By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at [email protected]

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



By Lynn Venhaus

As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.

Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.

Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.

PROFESSIONAL VENUES

Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. These closures will remain in place until at least May 11.

This includes the Kranzberg Arts Center, The Marcelle Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room, Sophie’s Artist Lounge and the High-Low building.

Fox Theatre
Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.

On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.

“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.

Ticket holders should keep their tickets until new dates are announced. More information will be available once new dates are secured.

The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.

The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.

“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.

Plans to reschedule other postponed shows are currently underway.  Ticket holders should hold on to their tickets – they will be honored on the new dates.

Decisions about other future shows will be made as we follow the evolving situation with the COVID-19 virus and the City of St. Louis’ determination of the length of this prohibition, public relations manager Megan Ketcherside said.

Operational hours are subject to change based on the COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix 314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m., closed on Saturday and Sunday.

Visit the website, www.fabulousfox.com/coronavirus

Family Arena

As of March 25, the Family Arena and The Family Arena Box Office is closed to the public until such time as the limit on public gatherings is lifted in St. Charles County.

Tickets are still available for purchase at Ticketmaster.com.

Manager Tom O’Keefe said if you purchased tickets at the box office for an upcoming rescheduled event that you would like a refund for, please hold on to your tickets until they re-open and they will refund your tickets at that time.

They have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center for guidance and check back regularly for additional information and status updates, www.familyarena.com.

Stifel Theatre

The Stifel Theatre and Enterprise Center Box Offices will not open until further notice. For guests who purchased tickets to an upcoming show through the box office that has been cancelled, please hold on to your tickets until we re-open and are able to assist with your questions.

These events at Stifel Theatre have been postponed. Ticket holders should hold on to their tickets, as all tickets will be honored on the rescheduled dates.

Here are rescheduled dates:

Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18 to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March 20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.

The following events have been cancelled and refunds will be available at original point of purchase:

“Sesame Street Live,” March 27-29; TD Jakes, April 10; The Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April 23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.

Decisions about other future shows will be made as they continue to monitor this rapidly evolving situation. Visit www.stifeltheatre.com

Chaifetz Arena

The arena is closed until further notice and in an abundance of caution, the venue will be thoroughly cleaned while closed.

They are currently working to reschedule all impacted events and will provide updates as quickly as possible. We ask all current ticket-holders to retain their tickets for these events until such time when a new date is determined as your current ticket will be valid for the new date. “Please be patient and hang tight as we work through this unprecedented time,” a spokesman said.

Additionally, they have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center by clicking here for guidance and check back regularly for additional information and status updates as they become available.

Impacted Events: Festival Of Laughs from March 20 to Sept. 26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28 to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15; Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24 to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29 to TBD.

The Playhouse at Westport

All March/April events were cancelled, including “Flanagan’s Wake,” which had been extended to mid-April.

John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain scheduled.

Refunds are available at point of purchase.

REGIONAL PROFESSIONAL THEATER

Metro Theatre Company

They are partnering with Off the Page for this project “Art Apart, Together.” Share your creativity and learn more here: https://www.metroplays.org/art-apart-together

Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/

We feel really lucky to be partnering with Alliance TheatreCry Havoc Theater Company, and Metro Theater Company on this project.

EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!

New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.

The Muny

The Muny administrative offices and box office are closed through late April. Ticketing services for the 2020 season are available online at any time.Ticketing related questions can be sent to [email protected]

“We are closely monitoring all developments regarding the COVID-19 outbreak and will continue to follow the guidance of health and government officials with the goal of keeping our staff and community as safe and healthy as possible,” the Muny statement reads on their website. 

“With the start of our 2020 season still months away, we remain optimistic that the season will proceed as planned and hope the restrictions on gatherings are lifted in early May, as scheduled. If that changes, we will adjust accordingly. Meanwhile, we continue communicating with health officials on all levels to stay fully informed and responsive to this unprecedented situation,” the statement reads.

Given the Stay at Home order for St. Louis City and County, and for the health and safety of our team, The Muny Offices are currently closed and some ticketing dates have changed. However, we’re still busy getting ready for the 2020 summer season, and we can’t wait to meet you at The Muny this summer!

Ticketing Update as of March 26 – These dates are subject to change. 

Muny Season Tickets will be mailed in early May

Season Ticket Exchanges: May 26 – 29

Single Ticket on Sale: June 1

To purchase new season tickets, or pay a current balance on existing season tickets, please visit:  muny.org/buy-tickets

To purchase season tickets with a gift card you currently have in-hand, please email The Muny Box Office at [email protected] and a Muny Ticketing agent will contact you  to process your request. If you wish to purchase a gift card, it will not be mailed until the restrictions on gatherings have been lifted. 

Also, if you are looking for a way to stay entertained during these “quiet days,” we encourage you to enjoy a specially curated set of video clips from our previous productions on our social media channels. You can follow us on Facebook, Twitter and Instagram.

The Repertory Theatre of St. Louis

The Cake starring Rigel Harris, Denny Dillon and Dria Brown. Photo by Phillip Hamer.

The Repertory Theatre had to cancel the run of “The Cake,” which began in the Studio Theatre on March 14, but was forced to be shutdown March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from March 21, with the goal of mounting it this summer.

“The Cake”

An online stream of “The Cake” has been made available to all Studio Theatre patrons who previously purchased tickets at no additional cost.

There are a limited number of streaming tickets available for purchase for those who are interested in viewing the final performance of the Steve Woolf Studio Series this season. That is available through April 24.

Additionally, The Rep is collaborating with a national group of theatres to commission a series of short plays specifically developed to spark joy and connection among people who are sheltering in place. These initiatives are designed to keep the art alive and vital, even in a time of isolating quarantines.

“Keep an eye out for more entertaining content and educational resources from The Rep and our local and national partners by following us on social media,” spokesman Jeremy Goldmeier said.

On March 27, The Rep announced that they have honored the entire contracts of the guest artists who devoted their talents to “Dreaming Zenzile” and “The Cake,” despite their runs being delayed or cut short.

“In these uncertain times, The Rep felt it was imperative that these artists, whose livelihoods depend on their contracts, not bear the additional burden of lost wages in this pandemic,” a statement said.

“As you know, The Rep has an extraordinarily talented and dedicated staff that works year-round to support the productions, education, and community initiatives to serve the greater St. Louis region. We have continued to pay the full salaries of our full-time, year-round administrative staff, with no furloughs or other lapses in pay. We have moved our administrative and box office teams to work remotely to serve you during this period,” a statement said.

Play at Home

The Repertory Theatre of St. Louis has teamed with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company to present Play at Home, a series of micro-commissioned short plays from some of the American theatre’s most exciting and prominent playwrights.

These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

In the wake of widespread event cancellations following the spread of the coronavirus (COVID-19), the participating theatres conceived Play at Home as a way to support artists, connect people to theatre, and to ignite imagination and joy in these uncertain times.

Each organization commissioned multiple playwrights – most of whom had plays canceled due to the coronavirus outbreak – to create new works that were big, joyful and not bound by the constraints of what might be “possible” on a traditional stage.

The Rep’s commissioned playwrights feature:

Regina Taylor (playwright of The Rep’s 2020-2021 production of Oo-Bla-Dee)

Karen Zacarias (playwright of The Rep’s 2020-2021 production of Native Gardens)

Steph Del Rosso (playwright of The Rep’s 2020-2021 world premiere of The Gradient)

Guadalís Del Carmen (who appeared at The Rep as an actor in 2020’s Mojada: A Medea in Los Angeles)

Tre’von Griffith (a St. Louis performer and playwright, co-founder of TLT Productions)

These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.

Max and Louie Productions

Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.

Moonstone Theatre Company
Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.

Joe Hanrahan of The Midnight Company

The Midnight Company
Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.

 It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved.  Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating.  A difficult show to describe but what it is is excellent.”  Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word.  The Cardinals are the talk of the town again.  This show should be the talk of the town, too!” 
Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show.  At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.”
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns  a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation.  The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.”  Throughout, the playwright draws links between what’s happened and happening –  from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time.
Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.

There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.



Grace Langford and Jaclyn Amber in “Head Over Heels” Photo by Jill Ritter Lindberg



New Line Theatre


New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.

Its June production of “Urinetown” has been cancelled.

Stray Dog Theatre

“Annie,” which was to open April 9, has been postponed, with dates to be announced.

“We will honor all tickets already purchased to any of the new performance dates once they are announced. To purchase tickets to any other future productions, please call our box office directly at (314) 865-1995.

“We are currently planning to hold the remainder of the 2019-2020 season as scheduled. Any changes or additional information will be shared as soon as possible. If you have any questions, please feel free to contact us,” said Artistic Director Gary F. Bell.

“We would like to thank everyone for the hard work they’ve already put into the production and we would like to thank you for your patience as we work to bring you the quality story telling you, our family, deserve. Annie is that bit of light we all need right now, ‘the sun will come out tomorrow’ and we will overcome anything,” Bell said.

“We know we are not the only organization dealing with these difficult decisions and we stand with them, ready to come back stronger. Your continued support of all arts organizations is always appreciated but never more than in times like these. We look forward to seeing you soon,” he said. “Please stay safe and be kind to one another.”

Kenneth Lonergan’s “Lobby Hero” is set to run June 4 – June 20

“However, due to the extreme strain currently being faced by many organizations we have made the decision to halt online sales of upcoming productions. We will resume online sales once matters have settled and the timeline of events moving forward becomes more defined,” Bell said.

“You may continue to purchase tickets for upcoming shows by calling our Box Office at (314) 856-1995 or emailing us at [email protected] Thank you for your patience and your continued support as we manage these unfortunate events.”

For more information, visit www.straydogtheatre.org

St Louis Actors’ Studio

Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10

This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.

New Jewish Theatre

Judi Mann, Kelly Weber and Joneal Joplin in “We Are the Levinsons”

Initially, New Jewish rescheduled “We Are the Levinsons” from March 19 to May, but now they have pushed it back, along with their Sondheim musical revue, “Putting It Together.”  They would like to reschedule later this summer.

All activities at the JCCA have been suspended during the public health crisis.

For more information, please contact them by email or by phone, 314-442-3283.

Opera Theatre of St. Louis

Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah

Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again. 

At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!

For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:

https://www.opera-stl.org/beyond-the-stage/updates-regarding-covid-19

This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.

“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.

Shakespeare Festival St. Louis

The 2020 Shakespeare in the Park production of “Much Ado About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director Tom Ridgely said it was in order to provide the best possible chance of safely gathering artists and audiences for its 20th anniversary season. It is to be directed by Bruce Longworth.

“For the past 20 years in St. Louis, the opening of Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely said. “This year it’s clear that the only way to care for our actors, crew, volunteers and community is to give as much time as possible for social distancing measures to take effect and hope to be one of the ways we all bring our summer 2020 to a much happier close.”

The previously announced creative team of Matt Pace & Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis (Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design) remains the same.

In response to the widespread cancellation of live events, the Festival has already shifted to generating a full schedule of new and original content for the online and social media platforms under the umbrella of “ShakespeareTV.”

These include the previously aired “watch party” of its canceled regional tour of Cymbeline, a live reading of “Venus and Adonis” (which Shakespeare wrote during a plague-induced theater closure) and a five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together they’ve already been viewed 10,000 times.

Now through May 29 on ShakespeareTV, which can be accessed on their Facebook page:

THE ZOOM PLAYS: a weekly series of 20- to 30-minute original plays written especially to be performed live over the videoconferencing app Zoom. Created and performed by local playwrights, directors and actors.

GREEN SHOW MONDAYS: an eclectic variety program featuring music, comedy and performance from Festival favorites.

SHAKESPEARE AND CHILL: a special selection of Shakespeare-inspired movies featuring live commentary from artists and scholars, co-curated by Cinema St. Louis.

Other one-night only events to be announced.

May 29 – June 21 is SHAKE20

A 20th anniversary reboot of the beloved engagement program SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s originally scheduled run, May 29-June 21.

Like the original, SHAKE20 will be a region-wide collaboration involving artists and organizations including SHAKE38 alumni: Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics, Poor Monsters and Theater Nuevo. More details about the program and how to apply will be shared soon.

 “In the meantime, we hope that you and yours stay well. We have planned an incredible season of free Shakespeare, and we cannot wait to share it with you. It’s an interesting time to be in the business of live theatre and touring productions, but the Festival is committed to paying our artists and staff throughout this crisis,” Ridgely said.

So, if you have ever considered becoming a member, know that we are always grateful for your support—but especially so at this time,” he said.

“During this crisis, we feel more connected to Shakespeare and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The Plague was the single most powerful force shaping [Shakespeare’s] life and those of his contemporaries.’ During times of quarantine, Shakespeare wrote some of his most important sonnets and plays,” Ridgely said.

“We can’t claim to have his genius, but we will take inspiration from his dedication and from artists around the world that are stepping up to create, facilitate, and share stories in new and exciting ways. Stay tuned for updates on new and existing Festival programs,” he said.

For more information, visit the website sfstl.com and on social media. Visit https://www.facebook.com/shakesfestSTL

Stages St. Louis

While Stages St. Louis continues to follow guidance from the CDC as well as mandates from both local and national government, for the time being, they have made no adjustments to the schedule for our upcoming 2020 Season.

However, here are some changes regarding tickets, activities and outreach:

Single tickets for the 2020 Season will now go on sale beginning Monday, April 27.

All in-person activities with the Stages Performing Arts Academy will be canceled until the start of our Summer Semester on Monday, June 1.

The Stages administrative, production, and academy offices will remain closed until Thursday, April 23.

In the meantime, the Box Office is still open for questions or subscription ticket sales online at www.StagesStLouis.org or by phone at (314) 821-2407.

The Stages Performing Arts Academy will continue to offer digital and streaming content in order to continue performing arts education for students at home and can answer any and all questions by phone at (636) 449-5775. 

Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.

Tennessee Williams Festival St. Louis

Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.

The Tesseract Theatre Company
Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.

For more information, contact: [email protected] or visit the website, www.tesseracttheatre.com

That Uppity Theatre Company
Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.

Upstream Theater
In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.

West End Players Guild

Steven Dietz’s “Bloomsday” set to open April 17 and run through April 26 has been cancelled. It was the final production of the group’s 109th season.

“As our country copes with the growing threat of the Coronavirus, one of the most important steps we must take to protect ourselves and each other is the kind of “social distancing” that is impossible at a theatrical production. Our Board of Directors believes it is highly unlikely that the need for social distancing will be any less in April than it is today, and decided that the best course of action for our company and our patrons was to act now to cancel the show,” a statement reads.

Patrons who have purchased advance tickets through Brown Paper Tickets will be issued automatic refunds. WEPG will reach out to season ticket holders in the near future with refund options.

WEPG will begin its 110th season in September.

Alfresco Productions
Auditions for “Hairspray Jr.” will be by video for the Granite City community theater production. The show is to run July 24-26 and deadline for video submissions is April 19. The age limit is from 6th grade to 18 years old. For more information, visit: https://www.alfrescoproductions.org/auditions

Alton Little Theatre

All productions and concert events through May 1 have been cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and “Broadway Salutes America” may be refunded or transferred. Call 618-462-3205 for options.

“Brigadoon” has been moved from May to June, with plans for a June 5 opening, with eight performances through June 14. Season ticket holders can follow the same schedule but can call the office at 618-462-3205 anytime in May.

“Shrek” auditions have been rescheduled for Saturday, May 10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting at least 30 characters. The show will run July 31-Aug. 9 for eight performances.

Clayton Community Theatre
“The Philadelphia Story” was to run March 12-22 but was cancelled after opening weekend.

They hope to premiere “Broadway Bound” July 9 -14

Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a future date in 2020, to be determined, and cancelled March 28 auditions. The musical was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep informed of updates, visit www.curtainsuptheater.com

Kirkwood Theatre Guild

Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek: The Musical,” which were set to run in April and May.

Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on hold. More information will be forthcoming. Please follow or check out website www.HawthornePlayers.com for any further announcements.

Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it after state and local mandates due to the COVID-19 pandemic.

They have cancelled the rest of the season, including “Rock of Ages” in May and have moved it to the opening slot in the fall.

“We are reaching out to the publishers to reschedule and are hopeful that we will be able to still perform the show in September,” he said.

They hope to announce the full season soon and for patrons who renew their season tickets for next year, they will receive a 10 percent discount.

“Currently, we are still planning our summer youth production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror Show.”

Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19 and 24-26, has been postponed.

Due to the current health crisis in our area, all MASC rehearsals and activities at the Capitol Theater have been postponed effective Monday, March 16. 

“The MASC Board will be discussing the plan of action moving forward regarding Watch on the Rhine, the current show in production, and the remainder of the 2019-2020 season, as we monitor the progression of this crisis. Specific information regarding these two shows will be sent out accordingly. The health and safety of our membership and patrons is our highest priority,” a statement read.

O’Fallon Theatre Works

The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions were recently handled by video.

Over Due Theatre Company

The group in Olivette has postponed “My Fair Lady.” It was to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.

The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”

“We are hopeful and fully intend to mount this production at a later date,” a statement read.

AWARDS EVENTS

St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards were to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event has been cancelled. Local theater critics will still honor outstanding regional professional theater, however.

Instead, HEC will provide a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy outfits and schmoozing, the event will be downscaled reading of the nominations and awards.

Here is the URL link to the Higher Education Channel TV (HEC-TV):  https://www.facebook.com/hectv/live/

The event’s hashtag is #TCA20

The theater critic members of the St. Louis Theater Circle have recorded the nominations, and their voice-overs will run over photos of the nominees. Then HEC announcer Rod will announce the winner. There are 34 categories to give awards in, which cover dramas, comedies and musicals. A special award is being given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts.

Visit the Theater Circle’s Facebook page for more information.

If you would like to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Arts For Life

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

AFL President Mary McCreight has suspended all public activities of the AFL organization, effective until at least May 1. This includes all judging activities of the Theatre Recognition Guild.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” she said.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).

ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS

In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

ARTS CENTERS AND CONCERT HALLS

The Hettenhausen Center for the Arts

All events and performances scheduled through June 1 have been cancelled at “The Hett,” which is located on the campus of McKendree University.

 “TAO Drum” has been rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah” has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.

The ReMINDers has been cancelled for April 6.

They are offering patrons the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees. Please contact the box office during operating hours to discuss ticket disposition at 618-537-6863. The box office is open from noon to 4 p.m. Monday-Friday.

Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For more information, please contact [email protected].

St. Louis Symphony Orchestra

All performances through April 12 are postponed or canceled. For information regarding tickets and schedules, visit slso.org.

The Sheldon Concert Hall & Art Galleries

All Sheldon-presented concerts and other events through May 10 have been postponed or canceled. Plans to reschedule are underway, and ticket buyer should retain their current tickets – they will be honored for the new dates. Additional information will be provided to ticket buyers as events are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley, “Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17; David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes for events presented by non-Sheldon promoters will be handled on a case by case basis. All updates can be found at TheSheldon.org or at MetroTix.com.

The Sheldon is located at 3648 Washington Blvd., St. Louis.

Fair Saint Louis

Fair Saint Louis and America’s Birthday Parade events have been canceled this year due to concerns about the COVID-19 pandemic.

Fair Saint Louis was set to run July 2-4 at the Gateway Arch with concerts, air show, and fireworks each night.

“While we are saddened to cancel two of our region’s most popular and free Fourth of July celebrations, the safety of our community is of utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair Saint Louis and America’s Birthday Parade embody the prideful spirit of our city, and over the past few weeks, we’ve seen that spirit shine so brightly within our community as we face this unthinkable challenge together.”

This year would have marked the 40th Fair Saint Louis and 138th America’s Birthday Parade.

“We look forward to returning to downtown St. Louis and celebrating with our community in the future when the time is right,” said David Plufka, Chairman, America’s Birthday Parade.

By Lynn VenhausManaging EditorThree metro-east community theater groups and a veteran youth program won multiple awards at the 20th annual Best Performance Awards sponsored by Arts For Life on June 9. 

The awards recognize excellence in community and youth
musical theater, with 27 groups participating from St. Charles County to
Madison, Monroe and St. Clair counties in Illinois as part of the St Louis
Metropolitan area. It is the oldest and longest continually running theater
awards in St. Louis.

“Into the Woods” Curtain’s Up Theater CompanyCurtain’s Up Theater Company won six awards for its production of Stephen Sondheim’s “Into the Woods,” including Best Large Ensemble Musical, Directors Glenn Saltamachia and Jeffrey Yapp-Ellis, Music Director Liz Murphy White, Costume Design Donna Saltamachia, Comedic Actress Miranda Mobley as Little Red and Supporting Actor Dennis Folwarczny as Cinderella’s Prince. It had received 16 nominations, the most for any show. The 1986 musical is a twist on Brothers Grimm fairy tales, exploring the consequences of wishes and quests.

“Dames at Sea” Alfresco Productions“Dames at Sea” at Alfresco Productions won four,
for Best Small Ensemble Musical, Best Leading Actress Morgan Ladyman,
Supporting Actress Elizabeth Semko and Best Choreography Ashley Pavlige. It had
received 12 nominations. The 1966 musical romantic comedy is an homage to
nostalgic 1930s movie musicals.

Bryce Miller won Best Youth Actor for “Big Fish” from Shooting Star Productions“Big Fish” at Shooting Star Productions won six
awards in the youth categories: Best Youth Production, Best Choreography Ellen
Isom, Best Music Director Ross Bell, Best Actor Bryce Miller as Edward Bloom,
Best Supporting Actress Carolyn Karutz as The Witch and Best Set Design Marty
Strohmeyer and Christopher Phillips. It had received 14 nominations. Based on
the 2003 movie by Tim Burton, adapted from David Wallace’s 1998 book, “Big
Fish” tells the larger-than-life tale of traveling salesman Edward Bloom, a man
who leads an extraordinary life according to the stories he shares.

Mia Williams won Best Youth Actress as Rafiki in “The Lion King Jr.” from Goshen Theatre ProjectThe Goshen Theatre Project in Madison County won three
awards — for leading actress, Mia Williams, as Rafiki, and costume design
Terry Pattison, for “The Lion King Jr.” (the crowd gasped when the
walking giraffe came out and the kids came down the aisles in their animal
costumes), and another one for Terry Pattison for set design for “Chitty
Chitty Bang Bang.”

Glenn Guillermo in “Bells Are Ringing”

Winning two awards were Alpha Players of Florissant’s “Bells Are Ringing” for Cameo and Non-Singing Actor, while Christ Memorial Productions’ “The Wizard of Oz” won for Juvenile Performance and Non-Singing Actress, and Looking Glass Playhouse won lighting design for “Bloody Bloody Andrew Jackson” and best actor for “Newsies.”.

Another first occurred – both the youth supporting actor
and adult featured actor won for playing Nicely-Nicely Johnson in “Guys and
Dolls” at Riverbend Theatre and Kirkwood Theatre Guild respectively, Spencer
Domer and Christopher Strawhun.

“Guys and Dolls” Riverbend TheatreThis year, 48 shows – 21 large, 7 small and 20 youth —
were eligible for BPA awards consideration, with 1,302 artists judged for
nominations. Trophies were awarded in 33 categories.

 “Theater is alive
and kicking in 2019 and local theaters in metro St. Louis and Illinois are to
be commended for a job well done,” McCreight said. “The awards are a wonderful way
for all actors and tech crews to celebrate and enjoy each other’s successes and
be recognized and rewarded.”

Since it began in 1998, AFL’s goal has been “Making a
Dramatic Difference” and is proud to salute, support and serve the theater
groups in the metropolitan St. Louis area. The non-profit organization
continues to be passionate about the healing power of the performing arts.

Morgan Ladyman, Best Actress as Ruby in “Dames at Sea”AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.

The best musical award was the first for Curtain’s Up
Theater Company, and with his win, director Glenn Saltamachia made AFL history.
He is the first person to win both Best Director Awards at the Best Performance
Awards and at the Theatre Mask Awards in April, which honors dramas and
comedies. He won the TMA for directing “Frost/Nixon” at Looking Glass Playhouse,
and that drama was tied with Actors’ Attic, for “The Curious Incident of the
Dog in the Night-time,” as Best Play – Drama.

He shared the director’s award with Jeffrey Yapp-Ellis, who
started as assistant director but made such an impact on set design, staging
and concept that he was billed as a co-director.

“It has been an incredible year! To win the TMA and BPA for
Directing in the same year is an honor I could never have dreamed of.  I have worked with two outstanding companies-
– LGP and CUTC, and I have been blessed and extremely lucky to have had
outstanding, talented, wonderful casts, production crews, technicians, and
musicians to work with,” Saltamachia said.

 “The honor is more a
reflection of their talent, hard work and determination than anything I have
brought to the table. I have always said my greatest talent as a director is
that I surround myself with extremely talented, capable people who share my
passion for good theatre. The fact that both my shows also won for Best
Ensemble in their respective categories proves my point,” he said.

Saltamachia said he was bit by the theater bug when as a
brand new second lieutenant in the Air Force, he auditioned for the Kessler Air
Force Base Little Theatre production of “Charley’s Aunt.”
“Throughout my Air Force career, I would participate in productions wherever we
were stationed when I had the time and circumstances allowed,” he said. “After
retiring from the Air Force in 1997 in Belleville, I began to hear of all the
great local community theaters, and in 1999, I got up the nerve to audition for
the Looking Glass Playhouse production of “Oliver!” and I’ve never stopped.”

Saltamachia has directed 10 shows for LGP since 2001, his
first being “The Odd Couple.” Then, he worked with some Edwardsville people who
were starting a theater company, Curtain’s Up. He appeared in “The Curious
Savage” and has directed six shows for them, the first was “Fiddler on the
Roof” in 2008.

Over the years, he has directed shows for Clinton County
Showcase in Breese, Hard Road Productions in Highland, and in Belleville, Brass
Rail Players, Downtown Players and Cathedral Players. 

“The thing I love most about directing is the process. I
love everything about it!  From script
analysis, planning conferences for concept development, set design and staging
months before production. Then the fun starts with auditions and rehearsals,”
he said. “But the absolute best part is watching as a group of diverse people;
who may not have known each other before, come together, work hard and share
their talents to produce something we are all are proud of. And on the way we
become a family who love each other and develop friendships for life.”

“Thanks to AFL. I am honored and humbled, but I am smart
enough to know I didn’t win these awards by myself,” Saltamachia said. 

“Chitty Chitty Bang Bang” Goshen Theatre ProjectTerry Pattison, who won awards for costume design and set
design for Goshen Theatre Project, said the group is in its fifth season.

“The Lion King had 46 kids in it, all under the age of 15.
There were well over 160 costumes, all hand-created. Most of the masks and
animals were constructed from a high-density foam so they stayed light weight,”
she said.

The animal costumes included: Lions, lioness, hornbills,
ostrich, zebra, gazelle, egrets, giraffes, wildebeasts, rhino, meerkat, warthog
and various birds.

 “I am honored to
have received two BPA’s this year, one for costuming and the other for scenic
design. I am always creating something in one way or another and it is a
humbling experience to have been recognized against all the other talent in the
St. Louis community theater circuit,” Pattison said.

Lucinda Gyurci, who founded Arts for Life in 1998, said she
continues to be inspired by community theater productions.

“Big Fish” Shooting Star Productions“I feel fortunate to have watched many young people, who
grew up in community theatre, become wonderfully talented adults; some making
their way to Broadway; some establishing their art in local professional
theatre; and some bringing up their next generation in their own footsteps on
the stage,” she said.

Joe Paule Sr. received the Lifetime Achievement Award for
his work as a musician in numerous pit bands, orchestras and as a music
director. Kim Klick and Glenn Guillermo were honored with two special awards,
“TRG Recognition 20th Anniversary Exceptional Volunteer Award,” citing
extraordinary above and beyond service.

Sean Harvey “Crazy for You”

Two special youth awards were given to Caroline Santiago
Turner, who received Best Youth Musical Performance for “Violet,” and
Sean Harvey, named Best Youth Featured Dancer, as Bobby in “Crazy for
You,” both produced by the Gateway Center for the Performing Arts.

Allison McDonald of Timberland High School and Kira Averett
of Mascoutah received the 2019 AFL Youth Scholarships.

The ceremony was directed by Ken Clark, with music
direction by Diane Hanisch. Ryan Cooper served as master of ceremonies for the
fifth time.

The complete list of awards is as follows:
Best Large Ensemble Musical: “Into the Woods,” Curtain’s Up Theater Company
Best Small Ensemble Musical: “Dames at Sea,” Alfresco Productions

Best Youth Musical: “Big Fish,” Shooting Star Productions
Best Direction: Glenn Saltamachia and Jeffrey Yapp-Ellis, “Into the Woods,”
Curtain’s Up Theater Company

Best Direction- Youth Production: Paul Pagano, “Violet,”
Gateway Center for the Performing Arts
Best Music Direction: Liz Murphy White, “Into the Woods,” Curtain’s Up Theater
Company

Best Music Direction – Youth Production: Ross Bell, ‘Big
Fish,” Shooting Star Productions
Best Choreography: Ashley Pavlige, “Dames at Sea,” Alfresco Productions

Best Choreography – Youth Production: Ellen Isom, “Big
Fish,” Shooting Star Productions

Best Actor in a Leading Role: Austin Turnbull, Jack Kelly,
“Newsies,” Looking Glass Playhouse

Best Leading Actor – Youth Production: Bryce Miller, Edward
Bloom, “Big Fish,” Shooting Star Productions

Best Actress in a Leading Role: Morgan Ladyman, Ruby,
“Dames at Sea,” Alfresco Producifion

Best Leading Actress – Youth Production: Mia Williams,
Rafiki, “The Lion King Jr.,” Goshen Theatre Project

Best Actor in a Featured Role: Christopher Strawhun,
Nicely-Nicely Johnson, “Guys and Dolls,” Kirkwood Theatre Guild
Best Actress in a Featured Role: Elizabeth Breed Penny, Paulette, “Legally
Blonde,” Hawthorne Players

Best Actor in a Supporting Role: Dennis Folwarczny,
Cinderella’s Prince, “Into the Woods,” Curtain’s Up Theater Company

Best Supporting Actor – Youth Production: Spencer Domer,
Nicely-Nicely Johnson, “Guys and Dolls,” Riverbend Theatre

Best Actress in a Supporting Role: Elizabeth Semko, Joan,
“Dames at Sea,” Alfresco Productions
Best Supporting Actress – Youth Production: Carolyn Karutz, The Witch, “Big
Fish,” Shooting Star Productions

Best Actor in a Comedic Role: Matthew Hansen, Franz, “Rock
of Ages,” Take Two Productions
Best Actress in a Comedic Role: Miranda Mobley, Little Red Riding Hood, “Into
the Woods,” Curtain’s Up Theatre Company

Best Actor in a Non-Singing Role: Kevin Michael Hester, Dr.
Kitchell, “Bells Are Ringing,” Alpha Players of Florissant
Best Actress in a Non-Singing Role: Nicky Collett, Wicked Witch/Miss Gulch,
“The Wizard of Oz,” Christ Memorial Productions

Best Duo or Group Performance: Abby Cockerham, Laura Megan
Deveney and Theresa Peters Nigus as Donna, Linolium and Betty in “The Great
American Trailer Park Musical,” Act Two Theatre
Best Actor in a Cameo Role: Glenn Guillermo, Carl, “Bells Are Ringing,” Alpha
Players of Florissant
Best Actress in a Cameo Role: Julia Gilbert, Babette, Disney’s “Beauty and the
Beast,” Alfresco Productions

Best Youth Performer: Victor Landon, Munchkin Mayor, “The
Wizard of Oz,” Christ Memorial Productions

Best Costume Design: Donna Saltamachia, “Into the Woods,”
Curtain’s Up Theater Company

Best Youth Costume Design: Terry Pattison, “The Lion King
Jr.,” Goshen Theatre Project

Best Set Design: Terry Pattison, “Chitty Chitty Bang Bang,”
Goshen Theatre Project

Best Set Design – Youth Production: Marty Strohmeyer and
Christopher Phillips, ‘Big Fish,” Shooting Star Productions

Best Lighting Design: Jason Koonce, “Bloody Bloody Andrew
Jackson,” Looking Glass Playhouse
Best Lighting Design – Youth Production: Jonathan Hartley, “Disney’s Beauty and
the Beast,” DaySpring School of Arts

For more information, visit www.artsforlife.org

“Dames at Sea” Alfresco ProductionsFor a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

BPAs honor excellence in community musical theatre; Theatre Mask Awards recognize excellence in plays

Arts For Life will celebrate its 20th
anniversary June 9 at the annual Best Performance Awards, which honors
excellence in community theater and youth musicals. It is the oldest and
longest continually running theater awards in St. Louis.

Since it began in 1998, AFL’s goal has been “Making a Dramatic
Difference” and is proud to salute, support and serve the theater groups in the
metropolitan St. Louis area. The non-profit organization continues to be
passionate about the healing power of the performing arts.

AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.
Admission is $25 in advance on the www.artsforlife.org
website, or $26 with credit card at the door. All tickets are reserved seating.
Formal attire is requested.

The special event starts at 2 p.m. at the Skip Viragh
Center for the Performing Arts on the Chaminade College Preparatory School campus,
425 S. Lindbergh Blvd. Ryan Cooper, a local professional actor, will return as
master of ceremonies for the fifth time.

When Lucinda Gyurci founded AFL, the first awards were
handed out in 1999, with 14 musicals from 11 groups nominated through the group’s
judging panel, the Theatre Recognition Guild.

“I wasn’t sure the Best Performance Awards would go beyond
one year. The first year was extremely difficult, being met with (sometimes
hostile) negativity, trepidation of being judged, a tremendous amount of work
and no funds,” Gyurci said. “However, barring past the nay-sayers, the event
happened by sheer will. One could feel the electricity in the air at the event
and for the first time the participants realized this was an opportunity to
recognize excellent work and celebrate each other within the theatre community.”

Gyurci said it was the first theater event in St. Louis
that was like the Tony Awards, which makes it the area’s oldest and longest
continually running theatre awards.

This year, 48 shows – 21 large, 7 small and 20 youth — produced
by 26 community theater groups in St. Louis, St. Charles County and metro-east
Illinois were eligible for BPA awards consideration, with 1,302 artists judged
for nominations.

Trophies will be awarded in 33 categories. Performances
from the 13 nominated musicals for best productions – small (3) and large (5) ensembles
and youth (5) – will be included.

The Lifetime Achievement Award is being given to Joe Paule
Sr., a longtime musician and musical director. He was one of the orchestra
nominees in 1999.

“Theater is alive and kicking in 2019 and local theaters in
metro St. Louis and Illinois are to be commended for a job well done,”
McCreight said.
“The awards are a wonderful way for all actors and tech crews to celebrate and
enjoy each other’s successes and be recognized and rewarded,” McCreight said.

For the first time ever, metro-east theater groups
dominated the Best Musical – Large and Small Ensemble categories, with 5 of the
8 nods: Alfresco Productions, Curtain’s Up Theater, Goshen Theatre Project,
Looking Glass Playhouse and Riverbend Youth Theatre

Nominations were announced at the 10th annual AFL Trivia
Night Feb. 2, with 43 percent of nominees recognized for the first time. Goshen
Theatre Project in Madison County led the BPA nominations, with 23 – 12 for
“The Lion King Jr.” and 11 for “Chitty Chitty Bang Bang.”

Curtain’s Up Theater Company in Edwardsville earned 19 – 16
for “Into the Woods,” and 3 for “Little Miss Sunshine” – and tied with Alfresco
Productions in Granite City with 19 – 12 for ‘Dames at Sea” and 7 for “Beauty
and the Beast.”

The Alpha Players of Florissant received 11 nominations,
with 7 for “You’re a Good Man, Charlie Brown” and 4 for “Bells Are Ringing.”

Among youth productions, Shooting Star led the way with 14
for “Big Fish.”
Two special youth awards will be given to Caroline Santiago Turner, who will
receive Best Youth Musical Performance for “Violet,” and Sean Harvey,
named Best Youth Featured Dancer, as Bobby in “Crazy for You,” both
produced by the Gateway Center for the Performing Arts.

The Looking Glass Playhouse in Lebanon, Ill., lead all AFL
nominations, with a total of 31, which included 22 BPA nods and 9 Theatre Mask
Awards nominations.

Their musical, “Newsies,” garnered 14 nominations, while
musicals “Bloody Bloody Andrew Jackson” and “The Wizard of Oz” each scored 4.
On the TMA side, their production of the drama, “Frost/Nixon” received 9 and
won 4.

Five years ago, AFL started the Theatre Mask Awards, which
recognizes work in straight plays produced by community theater. Ten groups
currently participate, and a judging panel evaluated 25 shows – 12 dramas and
13 comedies — for the 2018 calendar year.

The fourth annual event took place on April 6 at a brunch celebration
at The Atrium banquet center on the campus of Christian Northeast Hospital,
with a sold-out crowd of 256 in attendance. Longtime radio personality Vic
Porcelli was the host.

Kevin Frakes of Alton Little Theater received the Lifetime
Achievement Award for his 40 years as a performer, director, producer and set
designer. He is currently president of the ALT board of directors.

Awards were presented in 18 categories, with LGP’s
“Frost/Nixon” tying with Actors’ Attic’s local premiere of “The Curious
Incident of the Dog in the Night-time” for Outstanding Drama Production.

Clayton Community Theatre’s production of Neil Simon’s
“Brighton Beach Memoirs” won three awards, including outstanding comedy
production and for actor Patrick Blanner as Eugene and director Sam Hack.

“Frost/Nixon” also won for director Glenn Saltamachia,
supporting actor Mike Russell (as Reston) and large ensemble.
The two leading performers in “The Curious Incident,” Dan Haller and Emily
Brutton, won acting honors.

Other multiple winners included O’Fallon TheatreWorks’ play
version of F. Scott Fitzgerald’s “The Great Gatsby,” which won two — supporting
actress for Tori Stukins and costume design for Carole Lanham.

The drama “One Flew Over the Cuckoo’s Nest” received awards
for two different theater groups’ productions. Alton Little Theater’s show won
lighting design for Lee Cox and Dennis R. Stephenson and the O’Fallon Theatre
Works’ play won set design for Chris and Ellie Lanham.

Alton Little Theater also won outstanding actress in a
comedy – Alison Beach as three different ‘heiresses’ in “Who’s in Bed with the
Butler?”

The Theatre Guild of Webster Groves was honored with three
acting awards. Kaylee Ryan won outstanding juvenile performance in “The
Children’s Hour” while Will Shaw won supporting actor in a comedy in Steve
Martin’s “Picasso at the Lapin Agile”” and Sarah Hirshfield won supporting
actress in a comedy in Neil Simon’s “Laughter on the 23rd Floor.”

Clayton’s “Bus Stop” won Best Large Ensemble.

“I am proud of the dedication of the TMA Steering Committee
and Director Glenn Guillermo,” McCreight said. “The AFL Board of Directors
congratulates all participants/nominees in last year’s shows. I am happy to see
the TMAs thriving and creating a niche for yourselves in the theater
community.”

Visit the website for more information:
www.artsforlife.org. For a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

By Lynn Venhaus
Managing Editor
Oh, the places you’ll go – the Oklahoma territory in 1906, Buenos Aires, the Emerald City, church, an art gallery, a boarding school, and a comedic mind on pop culture brainwashing. From classic musicals to iconic playwrights, you’ll be transported on adventures. Pick a place and go see a play!
“The Book of Moron”The Playhouse at Westport Plaza
Sept. 13 – 23
www.westportstl.com
What It’s About:  Robert Dubac’s newest Off-Broadway hit “The Book of Moron” has been described as one of the most hilarious, intelligent and scorching satirical attacks on idiocracy since Mark Twain. Having been brainwashed by a culture that worships the Kardashians over character, delusion over truth, and selfies over self-effacement, Dubac begins his journey with a simple question: Who am I? What do I believe? What’s the point?
Okay, that’s three questions but suffice to say, he has no answers. Just voices. Inner voices who come to life with precision and wit. One by one they pull him into a hysterical alternative universe of critical thought in search of the bigger picture. It’s a head trip on a banana peel.”

The Children’s Hour”The Theatre Guild of Webster Groves
Sept. 7 – 16
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
314-962-0876
www.theatreguildwg.org
What It’s About:  Longtime friends Karen and Martha run a boarding school for girls. After a malicious youngster starts a rumor about the two women, the rumor soon turns to scandal. As the young girl comes to understand the power she wields, she sticks by her story, which precipitates tragedy for the women. It is later discovered that the gossip was pure invention, but it is too late. Irreparable damage has been done
Director: Barbara Mulligan
Cast: Jessica Johns Kelly, Nori Rhodes, Pepi Parshall, Patrick Ryan, Melanie Klug, Betsy Gasoske, Kaylee Ryan, Lydia Foss, Valletta Thurmon, Adrianna Misra, Sydney McClenning, Jesen Clendennen, Gracie Giles, Gentry Giles, Sophia Leritz and Christian Davis.
Of Note: Tickets are Adults $15, Seniors and Students $12, and are available at the door (cash or check). They do not take advanced reservations.
The Guild is a very old building, historic in fact, but because of this we are not wheelchair or handicap accessible. The Guild has a total of 31 steps.
Robert Stevens photo
“Crowns: The Gospel Musical”The Black Repertory Theatre of St. Louis
Sept. 5 – 23
Edison Theatre at Washington University
Box Office: (314) 534-3807
www.blackrep.org
What It’s About: Crowns refers to hats worn by black women. Hats become a springboard for an exploration of black history and identity as seen through the eyes of a young black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn.
Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales about everything from the etiquette of hats to their historical and contemporary social functions.
Director: Linda Kennedy
Cast: Anita Jackson leads the cast as Mother Shaw, with Maureen Williams as Wanda, Amber Rose as Velma, Leah Stewart as Mabel, Eleanor Humphrey as Jeannette, Myke Andrews as The Man and Tyler White as Yolanda.
Of Note: Director Linda Kennedy says: “The mothers and grandmothers, women of the church, were the glue that held us all together. They helped to raise us and helped make us accountable for our actions. We feared them then but are so grateful to them now. One of the greatest gifts a child can receive is the opportunity to sit and listen to and learn from an elder.” Rounding out the behind the scenes team will be the stage manager, Tracy D. Holliway-Wiggins, set designer, Dunsi Dai, lighting by Joe Clapper, and costumes by Daryl Harris.
“Evita”The Repertory Theatre of St. Louis
Sept. 5 – 30
www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger and Tim Wessel.
Eric Woolsey Photo
“Oklahoma!”Stages St. Louis
Sept. 7 – Oct. 7
Robert G. Reim Theatre
Kirkwood Community Center, 111 South Geyer Road
www.stagesstlouis.org
What It’s About: Romance, conflict, comedy and colorful characters set in 1906 in the Oklahoma territory.
Director: Michael Hamilton
Starring: Zoe Vonder Haar as Aunt Eller, John Flack as Andrew Carnes, Leah Berry as Bertie Cummings and
Of Note: “Oh, what a beautiful musical! Rodgers and Hammerstein’s timeless first collaboration was, in many ways, their most innovative. And while OKLAHOMA! completely changed the face of American musical theatre 75 years ago, it remains as fresh and vital today as it was then with its loving celebration of the American spirit. A stunning blend of drama, music, and dance, the exhilarating Rodgers and Hammerstein score contains such classics as “People Will Say We’re In Love,” “The Surrey With The Fringe On Top,” “Kansas City,” “I Cain’t Say No,” and the pulsating title tune, “Oklahoma!” A gold standard that set the bar for all great musicals that came after it.
Peter Wochniak Photo
“Social Security”Alfresco Productions
Sept. 14, 15 and 16
7:30 p.m. Friday and Saturday, Sunday at 2 p.m.
Alfresco Arts Center
2041 Delmar Ave., Granite Citywww.alfrescoproductions.org
What It’s About: The comedy focuses on trendy Manhattan art gallery owners Barbara and David Kahn, whose lives is turned upside down when her sister Trudy deposits their eccentric mother Sophie, on the couple’s doorstep, while she and her husband head to Buffalo to rescue their sexually precocious college student from a menage a trois!   Sophie is introduced to Maurice, who offers to paint her portrait and soon begins to brighten her life in ways she never expected, in her twilight years.
Director: Tim Callahan
Cast: Leslie Aerts, Danny Brown, Julie Cox, Nick Drago, John Mefford and Trish Nelke.
Photo Provided
“The Wizard of Oz”
Christ Memorial Productions
Sept. 14 – 23
Fridays and Saturdays at 7:30 p.m., Sundays at 2:30 p.m.
Christ Memorial Lutheran Church
5252 S. Lindbergh>www.CMPShows.org
314-631-0304.
What It’s About: L. Frank Baum’s classic tale, with music and lyrics by Harold Arlen and E.Y. Harburg, background music by Herbert Stothart, dance and vocal arrangements by Peter Howard, orchestration by Larry Wilcox. It is adapted by John Kane for the Royal Shakespeare Company, and based upon the classic MGM motion picture owned by Turner Entertainment Company.
Dorothy Gale of Kansas journeys to the Land of Oz, where she encounters the Scarecrow, Tin Man and the Cowardly Lion, and is besieged by the Wicked Witch of the West, all with her beloved Toto by her side. Will she make it back home to Auntie Em and Uncle Henry with The Wizard’s help?
Cast: Grace Wilkinson – Dorothy
Jennifer Kerner – Aunt Em / Chorus
Kathryn Nestor Klein – Glinda / Chorus
Michael Klein – Uncle Henry / Winkie / Chorus
Ray Martin – Tinman / Hickory
Nathan Gallop – Scarecrow / Hunk
John Jauss – Lion / Zeke
Nicky Collett – Wicked Witch of the West / Miss Gulch
Keith Poppitz – Wizard / Professor / Chorus
Lucy – Toto
Victor Landon – Munchkin Mayor / Monkey / Tap & Dancer / Chorus
Elena Adams – Munchkin Barrister / Poppy / Chorus
Abigail Roberts – Munchkin Coroner / Poppy / Chorus
Delaney McCoy – Munchkin Lullaby League / Monkey / Tap Dancer / Chorus
Ella Blasé – Munchkin Lullaby League / Monkey / Tap Dancer
Ginger Cox – Munchkin Lullaby League / Poppy / Chorus
Dakota Davis – Munchkin Lollipop Guild / Nikko
Jackson Ehlen – Munchkin Lollipop Guild / Poppy / Chorus
John McCreary – Munchkin Lollipop Guild / Poppy / Chorus
Of Note: The cast has more than 100 members. If you are interested in a special Sensory Friendly performance on Thursday, Sept. 20. please email [email protected] for details.