Lynn Venhaus

Total Post: 1133

Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.  She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.  She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle. She is retired from teaching journalism/media as an adjunct college instructor.

Kirkwood, Hawthorne and Goshen Theater Groups Take Top Honors in AFL’s Best Performance Awards

Kirkwood, Hawthorne and Goshen Theater Groups Take Top Honors in AFL’s Best Performance Awards

By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



Harry Potter Wannabe ‘Artemis Fowl’ a Mess

Harry Potter Wannabe ‘Artemis Fowl’ a Mess

By Lynn Venhaus
In the first of eight books in Eoin Colfer’s successful fantasy series, 12-year-old genius Artemis Fowl wants to restore his family’s fortune, so he holds Holly Short (Lara McDonnell), a fairy and captain of the Lower Elements Police Reconnaissance force (LEPRecon), for ransom to exploit the magical Fairy People. In the second book, he allies with the Fairy People to rescue his father. from the Russian Mafia.

Are you with me? At first, he’s a villain and enemy, but as the series continued, he developed and changed into an anti-hero.

The movie, in adapting the first two novels, has substantially changed the story, but if you haven’t read them, you wouldn’t know. However, you can tell that it is a disjointed, disappointing adaptation that will neither satisfy franchise readers nor introduce a compelling story to new fans.

In short, this Harry Potter wannabe is a mess. Resembling bits of Marvel, Star Wars and Fantastic Beasts movies, there is no clear vision in this chaotic mishmash – just a hodgepodge of strange folk that fails to sustain interest, even with all the CGI bells and whistles at their disposal. I am not sure even director Kenneth Branagh knew how to give this story some pizzazz.

Miscasting is a real problem here. Ferdia Shaw is a bland as the lead character who apparently, is a criminal mastermind – but you don’t sense that at all. Josh Gad, as Mulch Diggums, a giant among the tiny folks, and Judi Dench, in a gender-bending role as Commander Root, effect gravelly, growling voices – why? And Gad’s character, in an attempt to make wisecracks and be flippant, got on my last nerve.

Both Colin Farrell and newcomer Lara McDonnel are the film’s saving grace, but they can’t do much about the story’s lack of appeal. Screenwriters Conor McPherson and Hamish McColl do the source material a disservice. It has been in development since 2016. That is the first red flag. The rest of the problems indicate this is a big waste of time.

This film was set to open in theaters but is now available on Disney Plus.

“Artemis Fowl” is a fantasy, sci-fi film directed by Kenneth Branagh and starring Ferdia Shaw, Lara McDonnell, Colin Farrell, Josh Gad and Judi Dench. It is Rated PG for fantasy action/peril and some rude humor and run time is 1 hr. 41 minutes. Lynn’s Grade: D.
Available on Disney Plus streaming service as of June 12.

This review appeared in Webster-Kirkwood Times.

Muny Announces Online Programming for Summer

Muny Announces Online Programming for Summer
The Muny has announced that it will offer 10 weeks of free online Muny entertainment for the summer of 2020. For 10 consecutive Monday nights, with a single repeat stream on the subsequent Thursday, audiences and fans can experience the magic of their Muny summer online at muny.org with both curated and newly created entertainment. The Muny’s free online season is proudly sponsored by World Wide Technology.

Beginning Monday, June 15 through Monday, July 13 fans can enjoy five weeks of Muny Magic in Your Home. This new series will feature exclusive, never-before-seen footage of the The Muny’s concert series  Muny Magic at The Sheldon. Launched in 2015, the popular off-season series hosts Muny fan-favorites for intimate evenings of music, song and story.

The online season launches this Monday, June 15 at 8:15 p.m. CDT with Muny favorite, and Tony and Drama Desk Award-winner, Beth Leavel. The first Muny Magic in Your Home will also feature a guest appearance from Tony Award nominee Lara Teeter, as well as other very special surprise artists. Ms. Leavel’s music director is Phil Reno and she is joined by Vince Clark on bass and Nick Savage on drums.

The complete Muny Magic in Your Home schedule is: Beth Leavel (June 15 and 18), A Night with the Buddy Holly Boys (June 22 and 25), Our Leading Ladies (June 29 and July 2), Our Leading Men (July 6 and 9) and Mikaela Bennett and Alex Prakken (July 13 and 16). For descriptions of each show, please see below.

Beginning Monday, July 20 through Monday, August 17 the Muny will produce five online variety shows featuring Muny friends and family from around the world. The full schedule and weekly lineup will be announced in early July.

All Muny online performances can be streamed on Monday and Thursday evenings at no cost via muny.org. These are exclusive, one-time-only streams and will not be available after the Thursday night airing.
“While we can’t be together in Forest Park this summer, we wanted to have a 102nd season to bring our community and our audiences together in whatever manner we can,” said Muny Artistic Director and Executive Producer, Mike Isaacson. “One of the reasons The Muny has survived and thrived for more than a century is because we’ve been a wonderful ritual, a life bookmark, for generations of St. Louisans. With our online season, we can keep and honor that beautiful tradition. We hope everyone will gather and enjoy these terrific Muny shows.

“Our teams have been hard at work putting together 10 incredible nights of programming that will hopefully help simulate a small piece of the Muny magic audiences feel each summer in Forest Park,” said Muny President and CEO, Denny Reagan. “To kick off our online season with beloved, longtime Muny favorite Beth Leavel is nothing short of exciting. Her Muny Magic in Your Home performance sets the bar for a great online summer season ahead. We are sad that we won’t see our Muny friends and family in person, but we are eager to spend 10 nights together virtually.”
Beth Leavel, The Buddy Holly Boys, Our Leading Ladies, Our Leading Men, Mykeala Bennett and Alex Prakken
Beth Leavel | June 15 and 18
Sponsored by World Wide Technology

Beth Leavel received Tony, Drama Desk, Outer Critics Circle and L.A. Drama Critics Awards for her performance as the title character in The Drowsy Chaperone. Other Broadway: Dee Dee Allen in The Prom (2019 Tony Award nomination), Florence Greenberg in Baby It’s You! (Tony, Drama Desk, OCC nominations); Bandstand, Elf, Mamma Mia!; Young Frankenstein, 42nd Street (original and revival), Crazy for You, The Civil War, Show Boat. Numerous credits off-Broadway, regional theatre, commercials and television, including the Paper Mill Playhouse production of The Bandstand. MFA from University of North Carolina, Greensboro.

Beth’s Muny credits include: inaugural Muny Magic at The Sheldon featured artist (2015), Mama Rose in Gypsy (2018), Aunt Eller in Oklahoma! (2015); Mrs. Dolly Gallagher Levi in Hello, Dolly! (2014); Sister Robert Anne in Nunsense: Muny Style! (2013); Mrs. Meers in Thoroughly Modern Millie (2012), Miss Hannigan in Annie (2009), Vera Charles in Mame (2005), Dorothy Brock in 42nd Street (2004) and Betty Rizzo in Grease (1988). She has also served as an understudy for some of the greatest Muny leading ladies in 1983: Judy Kaye in Can-Can; Lucie Arnaz in I Do! I Do!; Lynn Redgrave in The King and I and Susan Powell in Promises, Promises.



The Buddy Holly Boys | June 22 and 25
Sponsored by Cardinal Glennon Children’s Hospital, Drury Hotels, Safety National and Welsch Heating and Cooling Company

After starring as Buddy and the Crickets in The Muny’s 2015 summer blockbuster Buddy: The Buddy Holly Story, Andy Christopher, Joe Cosmo Cogen, Kyle Lacy and Nathan Yates Douglass give an electrifying performance in the highest-attended Muny Magic at The Sheldon to date.


Our Leading Ladies | June 29 and July 2
Sponsored by Augusta Winery and Montelle Winery

Danielle Bowen (Dorothy in The Wizard of Oz, 2016), Ali Ewoldt (Martha Jefferson in 1776, 2019; Philia in A Funny Thing Happened on the Way to the Forum, 2017; Maria in West Side Story, 2013), Stephanie Gibson (Gabrielle in Cinderella, 2019; Inga in Young Frankenstein, 2016; Gertie Cummings in Oklahoma!, 2007), and Elena Shaddow (Marian in The Music Man, 2016; Cinderella in Into the Woods, 2015) give heart-stirring tributes to leading ladies of past Muny seasons, including Ethel Merman, Shirley Jones and Bernadette Peters.

Our Leading Men | July 6 and 9
Sponsored by Centene Charitable Foundation

Ben Davis (John Dickinson in 1776, 2019; Sky Masterson in Guys and Dolls, 2019; Pilate in Jesus Christ Superstar, 2017; Curly in Oklahoma!, 2015; Emile de Becque in South Pacific, 2013; Galahad in Spamalot, 2013), Davis Gaines (Joseph Pulitzer in Newsies, 2017), Jay Armstrong Johnson (Jack Kelly in Newsies, 2017, Billy Lawlor in 42nd Street, 2016; Barnaby Tucker in Hello, Dolly!, 2014) and Mykal Kilgore (Annas in Jesus Christ Superstar, 2017) celebrate iconic men from past Muny seasons.


Mikaela Bennett and Alex Prakken | July 13 and 16
Sponsored by U.S. Bank

Muny newcomer Mikaela Bennett (Ella in Cinderella, 2019) and St. Louis native, and former Muny Kid and Teen, Alex Prakken (Courier in 1776, 2019; Marius in Les Misérables, 2013) take audiences on an enchanted journey through the musical theatre songbook.

For digital assets, including the Muny Magic in Your Home logo and b-roll of Beth Leavel, please click here World Wide Technology (WWT) became the first overall season sponsor in the history of The Muny in 2014. They are committed to continuing in this role with their leadership gift as The Muny’s 2020 Online Season Presenting Sponsor To stay connected virtually and to receive the latest updates, please follow The Muny on their social media channels, including Facebook, Instagram and Twitter.
 ###

The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 350,000 theatregoers over our nine-week season. Celebrating 102 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.

For more information about The Muny, visit muny.org

The Repertory Theatre of St. Louis Postpones Season Start

The Repertory Theatre of St. Louis Postpones Season Start

The Repertory Theatre of St. Louis has announced that it will postpone the beginning of its 2020-2021 season until at least December 2020 in order to ensure the safety of its patrons, guest artists, staff and volunteers.

Following months of consultation between the theatre’s leadership, board members and fellow St. Louis cultural institutions, The Rep will push back its usual September start time and reconfigure its schedule for the upcoming season. The theatre’s plan is to reopen in December with A Christmas Carol and then run an extended winter/spring season in 2021.

The Rep will formally announce its rescheduled season on September 1.

“While we are going to greatly miss connecting with our patrons in September, we understand that The Rep exists within a much larger public health picture for the St. Louis region,” said Hana S. Sharif, The Rep’s Augustin Family Artistic Director. “We want to ensure that when we reopen, it’s in a way that maximizes the health and safety of our community. We look forward to throwing open our doors this December to launch the joyous holiday tradition of A Christmas Carol for St. Louis families.”

As part of its planning, The Rep has banded together with its fellow cultural organizations as part of the St. Louis Reopening The Arts Work Group. This collective is forming a unified plan that takes under consideration the CDC’s recommendations as well as any federal, state and local government directives.

“Our group is exploring the implementation of disinfecting, social distancing, face coverings, temperature screenings and more throughout all St. Louis arts venues,” Sharif said. “Our goal is to create a safe environment for everyone to enjoy live art, music and theatre as soon as possible.”

The Rep, as a member of the League of Resident Theatres (LORT), is also collaborating closely with the five labor unions whose members help to bring its plays to the stage, ensuring that the theatre will continue to provide a safe and healthy workplace.

Until it returns to staged productions, The Rep will continue its educational and outreach work throughout the St. Louis community, including free efforts like Play at Home and the WiseWrite Digital Play Festival. Stay tuned to repstl.org for continued updates, as well as exciting virtual arts activities.

Doc Says Green Is Good for Racing

Doc Says Green Is Good for Racing

By Lynn Venhaus
This is the future.

Formula E Championship Racing is the world’s fastest growing motorsport since its inception in 2014. “And We Go Green” is a behind-the-scenes look at the groundbreaking series, showing racing footage interwoven with candid interviews with the elite drivers Jean-Eric Vergne, Nelson Piquet Jr., Sam Bird, Lucas di Grassi and Andre Lotterer as they race for victory across 10 major cities during the 2017-2018 season.

While it might not seem as exciting as Formula One, the film explains its formation and looks at some of the drivers currently on the circuit. We travel to 12 of the world’s greatest cities to witness the racers’ adventurous road.

Produced by Leonardo DiCaprio, among others, he is seen discovering the Aquafuel that runs the cars, along with high-tech and complex batteries and operations. He is a well-known environmental activist.

Screenwriter Mark Monroe concentrates on the redemption stories, the drivers whose need for speed has led them on complicated journeys.

Smoking a cigar and perched on a yellow couch, founder Alejandro Agag tells his equally fascinating story. An aide to the prime minister of Spain, he became the youngest man elected to Parliament. He resigned when he married the prime minister’s daughter. A character – and an entrepreneur – he founded Formula E. Turns out the environment wasn’t his guiding passion, but of course, he supports going green.

The moody, temperamental Jean-Eric Vergne, nicknamed “Jev,” has something to prove while he seeks the championship. So does Britain’s Sam Bird, always a bridesmaid. Then there is a legacy, Nelson Piquet Jr., whose dad was a frenemy of Senna, Brazil’s greatest sportscar driver. He has his share of troubles.

Their rivalry helps fuel this documentary, which is fairly standard as sports documentaries go. The sport, in its infancy, will only grow in stature now that Mercedes-Benz, BMW and Porche joined as sponsors in the fifth year. That’s a coda tacked on to the end.

Like “Ford vs. Ferrari,” you don’t need to be a gearhead to enjoy this movie. It may help to understand the intricacies and mindset, but not required.

“And We Go Green” is a Documentary directed by Fisher Stevens and Malcolm Venville. It is not rated and is
Not Rated and is 1 hr. 39 min. long. Lynn’s Grade B. Available on Hulu on June 4.

A version of this review ran in the Webster-Kirkwood Times online.

SHAKE20: 20 Nights of Virtual Shakespeare

SHAKE20: 20 Nights of Virtual Shakespeare

Beginning May 29 at 8 p.m., the St Louis Shakespeare Festival kicks off the virtual companion to the beloved SHAKE38 program created in 2012. For five years, SHAKE38 brought professional and amateur artists together to reshape Shakespeare’s stories using their own voice and perspective.

Recent national events are stark reminders there is still an exceptional need for stories about the full range of human experience–often joyous and kind but sometimes painful and unjust. The Festival is honored to bring this program back in a new form and hand the reigns of our online platforms off to the talented and diverse group of performers for each of these 20 nights. 

With the recent announcement that we are postponing this summer’s production of Much Ado About Nothing, we will be approaching the first June in twenty years without Shakespeare in Forest Park. Instead of going dark – we are resurrecting Shake38 as SHAKE20. 

20 nights of virtual Shakespeare plays for each night we would have been in Shakespeare Glen. You are invited to join!

Performances will take place every night but Monday, May 29 – June 20, 2020.

Go the Festival’s Facebook page (every night but Monday) at 8 p.m. and watch live. If you miss a night, each performance will be archived here and available for viewing at any time. 

Parameter: Create a 20-30 minute adaptation of one of Shakespeare’s 38 plays crafted for a live streaming experience.

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

By Lynn Venhaus

It is rare to find a low-budget independent film that is so assured, so confident in its fluid camera movements and spot-on production elements that it makes you believe in the thrilling possibility of movies. “The Vast of Night” is the most pleasant of surprises – a thoroughly satisfying genre film that gets many things right for 89 captivating minutes.

One fateful night in a sleepy town in New Mexico, a naive switchboard operator (Sierra McCormick) and cocky radio DJ (Jake Horowitz) begin to suspect some supernatural goings-on that may alter their future. Could it be a UFO? Commies? After all, it is the 1950s. They set out on a mission of discovery as some sort of invasion seems imminent.

In a brilliant film debut, director Andrew Patterson – whose day job included promotional video for the Oklahoma City Thunder NBA team – breaks through as a fresh, imaginative talent. It is not so much the plot, which is a standard UFO science fiction tale, but it is the way he builds an eerie tone and intriguing rhythms in this old-fashioned, well-worn story.

The first sign that we are in for a fun ride is framing it as an episode of “Paradox Theatre,” a Twilight Zone knockoff in glorious black-and-white, ‘50s-style. I can imagine sitting in my grandparents’ living room watching this on “Chiller Thriller” or at the drive-in.

Set in fictional Cayuga, N.M., in 1957, most townsfolk are packed inside the local high school gym for a big game with cross-valley rivals. ‘Big fish in a little pond’ DJ Everett “The Maverick” Sloane is setting up the reel-to-reel tape for recording the action and fast-talking with everyone, including 16-year-old Fay Crocker. Both techie nerds, they share a fascination with the future and what may be in store for mankind.

She must work her part-time job as a switchboard operator, so they walk to the town’s communication center, talking in an engaging style, reminiscent of Richard Linklater films. The tracking shot is a dazzling feat while snappy repartee ensues beneath the glow of streetlights.

Patterson’s slowly builds the suspense, aided by M.I. Littin Menz’s striking cinematography. Is this an instance where “good people go bad and smart people go mad,” Everett wonders.

With intelligence and wit, screenwriters James Montague and Craig W. Sanger have crafted interesting blocks of dialogue, establishing the characters’ personalities right away. The set-up is almost Altman-esque, the way everyone chatters about a squirrel biting through an electric chord that has wreaked havoc.

What kind of storm is brewing? The phones seem on the fritz with weird noises. People are reporting seeing “something in the sky.” That turns Everett and Fay into super-sleuths. They are determined to crack the mystery, and with the help of two call-in listeners to the radio station, they are certain an invasion of some sort is afoot.

By setting it in the 1950s, when everyone was nervous about the Russians and the Cold War, let alone post-atomic paranoia, that factors into an “Invasion of the Body Snatchers” and “The X-Files” vibe as well as a “Close Encounters of the Third Kind” feel.

The main duo, Sierra McCormick and Jake Horowitz convey a wholesome earnestness that is refreshing.

Bruce Davis, as an ex-military man describing secret government operations, is hypnotic during a fade-to-black monologue. So is an elderly shut-in, harboring a dark secret. Gail Cronauer imbues Mabel Blanche with a palpable sadness, as she is convinced that aliens abducted her child years ago but always dismissed if she brings it up. Those segments are reminiscent of old-timey radio plays.

After its Toronto international Film Festival debut last November, “The Vast of Night” was a runner-up to the people’s choice award. At Slamdance in 2019, it won the audience award for best narrative feature. The screenwriters were nominated for best first feature screenplay at the Independent Spirit Awards earlier this year.

With its critical raves and crowd-pleasing awards, “The Vast of Night” is now ready to be seen by the public.

“The Vast of Night,” directed by Andrew Patterson; starring Jake Horowitz, Sierra McCormick, Bruce Davis, Gail Cronauer.
Rated: PG-13 for brief strong language. Run time: 89 minutes. Lynn’s Grade: A
Available on Amazon Prime May 29

This review ran in the Webster-Kirkwood Times .

Sightlines Column: Why Are We Moving Backwards in This Country?

Sightlines Column: Why Are We Moving Backwards in This Country?

By Lynn Venhaus
Seven minutes. That’s how long officer Derek Chauvin had his knee on George Floyd’s windpipe, cutting his air off. Three other officers were right there. They allowed Floyd to die.

What a horrible death. You hear him plead for his life. Can you imagine Floyd’s terror, who in the video was cooperating with police? No resisting arrest, as a claim had made. He was handcuffed. Struggling to breathe. Saying “Please…please.” Watch the freakin’ video. (There is a newly surfaced video featuring another angle that shows the other three Officers doing nothing to help Floyd, noticing the camera.)

I am as outraged as anyone that this death occurred — needless, senseless, unbelievably sad and tragic. Sadly, it is just one more in an all-too familiar tale.

Why is Chauvin not charged yet? The other three are accessories. They should all face swift criminal charges.

We watched this video in horror. We watched a man murdered in real time. What if we didn’t have this video?

What if in NYC, Christian Cooper hadn’t videotaped Amy Cooper calling the cops on him with a bogus story — which I consider a hate crime, and I hope she is prosecuted as such. We haven’t come very far from “To Kill a Mockingbird” have we?

How many cases of people without a moral compass harming someone — showing their true character in flaunting white privilege or racism — that go on in this country unnoticed because no one hit the record button?

I can only imagine.

It’s hard to watch this much hate. How it consumes and eats at people, and why? Because they are different? Because you feel superior?

What does “Jews will not replace us” even mean? I don’t understand this need for dominance or supremacy.

I don’t understand why we’re moving backwards.

I naively believe in the power of communication. Of sitting down with people and learning about their circumstances, about why we are where we are, and what can we do to move forward? About how we need to view each other as people — as real individuals, human beings who share common goals and reach common ground.

I understand the anger and frustration in Minneapolis and across the country tonight (although I don’t understand destroying businesses that are part of a community). And yes, I don’t know what it’s like to be black in America. As a US citizen, I don’t like what I’m seeing, and I feel as helpless as everyone else does. How do we fix these problems?

Chauvin had 18 previous complaints in internal affairs. I can only assume Swain was not one of the good guys. He had gotten away with bad behavior before. The other department police officers, (example of the late ISP trooper Nick Hopkins who made it his mission to help people), who believe in protecting and serving the people without prejudice are now lumped in with the bad guys. Distrust and disrespect are at an all-time high.

We have a mess here.

Why are we moving backwards in race relations?

What can we do? We need to get behind reforms and action — but how will we do this?

The P&G commercial below won an Emmy a couple years ago. I showed it to my SIUE media class. We talked about its power, about its ability to affect change with awareness. But some of the students didn’t feel like things were going to change.

We shouldn’t doubt that justice will be served — shouldn’t it be a given, but no…we have seen injustice too many times.

We shouldn’t have people worry that when they go out the door they might not come home because of systemic bigotry.

This is 2020, not 1860 or 1930 or 1965. This is not something in the past. This is very much here and now. No wonder the pent-up anger and frustration is spilling out.

Is spilling out?

Watching this much hate shouldn’t be normal. Let’s not normalize any of this.

Sightlines is a personal viewpoint column on a variety of topics, not just showbiz. Opinions expressed are mine alone. — Lynn Venhaus

Metro Theater Company Launches 2-Play Digital Streaming Series, Virtual Summer Camps

Metro Theater Company Launches 2-Play Digital Streaming Series, Virtual Summer Camps

Metro Theater Company (MTC), St. Louis’s premiere professional theater for youth and families, has launched a two-play summer digital streaming series, including the 2019 world premiere of The Girl Who Swallowed a Cactus by Eric Coble (available May 27 – June 28) and the critically acclaimed 2016 production of And In This Corner… Cassius Clay by Idris Goodwin (available June 23 – July 26). 
Both productions, which were directed by MTC Artistic Director Julia Flood, will be available in a pay-what-you-can pay-per-view environment at metroplays.org, expanding the company’s artistic footprint into the living rooms of families in St. Louis and across the world as the St. Louis community adjusts to changes in public gatherings to prevent the spread of the coronavirus this summer. The streaming performances are presented in partnership with HEC Media, whose video production team captured and edited both productions.
Prior to this summer streaming series, both productions were part of a virtual international festival and conference hosted earlier in May by TYA-USA, the national service organization for theaters for youth and families, attended by over 1,200 theater and education professionals. 
Summer Streaming Productions
The Girl Who Swallowed a CactusMay 27 – June 28, 2020Streaming at metroplays.org/watchnowThe Girl Who Swallowed a Cactus originally toured to schools across the St. Louis region in September, October, and November 2019. During that school tour, it also received several public performances, in partnership with the Missouri History Museum, the Missouri Botanical Gardens, the Central Branch of the St. Louis Public Library, and Urban Chestnut’s Oktoberfest. The pay-per-view performance being streamed was captured at the Missouri History Museum. The one-person play is an imaginative tour de force for actress Jamie McKittrick as she shares the story of a group of friends who go on a wild adventure in the American Southwest after a well-dressed talking coyote steals an orange traffic cone from their junkyard summer fortress.

Cassius Clay. Photo by Victoria Lafferty

And In This Corner…Cassius ClayJune 23 – 26, 2020 Streaming at metroplays.org/watchnowAnd In This Corner…Cassius Clay tells the story of the young man who would become Muhammad Ali and his relationship with a white police officer who introduced him to boxing in Jim Crow-era Louisville. The play was a hit of the 2015-16 theater season and generated numerous accolades for Metro Theater Company, including the Network for Strong Communities’ prestigious Paulie Award for creating positive change through collaborative nonprofit partnerships. Led by Trigney Morgan as Cassius Clay between the ages of 11 and 20, the play was celebrated by the St. Louis American for its “authentic chemistry among the cast” and its potential to encourage audiences “to channel their inner champion and fight for what’s right.” The streaming production was filmed during the play’s original February 2016 run at the Missouri History Museum.
Additional Virtual Offerings
Virtual Summer CampsJune 8–26, July 6–10, July 27–August 7, 2020   Available at metroplays.org/summer-campsIn response to COVID-19, Metro Theater Company has shifted its popular summer camps to run as virtual camps this year. Virtual camps begin with three weeks of middle school camp (June 8 – 26), each exploring a different theme, from Reality TV to a murder mystery whodunnit to characters from literature. High school camp is offered July 6-10, and two one-week camps for Pre K through Grade 5 are offered July 27 – August 7. All camps include a combination of drama, dance, music, and creative discovery, including audition technique, stage combat, stage make up, and playwriting for older campers. Camps start at $100 per week for half-day Pre-K and Kindergarten students. Registration and detailed pricing is available at www.metroplays.org/summer-camps. 

COVID-19 Memory ProjectOngoingOnline at metroplays.org/memoryproject Metro Theater Company also continues its COVID-19 Memory Project, sourcing stories from the St. Louis community throughout the pandemic. Stories and experiences shared with MTC are being adapted into virtual theatrical performances. The first short performance of material from the COVID-19 Memory Project will be included in the May 31 Arts United STL benefit for the Regional Arts Commission. The first of several short “Zoom Plays” will follow, beginning in early July. 

About Metro Theater Company: Since 1973, Metro Theater Company has been creating productions that respect young people’s intelligence, tell compelling stories, stimulate curiosity and provoke thoughtful reflection. The Company has reached a total audience of more than two million and has a national reputation for excellence in the field of professional theater for young audiences. Metro Theater Company has received major honors and awards, both locally and nationally. The company is led by Artistic Director Julia Flood and Managing Director Joe Gfaller. For more information, visit http://metroplays.org. 

McKendree’s Hett Center Re-imagines its 2020-2021 Season

McKendree’s Hett Center Re-imagines its 2020-2021 Season

The Hettenhausen Center for the Arts (the Hett) at McKendree University will continue to connect its audiences to the arts in its 2020-2021 season, in some creative new ways if necessary.

The COVID-19 pandemic has posed unique challenges for scheduling, contracting and preparing to host events months in advance at the 488-seat auditorium, said Liz Crabtree, director of the Hett. Performances will be held on site if conditions are within the appropriate recovery phases of the governor’s Restore Illinois plan.

“We are reimagining our 2020-2021 season and remaining hopeful and flexible,” said Crabtree. “Performances could take place inside the auditorium, outside as a ‘concert in your car’ in the Hett parking lot like a drive-in movie, or virtually on-demand or live-streamed. I am committed to finding ways for us to connect with the arts.”

The Hett will adhere to state and local public health recommendations for events and will take appropriate precautions to protect audience members’ health and safety. Indoor seating capacity may be reduced to create more distance between individual seats, or pairs of adjacent seats, in order to minimize contact. The box office ticketing system may be adjusted accordingly, potentially making some seats unavailable.

A video preview, as well as ongoing updates, will be posted on theHett.com. Dates and times are subject to change. Friends of the Hett may purchase tickets starting on Aug. 3; the general public may do so beginning Aug. 13 at noon. Visit theHett.com or call 618-537-6863 (1-800-BEARCAT, ext. 6863) for tickets or more information. All events are open to the public. Prices will range from $5 for children to $38 for adults, with discounts for seniors and students.

Local and regional artists are the focus of the “Discovery Series” in 2020 and early 2021:

Aug. 29, 7:30 p.m.: Mr. Blue Sky, a recreation of the ultimate Electric Light Orchestra experience.

Oct. 1, 7:30 p.m.: The Traveling Salvation Show, an energetic Neil Diamond tribute.

Oct. 23, 7:30 p.m.: U.S. Air Force Starlifters play current and ’70s hits, rock, pop, jazz and country.

Nov. 10, 7: 30 p.m.: Old Salt Union, a progressive, high-energy Americana bluegrass-string band.

Dec. 6, 2 p.m.: Janet Evra gives bossa nova, samba and Latin a modern, indie twist.

Dec. 12, 7:30 p.m. and Dec. 13, 2 p.m.: U.S. Air Force Band of Mid-America in a joyful holiday season concert.

Dec. 16, 7:30 p.m.: Big Muddy Dance Company’s “Scrooge,” a contemporary dance satire on the classic tale of love and redemption.

Jan. 24, 2021, 7:30 p.m.: Dave Dickey Big Band performs jazz classics by Count Basie, Woody Herman, Stan Kenton, Buddy Rich and Duke Ellington.

“Discovery Series” performers may also include country singer Alexandra Kay, Randy Holmes, The Wee Heavies and The Brothers Jefferson. Check theHett.com for updates.

“McKendree Presents,” a series of national and international touring acts, will resume in 2021:

Annie Sellick, Nashville jazz vocalist, known for her pleasing, expressive voice.

Pat Hazell’s “Permanent Record” dives into the former “Seinfeld” writer’s personal records to confront his past, present and potential future with humor.

Beauty Slap combines funky, bold, big-band brass with electronic dance music grooves.

Leonid & Friends, an 11-piece band from Moscow, captures the spirit and musicality of jazz-rock super group Chicago.

The ReMINDers mixes soulful vocals and reggae-tinged hip-hop beats with inspiring messages.

Schoolhouse Rock Live! The hit cartoon is brought to life, updated for a new generation with a rock ’n roll feel.

Women in Jazz celebrates the legendary Bessie Smith, Billie Holiday and Nina Simone.

Goitse, an energetic, award-winning Irish quintet plays traditional and original tunes.

Carpe Diem String Quartet, an indie chamber ensemble with a repertoire of classical, Gypsy, tango, folk, pop, rock and jazz.

Pilobolus, dancers whose speed, accuracy and strength breaks barriers between disciplines.

ETHEL + Robert Mirabal: The River, a collaboration of music, narrative and ritual by an adventurous New York string quartet, a Native American artist and the Cahokia Mounds State Historic Site.

The McCammon Distinguished Speaker Series will host two Nat Geo Live!speakers, Dr. Zoltan Takacs, a snake venom scientist; and Bertie Gregory, a wildlife photographer. Ishmael Beah, a former child soldier and human rights activist, and the idea lab, a TED Talk-style evening of speakers, will return next spring.

The Hett’s free Film Art Series will present “Booksmart,” Sept. 22; “The Night of the Hunter,” Oct. 12; “Scotland, Pa.,” Nov. 12; “Spider-man,” Feb. 11, 2021; “The Last Black Man in San Francisco,” Feb. 23; and “The Anthropocene,” Apr. 22.

The “McKendree University Series” proudly presents talented students from the Division of Visual and Performing Arts throughout the year.

-McK-

The Russel E. and Fern M. Hettenhausen Center for the Arts—“The Hett”—is Southern Illinois’ premier performing arts venue, presenting world class dance, drama, classical music and jazz. The 488-seat auditorium is located on the McKendree University campus in Lebanon, Ill., 25 miles from downtown St. Louis.