Grand Center Arts District and on The Hill. Events include:

  • 3 productions: The Rose TattooThe St. Louis Rooming House Plays, Amor Perdido
  • Academic series, “Tennessee Williams and his Midwest Experiences”
  •  “Williams Playwriting Initiative”
  • A staged reading of Glass
  • screenings of Italian-themed The Roman Spring of Mrs. Stone and Boom
  • Public Discussion Panels
  • La Dolce Vita Pool Party at the Last Hotel
  • Bus Tour of important Williams’ sites
  • “Tennessee Williams Tribute”
  • “TW Jam”

“In the meantime, love deeply, be kind, eat, drink, be merry and smell the roses. Lots and lots of roses!: Houk said.

Upstream Theater

Upstream Theater is postponing “Iphigenia in Splott,” set from April 17 to May 3, until the fall, Oct. 9 – 25.The regional premiere by Welsh playwright Gary Owen stars Jennifer Theby-Quinn and is directed by Patrick Siler. If you have purchased single tickets or a season passport they will honor your ticket at that time.

Stumbling around Cardiff’s gritty Splott neighborhood at 11:30 AM drunk, Effie is the kind of person you’d avoid eye contact with. You think you know her, but you really don’t—because here is someone whose life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day … until one night gives her a chance to be something more. Inspired by the Greek myth about a young woman offered as a human sacrifice, Gary Owen’s Iphigenia in Splott is a blisteringly poetic monologue that drives home the high price people pay for society’s shortcomings …

.Metro Theatre Company
As of March 18, MTC’s artistic and administrative staff will go to a remote work model. Their physical office in Grand Center will be closed.

Their spring gala, After Dark, originally scheduled for May 7 will now be held Sept. 24. Tickets will automatically transfer to the new date. The Golden Ticket raffle will still happen digitally on May 7.
 
 In light of school closures, for the time being MTC’s in-school arts-integrated curriculum work is paused. While we cannot be present in person in schools, our talented education team is developing digital resources to help parents supporting their children’s learning needs while they are home. Look for some of these digital resources via email and on our Facebook page in the weeks ahead, said executive director Joe Gfaller.
 

At this time we anticipate that our summer camps will proceed as planned, starting in June. Middle SchoolGrand Theater Camp is June 1-12; Advanced Middle School Grand Theater Camp is June 15-26; High School Grand Theater Camp is July 6-10; and Creative Arts Camp for Pre-K through 5th Grade is offered July 27-August 1 and August 3-7. 

“Even as you engage in social distancing in the weeks and months ahead, we encourage you to find ways to continue to support those businesses and artists who make St. Louis such a rewarding community in which to live and raise a family. COVID-19 impacts our friends in travel and tourism, restaurants, entertainment, and small business – not to mention scores of working artsts across St. Louis,” Gfaller said.

St. Louis Theater Circle Awards

President Mark Bretz issued this statement on March 13:
“In consideration of the ongoing COVID-19 pandemic, as well as decisions in the last few days by the City of St. Louis, St. Louis County, the State of Missouri, Major League Baseball and many others, the upcoming St. Louis Theater Circle Awards presentation has been canceled, effective immediately.

Brown Paper Tickets said that those who already had purchased tickets to the gala, which was scheduled for Monday, March 30, will receive full refunds after contacting Brown Paper Tickets.

“We hope soon to reveal our alternative plan for announcing this year’s award recipients in each of our 34 categories. Thank you for your patience and understanding,” Bretz said.



12th Natya Indian Dance Festival – April 24- 26 – POSTPONED, Date TBD

Wydown Auditorium

Dedicated to Indian Classical dance, music and theatre, this year’s festival will include a special presentation of SAMARPAN-2, the 3.5 hour long story of India’s struggle for freedom from 16th-20th century through dance, music and drama with artists from India.

Arts For Life

AFL President Mary McCreight has suspended all public activities of the Arts For Life organization effective March 16 until at least May 1, 2020. This includes all judging activities of the Theatre Recognition Guild (TRG). The Theatre Mask Awards Ceremony has been rescheduled for July 18. The Best Performance Awards are not yet affected by this suspension as they are scheduled to take place in mid-June.

“We will continue to base our decisions on the best information available in this rapid evolving situation, recognizing the need for timely notifications. All of this uncertainty poses challenges, and we will endeavor to communicate about our plans and share decisions promptly and transparently,” she said.

“It is apparent most shows scheduled before May 1 would likely not be allowed to be open anyway given the restrictions on event/gathering sizes put in place by local authorities this weekend. We ask that all participating groups keep us apprised as to their individual decisions regarding cancellations and/or postponements as soon as possible. We know that the various licensing houses (MTI, Concord and others) are are offering generous low- and no-penalty options for groups to either postpone and/or cancel productions. Please check with your respective licensors,” she said.


Other Companies

As previously reported, The Repertory Theatre of St. Louis has postponed “Dreaming Zenzile” and hopes to reschedule this summer. “The Cake” in the Studio ran over the weekend, but beginning March 16, the production was suspended.

New Line Theatre closed “Head Over Heels” early because of the St. Louis City and County mandates about crowd size.